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Books on the topic 'Painting; Painter'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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1

Jacobi, Carol. William Holman Hunt: Painter, painting, paint. Manchester University Press, 2006.

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2

How I paint: Secrets of a Sunday painter. Harry N. Abrams, 2000.

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3

James, Long. The painter. HarperCollins, 2003.

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4

Sengai: Master Zen painter. Kodansha, 2000.

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5

The decorative painter: Over 100 designs and ideas for painted projects. Little, Brown, 1996.

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6

Nadia, Mackenzie, ed. The decorative painter: Over 100 designs and ideas for painted projects. Conran Octopus, 1996.

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7

Bunn, T. Davis. The sign painter. Center Point Large Print, 2014.

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8

Spargo, Gillie. The complete decorative painter. Colour Library Direct, 1997.

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9

Mariani, Valerio. Michelangelo, the painter. Harrison House, 1987.

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10

Mariani, Valerio. Michelangelo, the painter. Harrison House, 1987.

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11

The complete oil painter. Pelham, 1988.

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12

Canada. Human Resources and Skills Development Canada. Automotive painter. Human Resources and Skills Development Canada, 2005.

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13

Canada. Human Resources Partnerships Directorate. Automotive painter. Minister of Supply and Services Canada, 1996.

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14

Haseley, Dennis. The painter of horses. Roaring Brook Press, 2008.

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15

James, Sanders, ed. Shi Pratini: Painter-designer. Virtualbookworm.com Pub. Inc., 2011.

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16

Composition for the painter. Zack Press, 2005.

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17

Digital painting fundamentals with Corel Painter 11. Course Technology/Cengage Learning, 2010.

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18

Digital painting fundamentals with Corel Painter X. Thomson Course Technology, 2008.

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19

Draws, Rhoda Grossman. Digital painting fundamentals with Corel Painter X. Cengage Learning, 2011.

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20

Lara, Pucci, Guttuso Renato 1911-1987, and Estorick Collection, eds. Renato Guttuso: Painter of modern life. Silvana editoriale, 2014.

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21

Oakley, John Howard. The Achilles painter. P. von Zabern, 1997.

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22

Th, Kloek W., Wheelock Arthur K, Jansen Guido, National Gallery of Art (U.S.), and Rijksmuseum (Netherlands), eds. Jan Steen, painter and storyteller. National Gallery of Art, 1996.

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23

The orientalists, painter-travellers. ACR Edition, 1994.

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24

Frizzell, Dick. Dick Frizzell: The painter. Godwit, 2009.

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25

Introducing Rembrandt: Painter, etcher, teacher. Little, Brown and Company, 1994.

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26

Higgins, Joseph. Joseph Higgins, 1885-1925: Sculptor & painter. Gandon Editions, 2005.

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27

Introducing Picasso: Painter, sculptor. Little, Brown, 1993.

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28

Heslewood, Juliet. Introducing Picasso: Painter, sculptor. Little, Brown, 1993.

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29

Holmes, Sandra Le Brun. Yirawala: Painter of the dreaming. Hodder & Stoughton, 1992.

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30

Heron, Patrick. Painter as critic: Patrick Heron, selected writings. Tate Gallery Pub., 1998.

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31

Heron, Patrick. Painter as critic: Patrick Heron, selected writings. Tate Gallery Pub., 2001.

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32

Holmberg, Erik John. The red-line painter and the workshop of the Acheloos painter. P. Åström, 1990.

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33

Hewitt, Helen Verity. Patrick White, painter manquʹe: Paintings, painters and their influence on his writing. Miegunyah Press, 2002.

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34

Jones, Shirley. A quiet painter: James Alfred Turner. S. Jones, 2009.

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35

1542, Dossi Dosso d., Lucco Mauro, Bayer Andrea, Pinacoteca nazionale di Ferrara, Metropolitan Museum of Art (New York, N.Y.), and J. Paul Getty Museum, eds. Dosso Dossi: Court painter in Renaissance Ferrara. The Metropolitan Museum of Art, 1998.

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36

McConkey, Kenneth. Harold Harvey: Painter of Cornwall. Sansom, 2001.

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37

George Stubbs, painter: Catalogue raisonné. Yale University Press for the Paul Mellon Centre for Studies in British Art, 2007.

