Relevant bibliographies by topics / Painting; Painter

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Painting; Painter'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Painting; Painter"

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Župan, Ivica. "Majstor mirenja, spajanja i kombiniranja suprotnosti." Ars Adriatica, no. 2 (January 1, 2012): 257. http://dx.doi.org/10.15291/ars.454.

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Igor Rončević has been painting for a very long time with the consciousness that his painterly signature can be constructed from a series of disparate fragments, and so his collage paintings are composed of elements or stylistic details thanks to which his canvas has become a place where ambivalent worlds meet - an ntersection of their paths. Rončević is therefore, a painter of ludic individualism, but, at the same time, painter with wide erudition and above all, a curious pirit, who, in a unique way - in different clusters of itations - applies and joins together experiences from he entire hi
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Yu, Lan, and Yukari Nagai. "Painting Practical Support: A Study about the Usage of Painting Materials in Children’s Painting Works." Social Sciences 9, no. 4 (2020): 33. http://dx.doi.org/10.3390/socsci9040033.

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Painting materials are one of the mediums that help painters to show the effects of paintings. The use of different painting materials can help the painter to display different painting styles and artistic conception. Six hundred sixty-seven children aged 7 to 13 participated in the study. This study is mainly about the impact of the use of different painting materials on children’s painting creation. The questionnaire survey was conducted based on primary school fine arts education to study the influence of painting materials on children’s painting ability. The content of the questionnaire su
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Leroy, Fabrice. "Painting the Painter." European Comic Art 5, no. 2 (2012): 8–22. http://dx.doi.org/10.3167/eca.2012.050202.

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French cartoonist and filmmaker Joann Sfar has often used the comics medium to reflect on visual representation. His latest bande dessinée, Chagall en Russie ['Chagall in Russia'] (2010-2011), continues some of the meta-pictural elements previously found in his Pascin (2000-2002), which already featured Chagall in several episodes, as well as his acclaimed series, The Rabbi's Cat, where Sfar introduced the character of an anonymous Russian painter, whose biography and artistic stance seemingly referred to that of Marc Chagall. Although Chagall en Russie explicitly refers to the real-life Franc
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Unković, Nina. "Matej Sternen as a Restorer: Selected examples in Slovenia and Croatia." Ars & Humanitas 11, no. 1 (2017): 204–23. http://dx.doi.org/10.4312/ah.11.1.204-223.

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Matej Sternen (1870–1949) is better known as an impressionist painter rather than for his restoration work, even though in his impressive career he discovered and restored a considerable number of works, especially frescos in Slovenia and Dalmatia (Croatia). His strong interest in restoration can be seen in the numerous notes he wrote about painting technologies, restoration and conservation techniques. This enriched his entire opus, as it stimulated him to try numerous painting techniques and genres, such as frescoes. Sternen was a painter who constructed his paintings very carefully, and a m
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Unković, Nina. "Matej Sternen as a Restorer: Selected examples in Slovenia and Croatia." Ars & Humanitas 11, no. 1 (2017): 204–23. http://dx.doi.org/10.4312/ars.11.1.204-223.

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Matej Sternen (1870–1949) is better known as an impressionist painter rather than for his restoration work, even though in his impressive career he discovered and restored a considerable number of works, especially frescos in Slovenia and Dalmatia (Croatia). His strong interest in restoration can be seen in the numerous notes he wrote about painting technologies, restoration and conservation techniques. This enriched his entire opus, as it stimulated him to try numerous painting techniques and genres, such as frescoes. Sternen was a painter who constructed his paintings very carefully, and a m
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Insaurralde Caballero, Mirta, and María Castañeda-Delgado. "At the Core of the Workshop: Novel Aspects of the Use of Blue Smalt in Two Paintings by Cristóbal de Villalpando." Arts 10, no. 2 (2021): 25. http://dx.doi.org/10.3390/arts10020025.

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During the seventeenth century, the use of smalt and indigo became increasingly common among painters’ workshops in New Spain. The unprecedented importance of these two blue pigments in oil painting may be explained by artistic and geopolitical circumstances. This article expands on the use of blue smalt—a byproduct of glass production and a material that lacks in-depth study in viceregal painting—by focusing on the technical analysis of El Triunfo de la Eucaristía and La Asunción painted by Cristóbal de Villalpando (ca. 1649–1714), which are part of the collection of the Museo Regional de Gua
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Altes, Everhard Korthals. "Philip van Dijk, een achttiende-eeuwse Haagse schilderkunsthandelaar met een lokale en internationale clientèle*." Oud Holland - Quarterly for Dutch Art History 116, no. 1 (2003): 34–56. http://dx.doi.org/10.1163/187501703x00260.

