Relevant bibliographies by topics / Painting in Brazil in the XIX century

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Painting in Brazil in the XIX century'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Painting in Brazil in the XIX century.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Painting in Brazil in the XIX century"

1

Carneiro Dazzi, Camila Carneiro. "PELAS RUAS DO MAGREBE: ORIENTALISMO NO BRASIL AO FINAL DO SÉCULO XIX / Walk through the streets of the Maghreb: orientalism in Brazil at the end of the 19th century." arte e ensaios 26, no. 40 (2020): 261–81. http://dx.doi.org/10.37235/ae.n40.18.

Full text
Abstract:
O Magrebe central, cuja palavra de origem árabe e significa “onde o Sol se põe”, correspondia, ao final do século XIX, a um território que englobava a Tunísia, a Argélia e o Marrocos (STORA, 2004). Foi uma região fecunda em temas de inspiração, e ao final do Oitocentos, muitos artistas Europeus e Americanos consideravam uma estadia no Magrebe tão indispensável quanto uma permanência de estudos na Itália, destino eleito por inúmeros pintores para o desenvolvimento de pesquisas de renovação do uso da luz e da gama cromática. O Magrebe não só permitia novas possibilidades no uso da cor e de luz,
APA, Harvard, Vancouver, ISO, and other styles
2

Coelho, Geraldo Mártires. "BELÉM E A BELLE ÉPOQUE DA BORRACHA." Revista Observatório 2, no. 5 (2016): 32. http://dx.doi.org/10.20873/uft.2447-4266.2016v2n5p32.

Full text
Abstract:
O artigo discute a história e a vida de Belém na passagem do século XIX para o século XX, marcada por um conjunto de elementos sociais, intelectuais e artísticos que refletiam as influências da cultura e da sociedade europeia, principalmente francesa, do período. Em termos de Brasil, esse processo se verificou em Belém e no Rio de Janeiro: era a chamada Belle Époque. Cultivou-se o gosto pelo que vinha da Europa, o que podia ser visto na maneira de se vestir das elites locais e na vida social que levavam em Belém. A literatura, a pintura e a música, cultuadas por essas mesmas elites, faziam da
APA, Harvard, Vancouver, ISO, and other styles
3

Gauzer, Irina. "RECEPTION OF SPANISH PAINTING IN RUSSIAN TRAVELOGUES OF XIX CENTURY." Interexpo GEO-Siberia 5 (2019): 167–76. http://dx.doi.org/10.33764/2618-981x-2019-5-167-176.

Full text
Abstract:
The article deals with reception of images of Spanish painting in Russian essays of the XIX century. Study materials are travelogues, letters and memoirs of Russian travelers. The subject of the study is peculiarities of interpreting Spanish artists’ creativity and images created by them in the texts of Russian culture.
APA, Harvard, Vancouver, ISO, and other styles
4

Gudymenko, Yu Yu. "New Motifs in Russian Portrait Painting in Early XIX century." Университетский научный журнал, no. 59 (2020): 48–55. http://dx.doi.org/10.25807/pbh.22225064.2020.59.48.55.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Tarasova, Maria, та Sabina Maremkulova. "РЕПРЕЗЕНТАЦИЯ ПОНЯТИЯ «СОЦИУМ» В РУССКОЙ ЖИВОПИСИ БЫТОВОГО ЖАНРА XIX ВЕКА". Social Anthropology of Siberia 2, № 1 (2021): 15–28. http://dx.doi.org/10.31804/2687-0606-2021-2-1-15-28.

Full text
Abstract:
The aim of the study is to reveal the ways of representing the concept of “society” in the works of the genre art in the Russian painting of the 1860-1870s. The research is carried out using the method of philosophical and art history analysis of works of fine art. The main object of the study is the painting “Rural procession on Easter” by Vasiliy G. Perov. The study describes the specific features of the genre art in the Russian painting of the 19th century. The research shows how works of the genre art realize their didactive and educating functions. A theoretical analysis of the concepts o
APA, Harvard, Vancouver, ISO, and other styles
6

Fayzulla, Ochildiev. "The Craftsmanship Of The Emirate Of Bukhara At The Second Half Of The XIX Century - The Beginning Of The XX Century." American Journal of Interdisciplinary Innovations and Research 02, no. 11 (2020): 33–38. http://dx.doi.org/10.37547/tajiir/volume02issue11-07.

