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Journal articles on the topic 'Painting – Scotland'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

HARE, BILL. "CONTEMPORARY PAINTING IN SCOTLAND." Art Book 1, no. 1 (1994): 12–13. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00072.x.

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2

Green, Simon. "Michael Bath, Renaissance Decorative Painting in Scotland." Architectural Heritage 15, no. 1 (2004): 136–38. http://dx.doi.org/10.3366/arch.2004.15.1.136.

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3

Cambridge, Matt. "Review: Michael Bath, Renaissance Decorative Painting in Scotland." Art Book 11, no. 2 (2004): 31–32. http://dx.doi.org/10.1111/j.1467-8357.2004.00403.x.

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4

Williams, Janet Hadley. "Renaissance Decorative Painting in Scotland (review)." Parergon 21, no. 2 (2004): 179–81. http://dx.doi.org/10.1353/pgn.2004.0011.

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5

MacDonald, Catriona M. M. "Painting Labour in Scotland and Europe, 1850–1900. By John Morrison." Scottish Historical Review 95, no. 1 (2016): 137–38. http://dx.doi.org/10.3366/shr.2016.0291.

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6

Brophy, Kenneth. "The Ludovic technique: the painting of the Cochno Stone, West Dunbartonshire." Scottish Archaeological Journal 42, Supplement (2020): 85–100. http://dx.doi.org/10.3366/saj.2020.0148.

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The painting of the Cochno Stone rock-art panel, West Dunbartonshire, in 1937 by Ludovic McLellan Mann is one of the most eccentric acts in the history of archaeology in Scotland. Despite publishing widely and being a compulsive user of newspapers to publicise and report on his activities, Mann left very few direct clues to explain what the grid and symbols he painted onto the Cochno Stone meant. This paper describes the different elements of Mann's paintjob based on historic photography and observations made during the brief uncovering of the Cochno Stone in 2016. The logic underpinning the m

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7

Forbes, D. "'Dodging and watching the natural incidents of the peasantry': Genre Painting in Scotland 1780 1830." Oxford Art Journal 23, no. 2 (2000): 79–94. http://dx.doi.org/10.1093/oxartj/23.2.79.

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8

Campbell, Ian. "Michael Bath , Renaissance Decorative Painting in Scotland. National Museums of Scotland Publishing: Edinburgh, 2003. ix + 286 pp. £30 pbk. ISBN 1 901663 60 4." Innes Review 56, no. 2 (2005): 216–17. http://dx.doi.org/10.3366/inr.2005.56.2.216.

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9

Stell, Geoffrey. "Renaissance Decorative Painting in Scotland. By Michael Bath. 280mm. Pp ix plus 286, ills. Edinburgh: National Museums of Scotland Publishing, 2003. ISBN 1901633604. £30." Antiquaries Journal 84 (September 2004): 460. http://dx.doi.org/10.1017/s000358150004631x.

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10

Sawkins, Annemarie. ":Titian and the Golden Age of Venetian Painting: Masterpieces from the National Galleries of Scotland." Sixteenth Century Journal 43, no. 1 (2012): 314–15. http://dx.doi.org/10.1086/scj23210875.

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Mahrytska, O. "CULTURAL HERITAGE OF THE ROMA IN FOREIGN SCIENTIFIC DISCOURSE OF THE END OF THE 20TH – BEGINNING OF THE 21ST CENTURY." Bulletin of Mariupol State University Series Philosophy culture studies sociology 14, no. 28 (2024): 87–98. https://doi.org/10.34079/2226-2830-2024-14-28-87-98.

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In the article, based on the analysis of the works of foreign researchers related to the history of the Roma ethnic group, problems and individual cultural practices of the Roma: music, traditions, values, lifestyle, etc., their features are characterized. The issue of the cultural heritage of the Roma in the foreign scientific discourse of the end of the 20th – beginning of the 21st century is considered. It was determined that during the specified period, numerous cultural studies devoted to Roma culture were conducted in Great Britain, the USA, Romania and Scotland – countries where Roma ar

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12

Petrie, Duncan. "The Eclipse of Scottish Cinema." Scottish Affairs 23, no. 2 (2014): 217–33. http://dx.doi.org/10.3366/scot.2014.0018.

