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Journal articles on the topic 'Painting in Brazil in the XIX century'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Carneiro Dazzi, Camila Carneiro. "PELAS RUAS DO MAGREBE: ORIENTALISMO NO BRASIL AO FINAL DO SÉCULO XIX / Walk through the streets of the Maghreb: orientalism in Brazil at the end of the 19th century." arte e ensaios 26, no. 40 (2020): 261–81. http://dx.doi.org/10.37235/ae.n40.18.

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O Magrebe central, cuja palavra de origem árabe e significa “onde o Sol se põe”, correspondia, ao final do século XIX, a um território que englobava a Tunísia, a Argélia e o Marrocos (STORA, 2004). Foi uma região fecunda em temas de inspiração, e ao final do Oitocentos, muitos artistas Europeus e Americanos consideravam uma estadia no Magrebe tão indispensável quanto uma permanência de estudos na Itália, destino eleito por inúmeros pintores para o desenvolvimento de pesquisas de renovação do uso da luz e da gama cromática. O Magrebe não só permitia novas possibilidades no uso da cor e de luz,

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Coelho, Geraldo Mártires. "BELÉM E A BELLE ÉPOQUE DA BORRACHA." Revista Observatório 2, no. 5 (2016): 32. http://dx.doi.org/10.20873/uft.2447-4266.2016v2n5p32.

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O artigo discute a história e a vida de Belém na passagem do século XIX para o século XX, marcada por um conjunto de elementos sociais, intelectuais e artísticos que refletiam as influências da cultura e da sociedade europeia, principalmente francesa, do período. Em termos de Brasil, esse processo se verificou em Belém e no Rio de Janeiro: era a chamada Belle Époque. Cultivou-se o gosto pelo que vinha da Europa, o que podia ser visto na maneira de se vestir das elites locais e na vida social que levavam em Belém. A literatura, a pintura e a música, cultuadas por essas mesmas elites, faziam da

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Gauzer, Irina. "RECEPTION OF SPANISH PAINTING IN RUSSIAN TRAVELOGUES OF XIX CENTURY." Interexpo GEO-Siberia 5 (2019): 167–76. http://dx.doi.org/10.33764/2618-981x-2019-5-167-176.

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The article deals with reception of images of Spanish painting in Russian essays of the XIX century. Study materials are travelogues, letters and memoirs of Russian travelers. The subject of the study is peculiarities of interpreting Spanish artists’ creativity and images created by them in the texts of Russian culture.

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Gudymenko, Yu Yu. "New Motifs in Russian Portrait Painting in Early XIX century." Университетский научный журнал, no. 59 (2020): 48–55. http://dx.doi.org/10.25807/pbh.22225064.2020.59.48.55.

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Tarasova, Maria, та Sabina Maremkulova. "РЕПРЕЗЕНТАЦИЯ ПОНЯТИЯ «СОЦИУМ» В РУССКОЙ ЖИВОПИСИ БЫТОВОГО ЖАНРА XIX ВЕКА". Social Anthropology of Siberia 2, № 1 (2021): 15–28. http://dx.doi.org/10.31804/2687-0606-2021-2-1-15-28.

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The aim of the study is to reveal the ways of representing the concept of “society” in the works of the genre art in the Russian painting of the 1860-1870s. The research is carried out using the method of philosophical and art history analysis of works of fine art. The main object of the study is the painting “Rural procession on Easter” by Vasiliy G. Perov. The study describes the specific features of the genre art in the Russian painting of the 19th century. The research shows how works of the genre art realize their didactive and educating functions. A theoretical analysis of the concepts o

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Fayzulla, Ochildiev. "The Craftsmanship Of The Emirate Of Bukhara At The Second Half Of The XIX Century - The Beginning Of The XX Century." American Journal of Interdisciplinary Innovations and Research 02, no. 11 (2020): 33–38. http://dx.doi.org/10.37547/tajiir/volume02issue11-07.

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This article describes the development of handicrafts in the second half of the XIX century and the beginning of the XX century in the Emirate of Bukhara. In the Emirate of Bukhara from ancient times developed weaving, embroidery, tanning, carpet weaving, pottery, blacksmithing, coppersmithing, carving, jewelry, painting and other crafts.