Full text
Abstract:
This article describes the development of handicrafts in the second half of the XIX century and the beginning of the XX century in the Emirate of Bukhara. In the Emirate of Bukhara from ancient times developed weaving, embroidery, tanning, carpet weaving, pottery, blacksmithing, coppersmithing, carving, jewelry, painting and other crafts.
APA, Harvard, Vancouver, ISO, and other styles
7

Petrova, Olga, Dmitrii Pankin, Anastasia Povolotckaia, et al. "Pigment palette study of the XIX century plafond painting by Raman spectroscopy." Journal of Cultural Heritage 37 (May 2019): 233–37. http://dx.doi.org/10.1016/j.culher.2018.11.010.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Chernysheva, Maria A. "The New Historical Narrative in the 19th Century Painting." Actual Problems of Theory and History of Art 8 (2018): 140–48. http://dx.doi.org/10.18688/aa188-1-13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Krivondenchenkov, S. V. "THE IDEAL OF FEMALE BEAUTY IN RUSSIAN PAINTING (EARLY XVIII-MID XIX CENTURY)." Вестник Санкт-Петербургского государственного университета технологии и дизайна. Серия 2: Искусствоведение. Филологические науки, no. 3 (2020): 68–75. http://dx.doi.org/10.46418/2079-8202_2020_3_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Bragina, Natalia, and Jelena Jermolajeva. "THE DOLL IN THE PAINTINGS OF THE LATE 19TH – EARLY 20TH CENTURIES: HERMENEUTIC ANALYSIS." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 5 (May 20, 2020): 616. http://dx.doi.org/10.17770/sie2020vol5.4859.

Full text
Abstract:
The semantics of the doll in painting is not sufficiently investigated in art history and culture studies. The doll is never an accidental or unimportant component of a painting; it reveals deep psychological and symbolic undertones, complicates and concretizes the content of the painting. Each art style deals with this topic in its own way. The aim of the article is to analyse the interpretation of the image of the doll in various styles of painting of the second half of the XIX century – beginning of the XX century: in realistic painting, in symbolism, impressionism, and modernism. The resea
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Painting in Brazil in the XIX century"

1

Silva, Eliane Pinheiro da. "A construção do visível: alegoria na pintura brasileira na segunda metade do século XIX." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-17042018-143000/.

Full text
Abstract:
Esta pesquisa investiga mecanismos construtivos e interpretativos que fizeram com que algumas pinturas fossem compreendidas como alegorias na segunda metade do século XIX no Brasil. A análise está centrada sobre duas obras do pintor paraibano Pedro Américo (1843-1905): Estudo para Libertação dos Escravos (1989) e Pax et Concordia (1902). A investigação é ampliada para o diálogo que essas pinturas estabeleceram com outras obras do mesmo contexto e com as concepções de alegoria existentes no Brasil em fins do século XIX.<br>This research scopes out productive and interpretative mechanisms which
APA, Harvard, Vancouver, ISO, and other styles
2

Oliveira, Helder Manuel da Silva de. "Olhar o mar : um estudo sobre as obras 'Marinha com Barco' (1895) e Paisagem com Rio e Barco ao Seco em São Paulo "Ponte Grande" (1895) de Giovanni Castagneto." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281530.

Full text
Abstract:
Orientador: Luciano Migliaccio<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-08T08:25:10Z (GMT). No. of bitstreams: 1 Oliveira_HelderManueldaSilvade_M.pdf: 4912331 bytes, checksum: 5acaaa32d9e9543d03f7839664c88225 (MD5) Previous issue date: 2007<br>Resumo: A origem deste estudo são as obras Marinha com barco (1895) e Paisagem com rio e barco ao seco em São Paulo 'Ponte Grande¿ (1895) de autoria de Giovanni Castagneto. Este se inicia com um breve histórico da pintura de marinha correlacionando a
APA, Harvard, Vancouver, ISO, and other styles
3

Seraphim, Mirian N. (Miriam Nogueira). "A catalogação das pinturas a óleo de Eliseu d'Angelo Visconti = o estado da questão." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280443.

