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1

Pintores alemães no Brasil durante o século XIX =: Deutsche Maler in Brasilien in XIX Jahrhundert = German painters in Brazil during the XIX century. Edições Pinakotheke, 1989.

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2

Kaz, Leonel, Emma Smith, and Salvador Monteiro. Aquarelas Brasil, século XIX: Paisagem, flores, frutos. Edited by Biblioteca Nacional (Brazil). Edições Alumbramento, 2000.

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3

São Paulo (Brazil : State). Pinacoteca do Estado, ed. Arte brasileira na Pinacoteca do Estado de São Paulo: Do século XIX aos anos 1940. Cosac Naify, 2009.

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4

Marques, Luiz C. Pintura italiana anterior ao século XIX no Museu Nacional de Belas Artes: Catálogo raisonné. Area Editorial, 1992.

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5

A, Habsburg Feldman S. Old Master and XIX century paintings and drawings: New York, Wednesday, May 30, 1990 : auction. Habsburg, Feldman, 1990.

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6

Group, Scala, ed. 19th century art =: Kunst des 19. jahrhunderts = Kunst van de 19e eeuw = Arte del siglo XIX. Scala, 2010.

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7

Pequena historia das artes no Brasil. Atomo, Sao Paulo, Edicoes PNA, 2005.

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8

B, Z︠H︡bankova O., та Nat︠s︡ionalʹnyĭ khudoz︠h︡niĭ muzeĭ Ukraïny, ред. Ukraïnsʹkyĭ z︠h︡yvopys XIX--pochatku XX st. z kolekt︠s︡iï Nat︠s︡ionalʹnoho khudoz︠h︡nʹoho muzei︠u︡ Ukraïny =: Ukrainian painting of the 19th--early 20th century from the collection of the National Art Museum of Ukraine. Halereii︠a︡, 2004.

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9

Buchholz, Elke Linda. Francisco de Goya: Vida y obra. Könemann, 2000.

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10

Studii za docnovizantiskiot i periodot na prerodbata (XIX vek) vo umetnosta na Makedonija: Studies for the late Byzantine and the period of the Renewal (19th century) in the art of Macedonia. Centar za kulturno i duhovno nasledstvo & Kalamus, 2010.

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11

Cvetkovski, Sašo. Sveti Naum Ohridski vo ikonopisot na Debarsko-Kičevskata eparhija od XVIII i XIX vek =: St. Naum of Ohrid in the icon painting of Debar-Kičevo eparchy from the 18th and 19th century. Kaneo, 2010.

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12

Éva, Ibos, ed. XIX-XX. századi magyar festészet =: XIX-XX. century Hungarian painting. Szalay Könyvek, 2007.

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13

Éva, Ibos, ed. XIX-XX. századi magyar festészet: =XIX-XX. century Hungarian painting. Szalay Könyvek, 2007.

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14

Goya: Mini De Arte. Konemann, 2000.

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15

Estanove, Laurence, Adrian Grafe, Andrew McKeown, and Claire Hélie, eds. 21st-Century Dylan. Bloomsbury Publishing Inc, 2021. http://dx.doi.org/10.5040/9781501363726.

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Bob Dylan has constantly reinvented the persona known as “Bob Dylan,” renewing the performance possibilities inherent in his songs, from acoustic folk, to electric rock and a late, hybrid style which even hints at so-called world music and Latin American tones. Then in 2016, his achievements outside of performance – as a songwriter – were acknowledged when he was awarded the Nobel Literature Prize. Dylan has never ceased to broaden the range of his creative identity, taking in painting, film, acting and prose writing, as well as advertising and even own-brand commercial production. The book hi
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16

Coqueiro, Wilma dos Santos. De mulheres e casas: O espaço romanesco e patriarcal em Rachel de Queiroz. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-328-2.

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This books, oriented towards a social critic perspective, analyses two novels by Rachel de Queiroz – Dôra, Doralina e Memorial de Maria Moura – in which the relationship between the female protagonists within the space is loaded with a symbolic value – land and house – which reveals and interprets women paradoxical evolution in patriarchal society rooted vigorously in the rural Brazil, mainly in the northeast of part of the country. In a first moment, it aimed to draw considerations in relation to the function of space in the novel both in the point of view of relevant analysis of Literary The
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