Academic literature on the topic 'Painting, Thai'

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Journal articles on the topic "Painting, Thai"

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Seviset, Somchai, and Chaturong Louhapensang. "The Identity and Design of Thai Tradition Paintings." Advanced Materials Research 1028 (September 2014): 327–32. http://dx.doi.org/10.4028/www.scientific.net/amr.1028.327.

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“Kranok” mostly are inspired by the application from natural shapes such as lotus shape, floral species, climber creeping plants or various animals especially animals in the fairy tales. “Kranok” which previously had the meaning of a Thai Painting but later this was used to call another tradition paining which was believed to be applied from the shape of a lotus. Considered as a Thai Tradition Painting Model which is an important base of the Thai Tradition Painting inclusive of the model and steps of drawing the painting and the application into a variety of paintings in the same structure but
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Pichaichanarong, Tawipas. "Visual Methods in Social Research on Lanna Mural Painting: A Case Study of Wat Phumin, Nan Province." International Journal of Creative and Arts Studies 3, no. 2 (2017): 25. http://dx.doi.org/10.24821/ijcas.v3i2.1842.

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According to most of tourists who have visited Thai temples and have seen Thai mural paintings with untrained eyes, they might not understand a story on walls at first sight. It may be because Thai mural paintings look confusing, crowded with colorful figures that appears similar in detail and character, leaving no place to focus one’s attention (David K. Wyatt, 2004). Thai mural painting is a disparate of the visual arts because of conventions that are entirely its own. This research is designed to study the capability of Thai and Foreign tourists in order to apprehend Lanna mural painting th
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Charoenkijkajorn, Possanunt, and Yoshito Nakano. "Oblique structure in Thai traditional mural painting during the early Rattanakosin period: a composition analysis." Art and Architecture Journal Naresuan University 16, no. 1 (2025): 43–56. https://doi.org/10.71185/ajnu.2025.270312.

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This paper examines the oblique structure in Thai traditional painting during the Early Rattanakosin Era. Using a combination of art historical analysis by analyzing the use of oblique structure in Thai traditional painting by chronological approach and formalist techniques, the study aims to identify and analyze the distinctive features of oblique composition in Thai painting from this period. The paper draws on a wide range of primary sources, including surviving examples of Early Rattanakosin painting, contemporary texts on Thai art, and relevant historical records. Through its analysis, th
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Raksamani, Adis Idris. "The Siamese Concept of Muslims through Mural Paintings." Manusya: Journal of Humanities 22, no. 1 (2019): 1–33. http://dx.doi.org/10.1163/26659077-02201001.

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The objective of this study is to examine the purpose and meaning of portrayals of Muslims in the Thai traditional art and architecture of temples and palaces. The focus is on the Siamese concepts of Muslims and the features of Muslims that Siamese people in the past intended to communicate to Siamese society. The study deals with the concept and design of painting found in Thai traditional mural paintings. The findings reveal that the portrayals of Muslims in the mural paintings represent the symbolic meanings which can be traced according 4 chronicle stages as follows: 1. The otherness of Mu
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Suphaphimol, Nattaphon, Nakarin Suwannarach, Witoon Purahong, et al. "Identification of Microorganisms Dwelling on the 19th Century Lanna Mural Paintings from Northern Thailand Using Culture-Dependent and -Independent Approaches." Biology 11, no. 2 (2022): 228. http://dx.doi.org/10.3390/biology11020228.

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Lanna painting is a unique type of painting in many temples in the Northern Thai region. Similar to most mural paintings, they usually decay over time partly due to the activity of microbes. This study aimed to investigate the microorganisms from two Lanna masterpiece paintings in two temples that differ in the numbers of visitors using both culture-dependent and -independent approaches. The microorganisms isolated from the murals were also tested for the biodeterioration activities including discoloration, acid production and calcium precipitation. Most microorganisms extracted from the paint
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Mia Destia, Mia Destia, Enjang Suherman Enjang Suherman, and Flora Patricia Anggela Flora Patricia Anggela. "Penerapan Budaya 5R dalam Upaya Membina Karakter Karyawan Bagian Painting PT Indonesia Thai Summit Plastech." Reslaj: Religion Education Social Laa Roiba Journal 6, no. 4 (2024): 1667–80. http://dx.doi.org/10.47467/reslaj.v6i4.794.

