Log in

Relevant bibliographies by topics / Painting, Thai / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Painting, Thai.

Dissertations / Theses on the topic 'Painting, Thai'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 34 dissertations / theses for your research on the topic 'Painting, Thai.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Suwannakudt, Phaptawan. "The Elephant and the Journey: A Mural in Progress." Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/1101.

Full text

Abstract:

The Elephant and the Journey is about what and how people see in the land and how this is expressed through art forms. The dissertation consists of three main parts. The first in the introduction explains the use of the narrative figuration form in Thai temple mural painting in my practice, and how I used it to apply to the contemporary context in Australia. The second concerns three main groups of work including Australian landscape paintings in the nineteenth century, aboriginal art works and Thai mural painting, which apply to the topic of landscape. The second part in Chapters I and II

APA, Harvard, Vancouver, ISO, and other styles

2

Suwannakudt, Phaptawan. "The Elephant and the Journey: A Mural in Progress." University of Sydney, 2005. http://hdl.handle.net/2123/1101.

Full text

Abstract:

Master of Visual Arts<br>The Elephant and the Journey is about what and how people see in the land and how this is expressed through art forms. The dissertation consists of three main parts. The first in the introduction explains the use of the narrative figuration form in Thai temple mural painting in my practice, and how I used it to apply to the contemporary context in Australia. The second concerns three main groups of work including Australian landscape paintings in the nineteenth century, aboriginal art works and Thai mural painting, which apply to the topic of landscape. The second

APA, Harvard, Vancouver, ISO, and other styles

3

Defibaugh, Elaine R. "Did you see that chair /." Online version of thesis, 1989. http://hdl.handle.net/1850/11323.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Rietenbach, Tim. "Painting on a surface that has taken control of itself." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1303490239.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Black, Steven Michael. "The smear that discloses world: Material and perception in painting." Thesis, Curtin University, 2021. http://hdl.handle.net/20.500.11937/89773.

Full text

Abstract:

The thesis reads Gilles Deleuze’s lectures on painting from 1981 to develop a theory of painting as a mereological activity, concerned with the relations of parts to one another and to wholes. Painting from observation is taken as a case by which painting performs the broader aesthetic function of exemplifying efficacy.

APA, Harvard, Vancouver, ISO, and other styles

6

Kasick, Andrew George. "Gas Chromatography-Mass Spectrometry Study of a Painting That May Contain Asphaltum Pigment." Marietta College Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1366965064.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Haggett, Matthew. "Songs and Stories that Only You Know: Multiplicity, Meaning, & the Metaphorical Bridge." PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5191.

Full text

Abstract:

The thesis report will serve as a companion for the body of work that is the bulk of the thesis project. The theme of the thesis project is "the bridge". "The bridge" is a metaphor for meaning occurring through context. It is present on many levels. It will implicit in much of the discussion. I will include themes such as the play of differing scales, the ambiguous line between part and whole, and the reasons for the book format . Specific imagery that occurs repeatedly in the work, like architecture and knots, will be explained in terms of its sources, personal meaning, and formal and concept

APA, Harvard, Vancouver, ISO, and other styles

8

Houzenga, Brent. "The Process That Eats Itself." ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2331.

Full text

Abstract:

Chance and the found object set the stage for artworks that illustrate the clash between the everyman, popular culture and high art. The investigation of my process, surroundings and interests leads to an infinite amount of possibilities in a process that is beginning to eat itself.

APA, Harvard, Vancouver, ISO, and other styles

9

Little, Alicia E. "Fragments are formless, as they do not hold together(things that are not touching)." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1523452860384935.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Brooks, Queen E. "The ties that bind : art of an African American artist." The Ohio State University, 1992. http://rave.ohiolink.edu/etdc/view?acc_num=osu1144433506.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Kruger, Maria. "Growing Things: An Investigation in the ways that plant-growth may inform the process of painting." Master's thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/30513.

Full text

Abstract:

My project interrogates traditional Western landscape painting in light of the contemporary understanding that ‘nature’ has been rearticulated, even plasticised and hence rendered malleable, through human action. The idea of a plasticised natural environment is concomitant with the age of the Anthropocene which has brought with it a tremendous rise in the use of plastic since the 1950s, and the consequent polluting effect it has had on the ‘natural’ environment. In recent years evidence indicates that traces of plastic are now in the earth, which suggests a need to rethink what exactly the ‘na

APA, Harvard, Vancouver, ISO, and other styles

12

Cleland, Elizabeth Adriana Helena. "More than woven paintings : the reappearance of Rogier van der Weyden's designs in tapestry." Thesis, Courtauld Institute of Art (University of London), 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.397172.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

von, Essen Sabina. "Trust the Artist and the Painting : Factors that can enhance the Experience of Viewing Art in 3D Environments." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-279490.

Full text

Abstract:

Buying and viewing art has gone from being a traditionally physical experience to becoming digital. Due to limitations in today's two-dimensional e-commerce websites, 3D technology can be used to simulate the physical experience as much as possible. This thesis studies which factors can potentially play an important role in online art purchases, of which trust on the artist, familiarity to the artist and understanding more in depth the painting techniques were found to be the most influential on enhancing the viewers experience and engagement with a painting viewed online. These factors were l

APA, Harvard, Vancouver, ISO, and other styles

14

Bunyasakseri, Thirawut. "Timeless Stories: Investigating Contemporary Approaches to Hindu and Buddhist Art." Thesis, Griffith University, 2020. http://hdl.handle.net/10072/392408.

Full text

Abstract:

Art has been a form of communication used to convey religious lessons in Thailand (formerly the Kingdom of Siam) since ancient times. While present-day Thais are still intensely committed to religious practices, many understand less and less of the precise information embedded in this art form. Moreover, religious artworks in Thailand do not reflect current society and do not have much in common with contemporary art. Therefore, this research investigates the potential causes that have disconnected religious art from Thai society and explores possible ways to utilise elements from the Thai rel

APA, Harvard, Vancouver, ISO, and other styles

15

Adams, Christopher David. "More alive than ever? : futurism in the 1940s." Thesis, University of Essex, 2016. http://repository.essex.ac.uk/19110/.

Full text

Abstract:

The 1940s are undoubtedly the years most neglected by scholars of Italian Futurism. The movement had long supported Fascism, but its vocal endorsement of Mussolini’s regime and its military adventures at this time is widely considered to represent Futurism’s ultimate betrayal of those ‘progressive’, counter-cultural values popularly associated with the avant-garde. For many, the movement’s apparent engagement with the forces of reaction and conservatism is reflected in the work produced by its artists throughout the war years, which is invariably presented in terms of propaganda imagery, chara

APA, Harvard, Vancouver, ISO, and other styles

16

Battersby, Jamie Thomas William. "The Door To Before Closes, and You Grieve That Too." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555517321452505.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Spicer, Frank G. III. ""Just What Was It That Made U.S. Art So Different, So Appealing?": Case Studies of the Critical Reception of American Avant-Garde Painting in London, 1950-1964." Cleveland, Ohio : Case Western Reserve University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=case1231265965.

Full text

Abstract:

Thesis (Ph.D.)--Case Western Reserve University, 2009<br>Includes abstract Department of Art History and Art Title from PDF (viewed on 21 July 2009) Includes bibliographical references [and appendices] Available online via the OhioLINK ETD Center

APA, Harvard, Vancouver, ISO, and other styles

18

Bell, Pamela. "Art that never was : representations of the artist in twentieth-century Australian fiction." Thesis, The University of Sydney, 2003. http://hdl.handle.net/2123/7310.

Full text

Abstract:

This thesis traces the development of the artist figure as a leading character in twentieth-century Australian novels. In Australia there have always been complex interconnections between the worlds of art and literature, perhaps the most obvious being the cluster of artists and writers centred on the journal Vision, co-edited by Norman Lindsay’s son Jack with Kenneth Slessor, who was heavily influenced by Lindsay. Slessor’s poem “Five Bells”, an elegy for his artist friend Joe Lynch, later became the subject of a mural painted for Sydney Opera House by John Olsen. Although this and other co

APA, Harvard, Vancouver, ISO, and other styles

19

Weaver, Suzanne M. (Suzanne Markette). "Hans Haacke: an investigation of four site-specific works that incorporate painting as a means of revealing interrelated cultural, economic, and political systems in society, 1982-1984." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc798463/.

Full text

Abstract:

Four site-specific works produced between 1982 and 1984 in which Hans Haacke utilized the traditional medium of oil on canvas were examined in conjunction with an overview of the underlying and interrelated principles and concepts that have guided his approach to art from 1958-1988.

APA, Harvard, Vancouver, ISO, and other styles

20

Chapman, Gaye. "Decompose : decay + weeds = beauty : research into the visual art/painting implications of botanical biodegradation of weeds as an expression of I. The subjective, expansive and ephemeral nature of art, artist and materials. II. An incarnation of the nature of time and sublime beauty that articulates and expands perceptions of art, artist and materials as text + paintings." Thesis, View thesis, 2004. http://handle.uws.edu.au:8081/1959.7/29745.

