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Journal articles on the topic 'Painting strategy'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Jansen, Jeroen. "Strategic maneuvering as an epistolary strategy, anno 1610." Journal of Argumentation in Context 1, no. 3 (December 31, 2012): 267–90. http://dx.doi.org/10.1075/jaic.1.3.01jan.

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Around 1610 the Dutch author Gerbrand Bredero wrote a letter to his painting teacher Francesco Badens, asking for the loan of a painting to make a copy of it. The act of writing (a letter) asks for a proactive role in managing the reader(s)’ reactions. Although at first sight the letter may look like no more than a simple, insignificant and most of all polite piece of correspondence, it is argued that, from the viewpoint of strategic maneuvering, Bredero’s approach may be considered as a well-thought-out and potentially effective strategy, contributing to pinning Badens to a promise. An analys

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2

Thein, Karel. "Gods and Painters: Philostratus the Elder, Stoic Phantasia and the Strategy of Describing." Ramus 31, no. 1-2 (2002): 136–45. http://dx.doi.org/10.1017/s0048671x00001417.

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I shall comment upon the way the elder Philostratus, author of Imagines, inscribes both the art of painting and his own interpretation of 65 particular paintings within a larger framework, which is composed of nature on the one hand, and the human perception of nature on the other. To get to this framework in a slightly oblique way, I will start with a brief reminder of Philostratus' often neglected classification of the arts.In his Life of Apollonius of Tyana 8.7, Philostratus takes notice of the established opposition between the mechanic and the liberal arts (τέχναι βάναυσοι and τέχναι σοϕα

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Yang, Zhaoxiang, Yonglin He, Shenglong Liao, Yingchao Ma, Xinglei Tao, and Yapei Wang. "Renatured hydrogel painting." Science Advances 7, no. 23 (June 2021): eabf9117. http://dx.doi.org/10.1126/sciadv.abf9117.

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Hydrogel coatings pave an avenue for improving the lubricity, biocompatibility, and flexibility of solid surfaces. From the viewpoint of practical applications, this work establishes a scalable method to firmly adhere hydrogel layers to diverse solid surfaces. The strategy, termed as renatured hydrogel painting (RHP), refers to adhering dehydrated xerogel to a surface with appropriate glues, followed by the formation of a hydrogel layer after rehydration of the xerogel. With the benefits of simplicity and generality, this strategy can be readily applied to different hydrogel systems, no matter

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4

Chen, Chen, Guang Xue Chen, Zhao Hui Yu, and Zhao Hui Wang. "Method of Reproducing Three-Dimensional Oil Paintings." Applied Mechanics and Materials 731 (January 2015): 260–64. http://dx.doi.org/10.4028/www.scientific.net/amm.731.260.

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A new method of reproducing oil paintings is presented in this paper. Implemented by 3D printing, this method can duplicate oil paintings with embossing effect as the same as the stereo brushstrokes in the original paintings. Firstly we use a laser scanner to detect the surface morphology and establish the 3D model of the painting. Next we analyze the UV ink thickness of the UV LED flatbed printer. After these experiments, a slicing strategy was proposed for 3D printing. Lastly, the 3D reproduction is printed by the UV LED flatbed printer.

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Tkachuk, Ilona. "Painting perception models of art groups «Zhyvopysnyi zapovidnyk» and «Paryzka komuna»." Bulletin of Lviv National Academy of Arts, no. 39 (2019): 19–37. http://dx.doi.org/10.37131/2524-0943-2019-39-02.

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Background. A painting perception is a complex multilevel process of reception and transformation of information, which forms a subjective image of objects, serves as a communicative form of interaction between individuals, societies and cultures. A painting is a complicated system, which reflects the cultural situation in a society of a certain epoch, the worldview, conveys the complex of human feelings and beliefs, arises as a means of cognition. Everyone deliberately or involuntarily becomes a painting recipient, more or less engaging himself into the process of communication. Therefore, th

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Shi, L., T. Zhu, M. Morgante, J. A. Rafalski, and P. Kelm. "Soybean Chromosome Painting: A Strategy for Somatic Cytogenetics." Journal of Heredity 87, no. 4 (July 1, 1996): 308–13. http://dx.doi.org/10.1093/oxfordjournals.jhered.a023004.

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Wang, Liming. "Discussion on the Teaching Strategy of Oil Painting in Colleges under the Background of Multiple Art Culture Development." Lifelong Education 9, no. 6 (September 28, 2020): 136. http://dx.doi.org/10.18282/le.v9i6.1323.

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The development of multiculturalism is the inheritance of human civilization and the result of the further deepening of globalization. The diversified development of fine art culture is one of the main situations of fine art development. The art creation theories, conceptual methods, and painting skills, etc., all exhibit diverse characteristics. Based on this background, college oil painting teaching also needs to grasp this multicultural situation, carry out curriculum teaching reform and innovation, and promote the diversified development of fine arts education. This article introduces the

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Bouraoui Mabrouk, Injazette. "La poésie silencieuse d’Henri Michaux à René Magritte ou quand le poème se substitue en tableau." Quêtes littéraires, no. 5 (December 30, 2015): 129–37. http://dx.doi.org/10.31743/ql.255.

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Henri Michaux, Paul Klee and René Magritte enroll in a interdisciplinary perspective where painting looks as poem and vice versa. Correspondence between writing and painting defies taxonomy of the pictorial and scriptural in order to establish a new trans-esthetic approach. Painting interpretations show that poetry writing and pictorial articulate two tactics for the same strategy: auscultate the problem of being.

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Bai, Yong. "Intelligent Painting Process Planner for Robotic Bridge Painting." Journal of Construction Engineering and Management 133, no. 4 (April 2007): 335–42. http://dx.doi.org/10.1061/(asce)0733-9364(2007)133:4(335).

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10

Chen, Chen, Guang Xue Chen, Zhao Hui Yu, and Zhao Hui Wang. "A New Method for Reproducing Oil Paintings Based on 3D Printing." Applied Mechanics and Materials 644-650 (September 2014): 2386–89. http://dx.doi.org/10.4028/www.scientific.net/amm.644-650.2386.

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This work aims at presenting a new method for reproducing oil paintings via 3D printing. We used a laser scanner to detect the surface morphology of an oil painting and found it was capable to print the stereo brushstrokes through layered printing after analyzing the UV ink thickness of type UJF-3024 ink-jet printer. Base on the 3D model we established, a slicing strategy was proposed for 3D printing. An experiment was conducted to validate feasibility of the method. Ultimately, the method has proven to be comparatively effective.

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11

Soto, Laura. "Estrategia y representación identitaria a través de la pintura andina de Tigua (Ecuador)." Revista Andaluza de Antropología, no. 17 (2019): 94–114. http://dx.doi.org/10.12795/raa.2019.17.05.

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12

Beggs, Alan, and Kathryn Graddy. "Anchoring Effects: Evidence from Art Auctions." American Economic Review 99, no. 3 (May 1, 2009): 1027–39. http://dx.doi.org/10.1257/aer.99.3.1027.

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This paper shows that the price of a painting sold at an art auction and the experts' pre-sale valuations are anchored on the price at which the painting previously sold at auction. We are able to separate anchoring from rational learning by using the identifying strategy that the unobservable component of quality for a particular painting remains constant between the last auction sale and the current auction sale. We interpret these results as anchoring on the part of the buyers, with the sellers and auctioneers either anticipating anchoring on the part of the buyers or exhibiting anchoring e

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Yabu M., Yabu M., Benny Subiantoro, and Achmad Yasin. "SENI LUKIS MIXEDMEDIA: Karya Mahasiswa Program Studi Pendidikan Seni Rupa Fakultas Seni dan Desain Universitas Negeri Makassar." TANRA: Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar 6, no. 3 (December 2, 2019): 28. http://dx.doi.org/10.26858/tanra.v6i3.11329.

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This research is qualitative descriptive research aimed to describe: (1) strategy used by lecturers in developing creative imagination of students of Art Education Study Program of Faculty of Arts and Design of Universitas Negeri Makassar through Development of Mixedmedia painting; (2) understanding of students in realizing mixed media painting. Population and sample in this research were all works made by students participating in the painting III courses in Art Education Program in the odd semester of the academic year 2015/2016. The object in this research was the work result of student exp

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Tiancheng, Zhang, and Chu Tieyi. "The preliminary study on the application of modern advanced processing technique in non-legacy cultural and creative product design-- Taking Wuhu iron painting as an example." E3S Web of Conferences 179 (2020): 02091. http://dx.doi.org/10.1051/e3sconf/202017902091.

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In order to improve the production efficiency of traditional non-legacy cultural heritages and create non-legacy cultural and creative products in line with modern aesthetics, the paper combines traditional non-legacy cultural heritages manufacturing technique and modern advanced processing technique, which is conducive to improve the design of traditional techniques of Wuhu iron painting. First of all, this paper analyzes the connotation of traditional non-legacy cultural heritage technology, the categories of modern advanced processing technique and the traditional forging technique of Wuhu

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Cipriani, Gabriele, Luca Cipriani, Sabrina Danti, Lucia Picchi, and Mario Di Fiorino. "Links Between Painting and Neurology: The Example of Dementia." American Journal of Alzheimer's Disease & Other Dementiasr 34, no. 4 (January 30, 2019): 217–22. http://dx.doi.org/10.1177/1533317519826293.

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Art is a system of human communication arising from symbolic cognition, conveying ideas, experiences, and feelings. The goal of this review is to describe the link between painting and dementia. Individuals with neurodegenerative diseases inevitably experience cognitive dysfunction that has the potential to limit and impair the artist’s ability to realize their creative and expressive intentions through painting. The strategy to advance our understanding of the neural bases for art is to map locations and nature of neural damage to changes onto artistic production.

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16

Lausch, A., N. Jensen, J. Chen, T. Y. Lee, M. Lock, and E. Wong. "Graded-threshold parametric response maps: towards a strategy for adaptive dose painting." Journal of Physics: Conference Series 489 (March 24, 2014): 012031. http://dx.doi.org/10.1088/1742-6596/489/1/012031.

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17

Dynkowska, Julia. "Od narcystycznej identyfikacji do zdystansowanej uważności: refokalizacja w apokryficznych ekfrazach i ekfrastycznych apokryfach Rembrandtowskiej Lekcji anatomii doktora Tulpa." Białostockie Studia Literaturoznawcze, no. 16 (2020): 127–59. http://dx.doi.org/10.15290/bsl.2020.16.07.

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The paper presents the strategy of refocalization in apocryphal ekphrases and ekphrastic apocrypha, and more specifically, the shift from the perspective that dominates the original painting into the perspective and narrative that are valid in the literary text(s) inspired by this painting. The precise subject of this study are works related to Rembrandt’s The Anatomy Lesson of Dr. Nicolaes Tulp – Jacek Dehnel’s Po wyjściu malarza, Jacek Kaczmarski’s Lekcja anatomii (według Rembrandta), Nina Siegal’s Anatomy Lesson and a fragment of W.G. Seblad’s novel The Rings of Saturn.

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18

Peattie, Kenneth J. "Painting marketing education (or how to recycle old ideas)." Journal of Marketing Management 6, no. 2 (January 1990): 105–25. http://dx.doi.org/10.1080/0267257x.1990.9964120.

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19

Maev, R. GR, A. Baradarani, and J. R. B. Taylor. "New concept for art and antiquities identification based on craquelure pattern analysis." Insight - Non-Destructive Testing and Condition Monitoring 62, no. 3 (March 1, 2020): 134–38. http://dx.doi.org/10.1784/insi.2020.62.3.134.

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In this paper, it is shown that the craquelure patterns of paintings and other antiquities can be considered as fingerprints so that the authenticity of any given artwork can then be verified against prior works. The authors propose to extract craquelure features from photographic images and use them in the implementation of a unique matching procedure to address the art forgery issue as well as to monitor the health conditions of the objects concerned. This feature extraction strategy is robust against illumination, scale, rotation and perspective distortion. The craquelure extraction system

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20

Iannuzzi, Alessandra, Jorge Pereira, Clara Iannuzzi, Beiyuan Fu, and Malcolm Ferguson-Smith. "Pooling strategy and chromosome painting characterize a living zebroid for the first time." PLOS ONE 12, no. 7 (July 12, 2017): e0180158. http://dx.doi.org/10.1371/journal.pone.0180158.

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21

Trigatti, Giulio, Paolo Boscariol, Lorenzo Scalera, Daniele Pillan, and Alessandro Gasparetto. "A new path-constrained trajectory planning strategy for spray painting robots - rev.1." International Journal of Advanced Manufacturing Technology 98, no. 9-12 (July 5, 2018): 2287–96. http://dx.doi.org/10.1007/s00170-018-2382-2.

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22

Nguyen, Lien Mai Thi, and Nhu Chan Minh Dieu Nguyen. "Approaching classical Japanese Haiku poetry through the perspective of ink painting art and application to teaching foreign literature for Literature Pedagogy students at Dong Thap University." Vietnam Journal of Education 5, no. 2 (June 23, 2021): 41–49. http://dx.doi.org/10.52296/vje.2021.98.

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Exploring the culture and literature of countries around the world is increasingly important in the current trend of international exchange and integration. Therefore, foreign literature disciplines, including Japanese literature, occupies an increasingly essential position in the curriculum of Dong Thap University. However, the perception and teaching of Japanese Haiku poems have long been challenged due to language barriers as well as cultural differences. In order for enhancing the quality of teaching Haiku poetry to Literature Pedagogy majors at Dong Thap University, the article presents a

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Nguyen, Lien Mai Thi, and Nhu Chan Minh Dieu Nguyen. "Approaching Classical Japanese Haiku Poetry through the Perspective of Ink Painting Art and Application to Teaching Foreign Literature for Literature Pedagogy Students at Dong Thap University." Vietnam Journal of Education 5, no. 2 (June 29, 2021): 52–60. http://dx.doi.org/10.52296/vje.2021.69.

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Exploring the culture and literature of countries around the world is increasingly important in the current trend of international exchange and integration. Therefore, foreign literature disciplines, including Japanese literature, occupies an increasingly essential position in the curriculum of Dong Thap University. However, the perception and teaching of Japanese Haiku poems have long been challenged due to language barriers as well as cultural differences. In order for enhancing the quality of teaching Haiku poetry to Literature Pedagogy majors at Dong Thap University, the article presents a

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24

Kiepuszewski, Łukasz. "Face Substances. The rhetoric of Kapists’ self-portraits: between self-reflection and confession." Ikonotheka, no. 30 (May 28, 2021): 51–67. http://dx.doi.org/10.31338/2657-6015ik.30.3.

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Self-portraits are specific kinds of pictures where the subject’s experience is closely combined with the act of painting. Such works constitute a mixture of internal iconic power with external reality, e.g. the artist’s body, his thought, and theory, etc. This applies in particular to self-portraits painted by the members of the Paris Committee since the idiomatic nature of painting was the primary quality on which they based the language and poetics of their art. This paper analyses selected self-portraits by Józef Czapski (1896–1993), Zygmunt Waliszewski (1897–1936), Piotr Potworowski (1898

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Wattimena, Lucas. "Lukisan Cadas: Simbolis Orang Maluku." Kapata Arkeologi 10, no. 1 (April 23, 2016): 47. http://dx.doi.org/10.24832/kapata.v10i1.217.

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Rock paintings in Moluccas has a core meaning and symbols in the life cycle of Moluccans in the past, present and future-future. Archaeological remains of rock paintings is a cultural interpretation of the past, where the construction of the values contained therein are an integral part of the social system of human culture the people of Moluccas. The values contained is the value of kinship, religion, grouping, knowledge, survival (survival strategy). Rock paintings in Ohoidertawun, Wamkana and Gulf Saleman have hinted that there are phases of any future development of human society. Research

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Ling, Xiao Ming, Duo Wang Fan, and De Wen Li. "Design and Implementation of High-Voltage Plasma Cleaning Technology for Auto Lamps." Advanced Materials Research 472-475 (February 2012): 274–77. http://dx.doi.org/10.4028/www.scientific.net/amr.472-475.274.

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In order to solve the problems of environment pollution and human resource consumption in traditional wet cleaning process in auto lamps production, a high-voltage Plasma Cleaning Technology (PCT) is presented in this paper. The plasma cleaning system, high voltage AC power and control strategy are realized to develop the plasma cleaning industrial equipment which is used for surface cleaning and activation to promote adhesion between basement and base painting of auto lamps, and the configuration and operation rules are analyzed in detail. According to the established gas discharge model, the

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Howard, Mickey, Joe Miemczyk, and Andrew Graves. "A strategic approach towards integrating automotive painting for building-to-order." International Journal of Automotive Technology and Management 5, no. 1 (2005): 1. http://dx.doi.org/10.1504/ijatm.2005.006876.

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Malkina, Victoria. "Landscape, Still Life, and Portrait as Titles of Poems." Slavic World in the Third Millennium 14, no. 1-2 (2019): 186–205. http://dx.doi.org/10.31168/2412-6446.2019.14.1-2.12.

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This paper is devoted to the problem of visual aspect in literature. We study one of the aspects of the visual in a lyrical poem: the representation of painting genres in the titles of the poems, as well as the interaction between the visual and the verbal in lyrical texts. The goal of the paper is to analyze the semantics of such a title and its influence on both the unfolding of the lyrical plot and the figurative system of the poem, also on the strategy of the perception of such text by a reader. To do this, we solve several problems. First of all, we define the concept of the visual in lit

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Bai, Yong, and Leonhard E. Bernold. "Quality Control Parameters for Robotic Bridge Painting." Journal of Construction Engineering and Management 127, no. 2 (April 2001): 142–48. http://dx.doi.org/10.1061/(asce)0733-9364(2001)127:2(142).

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30

Chen, Chen. "Painterly focused Chinese ink animation: Seeing through the cultural lens of the Xiang system." Animation Practice, Process & Production 8, no. 1 (December 1, 2019): 141–64. http://dx.doi.org/10.1386/ap3_00009_1.

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Chinese ink animation has won worldwide respect for its ethereal and refined approach to ink painting. From the 1950s to 1980s, the Shanghai Animation Film Studio produced a number of award-winning ink animations. These animations share a unique traditional Chinese aesthetic based on Chinese literature and philosophy. However, the complex and long hand-made production process is one of the factors that caused the decline of Chinese ink animation following the 1980s. Since the millennium, three-dimensional ink modelling and digital painting technology have contributed to the revival of Chinese

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Serafim, Andreas. "MAKING THE AUDIENCE:EKPHRASISAND RHETORICAL STRATEGY IN DEMOSTHENES 18 AND 19." Classical Quarterly 65, no. 1 (April 2, 2015): 96–108. http://dx.doi.org/10.1017/s0009838814000901.

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In this paper, I intend to explore three examples ofekphrasis– narrative scene painting – in Demosthenes 18 and 19: the first is Demosthenes' depiction of the announcement in Athens of the capture of Elatea by Philip (18.169–73), while the second and third are descriptions of Aeschines' (allegedly) failed theatrical performances (18.262 and 19.337–8). Scholars have paid insufficient attention to these descriptive accounts: there have been a few limited discussions of 18.169 in commentaries but, otherwise, the use and purpose of these accounts as part of Demosthenes' rhetorical strategy have no

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Kosztyla, Robert, Srinivas Raman, Vitali Moiseenko, Stefan A. Reinsberg, Brian Toyota, and Alan Nichol. "Dose-painted volumetric modulated arc therapy of high-grade glioma using 3,4-dihydroxy-6-[18F]fluoro-L-phenylalanine positron emission tomography." British Journal of Radiology 92, no. 1099 (July 2019): 20180901. http://dx.doi.org/10.1259/bjr.20180901.

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Objective: To determine whether dose painting with volumetric modulated arc therapy for high-grade gliomas using 3,4-dihydroxy-6-[18F]fluoro-l-phenylalanine (18F-FDOPA) positron emission tomography (PET) could achieve dose-escalated coverage of biological target volumes (BTVs) without increasing the dose to cranial organs at risk (OARs). Methods: 10 patients with high-grade gliomas underwent CT, MRI, and 18F-FDOPA PET/CT images for post-operative radiation therapy planning. Two volumetric modulated arc therapy plans were retrospectively generated for each patient: a conventional plan with 60 G

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Chen, Yuhang. "Development and Implementation Strategy of Students’ concept Innovation in Chinese Painting Teaching Based on Big Data." Journal of Physics: Conference Series 1992, no. 4 (August 1, 2021): 042063. http://dx.doi.org/10.1088/1742-6596/1992/4/042063.

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Enyedi, Delia. "Voiceless Screams: Pictorialism as Narrative Strategy in Horror Silent Cinema." Acta Universitatis Sapientiae, Film and Media Studies 19, no. 1 (March 1, 2021): 66–76. http://dx.doi.org/10.2478/ausfm-2021-0005.

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Abstract As a complementary condition to narrative, the notion of pictorialism in film is rooted in the first decades of the medium. In their quest to demonstrate the capturing and restoring of images with various devices, early filmmakers selected views with pictorial qualities in the long-standing tradition of painting, transferring them on film in the form of non-narrative shots. The evolution of fictional narratives in silent cinema displaced the source of inspiration in theatre, assimilating its nineteenth-century tradition of pictorialism. Thus, the film audiences’ appeal for visual plea

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Puppala, Narendra, and Sandip Sen. "Evolving Cooperative Groups Using Shared Memory." Journal of Advanced Computational Intelligence and Intelligent Informatics 3, no. 6 (December 20, 1999): 457–61. http://dx.doi.org/10.20965/jaciii.1999.p0457.

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We present a coevolutionary approach to generating behavioral strategies for cooperating agent groups. We coevolve agent behavior with genetic algorithms (GAs), where one GA population is evolved per individual in the cooperative group. Groups are evaluated by pairing strategies from each population and the best strategy pairs are stored together in shared memory. To evaluate a strategy from one population, it is paired sequentially with strategies from the other population stored in shared memory. The maximum evaluation from all such pairings is used to evaluate the strategy. A pair is stored

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Webber, Cleber da Costa, Jorge Oneide Sausen, Kenny Basso, and Claudionor Guedes Laimer. "Remodelling the retail store for better sales performance." International Journal of Retail & Distribution Management 46, no. 11/12 (December 10, 2018): 1041–55. http://dx.doi.org/10.1108/ijrdm-08-2017-0162.

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PurposeThe purpose of this paper is to demonstrate the relationship between strategic remodelling of the retail store and the performance of companies in the retail sector.Design/methodology/approachThe method used was a quantitative and descriptive survey of 93 cases from a sample of 329 retail stores from three chains that had remodelled some of their retail stores.FindingsThe results showed that strategic remodelling improved the performance of the stores surveyed, demonstrating the importance of retail store management as a strategic resource that can improve performance and competitivenes

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Janušaitis, Rolandas, and Rima Liubinskaitė. "BUILDING FACADE PAINTING COMPLEX PROCESS MULTICRITERIA EVALUATION/FASADŲ DAŽYMO DAUGIAKRITERINIS VERTINIMAS TINKLINIO MODELIO MAZGŲ „IŠPJOVIMO” IR SPRENDIMŲ DAUGIAPAKOPĖS SINTEZĖS METODAIS." JOURNAL OF CIVIL ENGINEERING AND MANAGEMENT 7, no. 6 (December 31, 2001): 468–73. http://dx.doi.org/10.3846/13921525.2001.10531774.

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Today there are many multicriteria evaluation methods used in building projects. They enable to make component (complex) evaluations of the task. Before a multicriteria evaluation of building facade complex process we develop a technological network model which represents technological systems and work performance variants graphically. We use technological network model junctions “cut” method for finding faster final result, for reducing alternative decisions number and facilitating calculations. This method permits to reject not irrational variants from calculations. Facade painting model con

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Tirtoni, Feri, and Cindy Cahyaning Astuti. "UKM "SOLAKIS HARJO" "SOUVENIR GELAS LUKIS KHAS SIDOARJO" (Glasspainting)." Jurnal Abadimas Adi Buana 1, no. 2 (October 1, 2017): 1–6. http://dx.doi.org/10.36456/abadimas.v1.i2.a936.