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Petrova, Olga, Dmitrii Pankin, Anastasia Povolotckaia, et al. "Pigment palette study of the XIX century plafond painting by Raman spectroscopy." Journal of Cultural Heritage 37 (May 2019): 233–37. http://dx.doi.org/10.1016/j.culher.2018.11.010.

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Chernysheva, Maria A. "The New Historical Narrative in the 19th Century Painting." Actual Problems of Theory and History of Art 8 (2018): 140–48. http://dx.doi.org/10.18688/aa188-1-13.

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Krivondenchenkov, S. V. "THE IDEAL OF FEMALE BEAUTY IN RUSSIAN PAINTING (EARLY XVIII-MID XIX CENTURY)." Вестник Санкт-Петербургского государственного университета технологии и дизайна. Серия 2: Искусствоведение. Филологические науки, no. 3 (2020): 68–75. http://dx.doi.org/10.46418/2079-8202_2020_3_10.

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Bragina, Natalia, and Jelena Jermolajeva. "THE DOLL IN THE PAINTINGS OF THE LATE 19TH – EARLY 20TH CENTURIES: HERMENEUTIC ANALYSIS." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 5 (May 20, 2020): 616. http://dx.doi.org/10.17770/sie2020vol5.4859.

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The semantics of the doll in painting is not sufficiently investigated in art history and culture studies. The doll is never an accidental or unimportant component of a painting; it reveals deep psychological and symbolic undertones, complicates and concretizes the content of the painting. Each art style deals with this topic in its own way. The aim of the article is to analyse the interpretation of the image of the doll in various styles of painting of the second half of the XIX century – beginning of the XX century: in realistic painting, in symbolism, impressionism, and modernism. The resea

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Мирошина, Екатерина Олеговна. "Features of A. I. Savinov's Monumental Church Painting." Вестник церковного искусства и археологии, no. 3(4) (August 15, 2020): 90–99. http://dx.doi.org/10.31802/bcaa.2020.4.3.006.

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В статье показана специфика живописно-пластического языка, принципов формообразования, композиционных решений и художественно-образного строя монументальных росписей А. И. Савинова. Одной из значимых страниц в творчестве этого художника стало создание великолепного ансамбля росписей Спасо-Преображенского храма села Натальевка Харьковской губернии. В этих стенописях ярко отразились основные художественные тенденции и поиски рубежа XIX-XX столетий, а также тесная взаимосвязь с техническими приёмами и выбором материалов, способных помочь мастеру создать новые образы и выразить свои идеи. Живописн

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Faktorová, Veronika, and Anna Brzezińska-Winkie. "Karkonosze jako idealny górski krajobraz na przełomie XVIII i XIX wieku." Góry, Literatura, Kultura 13 (September 22, 2020): 93–102. http://dx.doi.org/10.19195/2084-4107.13.9.

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At the end of the 18th century, the new idea of the mountain landscape as an ideal and beautiful landscape emerged in Central Europe. This cultural process was conditioned by the contemporary aesthetic concepts of the Sublime and the Picturesque, related to the development of a new cultural and social practice of education of the eye (described in the book of Peter De Bolla The Education of the Eye: Painting, Landscape, and Architecture in Eighteenth Century Britain, 2003). In a Central European context, the model of the mountain landscape was found in the Krkonoše mountain range, and travelog

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Ковальова, М. М., та Цю Чжуанюй. "ІМПРЕСІОНІСТИЧНІ ТЕНДЕНЦІЇ В КИТАЙСЬКОМУ ОЛІЙНОМУ ЖИВОПИСУ ПЕРШОЇ ПОЛОВИНИ XX СТОЛІТТЯ". Art and Design, № 3 (13 листопада 2020): 55–65. http://dx.doi.org/10.30857/2617-0272.2020.3.4.

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The purpose of the article is to reveal the impressionistic trends in the fine arts of China, determining the originality of the Chinese oil painting development of the 20th century. Methodology. Historical and cultural, comparative, iconographic and iconological methods are used in the study. Results. The study examines the underinvestigated aspects of Chinese painting development in the first half of the 20th century. The retrospective analysis of the pictural art enables tracing the traditions and innovations in the formation of oil painting in China, which prevails at this historical stage

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Mutia, Natalia Nikolaevna. "Russian Historical Painting at World Expositions in the United States (Late XIX - Early XX Century)." Manuskript, no. 8 (March 2021): 1716–26. http://dx.doi.org/10.30853/mns210289.