Full text
Abstract:
Orientador: Jorge Coli<br>Acompanha no v. 1 1 CD-ROM<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-16T10:33:17Z (GMT). No. of bitstreams: 1 Seraphim_MirianN.(MiriamNogueira)_D.pdf: 12638976 bytes, checksum: e9c65ea2af43869cc442737e0ffb85ac (MD5) Previous issue date: 2010<br>Resumo: O pintor Eliseu d'Angelo Visconti (Salerno, Itália, 1866 - Rio de Janeiro, 1944), apesar de ser precursor do modernismo brasileiro, pioneiro do design no Brasil, e ainda decorador de diversos edifícios importantes do Rio de
APA, Harvard, Vancouver, ISO, and other styles
4

Garboggini, Flavia de Almeida Fabio. "Um album imaginario = Insley Pacheco." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/283992.

Full text
Abstract:
Orientador: Iara Lis Franco Schiavinatto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-15T15:11:50Z (GMT). No. of bitstreams: 1 Garboggini_FlaviadeAlmeidaFabio_M.pdf: 21122043 bytes, checksum: 1b8450cc6677d1a5b2f701d714c7be7e (MD5) Previous issue date: 2005<br>Resumo: Este trabalho apresenta um levantamento da produção do fotógrafo e pintor, Joaquim Insley Pacheco, que atuou no Rio de Janeiro entre 1855 e 1912, sendo um dos responsáveis pela elaboração e divulgação da imagem fotográfica de D. Pedro II. Através das obr
APA, Harvard, Vancouver, ISO, and other styles
5

Costa, Richard Santiago 1985. "O corpo indígena ressignificado : Marabá e O último Tamoio de Rodolfo Amoedo, e a retórica nacionalista do final do Segundo Império." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281782.

Full text
Abstract:
Orientador: Claudia Valladão de Mattos<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-22T10:23:25Z (GMT). No. of bitstreams: 1 Costa_RichardSantiago_M.pdf: 19493104 bytes, checksum: 5f25f91acbf60eab43f89b48112b2700 (MD5) Previous issue date: 2013<br>Resumo: O presente projeto de pesquisa pretende estudar duas obras específicas do pintor brasileiro Rodolfo Amoedo intituladas O último Tamoio (1883) e Marabá (1882). Tais obras serão analisadas dentro do contexto de sua produção na segunda metade do
APA, Harvard, Vancouver, ISO, and other styles
6

Brito, Ana Carla de. "Camadas do olhar : a pintura de paisagem de Hipólito Caron (1862-1892)." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/180715.

Full text
Abstract:
anos 1882 e 1891. Por meio de catálogos e pesquisa de campo junto a acervos e coleções, procuramos fazer o levantamento de obras do pintor nesse período. A análise das paisagens foi realizada buscando apreender a percepção do artista em relação aos espaços representados. Em diálogo com a fenomenologia, foram utilizados como articulação teórica a noção de conversibilidade de Merleau-Ponty, o conceito de metaxu como explicado por Emanuele Coccia, e, ainda, a relação entre paisagem in visu e paisagem in situ proposta por Anne Cauquelin. A produção de Caron é contextualizada em sua época, sendo co
APA, Harvard, Vancouver, ISO, and other styles
7

Souza, Karen Fernanda Rodrigues de. "As cores do traço : paternalismo, raça e identidade nacional na Semana Illustrada (1860-1876)." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278786.

Full text
Abstract:
Orientadores: Leonardo Affonso de Miranda Pereira, Sidney Chalhoub<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-08T06:14:47Z (GMT). No. of bitstreams: 1 Souza_KarenFernandaRodriguesde_M.pdf: 7150480 bytes, checksum: 6bdf4772713e9feec7ac3957cbf879a1 (MD5) Previous issue date: 2007<br>Resumo: Este trabalho busca entender o modo pelo qual os escritores e desenhistas da Semana Illustrada, revista humorística que circulou no Rio de Janeiro entre os anos de 1860 e 1876, fizeram da publicação um meio
APA, Harvard, Vancouver, ISO, and other styles
8

Martini, Fátima Regina Sans. "O 'Grupo Tapir'e a pintura de casarios (1960-1980) /." São Paulo, 2004. http://hdl.handle.net/11449/86996.