Full text

Abstract:

“In the decomposition of organic/botanic materiality, decayed and decaying exotic weeds are printed and imprinted on the host vessel: The surviving trace becomes a code - a sign - a semiotic map = disjecta membra: being there ... then destroyed... but still remaining.” THE BODY OF VISUAL AND WRITTEN RESEARCH, 'DECOMPOSE', is a cross-disciplinary interrogation, interpreting overlapping meanings in the Botanical Biodegradation of Weeds through Visual Art/Science practices and processes expressed as Text +Paintings. DECOMPOSE validates the Act of Art, Botanical Biodegradation of Weeds, as both: I

APA, Harvard, Vancouver, ISO, and other styles

21

Chapman, Gaye. "Decompose : decay + weeds = beauty : research into the visual art/painting implications of botanical biodegradation of weeds as an expression of I. The subjective, expansive and ephemeral nature of art, artist and materials. II. An incarnation of the nature of time and sublime beauty that articulates and expands perceptions of art, artist and materials as text + paintings /." View thesis, 2004. http://handle.uws.edu.au:8081/1959.7/29745.

Full text

Abstract:

Thesis (Ph.D.)--University of Western Sydney, 2004.<br>A thesis presented to the University of Western Sydney, College of Arts, Education and Social Sciences, School of Contemporary Arts, in fulfilment of the requirements for the degree of Doctor of Philosophy, Contemporary Arts. Includes bibliographies. Electronic version minus appendices 2, 3, 4 is also available online at: http://handle.uws.edu.au:8081/1959.7/29745.

APA, Harvard, Vancouver, ISO, and other styles

22

Jahnke, Robert Hans George. "He tataitanga ahua toi : the house that Riwai built, a continuum of Māori art." Massey University, 2006. http://hdl.handle.net/10179/984.

Full text

Abstract:

Prior to the 1950s, visual culture within tribal environments could be separated into customary and non-customary. In the early 19th century, customary visual culture maintained visual correspondence with prior painted and carved models of the pre-contact period. In the latter part of the 19th century, non-customary painted and carved imagery inspired by European naturalism informed tribal visual culture. This accommodation of European imagery and practice was trans-cultural in its translation to tribal environments. In the 1960s, an innovative trans-customary art form evolved outside tribal e

APA, Harvard, Vancouver, ISO, and other styles

23

Zanardelli, Theodore. "Garden: Smear the Black Circle." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1342563284.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Asavaplungkul, Saisingha Monruedee. "Le Râmâyana dans les peintures du temple du Buddha d'Émeraude (Wat Phra Kèo) à Bangkok : sources, contexte, prolongements." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040049.

Full text

Abstract:

Le Râmakîen est une des œuvres littéraires les plus importantes du royaume thaïlandais. Reprenant l’épopée indienne de Vâlmîki, le Râmâyana, il revêt une grande importance à la cour royale et sa popularité est considérable dans toute l’Asie du Sud-Est. Au Wat Phra Kèo, ses épisodes ont été intégralement illustrés sur le mur de la galerie. La thèse ne prend en compte que les parties figurant les dix incarnations de Viṣṇu et la naissance des dieux hindous et des personnages de l’épopée. Ces épisodes nous amènent au prélude du Râmakîen et l’étude s’arrête au moment du retour du roi Jânaka à Mithi

APA, Harvard, Vancouver, ISO, and other styles

25

Coppalle, Renaud. "Mise en lumière des capacités préservées d'apprentissage des personnes malades d'Alzheimer à un stade modéré à sévère à l'aide de l'art : un autre regard pour un autre accompagnement New long-term encoding in severely amnesic Alzheimer’s disease patients revealed through repeated exposureto artistic items Does multiple format presentation of songs increase encoding in patients with Alzheimer’s disease at a moderate to late stage? Preserved familiarity-based recognition for music and paintings in patients with Alzheimer’s disease at a moderate to late stage with extensive damages to the medial temporal lobe L’accompagnement des aidants depersonnes atteintes de maladies d’Alzheimerou apparentées : renouveler les approchesthéoriques de l’accompagnement en France Suivi de la situation et des ressentis des proches aidants de personnes avec maladie d’Alzheimer et troubles apparentés: Le cas particulier du confinement lié au Covid 19 Apports respectifs de la clinique et de la rechercheà la neuropsychologie Preservation of musical memory throughout the progression of Alzheimer’s disease? Toward a reconciliation of theoretical, clinical, and neuroimaging evidence Do musicians have better mnemonicand executive performance than actors? Influence of regular musical or theater practice in adults and in the elderly." Thesis, Normandie, 2020. http://www.theses.fr/2020NORMC018.