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Gryzunova, Anna. "Portraits of the representatives of Vorontsov family painted by Sir Thomas Lawrence." Человек и культура, no. 1 (January 2020): 132–40. http://dx.doi.org/10.25136/2409-8744.2020.1.30688.

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The subject of this article is the portraits of the members of Vorontsov family &ndash; a Russian family of diplomats inseparably connected with Great Britain and Russia. These works were painted by the British artist Sir Thomas Lawrence (1769-1830) in the early XIX century, featuring the portraits of S. R. Vorontsov (in 1805-1806), Y. S. Pembroke (in 1808), M. S. Vorontsov and graphic painting of E. K. Vorontsova (in 1821). The method of research consists in a detailed comprehensive examination of the depiction of the members of Vorontsov family. Main emphasis is made on the comparative a

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Gauzer, Irina V. "CODE OF SPANISH PAINTING IN RUSSIAN CULTURE (BASED ON THE RUSSIAN FICTION OF THE XIX - EARLY XX CENTURIES)." Interexpo GEO-Siberia 5 (July 8, 2020): 3–10. http://dx.doi.org/10.33764/2618-981x-2020-5-3-10.

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The paper deals with reception of the Spanish pictural images presented in the Russian fiction of the XIX - early XX centuries. The material of the study are works by I.A. Goncharov, A.F. Pisemsky, N.S. Leskov, N.D. Khvoshchinskaya, N.A. Leykin, L.N. Andreev, A.T. Averchenko. The analysis results show that the theme of the Spanish painting in the Russian fiction is focused on images of two painters - Bartolome Murillo and Diego Velazquez. What is more, with time there is a shift of contexts in which the writers put the images of the Spanish painters and their masterpieces. If in the middle of

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Barnaś-Baran, Ewa. "Opieka Krakowskiego Towarzystwa Dobroczynności nad ołtarzem i obrazem Matki Boskiej w Bramie Floriańskiej w XIX i na początku XX wieku." Prace Historyczne, no. 147 (1) (2020): 63–85. http://dx.doi.org/10.4467/20844069ph.20.004.12458.

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The care of the Cracow Charitable Society over the altar and painting of Our Lady at the Florian Gate in the 19th and early 20th centuries The aim of this article is to present the actions taken by the Cracow Charitable Society in order to protect the altar and the painting in the Florian Gate. The image of Our Lady was handed over to the Society for care in 1817, which it provided until the communist authorities disbanded the Society in 1951. In order to renovate the painting and altar, the Society mainly raised funds through public sacrifices and donations of individual people. Among the ben

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Zeni, Bárbara. "SILVIO ROMERO E A POESIA ÉPICA." Revista Épicas 8, no. 2020 (2020): 33–66. http://dx.doi.org/10.47044/2527-080x.2020v8.3366.

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The theoretical contributions of Brazilian literary critic Silvio Romero are essential sources of study to researchers who wish to comprehend the evolution of the theoretical treatment given to the epic genre in Brazil during the XIX century. In this article the locus of his reflections on the epic genre were mapped. The books and articles where the critic wrote on the topic, as well as their respective periods in time were specified. The critic’s opinion on the production of epopees in Brazil was described. A definition of epic poem as well as of poetry in general was identified. The tension

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Marius, Munteanu, Ion Sandu, Ioana Huțanu, and Liliana Nica. "The Study of Stages and Operations Involved in the Preservation and Restoration of two XIX-th Century Icons, on Wooden Support." Present Environment and Sustainable Development 8, no. 2 (2014): 131–50. http://dx.doi.org/10.2478/pesd-2014-0030.

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Abstract The paper presents the stages and the operations involved in the preservation and restoration of two icons on wooden support, from the XIX-th century, which are part of the heritage of the ”Sfinții Arhangheli Mihail and Gavriil” church, from Galați. The two icon have inventory numbers as part of the collection as followed: 112 for the first icon and 113 for the second one. Both icons have the same theme, ”The Grieving Mother from Rohia” and are made by anonymous painters in egg tempera, on lime wooden support, without ground. Being part of the same collection, they were deposited in t

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Landgraf, Fernando José Gomes, Matheus Yuri Quisbert Ribeiro, Guilherme Inácio Lima da Rosa, et al. "Archaeometallurgy of ferrous artefacts of the Patriótica Iron Factory (XIX century, Ouro Preto, Brazil)." REM - International Engineering Journal 74, no. 4 (2021): 483–501. http://dx.doi.org/10.1590/0370-44672021740019.

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Volyk, Yu P., and O. N. Razumovskaya. "PROBLEMS OF RESTORATION OF DECORATIVE INTERIOR PAINTINGS OF CLASSICISM." National Association of Scientists 4, no. 26(53) (2020): 7–25. http://dx.doi.org/10.31618/nas.2413-5291.2020.4.53.178.

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In the first third of XIX century, the interiors of St. Petersburg buildings were often adorned with decorative paintings on plafonds and cambers. Polychrome painting and grisaille painting, which imitates plasterwork, were usually made with distemper colors. The focus of attention in the era of classicism was antiquity, mythological subjects and heroes. The article discusses the paintings in Kamennoostrovsky Palace, the General Staff building on the Palace square, the Laval's mansion. Decorative interior painting in St. Petersburg was created by artists of Italian origin, the most famous of t

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Janus, Krzysztof, and Renata Janusz. "18th century fresco on the rainbow arch of the former St. Kazimierz’s church at Bernardyńska 15 street in Lublin." Budownictwo i Architektura 6, no. 1 (2010): 023–29. http://dx.doi.org/10.35784/bud-arch.2286.

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The paper presents a sacred painting located on the road arch in St. Kazimierz Church in Lublin, which was forgotten for hundreds of years. The fresco was covered by several layers of paints dated from XIX and XX century. It survived likely because the space was too difficult for adaptation as an industry space. The space was used as a storage or a meeting room. Currently it works as a storeroom and a drying room for people living in the building. The present function is utterly incompatible with surrounding work of art you can see on the wall.

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Perel'man, Irina Vladimirovna. "GENDER APPROACH AS AN ANALYTICAL DEVICE TO STUDY THE RUSSIAN PAINTING OF THE MIDDLE OF THE XIX CENTURY." Historical, Philosophical, Political and Law Sciences, Culturology and Study of Art. Issues of Theory and Practice, no. 1 (March 2018): 69–78. http://dx.doi.org/10.30853/manuscript.2018-1.16.

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Korina, Natalya. "Moscow School of Painting, Sculpture and Architecture as the center of the formation of the Moscow school of painting in the mid-XIX - early XX century." St.Tikhons' University Review. Series V. Christian Art 14, no. 2 (2014): 117–35. http://dx.doi.org/10.15382/sturv201414.117-135.

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Irala-Hortal, Pilar. "Nuevas estéticas. Viejas poéticas. Aproximación al rastro de la influencia de la historia de la pintura en la fotografía actual / New aesthetics. Older poetics Approach to the trace of the influence of painting into the image." Revista Internacional de Cultura Visual 4, no. 2 (2017): 75–83. http://dx.doi.org/10.37467/gka-revvisual.v4.1551.

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RESUMENA lo largo de la historia, fotografía y pintura avanzan a la par y, en la mayoría de las ocasiones, sobre todo en las primeras décadas, se entrecruzan e influyen recíprocamente. Se ha estudiado desde diferentes enfoques la influencia de la fotografía en la pintura del último tercio del siglo XIX y viceversa. También en el siglo XXI la fotografía vuelve a mirar a los grandes pintores de la historia del arte para inspirarse, buscar modelos, crear metáforas y, en definitiva, buscar en las raíces de la creación visual el camino creativo y estético a seguir. En este artículo exponemos alguno

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Pires, Clarissa. "Building freedom: anti-slavery and abolitionist struggles for black women in 19th century Brazil." Revista Eletrônica História em Reflexão 14, no. 28 (2020): 141–63. http://dx.doi.org/10.30612/rehr.v14i28.12254.

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Ao longo do século XIX, do norte ao sul do Brasil, as mulheres negras -livres, forras e cativas –atuaram de diferentes maneiras no processo que desencadeou a Lei Áurea em 1888. Neste sentido, o presente artigo tem por intenção lançar luz sobre a participação das mulheres negras nas lutas cotidianas e populares, individuais e coletivas, travadas contra a instituição da escravidão, a desigualdade de gênero e a discriminação socioracial no país, considerando a interseccionalidade entre o gênero, a raça e a classe social na dialética da dominação escravista. O desafio proposto consiste em revelar

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Farias, Ana Cristina Santos. "PRÁTICAS E REPRESENTAÇÕES DE LEITURA NA PINTURA DO SÉCULO XIX | PRACTICES AND REPRESENTATIONS OF READING IN THE PAINTING OF THE 19TH CENTURY." Estudos Linguísticos e Literários, no. 62 (June 26, 2019): 148. http://dx.doi.org/10.9771/ell.v0i62.28987.

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<div class="page" title="Page 2"><div class="layoutArea"><div class="column"><p><span>No presente ensaio, serão abordadas algumas representações (CHARTIER, 1991; BOURDIEU, 2008) históricas relativas ao ato de ler, todas associadas com as relações de poder em vigor em distintos tempos e lugares. Tais representações circularam nos mais diversos espaços, por meio de práticas e de discursos, mas também se materializaram em outros objetos culturais, tais como as obras de arte, que contam a história das representações oriundas de determinados segmentos sociais detentore

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Yatskiv, N. "The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”." Journal of Vasyl Stefanyk Precarpathian National University 3, no. 4 (2016): 84–89. http://dx.doi.org/10.15330/jpnu.3.4.84-89.

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The article studies the aesthetic theories of the French art of the middle of the XIX century through the interaction between literature and painting. In the novel “Manette Salomon” the Goncourt brothers formulate their innovative views of the ways of the development of art through the artists’ efforts to express Beauty. The five painters, different in terms of talent and skill, express the writers’ pluralism in creating the aesthetic ideal. The writers are on the side of those who constantly strive for self-improvement, who do not approve of imitating reality but invent in constant creative t

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Abdullina, Darina A. "DOMESTIC CHILDREN'S PORTRAIT OF THE FIRST HALF OF THE XIX CENTURY: ROMANTIC IMAGES OF ANGELS, “NOBLE SAVAGE” AND HERO." Articult, no. 4 (2020): 78–91. http://dx.doi.org/10.28995/2227-6165-2020-4-78-91.

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The article considers the children's portrait in Russian painting of the first third of the XIX century on the example of the works of O.A. Kiprensky, K.P. Bryullov, V.G. Varnek, V.A. Tropinin, A.G. Venetsianov and other portraitists of that time. The author identifies the most common “types” or variants of children's images in portraits, namely: children-angels, “noble savages”, children-heroes and “exemplary children”. The emergence of these “formulas of representation” is associated with the development of the so-called romantic concept of childhood, which assumes, in comparison with the pr

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Letin, Vyacheslav A., and Karina S. Visenya. "THEATER DISCOURSE IN A. P. LOSENKO’S PAINTING." World of Russian-speaking Countries 6, no. 4 (2020): 95–114. http://dx.doi.org/10.20323/2658-7866-2020-4-6-95-114.

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The article is devoted to the analysis of the representation of theatricality in painting by A. P. Losenko. On the example of his works, most closely related to stage art, the theatrical component of his creative method is revealed. The article analyzes two works by A. P. Losenko, directly related to the circle of the first Russian theaters: “Portrait of actor F. G. Volkov” and “Vladimir before Rogneda”, which are considered in the context of the theatrical discourse of European theater culture of the second half of the XVIII century as peculiar declarations of the artist about the personality

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Meretskaya, Yulia. "Anton Ažbe’s pedagogical method’s influence on the stylistic development of Russian Empire painting in the late XIX — early XX century." Russian-Slovenian relations in the twentieth century, no. IV (2018): 220–43. http://dx.doi.org/10.31168/2618-8562.2018.4.3.2.

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Anton Ažbe, a Slovenian artist and teacher, at 1891 opened a famous private art school in Munich, which attracted lot of young artists from all world during fourteen years. Ažbe’s pedagogical method played an important role in the stylistic development of Eastern Europe and Russian art in the late XIX ― early XX century. Due to the successful combination of openness to new ideas and the presence of a strong technical base, Ažbe’s pedagogical method developed individual creative inclinations of students, who were able to realize their potential in different areas of Avant-garde. The objective o

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Portnova, Tatiana V. "The images of the russian ballet in the Fine Arts of the late XIX and early XX century." Revista de la Universidad del Zulia 12, no. 34 (2021): 631–50. http://dx.doi.org/10.46925//rdluz.34.34.