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Every company has its own organizational culture and is different. PT INDONESIA THAI SUMMIT PLASTECH is one of the companies that implements the 5R culture. The 5R culture itself is an organizational culture originating from Japan that is made to make improvements in the work environment. The purpose of this study is that the author wants to know more about the analysis of the causes and strategies of implementing the 5R culture in an effort to foster the character of employees of the painting section of PT Indonesia Thai Summit Plastech. Data in this study was obtained from observations, inte
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Siriphanich, Panatda, Prapaporn Mitmuang, and Sunisa Thawonthong. "TOURIST SATISFACTION WITH THE QR CODES ON STREET ART IN SONGKHLA OLD TOWN, THAILAND." Journal of Event, Tourism and Hospitality Studies 2 (December 23, 2022): 1–32. http://dx.doi.org/10.32890/jeth2022.2.1.

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Quick Response code or QR code is a type of bar code that is used widely in many organizations including in tourism to provide various information. This study aims to investigate tourists’ expectations of information provided by QR codes and to study tourists’ satisfaction with QR codes on Street Art in Songkhla old town, Thailand. Quantitative research design was employed in this study. 100 Thai and non-Thai respondents from each of the two phases of data collection answered each set of two questionnaires. Majority of the tourists responded for the need of QR codes to represent Street Art pai
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Pichaichanarong, Tawipas. "Practice-Based Research in Digital Arts: A Case Study of Wat Phumin, Nan Province, Thailand." International Journal of Creative and Arts Studies 6, no. 2 (2020): 157–72. http://dx.doi.org/10.24821/ijcas.v6i2.4159.

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ABSTRACTThai mural paintings have played a significant role in Thai society since The Sukhothai Kingdom period (1238-1438 AD) until the present. Wattana Boonjub (2009) points out that Mural painting was used for teaching the Thai people in the past. Throughout history, temples have become a crucial part of Thai' lives; for example, Wat Phumin in Nan Province. Wat Phumin has exceptional architecture, beautiful visual presentations of Buddhist storytelling on the walls which depict scenes from the Buddhist Jataka tales, and scenes of everyday life in Nan. These unique characteristics have attrac
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Sirimuengmoon, Kawin, Pisak Chinchai, and Jananya P. Dhippayom. "Traditional umbrella painting activity improved upper extremity function and decreased depression in stroke survivors in Northern Thailand." Journal of Associated Medical Sciences 56, no. 2 (2023): 162–71. http://dx.doi.org/10.12982/jams.2023.046.

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Background: Upper extremity (UE) dysfunction and depression often occur after a stroke. Strategies to promote UE function and reduce depression require task-related training. Objectives: This study aimed to investigate the effectiveness of conventional rehabilitation combined with traditional umbrella painting activity on UE function and depression in stroke survivors. Materials and methods: Twenty-two participants from rehabilitation units in Chiang Mai province, northern Thailand, were recruited according to the inclusion criteria and divided into experimental and control groups of 11 each.
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Pichaichanarong, Tawipas, Veerawat Sirivesmas, and Rueanglada Punyalikhit. "APPENDING ROLES OF THAI LANNA TEMPLES FOR SUSTAINABLE COMMUNITIES: A CASE STUDY OF WAT PHUMIN, NAN PROVINCE." International Journal of Heritage, Art and Multimedia 3, no. 8 (2020): 01–11. http://dx.doi.org/10.35631/ijham.38001.

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Temples have been important in Thai society for over 700 years. When the Sukhothai Kingdom (1238 -1438 AD) was the capital city of Thailand. The great King Ramkamhang had been accepted Theravada Buddhism to be the strongest religion in the land. Later Lanna kingdom (1296 - 1558 AD) was founded in the mid-13th century by King Mangrai. Indeed, King Ramkamhang was friends with King Mangrai, and King Ngam Muang of Phayao Kingdom (1094–1338 AD), it is possible Theravada Buddhism had been introduced to the kingdoms during the reigns of these three Kings. Indeed, the Lanna Kingdom has accepted Therav
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Dissertations / Theses on the topic "Painting, Thai"

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Suwannakudt, Phaptawan. "The Elephant and the Journey: A Mural in Progress." Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/1101.