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The 1990s marked the beginning of a period of unprecedented film production activity in Scotland, part of the wider outpouring of artistic expression – notably in literature, theatre and painting – that occurred in the aftermath of the 1979 Scottish Assembly debacle and which came to constitute a kind of cultural devolution in the absence of political self-determination. The ‘new Scottish cinema’ provided a steady stream of films like Rob Roy (1995), Trainspotting (1996), Small Faces (1996), Regeneration (1997), My Name is Joe (1998), Mrs Brown (1998), Orphans (1998) and Ratcatcher (1999). The

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13

Mihăilă-Lică, Gabriela. "A Romanian Heroine of British Origin — Maria Rosetti." International conference KNOWLEDGE-BASED ORGANIZATION 25, no. 2 (2019): 289–92. http://dx.doi.org/10.2478/kbo-2019-0096.

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Abstract The paper analyses the image of Maria Rosetti, the first female journalist in Romania, one of the personalities that played a crucial role for the outcome of the Revolution of 1848, and the way in which she remained in the public consciousness. Born in Guernsey, Scotland, the sister of the diplomat Effingham Grant and wife of the Romanian revolutionary Constantin Alexandru Rosetti “made the cause of Romania her own“. Despite being a foreigner, through everything she did, Maria Rosetti tried to help her adoptive country evolve and become a modern unitary state. Besides playing an activ

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14

Harris, Bob. "Painting The Town: Scottish urban history in art. By E. Patricia Dennison, Stuart Eydmann, Annie Lyell, Michael Lynch & Simon Stronach. Pp. xxxii, 473. ISBN: 9781908332042. Edinburgh: Society of Antiquaries of Scotland, 2013. £25.00." Scottish Historical Review 93, no. 2 (2014): 309–11. http://dx.doi.org/10.3366/shr.2014.0232.

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15

Campbell, Patsy. "Paintings for Princes and People in Williamite Scotland." Dutch Crossing 29, no. 1 (2005): 43–68. http://dx.doi.org/10.1080/03096564.2005.11730851.

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16

Beveridge, Allan. "R. D. Laing revisited." Psychiatric Bulletin 22, no. 7 (1998): 452–56. http://dx.doi.org/10.1192/pb.22.7.452.

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In Scotland's National Portrait Gallery, there hangs the only portrait of a 20th century Scottish psychiatrist to have been commissioned by this pantheon to the country's great and good. The subject of the painting is, of course, R. D. Laing, who was not only Scotland's most famous psychiatrist, but, for a brief period in the 1960s and early 1970s, the most famous psychiatrist in the world. He was the world's first media psychiatrist, and his books sold in millions and were translated into more than 20 languages.

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17

Flint, Kate. "COUNTER-HISTORICISM, CONTACT ZONES, AND CULTURAL HISTORY." Victorian Literature and Culture 27, no. 2 (1999): 507–11. http://dx.doi.org/10.1017/s1060150399272142.

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LATE IN 1839, George Catlin arrived in London from New York with a collection of Native American artifacts, costumes, and some six hundred portraits and other paintings. Executed during the previous eight years in the Prairies and the Rockies, they showed the appearance, habitat and customs of various tribes. Catlin rented the Egyptian Hall, in Piccadilly, set up a wigwam made of twenty or more ornamented buffalo skins in the center, and proceeded to mount his exhibition. Initially attracting a good deal of favorable attention, it ran for two years before touring England, Scotland, Ireland, an

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18

Medynska-Gulij, Beata. "Who were cartographers of manuscript topographic maps in the Enlightenment?" Abstracts of the ICA 1 (July 15, 2019): 1–2. http://dx.doi.org/10.5194/ica-abs-1-247-2019.

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<p><strong>Abstract.</strong> The most difficult challenge is to provide the name of the cartographer, i.e. the author of graphic picture of topography with the use of watermedia on paper, for each important European topographic work. Even though we know the names of chiefs of survey and the most important engineers in field mapping teams, it is not possible to precisely describe their role in creating graphic style for fair copy. The aim of this study was to identify several types of design authorship of manuscript topographic maps in the Enlightenment.</p><p>Wre

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19

Polyakov, E. N., and T. V. Donchuk. "SCOTTISH MODERN IN DESIGN WORKS OF C.R. MACKINTOSH AND M. MACDONALD." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, no. 5 (October 30, 2018): 9–34. http://dx.doi.org/10.31675/1607-1859-2018-20-5-9-34.

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The article is devoted to the creative heritage of Charles Rennie Mackintosh (1868–1928), the outstanding Scottish architect and Margaret MacDonald Macintosh (1865–1933), his wife, an artist-designer. Their life and main character traits which predetermined the choice of their future profession are considered. A brief overview is given to the main stages of their professional development. In the Glasgow School of arts they organized the famous creative group „The Four‟ which created a unique Glasgow style. They participated in international exhibitions of Art Nouvea, engaged in successful arch

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20

Paterson-Morgan, Emily. "‘She Does Paint Most Delightfully’: Lady Caroline Lamb’s Artistic Accomplishments." Byron Journal 50, no. 1 (2022): 49–58. http://dx.doi.org/10.3828/bj.2022.7.

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Lady Caroline Lamb has often been dismissed as an overly melodramatic stalker, unhealthily obsessed with the lover who rejected her. Despite publishing numerous novels and writing a number of extremely adroit satirical poems, her sole claim to popular contemporary recognition is a brief affair with a newly-famous poet during the spring of 1812. Even her most famous novel, Glenarvon, tends to attract readers seeking scurrilous autobiographical tidbits rather than those drawn by its literary merits. Her critical reception is often similarly imbalanced - heavily weighted to prioritise her interac

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21

Parkes, Tessa, Hannah Carver, Wendy Masterton, et al. "Exploring the Potential of Implementing Managed Alcohol Programmes to Reduce Risk of COVID-19 Infection and Transmission, and Wider Harms, for People Experiencing Alcohol Dependency and Homelessness in Scotland." International Journal of Environmental Research and Public Health 18, no. 23 (2021): 12523. http://dx.doi.org/10.3390/ijerph182312523.

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People who experience homelessness and alcohol dependency are more vulnerable than the general population to risks/harms relating to COVID-19. This mixed methods study explored stakeholder perspectives concerning the impact of COVID-19 and the potential utility of introducing managed alcohol programmes (MAPs) in Scotland as part of a wider health/social care response for this group. Data sources included: 12 case record reviews; 40 semi-structured qualitative interviews; and meeting notes from a practitioner-researcher group exploring implementation of MAPs within a third sector/not-for-profit

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22

Robson, B. T., J. R. Walton, Iain Black, et al. "Review of Urban Population Development in Western Europe from the Late-Eighteenth to the Early-Twentieth Century, by Richard Lawton and Robert Lee; Land, Labour and Agriculture, 1700-1920, by B. A. Holderness and M. Turner; The Industrial Revolution, by P. Hudson; Merchant Enterprise in Britain from the Industrial Revolution to World War One, by S. Chapman; Rethinking the Victorians, by L. M. Shires; Forever England, by A. Light; The English Eliot, by S. Ellis; Women and the Women's Movement in Britain 1914-59, by M. Pugh; The Erosion of Childhood, by L. Rose; Eugenics, Human Genetics and Human Failings, by P. M. H. Mazumdar; Feeding the Victorian City, by R. Scola; A History of Nature Conservation in Britain, by E. Evans; The Invention of Scotland, by M. G. H. Pittock; Understanding Scotland, by D. McCrome; A Social History of France 1780-1880, by P. McPhee; Province and Empire, by J. M. H. Smith; Reconstructing Large-Scale Climatic Patterns from Tree Ring Data, by H. C. Fritts; The Origins of Southwestern Agriculture, by R. G. Matson; Indian Survival on the California Frontier, by A. L. Hurtado; Appalachian Frontiers, by R. D. Mitchell; The Politics of River Trade, by T. Whigham; Full of Hope and Promise, by E. Ross; Aboriginal Peoples and Politics, by P. Tennant; Fortress California, 1910-1961, by R. W. Lotchin; Remaking America, by J. Bodnar; The Last Great Necessity, by D. C. Sloane; Hispanic Lands and Peoples, by W. M. Denevan; Writing Western History, by R. W. Etulain; Standing on the Shoulders of Giants, by N. J. W. Thrower; The Long Wave in the World Economy, by A. Tylecote; The End of Anglo-America, by R. A. Burchell; Painting and the Politics of Culture, by J. Barrell; Colonialism and Development in the Contemporary World, by C. Dixon and M. J. Heffernan; A World on the Move, by A. J. R. Russell-Wood; Colonial Policy and Conflict in Zimbabwe, by D. Mungazi; The New Atlas of African History, by G. S. P. Freeman-Grenville; Atlas of British Overseas Expansion, by A. N. Porter (Ed.); The Population of Britain in the Nineteenth Century, by R. Woods and The Development of the French Economy, by C. Heywood." Journal of Historical Geography 19, no. 2 (1993): 205–52. http://dx.doi.org/10.1006/jhge.1993.1015.