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The purpose of the study is to analyze various interpretations of the theme of ballet in the context of creating an artistic image taking into account the specific characteristics of various arts on the factual visual material of the late nineteenth - early twentieth century. Methodology: 1) Search method, which allowed to reveal in museums and private collections, works of art dedicated to ballet of the period under consideration; 2) Historical and tipological method, which helped to group the works according to the thematic principle, to determine the degree of their value in the process of

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Verona, Priscilla. "Cidadania e Instrução no Império: uma leitura da modernidade brasileira / Citizenship and Instruction in the Empire: a reading of Brazilian modernity." Revista de História e Historiografia da Educação 2, no. 4 (2018): 49. http://dx.doi.org/10.5380/rhhe.v2i4.52583.

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O século XIX representou no contexto histórico nacional um período de grande relevância para a compreensão das bases do projeto de Nação que se construía no Brasil imperial. Ao pensarmos a questão educacional e a institucionalização do ensino pelo Estado nos parece oportuno refletir as relações com o processo de construção da cidadania, a qual se formula com características singulares e particularmente ligadas ao nosso contexto histórico e político. Cabe analisar de que forma a instrução consolidou-se por sua vez, assumindo assim como nossa cidadania, suas singularidades. Mantivemo-nos durante

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Maslov, Konstantin. "Painting of V. M. Vasnetsov in the Vladimir cathedral in art criticism of the late 19th century." St.Tikhons' University Review. Series V. Christian Art 28 (December 31, 2017): 83–108. http://dx.doi.org/10.15382/sturv201728.83-108.

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De Oliveira, Natália Maria, and José Flávio Morais Castro. "Análise da paisagem das mulheres viajantes no Brasil durante o século XIX / Landscape analysis of women travelers in Brazil during the nineteenth century." Caderno de Geografia 26, no. 1 (2016): 155. http://dx.doi.org/10.5752/p.2318-2962.2016v26nesp1p155.

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<p>As técnicas de pesquisa observação e descrição são fundamentais aos estudos geográficas. A análise da paisagem, natural ou cultural, sobretudo histórica, depende de registros documentais capazes de descrevê-la com riqueza de detalhes. Os relatos de mulheres viajantes do século XIX são compreendidos como importantes documentos históricos à análise da paisagem e da organização social do período. Compreende-se a literatura de viagem, principalmente para o viés humanista-cultural da Geografia, instrumento de análise de aspectos físicos, sociais e culturais. Realiza-se nesta pesquisa um le

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Usacheva, Svetlana V. "WORKS OF WESTERN-EUROPEAN MASTERS AND RUSSIAN SCHOOL OF LANDSCAPE PAINTING THE LATE 18TH – EARLY 19TH CENTURY." RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, no. 4 (2017): 84–91. http://dx.doi.org/10.28995/2073-6401-2017-4-84-91.

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Ferraz, Márcia H. M., Ana M. Alfonso-Goldfarb, and Silvia I. Waisse. "Modern medical substances since the 19th century: the case-study of Brazil." Revista Estudos do Século XX, no. 12 (2012): 177–96. http://dx.doi.org/10.14195/1647-8622_12_10.

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Bozhko, E. M., and M. V. Spornik. "VALUE OF ARTIFICAL EDUCATOIN FOR ARCHITECTURAL LANDSCAPE AT THE MODERN STAGE." Regional problems of architecture and urban planning, no. 14 (December 29, 2020): 160–66. http://dx.doi.org/10.31650/2707-403x-2020-14-160-166.

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Analyzing relevant and informative sources for acquaintance with modern fine art, catalogs of various art exhibitions, article questions and problems associated with the creation of architectural and landscape compositions are considered from a practical point of view. A significant role in art belongs to the architectural landscape, as a genre variety. Promising types of cities - Veduta (A. Canaletto, V. Bellotto) have become separate types of architectural landscape. The genre of painting is the Veduta, which developed in the eighteenth century in Venice. This is an image of views of the cit

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Marques, José Alberto Dos Santos. "Emigração portuguesa para o Brasil nos fins do século XIX (Portuguese emigration to Brazil in the late nineteenth century)." Cadernos de História 16, no. 25 (2015): 292. http://dx.doi.org/10.5752/p.2237-8871.2015v16n25p292.