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AbstractPhilip van Dijk was an important eighteenth-century painter-dealer. During this period lots of dealers in paintings started out as painters, a combination also found previously in the seventeenth century. Quite a few painters began dealing due to the falling demand for contemporary art in the eighteenth century, and some of them sought new outlets abroad where there were many well-off collectors interested in both contemporary Dutch painters and the masters of the seventeenth century. Van Dijk, too, built up a clientele both locally in The Hague and abroad. Bills and receipts from Joha
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Vojvodic, Dragan. "The icon of the Theotokos from the Church of St. Nicholas (Rajko’s Church) and the question of painting workshops in medieval Prizren." Zograf, no. 40 (2016): 95–116. http://dx.doi.org/10.2298/zog1640095v.

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Based on stylistic and paleographical analysis, it can be safely concluded that the icon of the Theotokos from the Church of St. Nicholas (Rajko?s Church) in Prizren was not created in the 14th century as previously believed. It was painted in the last third of the 16th century by an icon painter close to the circle of Serbian painters formed in Pec. The suggestion of stylistic ties between this icon and the first fresco layer at the Church of the Holy Savior in Prizren and the wall paintings in the Church of St. Nicholas (the Tutic Church) is not acceptable. Furthermore, comparison of wall pa
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Miedema, Hessel. "Philips Angels Lof der schilder-konst." Oud Holland - Quarterly for Dutch Art History 103, no. 4 (1989): 181–222. http://dx.doi.org/10.1163/187501789x00167.

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AbstractPhilips Angel's Lof der schilder-const (In Praise of Painting, 1642) is one of the few pieces of writing we have as a source of notions on the theory of painting in the Netherlands. Yet it was not intended as an art-theoretical treatise: Angel read the text at a St. Luke's feast as part of the activities that were being undertaken to acquire guild rights for Leiden painters. In order to assess the value of the theoretical notions on which the paper is based, it is therefore necessary to analyse as far as possible the circumstances of its writing. First the Angel family is examined. Org
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De Fouw, Josephina, and Ige Verslype. "Aeneas and Callisto." Rijksmuseum Bulletin 67, no. 3 (2019): 196–215. http://dx.doi.org/10.52476/trb.9730.

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The Rijksmuseum has in its collection an oil sketch by Jacob de Wit (1695-1754) of a design for a ceiling painting. This ceiling painting – The Apotheosis of Aeneas – was commissioned by Pieter Pels (1668-1739) for his house at number 479 Herengracht, Amsterdam. The present article identifies the room for which the work was made. The ceiling painting proves to have been part of a larger painted ensemble by Jacob de Wit and the landscape painter Isaac de Moucheron (1667-1744). On the basis of De Wit’s sketches, records in the archives and research on site, a picture of the way this painted room
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Dissertations / Theses on the topic "Painting; Painter"

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Jacobi, Carol. "Painter, painting, paint : a reappraisal of the work of William Holman." Thesis, Birkbeck (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286207.

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Art historians tend to focus on the literary aspects of Hunt's paintings and little is said about their disconcerting appearance. This thesis explores Hunt's attitude to art-making and his artistic practice in order to investigate the relationship between the form of his work and its content. To this end, Hunt's written output is reevaluated. A distinction is made between public texts and private journals and letters. The latter display accelerating concerns about the artistic persona. A sense of religious doubt, weakness and mortality is answered by an alternative self-image which aspires to
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Nisbet, Archibald. "George Clint (1770-1854) : theatrical painter." Thesis, Birkbeck (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271351.

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The thesis treats the theatrical scenes and single figure portraits of actors and actresses en role by George Clint. The development of theatrical scene painting in England during the eighteenth century is traced from its antecedents in The Netherlands and France through to the arrival of Clint. There is a brief review of Clint's career to 1816 when he exhibited his first theatrical scene at the Royal Academy. To define the area in which Clint worked, a chapter explores the theatre of the time. His theatrical scenes are discussed for each of the three phases of his work which I have identified
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Benson, Lisa Virginia. "Hermonax : an early classical vase-painter /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9962504.