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23

"Renaissance decorative painting in Scotland." Choice Reviews Online 41, no. 05 (2004): 41–2599. http://dx.doi.org/10.5860/choice.41-2599.

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24

MacInnes, Ranald. "Patricia Dennison, Stuart Eydmann, Annie Lyell, Michael Lynch and Simon Stranach, Painting the Town: Scottish Urban History in Art. Society of Antiquaries of Scotland, Edinburgh 2013. Pp. 512. ISBN: 1908332042. $37.50 CAD." International Review of Scottish Studies 40 (November 11, 2015). http://dx.doi.org/10.21083/irss.v40i0.3541.

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Patricia Dennison, Stuart Eydmann, Annie Lyell, Michael Lynch and Simon Stranach, Painting the Town: Scottish Urban History in Art. Society of Antiquaries of Scotland, Edinburgh 2013. Pp. 512. ISBN: 1908332042. $37.50 CAD.

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25

Jyoti, Jyoti. "Stitches Across Time: Tracing the Chamba Rumal’s Journey to Scotland." Chitrolekha Journal on Art and Design 8, no. 2 (2024). http://dx.doi.org/10.21659/cjad.82.v8n206.

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The paper aims to document the century-long journey of a Chamba Rumal, an exquisite example of Indian embroidery, from the princely hill state of Chamba in Himachal Pradesh to Scotland. The Chamba Rumal was created by the Rani of Chamba in July 1898 for Jessie Ann Tuly, the governess of children. This embroidered artefact portrays Lord Krishna’s Ras Leela with Radha and Gopis and is emblematic of Chamba’s fabric artistry, which was inspired by miniature painting during the 17th and 18th centuries. The paper also investigates the history of the craft and its evolution with the patronage of loca

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26

Campbell, Louisa, and Margaret Smith. "Multi-technique analysis of pigments on sandstone sculptures: Renaissance re-painting of a Roman relief." Heritage Science 10, no. 1 (2022). http://dx.doi.org/10.1186/s40494-022-00790-7.

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AbstractThe Antonine Wall was commissioned by the Roman Emperor Antoninus Pius around 142 CE and stretches for c. 60 km across the central belt of Scotland, marking the Empire’s most north-western frontier. This vanguard research reports on the materials referred to by Antiquarian sources as having been applied during the sixteenth century for the redecoration of an iconic Distance Sculpture that was once embedded into the mural barrier. Portable non-invasive technologies, including pXRF and in-situ microphotography were deployed. These techniques were further supplemented by micro-sampling fo

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27

Law, James, Nathalie Tamayo, Cristina Mckean, and Robert Rush. "The Role of Social and Emotional Adjustment in Mediating the Relationship Between Early Experiences and Different Language Outcomes." Frontiers in Psychiatry 12 (December 2, 2021). http://dx.doi.org/10.3389/fpsyt.2021.654213.

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Background: Studies have highlighted the relationship between early childhood experiences and later language and communication skills on the one hand and social and emotional adjustment on the other. Less is known about this relationship between different types of early experiences and their relationship to different communication skills over time. Equally important is the extent to which the child's behaviour is related to later outcomes affecting the relationship between the child's environment and aspects of their communication development.Method: Drawing on data from 5,000 children in Grow

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28

Blair, Lindsay Fiona. "An exploration of place and its representations: an intertextual/ dialogical reading of the photographs of AB Ovenstone and the novel Gillespie by John MacDougall Hay." International Review of Scottish Studies 41 (November 1, 2016). http://dx.doi.org/10.21083/irss.v41i0.3402.