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The Elephant and the Journey is about what and how people see in the land and how this is expressed through art forms. The dissertation consists of three main parts. The first in the introduction explains the use of the narrative figuration form in Thai temple mural painting in my practice, and how I used it to apply to the contemporary context in Australia. The second concerns three main groups of work including Australian landscape paintings in the nineteenth century, aboriginal art works and Thai mural painting, which apply to the topic of landscape. The second part in Chapters I and II
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Suwannakudt, Phaptawan. "The Elephant and the Journey: A Mural in Progress." University of Sydney, 2005. http://hdl.handle.net/2123/1101.

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Master of Visual Arts<br>The Elephant and the Journey is about what and how people see in the land and how this is expressed through art forms. The dissertation consists of three main parts. The first in the introduction explains the use of the narrative figuration form in Thai temple mural painting in my practice, and how I used it to apply to the contemporary context in Australia. The second concerns three main groups of work including Australian landscape paintings in the nineteenth century, aboriginal art works and Thai mural painting, which apply to the topic of landscape. The second
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Defibaugh, Elaine R. "Did you see that chair /." Online version of thesis, 1989. http://hdl.handle.net/1850/11323.

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Rietenbach, Tim. "Painting on a surface that has taken control of itself." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1303490239.

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Black, Steven Michael. "The smear that discloses world: Material and perception in painting." Thesis, Curtin University, 2021. http://hdl.handle.net/20.500.11937/89773.

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The thesis reads Gilles Deleuze’s lectures on painting from 1981 to develop a theory of painting as a mereological activity, concerned with the relations of parts to one another and to wholes. Painting from observation is taken as a case by which painting performs the broader aesthetic function of exemplifying efficacy.
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Kasick, Andrew George. "Gas Chromatography-Mass Spectrometry Study of a Painting That May Contain Asphaltum Pigment." Marietta College Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1366965064.

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Haggett, Matthew. "Songs and Stories that Only You Know: Multiplicity, Meaning, & the Metaphorical Bridge." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5191.

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The thesis report will serve as a companion for the body of work that is the bulk of the thesis project. The theme of the thesis project is "the bridge". "The bridge" is a metaphor for meaning occurring through context. It is present on many levels. It will implicit in much of the discussion. I will include themes such as the play of differing scales, the ambiguous line between part and whole, and the reasons for the book format . Specific imagery that occurs repeatedly in the work, like architecture and knots, will be explained in terms of its sources, personal meaning, and formal and concept
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Houzenga, Brent. "The Process That Eats Itself." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2331.

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Chance and the found object set the stage for artworks that illustrate the clash between the everyman, popular culture and high art. The investigation of my process, surroundings and interests leads to an infinite amount of possibilities in a process that is beginning to eat itself.
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Little, Alicia E. "Fragments are formless, as they do not hold together(things that are not touching)." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523452860384935.

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Brooks, Queen E. "The ties that bind : art of an African American artist." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1144433506.

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Books on the topic "Painting, Thai"

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Rattana, Sanan. Sinlapa Thai chut phāp čhittrakam Thai. Samnakphim Wātsin, 1998.

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Lyons, Elizabeth. Thai traditional painting. 4th ed. Promotion and Public Relations Sub-Division, Fine Arts Dept., 1990.

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Ginsburg, Henry. Thai manuscript painting. University of Hawaii Press, 1989.

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Jaiser, Gerhard. Thai mural painting. White Lotus Press, 2009.

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Tantisuk, Sawasdi. Pāthakathā Sin Phīrasī khrang thī 1, 15 Kanyāyon 2538, rư̄ang banthưk-sāngsan dōi Sawat Tantisuk, na hō̜prachum Mahāwitthayālai Sinlapākō̜n, Wang Thā Phra. Mahāwitthayālai Sinlapākō̜n, 1995.

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Thēpwisutthimēthī, Phra. Pritsanā tham Thai chut kāyanakhō̜n. ʻAtammayō, 1992.

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Līsuwan, Wibūn. Čhittrakam Thai. 2nd ed. ʻOngkān Khā khō̜ng Khurusaphā, 1985.

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ʻInthralip, Sonthiwan. Thai traditional paintings. Sonthiwan Intralib], 1994.

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Sīsuchāt, ʻAmmarā. Sinlapa tham samai prawattisāt. Krom Sinlapākō̜n, 1991.

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Bhirasri, Silpa. Botkhwām, khō̜khīan, læ ngān sinlapakam khō̜ng Sāttrāčhān Sin Phīrasī. Hō̜ Sin, Mahāwitthayālai Sinlapākō̜n, 2002.

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Book chapters on the topic "Painting, Thai"

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Prasomphan, Sathit. "Feature Extraction for Image Content Retrieval in Thai Traditional Painting with SIFT Algorithms." In Communications in Computer and Information Science. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-7242-0_5.

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Bolten, Randall. "53 … Uh, Is That a Lot?" In Painting with Numbers. John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781118983898.ch10.

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Brown, Bill. "The Recentness of Things." In And Another Thing. punctum books, 2016. https://doi.org/10.21983/p3.0144.1.17.

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Art has the habit of appearing in object form. The habit has been difficult to bring into sharp focus, though, no matter how aggressively art itself seems to summon us to do so. For all the scrutiny devoted to Las Meninas(1656) as a representation of representation (in the line of thinking that Michel Foucault established in The Order of Things [1966]), too little attention has been paid to the back side of the painting—that is, the image of the back side, the segmented stretcher supporting the monumental stretched canvas (the unevenness of its edges clearly visible), leaning against the large
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Hediger, Vinzenz. "“I'd Like to Own That Painting”." In A Companion to Fritz Lang. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118587751.ch19.

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Torriti, Paolo. "«Io penso che questo riesce benino». Vita e opere di Livio Poggesi 1934-1985 | Livio Poggesi." In Arte ai margini. Firenze University Press, USiena Press, 2024. http://dx.doi.org/10.36253/979-12-215-0400-2.12.

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The essay reconstructs the activity of the outsider artist Livio Poggesi, from his beginnings in the painting atelier of the neuropsychiatric hospital of Arezzo, in 1958, until his death, which occurred in this hospital in 1985. The paintings of Livio Poggesi , a self-taught with fifth grader who liked to paint, write and study, reflect the emotional and sentimental agitations of his life: dreams, memories, anxiety and visions are transmitted to us through his paintings. However, Livio is not an artist because he suffers from mental pathologies; on the contrary, he is a brilliant artist with s
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Morton, Timothy. "Objects in Mirror Are Closer Than They Appear." In Itinerant Philosophy. punctum books, 2014. https://doi.org/10.21983/p3.0073.1.06.

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Yukultji Napangati’s painting Untitled (2011) is in the Art Gallery of New South Wales, and was highly commended for the 2011 Wynne Prize. The painting is reproduced here [Fig. 1], but the image simply fails to do it justice. The first one seems to evoke it better. But this is one of those images one must see in the flesh.At a distance it looks like a woven mat of reeds or slender stalks, yellowed, sun baked, resting on top of some darker, warmer depth. A generous, relaxed, precise, careful yet giving, caring lineation made of small blobby dots. The warmth reminds you of Klee. The lines recall
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Garwolińska, Katarzyna, Piotr K. Oleś, and Anna Gricman. "Construction of narrative identity based on paintings." In Art that Tells the Truth. Routledge, 2024. http://dx.doi.org/10.4324/9781032629650-8.

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Gaskell, Ivan. "Paintings That Might or Might Not Be Art." In Paintings and the Past. Routledge, 2019. http://dx.doi.org/10.4324/9780429199349-6.

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Gaskell, Ivan. "Paintings That Might or Might Not Be Art." In Paintings and the Past. Routledge, 2019. http://dx.doi.org/10.4324/9780429199349-7.

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Jahanbegloo, Ramin. "Painting and the Perception of the World." In Talking Poetry. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192869180.003.0014.

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Abstract The historical evidence would suggest that painting was the first form of artistic articulation. The cave paintings, the primitive paintings that have been discovered, both in India and in some places in France and elsewhere, suggest that during the prehistoric period thousands of years ago, we have no remnants of any linguistic articulation, but we have painterly expression. So, it seems almost certain that the first expression in terms of art was in painting and that painting preceded poetry.
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Conference papers on the topic "Painting, Thai"

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Khan, Shameem A. "Paint System Performance Warranty." In SSPC 2015 Greencoat. SSPC, 2015. https://doi.org/10.5006/s2015-00031.

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Bridges are a vital part of the primary infrastructures of transportation. To protect the bridges, a bridge painting program in Maryland was initiated in 1980. At that time lead based paints were used for painting the bridges. Around 1986, due to environmental, workers safety and health issues, Maryland as well as other states ceased using lead based paints. As a result new paint technology was developed for bridge paintings needs.
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Butler, Joseph T. "Is Painting Structural Steel More Expensive than Metallizing?" In CORROSION 1999. NACE International, 1999. https://doi.org/10.5006/c1999-99299.

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Abstract Protective coating by metallizing* with aluminum, zinc or zinc/aluminum alloy is the most effective means of combating structural steel corrosion. This is a totally under-utilized technology in North America both in the public sector, bridges for example, and in industry for oil production facilities on-shore and offshore, platforms, refineries, etc. Why isn’t it used? The slow application rates of the old flame spray process resulted in high application costs.** Today’s high deposition electric arc spray equipment has much higher production rates which help to make metallizing compet
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McKenzie, Ronald A., and Richard Bright. "Peer-to-Peer: Been There, Done That. Now Learn!" In Paint and Coatings Expo (PACE) 2007. SSPC, 2007. https://doi.org/10.5006/s2007-00057.

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Abstract As an owner of a painting and decorating company, wouldn’t you love to be able to sit down and pick the brain of your fiercest competitor? Of course you can’t, but the idea of finding out why they’re successful, or how they solved a particular problem, is an intriguing thought. If you can’t talk to your competitor, why not talk to a painting company that would be your competitor if you were in another state? That is what Peer Groups are all about. Experience the Peer Group Experience during this session at PACE and see first hand why Peer Groups work.
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Tombaugh, Raymond S. "Coating Failures and Misapplications in Commercial Painting." In Paint and Coatings Expo (PACE) 2009. SSPC, 2009. https://doi.org/10.5006/s2009-00050.

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Abstract While commercial painting is often thought to be less rigorous or less technical than industrial painting, the commercial painting industry has its own set of demands on a coating and is not without its share of coating problems. The authors experience demonstrates that there are commonalities in failures of coatings in commercial painting. This paper discusses a number of failures that are commonly found in the commercial painting field including painting of galvanized surfaces, coating of concrete surfaces (both floors and exterior building facades), use of elastomeric coatings, pai
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Morgan, J. R. "Single Source Responsibility Programs." In CORROSION 1989. NACE International, 1989. https://doi.org/10.5006/c1989-89090.

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Abstract Facilities replacement costs have become so expensive that maintenance painting to protect the investment and sustain appearance is a necessity to avoid future major costs. Unlike initial painting there are many variables associated with maintenance painting. Until recent years, published guidance on what constituted an effective maintenance painting programs in terms of execution and performance was minimal. Although more information is now available, facility managers must decide on the most effective way to conduct maintenance painting opposite their needs. This paper will describe
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Tombaugh, Raymond S. "Using Lead Abatement Contractors for Surface Preparation on Commercial Properties - the Consequences of Sacrificing Quality for Safety." In SSPC 2016 Greencoat. SSPC, 2016. https://doi.org/10.5006/s2016-00070.

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Abstract The Federal EPA requires that commercial/residential painting contractors be certified to prepare surfaces containing lead based paint on residential and public structures. As a result, when respirators equipped with HEPA filtration are required to be worn to reduce worker exposure levels to below the permissible exposure limit for lead, the surface preparation work is often subcontracted to a licensed lead abate contractor who holds these types of certifications. Unfortunately there have been several coating failures on commercial/residential buildings, originally containing lead pai
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Schwerdt, Tom, and Johnnie S. Miller. "3rd-Party Inspection." In SSPC 2013 Greencoat. SSPC, 2013. https://doi.org/10.5006/s2013-00060.

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Up until the 1970s, Texas Department of Transportation (TxDOT) inspection, including paint inspection, was an internal, hands-on process. Bridge painting was largely a Department-led effort, with the application completed by in-house crews and the inspection performed by a TxDOT inspector. Painting projects that were contracted out still had a TxDOT inspector with direct bridge painting experience on site to inspect the work and oversee the project.
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Kovacs, Marius-Emilian, Angelica Nicoleta Gaman, Lorand Toth, Izabella Kovacs, and Alin Irimia. "VARIATION OF VOLATILE ORGANIC COMPOUND CONCENTRATIONS EMISSION IN THE ATMOSPHERE CORRELATED WITH TECHNOLOGICAL OPERATIONS AT THE PAINTING OPERATION." In 24th SGEM International Multidisciplinary Scientific GeoConference 2024. STEF92 Technology, 2024. https://doi.org/10.5593/sgem2024/5.1/s20.48.

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Following the vehicle painting process, residual gases containing volatile organic compounds (VOCs) are released into the atmosphere through exhaust pipes. Entrepreneurs are legally obliged to report to the Environmental Protection Agency, which, in turn, reports to the European Union to reduce greenhouse gas emissions and achieve climate neutrality by 2050. The current paper investigates the temporal variation of VOC concentrations correlated with technological processes carried out in vehicle painting shops. Three sets of one-hour measurements were taken for each technological operation (sam
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Trimber, Kenneth A., and Kirk Wissmar. "Designing a Maintenance Painting Management Program." In Paint and Coatings Expo (PACE) 2005. SSPC, 2005. https://doi.org/10.5006/s2005-00057.

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Abstract Computerized maintenance painting management programs are used to inventory painted items, maintain historical coating data, optimize the scheduling of painting activities, and develop budget estimates for the work. While the sophisticated programs are quite effective, their true benefit is not realized unless someone takes ownership of the program, updates the data every few years, and uses the wealth of planning information that is available. As an alternative, this paper discusses the development of a spreadsheet to assist in managing immediate painting needs, based on some of the
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Ellor, James A. "How Economics Drive Change in Managing Maintenance Costs." In SSPC 2001. SSPC, 2001. https://doi.org/10.5006/s2001-00009.

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Abstract Maintenance painting costs can be controlled by proper attention to the true cost drivers. This is best accomplished in a comprehensive program which considers all costs involved in the maintenance painting process. Managing maintenance costs in painting has been a central topic for owners for several years. These concerns have been heightened in recent years as the general costs of painting have increased and m a n y owners, both commercial and government are trying to reduce the internal costs of maintenance painting. In these discussions, there are often two focuses: (1) the immedi
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Reports on the topic "Painting, Thai"

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Poloboc, Alina. Fancy Fifi. Intellectual Archive, 2023. http://dx.doi.org/10.32370/iaj.2996.

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The painting is a fascinating work that captures the essence of extravagance and vibrant lifestyle of Miami through its main character, a confident and fun-loving woman. The artist has depicted a stylish and elegant figure walking through the city streets with a posture that reflects her confidence and determination. The choice of blue as the main color throughout the painting is a bold and impactful decision. Blue is typically associated with tranquility and calmness, but the artist has used it to create an atmosphere full of energy and vitality. Additionally, there are eye-catching details i
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Bowman, Mark D., Bryan D. Hagan, and William D. Hurdle. Steel Bridge Coating Evaluation and Rating Criteria. Purdue University, 2023. http://dx.doi.org/10.5703/1288284317386.