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In the plan of the implementation of community service activities entitled "Making Souvenir Products of Typical Painting Sidoarjo" the purpose set is through this activity will create a group of UKM Souvenir Gelas Painting Typical Sidoarjo In Sukodono Village, which will be spearheaded youth of youth from Partners 1 / Karang Taruna Group RT 05 RW 02 Desa Jumput Rejo Sukodono and Partners 2 / Karang Taruna Group RT 02 RW 01 Desa Jumput Rejo Sukodono which will firstly perform an improvement of the quality of human resources in youth group of youth at Partner 1 and Partner 2 so that they have sk

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Millstone, Erik, and Patrick Van Zwanenberg. "Mad Cow Disease — Painting Policy‐Making into a Corner." Journal of Risk Research 10, no. 5 (July 2007): 661–91. http://dx.doi.org/10.1080/13669870701270887.

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Kim, Junbeum, Kwangho Park, Yongwoo Hwang, and Ildo Park. "Sustainable manufacturing: a case study of the forklift painting process." International Journal of Production Research 48, no. 10 (April 24, 2009): 3061–78. http://dx.doi.org/10.1080/00207540902791785.

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Feshchenko, Vladimir. "Graphic Translation of Experimental Verse as a Strategy of Poetic Text’s Transcreation." Studia Metrica et Poetica 6, no. 1 (August 29, 2019): 94–115. http://dx.doi.org/10.12697/smp.2019.6.1.04.

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The article examines the problem of translating experimental poetic texts into other languages. The focus is on the transfer of verse’s spatial design between the source and the target languages. We analyze some cases of unconventional poetry translation with particular attention to verbal/visual properties of avant-garde poems. Stéphane Mallarmé’s, Guillaume Apollinaire’s, Augusto de Campos’ and Dmitry A. Prigov’s visual poetry provides examples of autographic (hand-written or hand-drawn) and allographic (typewritten or typeset) texts. The former, as we argue, are problematic for translation,

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Lei, Zukang, Longyu Wan, and Ye Zhang. "Investigation, Diagnosis, Assessment and Conservation Strategy for a Wall Painting at Wudang Mountain Taoist Temple Using BIM Technology." Studies in Conservation 63, sup1 (August 2018): 377–80. http://dx.doi.org/10.1080/00393630.2018.1475050.

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Hatch, Mary Jo, and Dvora Yanow. "Methodology by Metaphor: Ways of Seeing in Painting and Research." Organization Studies 29, no. 1 (January 2008): 23–44. http://dx.doi.org/10.1177/0170840607086635.

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Scholars paint theoretical canvases, using words, without always making transparent the logic of inquiry embedded within their writing. This is especially so when writing for their own epistemic communities, whose members share a set of usually unspoken methodological presuppositions concerning the `reality status' of what they study and its `know-ability'. When research topics engage scholars across epistemic communities, as in organizational studies, arguments may be difficult to parse precisely because these presuppositions remain implicit, unnoted and, perhaps, unnoticed. By enabling new w

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Purwanto, Antonius. "The opportunity structure, group characteristics, and strategy of ketok magic repair shops in Manado." Masyarakat, Kebudayaan dan Politik 34, no. 3 (August 28, 2021): 355. http://dx.doi.org/10.20473/mkp.v34i32021.355-366.

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The increase in internal migration has led to the emergence of ethnic minority migrant groups who work as entrepreneurs in various migration destinations in Indonesia. The migration that occurred in Manado shows that ethnic groups from certain regions form a unique group in the social network of repair shop owners and workers. This study aimed to describe the emergence and development of a ketok magic repair shop business in Manado which is owned by migrants from Blitar City, East Java. This study used a qualitative research method. Primary data were obtained from interviews and observations,

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Pittarello, Elide. "Ramón Gaya: "Creo que soy poeta pintando"." Monteagudo, no. 26 (March 12, 2021): 191–208. http://dx.doi.org/10.6018/monteagudo.472781.