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“An intertextual/ dialogical reading of place through photography and fiction”  The article is an exploration of place and its representations based on the intertextual reading of a series of photographs (1880-82) of Tarbert, Loch Fyne by Andrew Begbie Ovenstone (1851-1935) and the dialogical reading of a novel, Gillespie (1914), by John MacDougall Hay (1881-1919) which is set in Tarbert. The proposed article is inspired by a sense that a semiotic approach to the subject will reveal far more than has been discovered within the tradition of hermeneutics and patrimony and that much w

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29

O’Reilly, Jay, and Klaire Connor. "P101 Patient education through art interventions for young people." Rheumatology 64, Supplement_3 (2025). https://doi.org/10.1093/rheumatology/keaf142.141.

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Abstract Background/Aims Founded by the charity Versus Arthritis in Scotland, Joint Creativity, for young people aged ten to eighteen, is about enjoying the art of creativity, using art as a self-management tool, making new friends and having fun. The artworks explore patient education through self-care and self-expression to increase confidence, positivity and hopes for the future, whilst reducing the isolation living with arthritis can bring. The aim is for young people to learn about and how to apply self-management to their lives to improve health and well-being, along with learning about

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30

Hepburn, Frederick. "Portraits of James I and James II, kings of Scots." Proceedings of the Society of Antiquaries of Scotland 148 (November 1, 2019). http://dx.doi.org/10.9750/psas.148.1260.

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This paper presents an inquiry into the origins of some painted portrait images of James I and James II of Scotland which are first attested in the late 16th century. That the likenesses are not authentic is shown by comparisons with images of the two kings which have a demonstrable claim to authenticity, and by a consideration of the costumes depicted: the latter were evidently derived from sources which, although of 15th-century date, were too late in the century to have been authentic for these particular rulers. On the evidence of the sets of portraits to which these paintings belong, one

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31

Nesterova, Yulia, and Sarah K. Anderson. "Visions of peace: Exploring how Scottish youth understand and define peace." PROSPECTS, August 7, 2024. http://dx.doi.org/10.1007/s11125-024-09700-0.

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AbstractIn this article, we report on a study that explored how young people in Scotland understand and define peace. A total of 59 young people aged 12–18, from three schools (independent, state Roman Catholic, and state non-denominational) participated in this study. The young people were asked to participate in a peace data walk and, after that, to draw or paint pictures of what peace means for them in their local community and beyond. We utilize a combination of Personal Meaning Mapping, visual content analytic procedures, and visual art coding scheme to analyse the pictures. We drew on Cr

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32

Celeste-Marie Bernier and Nicole Willson. "“Workers + Warriors”." Kalfou 7, no. 1 (2020). http://dx.doi.org/10.15367/kf.v7i1.294.

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For this special issue, we bring together an array of interdisciplinary international scholars who are working across the fields of Black studies, African diasporic studies, slavery studies, American studies, and memory studies. They debate, destabilize, interrogate, and reshape widely known and accepted methodologies within literary studies, art history, visual culture, history, intellectual history, politics, sociology, and material and print cultures in order to do justice to the hidden histories, untold narratives, and buried memories of African diasporic freedom struggles over the centuri

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33

Aung Thin, Michelle Diane. "From Secret Fashion Shoots to the #100projectors." M/C Journal 25, no. 4 (2022). http://dx.doi.org/10.5204/mcj.2929.

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Fig 1: Image from a secret Rangoon fashion shoot. Photograph: Myanmar Photo Archive / Lukas Birk. Introduction NOTE: Rangoon, Burma has been known as Yangon, Myanmar, since 2006. I use Rangoon and Burma for the period prior to 2006 and Yangon and Myanmar for the period thereafter. In addition, I have removed the name of any activist currently in Myanmar due to the recent policy of executing political prisoners. On 1 February 2021, Myanmar was again plunged into political turmoil when the military illegally overthrew the country’s democratically elected government. This is the third time Myanma

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34

Mercer, Erin. "“A deluge of shrieking unreason”: Supernaturalism and Settlement in New Zealand Gothic Fiction." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.846.

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Like any genre or mode, the Gothic is malleable, changing according to time and place. This is particularly apparent when what is considered Gothic in one era is compared with that of another. The giant helmet that falls from the sky in Horace Walpole’s Castle of Otranto (1764) is a very different threat to the ravenous vampires that stalk the novels of Anne Rice, just as Ann Radcliffe’s animated portraits may not inspire anxiety for a contemporary reader of Stephen King. The mutability of Gothic is also apparent across various versions of national Gothic that have emerged, with the specificit

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