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<p>A declaração de independência do Brasil, em 1822, não constituiu uma ruptura com Portugal. A presença da corte portuguesa no Rio de Janeiro 1807-1821 determinou que muitos portugueses se estabelecessem lá. Este processo de instalação gradual das famílias criou algum tipo de fascínio pela terra brasileira. Assim, ao longo do século XIX, os embarques para aquela terra quase sempre foram em busca de fortuna. Em nosso trabalho vamos seguir, por meio da análise dos passaportes emitidos pelo Governo Civil de Lisboa, das listas de passageiros e da correspondência desse movimento do Brasil. D

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Stanicka-Brzezicka, Ksenia. "Ikonosfera kurortu górskiego. Przyczynek do studiów nad historią uzdrowisk śląskich w XIX i XX wieku." Góry, Literatura, Kultura 13 (September 22, 2020): 285–302. http://dx.doi.org/10.19195/2084-4107.13.23.

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One of the phenomena within the cultural construct created around the mountains was from the beginning of the nineteenth century the rise of resort culture. An extremely important element of this emerging resort culture was the development of iconography (pictorial representations), which — having originated in painting and then growing thanks to the spread of graphic techniques and the industrialisation of reproduction technologies — became a mass-scale phenomenon. Tourism began to generate a demand for various types of souvenirs and pictures made with the help of various techniques and mater

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Teive, Hélio A. Ghizoni, Sérgio M. Almeida, Walter Oleschko Arruda, Daniel S. Sá, and Lineu C. Werneck. "Charcot and Brazil." Arquivos de Neuro-Psiquiatria 59, no. 2A (2001): 295–99. http://dx.doi.org/10.1590/s0004-282x2001000200032.

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OBJECTIVE: To describe the relationship between Professor Charcot and Brazil. BACKGROUND: During the XIX century, French Neurology and its most prominent figure, Professor Charcot, dominated the area of nervous system diseases in the world. METHOD: We have reviewed some of the main publications about Charcot's life, the biography of Dom Pedro II, Emperor of Brazil and the development of Neurology in Brazil. RESULTS: Among the most important patients in Charcot's practice was the Emperor of Brazil. Dom Pedro II became a close friend of Charcot and he was a distinguished guest at Charcot's house

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CADDAH, MAYARA K., and JULIA MEIRELLES. "Miconia goldenbergiana (Melastomataceae, Miconieae): a new species from the Atlantic Forest, Brazil." Phytotaxa 356, no. 2 (2018): 167. http://dx.doi.org/10.11646/phytotaxa.356.2.6.

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Miconia goldenbergiana, a new species from the Atlantic Forest in southeastern Brazil, is described and illustrated. The new species have been extensively collected since the end of the XIX century but have been confused with M. budlejoides and M. formosa, species that also have discolorous and suprabasal leaves and glomerulate inflorescences. From the first species, it can be distinguished by papyraceous leaves with the abaxial surface covered by lepidote trichomes. From the second species, it can be distinguished also by the texture of leaves, and by its narrower size, crenulate to serrulate

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STEINER-SOUZA, FRANCISCO, PEDRO CORDEIRO-ESTRELA, ALEXANDRE REIS PERCEQUILLO, ANDRÉ FILIPE TESTONI, and SÉRGIO LUIZ ALTHOFF. "New records of Rhagomys rufescens (Rodentia: Sigmodontinae) in the Atlantic forest of Brazil." Zootaxa 1824, no. 1 (2008): 28. http://dx.doi.org/10.11646/zootaxa.1824.1.3.

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Since it was trapped in the XIX th century, Rhagomys rufescens has been considered a rare endangered sigmodontine rodent and an endemic species of the Atlantic forest. Only a handful of vouchers of this taxon were known by Thomas, 1886. Recently, eight new individuals were collected, providing new geographical, morphological and phylogenetic (based on molecular evidence) information on this species. In the present work we report the southernmost occurrence record for R. rufescens at Indaial, Santa Catarina State, with the largest collected series of this species, the northernmost occurrence re

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Silva, Elizabeth Maria Da. "As viagens de Nísia Floresta pelo solo brasileiro durante o século XIX." Revista de História e Historiografia da Educação 1, no. 2 (2017): 11. http://dx.doi.org/10.5380/rhhe.v1i2.51166.