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Simónides de Ceos, que definió la poesía una pintura que habla y la pintura una poesía muda, contribuyó al origen de la filosofía del arte, base de la moderna estética occidental. Para el filósofo italiano Benedetto Croce el arte es la síntesis estética de la intuición y la expresión a través del lenguaje lírico. Encarna las representaciones de la belleza, un evento universal, ajeno a la Historia y a la crítica de arte. De manera más radical, Ramón Gaya rechazó este mismo saber de una manera más radical desde que era un jovencísimo pintor, decepcionado por las vanguardias. Su planteamiento de

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Pepenene, Limakatso, and Ntsele Radebe. "Retelling the history of Lesotho : an interplay between orality, painting and film in Kalosi Ramakhula’s works." Issue 1 1, no. 1 (June 12, 2018): 75–87. http://dx.doi.org/10.31920/2516-2713/2018/v1n1a5.

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Kalosi Ramakhula is the producer of Moshoeshoe: The Mountain King Volumes 1, 2 and 3, a series of videofilms which narrate the history of Lesotho in the 19th century. His production emerges as a rewriting of history in a context where historical documentation is predominantly authored by historians and ethnographers who complement their research through oral resources. Ramakhula uses a unique approach which incorporates visual art by way of historical paintings created to accomplish a coherent mixture with the established print, sound and vision media of documentary cinema. He collaborates wit

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Lou, Leon. "Artists’ Innocent Eye as Extended Proximal Mode of Vision." Art and Perception 6, no. 1 (May 19, 2018): 1–40. http://dx.doi.org/10.1163/22134913-00002100.

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The innocent eye, or seeing ‘what the eye sees’ is a meaningful expression many artists use to capture their experience in observational drawing and painting. However, a literal interpretation of the innocent eye does not comport with a science of vison focused on object perception. Nor is a two-step model involving a ‘bottom-up strategy’ a plausible account of the notion. Consistent with an emerging body of neuroscientific and psychophysical evidence for the pivotal role of attention in conscious vision, artists’ innocent eye is best construed as an extended proximal mode of vision involving

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Meiler, M., and H. Jaschke. "Lubrication of Aluminium Sheet Metal within the Automotive Industry." Advanced Materials Research 6-8 (May 2005): 551–58. http://dx.doi.org/10.4028/www.scientific.net/amr.6-8.551.

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The production of automotive body parts and panels is a very complex process, starting with the raw materials and ending in the paint shop. Due to the fact that aluminium sheet metal has to be lubricated before forming, all of the following processes have to be considered. Lubricants, such as oils, dry-film lubricants or recently introduced hotmelts have to protect the material’s surface, reduce friction whilst drawing the panels and should not compromise further treatments [1]. Different types of lubricants show different characteristics. This difference is especially noticeable when comparin

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WANG, Wei. "Research on the “Double” Motive in the Novel Blueprint." Revista de Cercetare si Interventie Sociala 64 (March 6, 2019): 323–33. http://dx.doi.org/10.33788/rcis.64.24.

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The German female writer Charlotte Kerner has created a series of works on the theme of science and technology to explore the relationship between people and technology and nature. One of the most striking features of his work is the frequent appearance of the "double" motive. This phenomenon is most evident in the book Blueprint. This article explores the "double" motive in the novel Blueprint from the perspectives of "mother-daughter doubles" and "person-painting doubles". This paper analyzes the aesthetic effect of its performance, and then studies the relationship among the motive, the aut

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Chen, Yang, Yinsheng Li, Hong Guo, Yining Hu, Limin Luo, Xindao Yin, Jianping Gu, and Christine Toumoulin. "CT Metal Artifact Reduction Method Based on Improved Image Segmentation and Sinogram In-Painting." Mathematical Problems in Engineering 2012 (2012): 1–18. http://dx.doi.org/10.1155/2012/786281.

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The streak artifacts caused by metal implants degrade the image quality and limit the applications of CT imaging. The standard method used to reduce these metallic artifacts often consists of interpolating the missing projection data but the result is often a loss of image quality with additional artifacts in the whole image. This paper proposes a new strategy based on a three-stage process: (1) the application of a large-scale non local means filter (LS-NLM) to suppress the noise and enhance the original CT image, (2) the segmentation of metal artifacts and metallic objects using a mutual inf

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