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Jones, Rachel. "Evolution: The Progress of a Painter." ScholarWorks@UNO, 2008. http://scholarworks.uno.edu/td/655.

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This analysis explores the progression of my work over the past three years of study. My initial pursuits involved ideas that revolved around contemporary feminism, however, with time I expanded upon those ideas by exploring other subjects. I realized the connection in all of my work lies in the use of manipulated found imagery, and the desire to release this imagery from the confines of traditional pictorial space. With this discovery, I became free to utilize any manner of subjects, as the subject matter relied heavily on the finding and re-interpreting of these disparate images into t
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Wallersteiner, Anthony. "A Cornish palimpsest : Peter Lanyon and the construction of a new landscape, 1938-1964." Thesis, University of Kent, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342268.

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Insley, Alice Amelia. "Painter and place : Joseph Wright and Derby, 1797-1886." Thesis, University of Nottingham, 2017. http://eprints.nottingham.ac.uk/41356/.

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As the endurance of Wright’s soubriquet ‘of Derby’ shows, the association between Wright and Derby is distinctive in its ongoing cultural resonance. The legacy of this today is the Joseph Wright Collection at Derby Museum and Art Gallery – the largest collection of his work in the world. This thesis is, therefore, concerned not with arguing for the relationship between Wright and Derby but with attending to how it has been represented and claimed during the 19th-century. This will encompass both how the relationship influenced Wright’s posthumous reputation and how it was enlisted in Derby as
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Gordon, Grier Robertson. "Scottish scenes and Scottish story : the later career of David Allan, historical painter." Thesis, University of Glasgow, 1990. http://theses.gla.ac.uk/2505/.

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David Allan's artistic career may be divided into two major periods. Having first attended the Foulis Academy, he spent at least a decade in Italy, finally returning to Scotland in 1779, his home for the next seventeen years. The pictures which he executed during this second period form the basis of the present study. Since the emphasis of this study is thematic rather than biographical, some distortion of chronology is inevitable, though it is not uncomfortably obvious. At the same time, some element of biography is indispensable. This is particuarly true of the first chapter, a necessary set
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Garcia, Rebecca J. "Pigments and pianos painter and varnisher Lyman White /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 75 p, 2007. http://proquest.umi.com/pqdweb?did=1338863521&sid=5&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Baines, Lorena. "The artist's devices Illusionism and imagination in Gerrit Dou's 'Painter with a Pipe and Book' (Netherlands) /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 1.90 Mb, 52 p, 2005. http://wwwlib.umi.com/dissertations/fullcit/1428198.

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Hoyt, Sue Allen. "Masters, pupils and multiple images in Greek red-figure vase painting." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1150472109.

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Books on the topic "Painting; Painter"

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Jacobi, Carol. William Holman Hunt: Painter, painting, paint. Manchester University Press, 2006.

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How I paint: Secrets of a Sunday painter. Harry N. Abrams, 2000.

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James, Long. The painter. HarperCollins, 2003.

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Sengai: Master Zen painter. Kodansha, 2000.

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The decorative painter: Over 100 designs and ideas for painted projects. Little, Brown, 1996.

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Nadia, Mackenzie, ed. The decorative painter: Over 100 designs and ideas for painted projects. Conran Octopus, 1996.

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Bunn, T. Davis. The sign painter. Center Point Large Print, 2014.

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Spargo, Gillie. The complete decorative painter. Colour Library Direct, 1997.

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Mariani, Valerio. Michelangelo, the painter. Harrison House, 1987.

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Mariani, Valerio. Michelangelo, the painter. Harrison House, 1987.

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Book chapters on the topic "Painting; Painter"

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Robins, Barbara K. "Word Painter." In Painting Words. Routledge, 2020. http://dx.doi.org/10.4324/9780429242601-12.

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González-Moreno, Fernando. "Cervantes, Painter of Allegories of Folly, Love and Prudence." In Painting Words. Routledge, 2020. http://dx.doi.org/10.4324/9780429242601-3.

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Jackson, Wallace. "Digital Painting Software: Corel Painter and Inkscape." In Digital Painting Techniques. Apress, 2015. http://dx.doi.org/10.1007/978-1-4842-1736-8_1.

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Colton, Simon. "The Painting Fool: Stories from Building an Automated Painter." In Computers and Creativity. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-31727-9_1.

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Adorni, Bruno. "Vignola, a Serious Training: Painting, Perspective, Architecture." In The Notion of the Painter-Architect in Italy and the Southern Low Countries. Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.archmod-eb.4.00216.

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Musso, Stefano F. "Painting and Painted Architectures in Genoa: What Peter Paul Rubens Probably Saw." In The Notion of the Painter-Architect in Italy and the Southern Low Countries. Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.archmod-eb.4.00221.

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Berendsen, A. M. "Paints and Paint Systems." In Marine Painting Manual. Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-017-2186-8_4.

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"Painting in Painter." In Digital Collage and Painting: Using Photoshop and Painter to Create Fine Art. Routledge, 2006. http://dx.doi.org/10.4324/9780080458274-11.

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Balafrej, Lamia. "Painting about Painting." In The Making of the Artist in Late Timurid Painting. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474437431.003.0001.

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This book constitutes the first exploration of artistic self-reflection in Islamic art. In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter’s delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist’s likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist’s imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist’s signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed. In addition, each chapter explores a different theme: how painters challenged the conventions of royal representation (chapter 1); the role of writing in painting, its relation to ekphrasis and the context of the majlis (chapter 2); image, mimesis and potential world (chapter 3); the line and its calligraphic quality (chapter 4); signature (chapter 5); the mobility of manuscripts (epilogue).
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Bloom, Susan Ruddick. "Painting in Painter™." In Digital Collage and Painting. Elsevier, 2011. http://dx.doi.org/10.1016/b978-0-240-81175-8.00005-7.

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Conference papers on the topic "Painting; Painter"

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Burby, M., G. G. Nasr, and T. Cox. "Painting and Coating of Acoustic Materials." In ASME 2006 Pressure Vessels and Piping/ICPVT-11 Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/pvp2006-icpvt-11-93861.

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Acoustic materials are used to treat indoor and outdoor spaces to make speech intelligible, and places less noisy and more pleasant to be in. Whilst most treatments are old and well established, in recent years there has been a growth in innovative products, which overcome difficulties with the old technologies, especially when making the treatments more visually acceptable to architects. Modern construction depends a great deal on acoustic materials to act as sound containment or sound control, either in residential or commercial applications. Sound-absorbing materials are highly porous to in
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Weng, Dongdong, Yue Liu, and Yongtian Wang. "Design of an AR-based virtual painting system: AR-painter." In Fifth International Symposium on Instrumentation and Control Technology, edited by Guangjun Zhang, Huijie Zhao, and Zhongyu Wang. SPIE, 2003. http://dx.doi.org/10.1117/12.522309.

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Sutton, Jeremy. "Air painting with Corel Painter Freestyle and the leap motion controller." In ACM SIGGRAPH 2013 Studio Talks. ACM Press, 2013. http://dx.doi.org/10.1145/2503673.2503694.

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Li, Yang, and Hai Ping Sun. "Monk-painter - Dan Dang's Different Kinds of Aesthetic Feelings to Landscape Painting." In 2017 International Conference on Innovations in Economic Management and Social Science (IEMSS 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/iemss-17.2017.105.

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Makarevičs, Valerijs, and Dzintra Ilisko. "Figuratively Semantic Analysis of Works of Art." In 14th International Scientific Conference "Rural Environment. Education. Personality. (REEP)". Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2021. http://dx.doi.org/10.22616/reep.2021.14.044.

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Topicality of the study is related to the in-depth study of the art of works of Van Gogh, Velázquez and Repin by relating art to the biography of these authors. The aim of the study is to explore the symbolism and the biography of the painters using the examples of analysis from the works of Van Gogh, Velasquez, and Repin and also to determine the conditions that contribute to the awareness of the process of perception and understanding of paintings. The methodology of this study is figuratively symbolic method used with the purpose to compare the plots of the art and to relate them to the lif
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Zhang, Xiaojie. "The Painting Technical Characteristics and Sources of Hungarian Painter MihALy MunkACsy in the 19th Century." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.65.