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38

José, Frèches, ed. Toulouse-Lautrec: Painter of the night. Thames and Hudson, 1994.

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39

Öndeş, Osman. Ottoman Court Painter Fausto Zonaro. Yapı Kredi Kültür Sanat Yayıncılık, 2002.

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40

Wetering, Ernst. Rembrandt. The Painter Thinking. Edited by Wardy Poelstra. Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789089645616.

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Even during the artist's lifetime, contemporary art lovers considered Rembrandt van Rijn (1606-1669) to be an exceptional artist. In this revelatory sequel to the acclaimed Rembrandt: The Painter at Work, renowned Rembrandt authority Ernst van de Wetering investigates the painter's considerations that determined the striking changes in his development from an early age onwards. This gorgeously illustrated book explores how Rembrandt achieved mastery by systematic exploration of the 'foundations of the art of painting'. According to written sources from the seventeenth century, which were largely misinterpreted until now, these 'foundations' were considered essential at that time. From his first endeavours in painting, Rembrandt embarked on a journey past these foundations, thus becoming the 'pittore famoso', whom Count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for solutions to the pictorial problems that confronted him; this led over time to radical changes that cannot simply be attributed to stylistic evolution or natural development. In a quest as rigorous and novel as the artist's, Van de Wetering reveals how Rembrandt became the revolutionary painter that would continue to fascinate the art world. This ground breaking exploration reconstructs Rembrandt's theories and methods, shedding new light both on the artist's exceptional accomplishments and on the theory and practice of painting in the Dutch Golden Age.
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41

Wetering, Ernst. Rembrandt. The Painter Thinking. Edited by Wardy Poelstra. Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789462981522.

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Even during the artist's lifetime, contemporary art lovers considered Rembrandt van Rijn (1606-1669) to be an exceptional artist. In this revelatory sequel to the acclaimed Rembrandt: The Painter at Work, renowned Rembrandt authority Ernst van de Wetering investigates the painter's considerations that determined the striking changes in his development from an early age onwards. This gorgeously illustrated book explores how Rembrandt achieved mastery by systematic exploration of the 'foundations of the art of painting'. According to written sources from the seventeenth century, which were largely misinterpreted until now, these 'foundations' were considered essential at that time. From his first endeavours in painting, Rembrandt embarked on a journey past these foundations, thus becoming the 'pittore famoso', whom Count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for solutions to the pictorial problems that confronted him; this led over time to radical changes that cannot simply be attributed to stylistic evolution or natural development. In a quest as rigorous and novel as the artist's, Van de Wetering reveals how Rembrandt became the revolutionary painter that would continue to fascinate the art world. This ground breaking exploration reconstructs Rembrandt's theories and methods, shedding new light both on the artist's exceptional accomplishments and on the theory and practice of painting in the Dutch Golden Age. Everyone who is interested in the art of painting should read this phenomenal book, because it was written with incredible knowledge and experience on the subject. It shows in a clear and simple way how Rembrandt worked and the things he had to take into account. At the same time it offers a fantastic sample of Rembrandt's life's work, thanks to the well-chosen selection of illustrations. David Rijser, NRC Handelsblad
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42

1452-1519, Leonardo da Vinci, ed. Leonardo da Vinci painter: The complete works. Silvana, 2011.

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43

Trevor, Bell. Trevor Bell: A British painter in America. Florida State University, Museum of Fine Arts, 2003.

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44

Hewitt, Helen Verity. Patrick White, painter manqué: Paintings, painters and their influence on his writing. Miegunyah Press, 2002.

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45

Sarkar, Sandip. Jayanta Ghosal, a pen portrait of a painter. Anjali Prokashani, 1998.

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46

ill, Casilla Robert, ed. The little painter of Sabana Grande. Bradbury Press, 1993.

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47

Vasilakē, Maria. The painter Angelos and icon-painting in Venetian Crete. Ashgate, 2007.

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48

Jonathan, Chaves. The Chinese painter as poet. China Institute Gallery, China Institute, 2000.

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49

Constable, the painter and his landscape. Yale University Press, 1986.

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50

1933-, Goswamy B. N., Bhatia Usha, and Lalit Kala Akademi, eds. The eye's delight: The great 18th century Pahari painter, Nainsukh. Lalit Kalā Akademi, 1997.

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