Full text
Abstract:
Orientador: José Leonardo do Nascimento.<br>Resumo: Nos anos 1960 a 1980, alguns artistas seguiram na contramão da chamada arte de vanguarda ou da arte dos "ismos", pintando principalmente casarios - seqüências de casas geminadas, freqüente no estilo arquitetônico colonial brasileiro - um assunto empregado em determinadas pinturas de paisagens urbanas. O tema foi amplamente consumido, ainda que possa ter sido considerado ultrapassado no período. Os artistas viveram de sua arte e participavam ativamente das exposições promovidas pelas principais galerias e mostras oficiais, assim como dos leilõ
APA, Harvard, Vancouver, ISO, and other styles
9

Aranha, Roberta Heinemann de Souza. "Os arcanos maiores do Tarô e a pintura Simbolista do Séc. XIX = um visão interpretativa da correlação arquétipica." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284920.

Full text
Abstract:
Orientador: Elisabeth Bauch Zimmermann<br>Dissertação (mestrado) - Universidade Estadual de Campionas, Instituto de Artes<br>Made available in DSpace on 2018-08-17T11:04:43Z (GMT). No. of bitstreams: 1 Aranha_RobertaHeinemanndeSouza_M.pdf: 6848970 bytes, checksum: 0e7cb8ad384b5c041add792031cf073b (MD5) Previous issue date: 2010<br>Resumo: Este trabalho relaciona as imagens dos Arcanos Maiores do Tarô com o contexto imagético das Artes Visuais, em especial, evidencia a correlação entre a pintura da escola Simbolista e o Tarô. Também procura desvelar alguns aspectos arquetípicos encontrados at
APA, Harvard, Vancouver, ISO, and other styles
10

Sial, Vanessa Viviane de Castro. "Das igrejas ao cemiterio : politicas publicas sobre a morte no Recife do Seculo XIX." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/330300.

Full text
Abstract:
Orientador: Sidney Chalhoub<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-04T02:09:56Z (GMT). No. of bitstreams: 1 Sial_VanessaVivianeDeCastro_M.pdf: 24681420 bytes, checksum: 3b203dcdd5968b58423026a2a3ba5eab (MD5) Previous issue date: 2005<br>Resumo: Esta dissertação analisa, a partir do projeto de construção do Cemitério Público Bom Jesus da Redenção no Recife do século XIX, como se deram as transformações dos costumes fúnebres, mediante a imposição de normas sanitárias relacionadas às prática
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Painting in Brazil in the XIX century"

1

Pintores alemães no Brasil durante o século XIX =: Deutsche Maler in Brasilien in XIX Jahrhundert = German painters in Brazil during the XIX century. Edições Pinakotheke, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kaz, Leonel, Emma Smith, and Salvador Monteiro. Aquarelas Brasil, século XIX: Paisagem, flores, frutos. Edited by Biblioteca Nacional (Brazil). Edições Alumbramento, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

São Paulo (Brazil : State). Pinacoteca do Estado, ed. Arte brasileira na Pinacoteca do Estado de São Paulo: Do século XIX aos anos 1940. Cosac Naify, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Marques, Luiz C. Pintura italiana anterior ao século XIX no Museu Nacional de Belas Artes: Catálogo raisonné. Area Editorial, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

A, Habsburg Feldman S. Old Master and XIX century paintings and drawings: New York, Wednesday, May 30, 1990 : auction. Habsburg, Feldman, 1990.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Group, Scala, ed. 19th century art =: Kunst des 19. jahrhunderts = Kunst van de 19e eeuw = Arte del siglo XIX. Scala, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Pequena historia das artes no Brasil. Atomo, Sao Paulo, Edicoes PNA, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

B, Z︠H︡bankova O., та Nat︠s︡ionalʹnyĭ khudoz︠h︡niĭ muzeĭ Ukraïny, ред. Ukraïnsʹkyĭ z︠h︡yvopys XIX--pochatku XX st. z kolekt︠s︡iï Nat︠s︡ionalʹnoho khudoz︠h︡nʹoho muzei︠u︡ Ukraïny =: Ukrainian painting of the 19th--early 20th century from the collection of the National Art Museum of Ukraine. Halereii︠a︡, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Buchholz, Elke Linda. Francisco de Goya: Vida y obra. Könemann, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Studii za docnovizantiskiot i periodot na prerodbata (XIX vek) vo umetnosta na Makedonija: Studies for the late Byzantine and the period of the Renewal (19th century) in the art of Macedonia. Centar za kulturno i duhovno nasledstvo & Kalamus, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Painting in Brazil in the XIX century"

1

Brumfield, William C. "“Et in Arcadia ego”:“estate” as moral spacein Russian literature of XIX–XX centuries." In Russian Estate in the World Context. A.M. Gorky Institute of World literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0623-9-56-71.