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Lahtinen, R. T., and P. J. T. Jokinen. "Painting of Arc Sprayed Zinc Coatings with Water-Based Paints." In ITSC 2000, edited by Christopher C. Berndt. ASM International, 2000. http://dx.doi.org/10.31399/asm.cp.itsc2000p1077.

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Abstract Hot dip galvanized zinc coatings on steel structures are known to have superior atmospheric corrosion resistance properties compared to painted structures. However, the zinc coating can not be applied by this method on large steel structures. The protection of large steel structures against atmospheric corrosion is traditionally done by painting. The environmental pressure to eliminate solvent based paints has forced the painting contractors to move towards water based paints or completely rethink the coating process. One solution to this problem is to use arc sprayed zinc as the "pri
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Hendricks, Genevieve. "Le Corbusier’s Postwar Painterly Mythologies." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.828.

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Abstract: Le Corbusier’s graphic output was prolific, consisting of hundreds of paintings, thousands of drawings and watercolors, and scores of collages, lithographs, and murals throughout his career. By the late 1940s his double-nature as artist-architect emerged as a key component to his work, as he highlighted the correlations and correspondences that informed his creative endeavors. His post-war works, specifically his series of Taureaux paintings, reveal the development of such themes as well as the transformation of earlier works as he turned to a mythologically-inspired vocabulary of to
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Wu, Han, Shuo Yan Liu, Wenkai Zheng, Yifu Yang, and Han Gao. "PaintKG: the painting knowledge graph using bilstm-crf." In 2020 International Conference on Information Science and Education (ICISE-IE). IEEE, 2020. http://dx.doi.org/10.1109/icise51755.2020.00094.

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Zhilin, Denis M., and Marina Tokareva. "CHEMISTRY OF PAINTINGS OR HOW TO INVOLVE 8-10 Y.O. CHILDREN FOR A TWO-HOUR SESSION WITHOUT BREAKS." In 1st International Baltic Symposium on Science and Technology Education. Scientia Socialis Ltd., 2015. http://dx.doi.org/10.33225/balticste/2015.108.

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The paper describes the experience of sessions on chemistry of paintings and chemistry of pencils for 8-10 y.o. pupils and their parents. The session consisted of lecture on the history of paints and pencils and laboratory sub-session where the participants made paints and pencils themselves. The participants could quit whenever they wanted, but really worked for more than two hours without break, that is extremely long for this age. We think that the reason is a diverse activity and a bright output. Key words: chemistry, elementary school, laboratory, painting.
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Reports on the topic "Painting; Painter"

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Galenson, David. Quantifying Artistic Success: Ranking French Painters - and Paintings - from Impressionism to Cubism. National Bureau of Economic Research, 1999. http://dx.doi.org/10.3386/w7407.

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McKnight, Mary E. Feasibility of using a multiple award schedule for specifying paints in government painting contracts. National Institute of Standards and Technology, 1991. http://dx.doi.org/10.6028/nist.ir.4706.

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Bruegel, Martin, and David Galenson. Measuring Masters and Masterpieces: French Rankings of French Painters and Paintings from Realism to Surrealism. National Bureau of Economic Research, 2001. http://dx.doi.org/10.3386/w8266.

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Painter dies after falling from a stepladder while painting an outdoor stairway. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1998. http://dx.doi.org/10.26616/nioshsface97nj062.

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A painter falls 12 feet while painting a pump hose platform system - Massachusetts. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 2009. http://dx.doi.org/10.26616/nioshsface07ma025.

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In-depth survey report: control technology for autobody repair and painting shops at Valley Paint and Body Shop, Amelia, Ohio. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993. http://dx.doi.org/10.26616/nioshectb17914a.

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In-depth survey report: control technology for removing lead-based paint from steel structures: abrasive blasting inside two ventilated containment systems at Bridge Street and Shribner Street overpass, Seaway Painting Company, Inc., Grand Rapids, Michigan. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1994. http://dx.doi.org/10.26616/nioshectb18314a.

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In-depth survey report: control technology for removing lead-based paint from steel structures: power tool cleaning at Muskingum County, Ohio, bridge MUS-555-0567 and MUS-60-3360, Olympic Painting Company, Inc., Youngstown, Ohio. U.S. Department of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1995. http://dx.doi.org/10.26616/nioshectb18316a.

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You might also be interested in the extended bibliographies on the topic 'Painting; Painter' for particular source types:
Journal articles Dissertations / Theses Books
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