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Objetivamos neste artigo analisar as viagens de Nísia Floresta, feminista, professora, escritora, jornalista do século XIX, onde suas obras eram pautadas na condição intelectual e social da mulher. Para tanto, nos apoiamos nas principais obras da autora, especificamente as que detalhavam suas vivências no Brasil, além de dialogarmos com Câmara (1941), Duarte (2010), Koster (1942) dentre outros e outras que auxiliaram na construção do tempo histórico e social em que Nísia Floresta viveu suas andanças em terras brasileiras. Nesse contexto, exploramos o contexto de cada lugar por onde a viajante

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Oliveira, Wladecir Salles de, and Siu Mui Tsai. "Bean cultivation in a subsistence farming system in the northeast of São Paulo state - Brazil." Scientia Agricola 58, no. 2 (2001): 265–69. http://dx.doi.org/10.1590/s0103-90162001000200008.

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The colonization of the State of São Paulo, Brazil of the northeastern region, is related to historical movements, such as "tropeirismo" (séc. XVIII and XIX) and Italian immigration (séc. XIX). The agriculture presently practices used by farmers descendent of immigrants does not differ from the techniques used at the beginning of the century. In the Cunha region of the Atlantic Rain Forest ecosystem poor bean yield associated with low fertilizer input, plant disease and soil erosion led to slash-and-burn farming. This work is an attempt at identifying sustainable farming practices that would m

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Júnior, Osmário Estevam. "A SCHOTTISH NO BRASIL NO FIM DO SÉCULO XIX / SCHOTTISH IN BRAZIL AT THE END OF THE 19TH CENTURY." Brazilian Journal of Development 6, no. 9 (2020): 66080–88. http://dx.doi.org/10.34117/bjdv6n9-150.

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Dantas, George Alexandre Ferreira, Angela Lúcia Ferreira, and Yuri Simonini. "Desenhando territórios: a cartografia de Cândido Mendes e o “Nordeste” brasileiro do século XIX." Revista Brasileira de Estudos Urbanos e Regionais 13, no. 2 (2011): 87. http://dx.doi.org/10.22296/2317-1529.2011v13n2p87.

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Em meados do século XIX, a articulação sistematizada do território da nação brasileira foi formulada como ponto-chave para a estruturação da economia e da sociedade modernas. Esse intento ultrapassava as antigas demandas de controle geopolítico e encontrou nas estiagens prolongadas nas “províncias do norte” um sério problema. Falar de nova estrutura territorial pressupõe indagar: que conhecimentos e informações iconográficas sobre o território em reorganização tinham aqueles que adentraram no “Brasil desconhecido”? Discutir pertinências e limites do uso das fontes cartográficas como documentos

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Castro Brunetto, Carlos Javier. "EL MUEBLE EN BRASIL A TRAVÉS DE LA PINTURA DE LA ETAPA IMPERIAL (1822-1889) The Furniture in Brazil through the Painting of the Imperial Time (1822-1889)." Res Mobilis 5, no. 6 (I) (2016): 208. http://dx.doi.org/10.17811/rm.5.2016.208-227.

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La historia del mueble en Brasil es poco conocida. En este trabajo estudiamos el impacto que la proclamación de la Independencia del Brasil y el inicio de la etapa imperial tuvo sobre la apreciación social y cultural del mueble. Durante el siglo xix los muebles brasileños mantuvieron la tradición heredada del periodo colonial, pero en la corte y en los entornos más sofisticados se introdujeron muebles de influencia francesa que completarían el panorama de la historia del mueble en Brasil. La manera en que se produjo ese proceso es el objetivo de nuestro trabajo.

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Carneiro, Maria Luiza Tucci. "Sanctity and evilness: a case of diabolic possession in Ourém (Brazil) in the 18th century." Revista de História das Ideias 8, Tomo I (1986): 161–81. http://dx.doi.org/10.14195/2183-8925_8-1_7.

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Figueiredo, Margareth Gomes de, Humberto Varum, and Aníbal Costa. "Aspects of the civil architecture of the nineteenth century in São Luís do Maranhão, Brazil." Conservar Património 15-16 (2012): 41–68. http://dx.doi.org/10.14568/cp15-16_3.

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