Full text
Abstract:
The Latin phrase “Et in Arcadia ego” (from a painting by Nicolas Poussian) has been interpreted as referring both to the presence of man in an idyllic place and to the presence of death in that same space. The article applies this ambiguous treatment to the Russian country estate as a place of moral conflict in the novel “Hard Times” by V.A. Sleptsov and I.S. Turgenev’s “Fathers and Sons”. Their interpretation requires an understanding of both the setting of the estate within the natural environment and its socio-cultural status linked to the theme of social justice in Russian during the nineteenth and early twentieth centuries. The article demonstrates that a crucial function of the Russian country estate as a literary topos is the creation of a moral space (moralis locus) within which profound existential questions are posed and discussed. The stagelike spatiality of the country estate-enclosed yet in proximity to the natural environment- provides an ideal setting not only for gathering the verbal antagonists but also for establishing their identity as a function of their attitude toward the presence of nature. This latter element — the presence of nature — in turn summons the question of the characters’ (and writers’) relationship to Romanticism in nineteenth-century literature. It was Romanticism which elevated the human perception of Nature’s transcendent harmony as a fundamental literary trope. At the same time the immediate presence of nature as a productive, life-nourishing land situated the estate in the midst of the intractable social problems of the peasantry and its economic plight, before and after the emancipation in 1861.
APA, Harvard, Vancouver, ISO, and other styles
2

Malinowski, Jerzy. "Malarstwo i rzeźba Żydów polskich w XIXi XXwieku." In Polin: Studies in Polish Jewry Volume 16. Liverpool University Press, 2003. http://dx.doi.org/10.3828/liverpool/9781874774730.003.0035.

Full text
Abstract:
This chapter focuses on Jerzy Malinowski's Malarstwo i rzeźba Żydów polskich w XIX i XX wieku (The Painting and Sculpture of Polish Jews in the Nineteenth and Twentieth Centuries). Among the men Jerzy Malinowski, an authority on Polish art and Polish Jewish culture, discusses are many unknown or virtually unknown artists. He begins his story in the mid-nineteenth century with the appearance of the first Polish artists of Jewish origin, of whom Aleksander Lesser was the most important. This was an easy decision, but other decisions made by the author are more difficult and more problematic. What exactly does he mean by Polish Jewish artists? More significant is the question of what Malinowski means by ‘Jewish artists’ and ‘Jewish art’. In his very brief introduction, he explains that he has included artists who identified themselves as belonging to the Jewish national camp, and artists who, even if they did not identify themselves in this way, took an active part in Jewish life. Those who qualify on neither of these grounds are branded as ‘assimilationists’ and omitted.
APA, Harvard, Vancouver, ISO, and other styles
3

Ramos, E. Carmen. "Between Civilization and Barbarism." In Picturing Cuba. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9781683400905.003.0003.

Full text
Abstract:
Art historian and curator E. Carmen Ramos focuses on the pioneering but problematic work of the nineteenth-century Spanish painter and caricaturist, Víctor Patricio de Landaluze, who spent much of his adult life in colonial Cuba. Despite his opposition to Cuba’s independence from Spain, Landaluze was one of the leading practitioners of costumbrismo (genre painting, or the literary and artistic representation of local customs) on the island, portraying human “types” such as Creole landowners, slaves, former slaves, mulatas, and guajiros (peasants). By the end of the nineteenth century, Landaluze had documented many aspects of Afro-Cuban daily life—including religion, music, and dance—all while, according to Ramos’s analysis, perpetuating the racial stereotypes of African savagery that was common in other former slave societies such as Brazil, the United States, and Puerto Rico. A close look at one of Landaluze’s most famous paintings, Corte de caña (Cutting Sugar Cane, 1874), reveals the racial anxieties among the peninsular Spanish, as well as some members of the Creole elite, provoked by the slaves’ emancipation and the war of national liberation in Cuba.
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Painting in Brazil in the XIX century"

1

do Amaral Moreira, Cintia Mariza. "THE FLIGHT INTO EGYPT PAINTING OF ALMEIDA JR : BETWEEN BRAZIL AND FRANCE ACADEMIES OF FINE ARTS ON LATE NINETEENTH CENTURY." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s12.005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Painting in Brazil in the XIX century' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography