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Relevant bibliographies by topics / Painting, Japanese Japanese poetry Japan / Dissertations / Theses

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Dissertations / Theses on the topic 'Painting, Japanese Japanese poetry Japan'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Igarashi, Yoko. "Japanese Poetry in Western Art Song." Thesis, Boston University, 2012. https://hdl.handle.net/2144/12426.

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Thesis (D.M.A.)--Boston University<br>Western art songs written on Japanese poems, Tanka, appeared in the early twentieth century as a late manifestation of Japonisme, the Japanese influence on Western art and music. The songs discussed in this dissertation include Japanisches Regenlied (1909) by Joseph Marx, Three Japanese Lyrics (1912-13) by Igor Stravinsky, Petits Poi!mes Japonais (1919) by Francesco Santoliquido, and Romances on Texts by Japanese Poets (1928-32) by Dmitri Shostakovich. Japonisme emerged as a significant movement in late-nineteenth-century Western art when Japanese artwork

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2

Maetani, Masumi. "Transformation in the aesthetics of tea culture in Japan." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B39634280.

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3

Maetani, Masumi, and 前谷真寿美. "Transformation in the aesthetics of tea culture in Japan." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B39634280.

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4

Lillehoj, Elizabeth Ann. "The art of Soga Chokuan and Nichokuan, two painters of sixteenth and seventeenth-century Japan." Ann Arbor : UMI, 1993. http://catalog.hathitrust.org/api/volumes/oclc/51344711.html.

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5

Madar, Kazuko Kameda. "Two visions of the Orchid Pavilion Gathering a reconsideration of the socio-political significance of the paintings by Kanō Sansetsu and Ikeno Taiga in the Tokugawa period (1615-1868) /." online access from Digital dissertation consortium, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1411503.

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6

Düchting, Wolfgang. "Dichten in der Gesellschaft Tanka-Klubs im modernen Japan unter besonderer Berucksichtigung des Einflusses von Maeda Yûgure /." Hamburg : Gesellschaft für Natur- und Völkerkunde Ostasiens, 2001. http://catalog.hathitrust.org/api/volumes/oclc/47823849.html.

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7

Sapin, Julia Elizabeth. "Liaisons between painters and department stores : merchandising art and identity in Meiji Japan, 1868-1912 /." Thesis, Connect to this title online; UW restricted, 2003. http://hdl.handle.net/1773/6236.

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8

Filler, Stephen. "Chaos from order anarchy and anarchism in modern Japanese fiction, 1900-1930 /." Columbus, Ohio : Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc%5num=osu1087570452.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Title from first page of PDF file. Document formatted into pages; contains viii, 230 p. Advisor: Richard Torrance, Department of East Asian Languages and Literatures. Includes bibliographical references (p. 223-230).

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9

Shimizu, Kanako. "Above and Below the Sky: Examining Representations of the Atomic Bomb in Japan and in the United States." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1601.

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This study of atomic-bomb literature on Hiroshima will be through a critical lens, largely through postcolonial theory and reader-response criticism. It will be a discussion on the social and political implications behind the popularization of certain works. The discussed texts will not necessarily be written by the Japanese or by survivors of the atomic bomb: in the first case, I will be examining authorial intent and its relation to the intended reader responses from the implied American audience to study perpetuations of propaganda after the war. This paper will also be examining the interl

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10

Angles, Jeffrey Matthew. "Writing the love of boys: representations of male-male desire in the literature of Murayama Kaita and Edogawa Ranpo." The Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1071535574.

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11

Prostak, Michaela Leah. "Monstrous Maternity: Folkloric Expressions of the Feminine in Images of the Ubume." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3714.

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The ubume is a ghost of Japanese folklore, once a living woman, who died during either pregnancy or childbirth. This thesis explores how the religious and secular developments of the ubume and related figures create a dichotomy of ideologies that both condemn and liberate women in their roles as mothers. Examples of literary and visual narratives of the ubume as well as the religious practices that were employed for maternity-related concerns are explored within their historical contexts in order to best understand what meaning they held for people at a given time and if that meaning has chang

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12

Levy, Deborah. "Mitate et citation dans l’oeuvre de Morimura Yasumasa : autoportrait d’une histoire de l’art." Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080025.

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La citation et le mitate sont des procédés mimétiques proches au regard des autoportraits photographiques de Morimura Yasumasa. En citant directement les tableaux et le cinéma occidental, l’artiste reconstitue une histoire de l’art et de l’image dans le contexte japonais et du Kansai. Pourtant, bien que la citation, l’imitation et la copie caractérisent ses œuvres, l’artiste et les critiques japonais n’ont encore jamais mis en cause l’implication de l’influence du mitate. Or, sa définition, qui se traduit par une « transposition » que l’on déplace d’un cadre spatiaux-temporel à l’autre, sous u

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13

Mostow, Joshua Scott. "Uta-e and interrelations between poetry and painting in the Heian era." 1988. http://catalog.hathitrust.org/api/volumes/oclc/25172941.html.

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14

Du, Xiaohan. "On A Snowy Night: Yishan Yining (1247-1317) and the Development of Zen Calligraphy in Medieval Japan." Thesis, 2021. https://doi.org/10.7916/d8-gcqq-m715.

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This dissertation is the first monographic study of the monk-calligrapher Yishan Yining (1247-1317), who was sent to Japan in 1299 as an imperial envoy by Emperor Chengzong (Temur, 1265-1307. r. 1294-1307), and achieved unprecedented success there. Through careful visual analysis of his extant oeuvre, this study situates Yishan’s calligraphy synchronically in the context of Chinese and Japanese calligraphy at the turn of the 14th century and diachronically in the history of the relationship between calligraphy and Buddhism. This study also examines Yishan’s prolific inscriptional practice, i

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15

Feltens, Frank. "Ogata Kōrin (1658–1716) and the Possibilities of Painting in Early Modern Japan." Thesis, 2016. https://doi.org/10.7916/D8RV0NQR.

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This dissertation investigates the work of Ogata Kōrin (1658–1716), one of the most idiosyncratic artists of Japan’s early modern period. By employing aspects of literature and theater, as well as a focus on Kōrin’s experimentations with the effects of style, materials, and artistic media, I elucidate how his oeuvre is characterized by a continuous strive to test the faculties of painting. Following a chronological approach, the four chapters of the dissertation trace Kōrin’s life and work from his early steps as a painter to the collaboration with his brother Kenzan (1663–1743) during his fin

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16

Shen, Yiwen. "The Female Body, Motherhood, and Old Age: Representations of Women in Hell in Sixteenth and Seventeenth Century Japan." Thesis, 2021. https://doi.org/10.7916/d8-eb4v-jh61.

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My dissertation, The Female Body, Motherhood, and Old Age: Representations of Women in Hell in Sixteenth and Seventeenth Century Japan, examines the literary and visual representations of women in hell in late medieval and early modern Japan, with particular attention to the female body, motherhood, and old age. My focus is the late Muromachi and early Edo periods, when a constellation of new hells began to be conceptualized that had serious ramifications for representation of women. I examine a group of otogizōshi texts and hell paintings of the sixteenth and seventeenth centuries, which were

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17

Stilerman, Ariel. "Learning with Waka Poetry: Transmission and Production of Social Knowledge and Cultural Memory in Premodern Japan." Thesis, 2015. https://doi.org/10.7916/D8GQ6WVV.

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This dissertation argues that throughout premodern Japan, classical Japanese poetry (waka) served as a vehicle for the transmission of social knowledge, cultural memory, and specialized information. Waka was originally indispensable to private and public social interactions among aristocrats, but it came to play a diversity of functions for warriors, monks, farmers, merchants, and other social groups at each and every level of premodern society and over many centuries, particularly from the late Heian period (785-1185) through the Edo period (1600-1868). To trace the changes in the socia

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18

Reeves, Kristopher Lee. "Of Poetry, Patronage, and Politics: From Saga to Michizane, Sinitic Poetry in the Early Heian Court." Thesis, 2018. https://doi.org/10.7916/D8P28F61.

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This dissertation seeks to explore possible relationships between literature—poetry, in particular—and royal patronage. More specifically, I am here interested in examining the remarkable efflorescence of Sinitic poetry (kanshi) during the reign of Emperor Saga (786-842, r. 809-823), as well as some of its later developments in the private poetry collections of Shimada Tadaomi (828-891) and his pupil Sugawara no Michizane (845-903). The history of Sinitic poetry composed in Japan has been meticulously studied; there is certainly no dearth of research, either in Japanese or in English. Even so,

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