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The aim of the study is to gather information on three topics: (1) the evaluation and rating of steel bridge protective coatings, (2) coating systems used by various states throughout the United States, and (3) maintenance painting procedures employed by various state department of transportation agencies (DOTs). First, it was found that most state DOTs use either an Element Level type rating of the coating system or a 9–0 NBI type rating; many state DOTs use both methodologies, with one used for state bridges and the other for local bridges. Second, for coating systems, it was found that ther
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Poloboc, Alina. Fancy Pink Goat. Intellectual Archive, 2023. http://dx.doi.org/10.32370/iaj.2998.

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"Fancy Pink Goat" is a contemporary art piece from the Fancy Collection, created in Spain in 2022. It is a vividly colorful painting dominated by pink and blue, which are the signature colors of the artist`s style. The painting features a fancy goat walking through the jungle with its elegant collar and abstract, long legs. Surrounding the Fancy Pink Goat are a variety of other unusual creatures inhabiting the jungle and keeping the goat company. The artist`s signature red high-heeled shoes are also present, adding a touch of sophistication and style to the painting. This artwork is an impress
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Mills, Reece, Terri Bourke, Martin Mills, et al. Painting a Picture of Career Change Teachers in Queensland. Queensland University of Technology, 2025. https://doi.org/10.5204/rep.eprints.257421.

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Painting a Picture of Career Change Teachers in Queensland reports on a phase of the Australian Research Council Linkage Project titled Career Change Teachers: Addressing teacher shortages in Australia (ARCLP210300839). The research aims to address teacher shortages by generating a better understanding of the employee group termed career change teachers (CCTs) – individuals who enter the teaching profession after 25 years of age from other careers – by informing policy and school practices that support their retention.
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Wüthrich, Annik. The Copenhagen Wooden Stela AAd6 from the National Museum of Denmark: An unusual Testimony of the 22nd Dynasty. Verlag der Österreichischen Akademie der Wissenschaften, 2021. http://dx.doi.org/10.1553/erc_stg_757951_the_copenhagen_wooden_stela_aad6_from_the_national_museum_of_denmark_an_unusual_testimony_of_the_22nd_dynasty.

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The subject of this article is a wooden stela (AAd6) kept in the National Museum of Denmark in Copenhagen. By iconographical and typological criteria, this object is datable to the 22nd Dynasty and probably comes from the Theban area. The stela displays several particularities, among others, one of the longest genealogies preserved on this object type. Alongside a careful investigation of the different iconographical elements and a new translation of the text, this contribution looks into the onomastic and the prosopographical material, examining different titles such as “ḥnk-nw.w-priest in so
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Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w
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Brinster, Gregory L., Mona Hodaei, Aser M. Eissa, et al. Leveraging LiDAR Intensity to Evaluate Roadway Pavement Marking Retroreflectivity. Purdue University, 2025. https://doi.org/10.5703/1288284317806.

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Clearly visible lane markings are important for all road users, particularly autonomous vehicles. In general, nighttime retroreflectivity is one of the most challenging marking visibility characteristics for agencies to monitor and maintain, particularly in cold weather climates when agency snowplows remove retroreflective material during winter operations. Traditional surface-applied paint and glass beads typically only last one season in climates with routine snowplow activity. Recently, transportation agencies in cold weather climates have begun deploying improved recessed, durable pavement
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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. Th
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Leading Figures in Venezuelan Painting of the Nineteenth Century. Inter-American Development Bank, 1999. http://dx.doi.org/10.18235/0006227.

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Twenty-one paintings by twelve of the most important 19th centuryVenezuelan artists, never before shown outside of Venezuela, that reveal parallels and differences with the development of painting elsewhere in the hemisphere, from the collections of the Gallery of National Arts of Venezuela, the Central Bank of Venezuela, and the Polar Enterprises Collection, all in Caracas.
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Selections from the IDB Art Collection: In Celebration of Hispanic Heritage Month 2006. Inter-American Development Bank, 2006. http://dx.doi.org/10.18235/0006430.

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Celebrating the United States Hispanic Heritage Month, the exhibition presented a selection of 40 works from the Inter-American Development Bank (IDB) Art Collection that have been acquired over the last few years, including painting, drawing, sculpture, graphics, and folk art pieces from most countries of the Americas.
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