Full text

Abstract:

La maladie d’Alzheimer (MA) est considérée depuis plus de 30 ans comme une pathologie de la mémoire empêchant l’apprentissage d’informations nouvelles en mémoire déclarative. Cependant, l’Histoire de la neuropsychologie rapporte des cas de patients présentant des capacités d’encodage résiduelles malgré une amnésie non-dégénérative avec des lésions pourtant proches de celles de la MA. Si les tâches de laboratoire échouent à montrer ces capacités dans la MA dès les stades légers en utilisant des stimuli verbaux et picturaux neutres, nous avons étudié dans quelle mesure la musique et d’autres typ

APA, Harvard, Vancouver, ISO, and other styles

26

Jamuni, Pairoj. "Modern Thai painting a study of twelve Thai painters in the context of Thai tradition and changing art education /." 1988. http://books.google.com/books?id=tffVAAAAMAAJ.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Young, AH. "Painting a visual language that interprets my personal world." Thesis, 2005. https://eprints.utas.edu.au/22155/1/whole_YoungAlanHenry2005_thesis.pdf.

Full text

Abstract:

This research project is based on the pursuit of a new personal visual language that interprets my immediate world. My paintings and drawings are grounded in my immediate environment and evolve directly out of personal experience. Central to my investigation is the development of a new set of symbols and an examination of how they have evolved. Recording these experiences in an autobiographical and diaristic way is a fundamental part of my process. Journal sketching and independent drawing is critical to the evolution of the paintings, particularly their combination of pictograms and tex

APA, Harvard, Vancouver, ISO, and other styles

28

McCauley, Brendan M. "Summoning The Body That Acts." 2016. https://scholarworks.umass.edu/masters_theses_2/402.

Full text

Abstract:

Seven series of artworks; painted, drawn and performed. These works are presented as affective incorporation exercises, that test modes of aesthetic communication in response to varying political contingencies. The constitutive processes used to develop the work also function as a methodology for my own political radicalization. As an artist I am wagering how to talk, as an activist I am preparing to act. The artworks discussed occur at the crossroads of these desires as enactions of futurity within the subjunctive mood.

APA, Harvard, Vancouver, ISO, and other styles

29

Zhang, Yujie, and 張裕劼. "Paintings By Science Fiction Art-That Is True In Fiction." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/06961679487950967987.

Full text

Abstract:

碩士<br>嶺東科技大學<br>視覺傳達設計研究所<br>100<br>The science fiction creation meant the creation combined with science potentials and chimera, so that it is a kind of arts through many different fields, including literature, philosophy, film, drawing, music. Although it was developed over two centuries and it had amalgamated in our life, even most of people have the basic images, the identity is not correct. The study focused on the creation of science fiction, and it is divided into three steps: 1. to find the classification of science fiction, and to explore the philosophy elements, 2. to collect the dif

APA, Harvard, Vancouver, ISO, and other styles

30

Wang, Ming-Ren, and 王明仁. "That-Has-Been Series –To Explore the Application of Image in Chinese Ink Paintings." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/6hz6g9.

Full text

Abstract:

博士<br>國立臺灣師範大學<br>美術學系<br>104<br>Art is the crystallization of the unique feelings of the artists, who, on one hand, experience the rich and diverse reality with a sensitive mind and a unique taste and, on the other hand, seek philosophical meaning for their subject matters through theory and aesthetics. From shaping the theme to planning for its content to finishing the creation, art is a practice after the artists look into themselves and interact with their surroundings. This creative study of the things “That Has Been” starts from the antique photograph collection of the author’s father. T

APA, Harvard, Vancouver, ISO, and other styles

31

LeBlanc, Natalie. "An investigation of the space between the painting and the photograph : deconstructing the process and reflecting on the two media that constitute my art practice." Thesis, 2008. http://spectrum.library.concordia.ca/975710/1/MR40960.pdf.

Full text

Abstract:

Painting from a photographic source had become a structure for me and I became intrigued as to how I interpreted it as an experience. By engaging in a hermeneutic-phenomenological study, I distinguished the spaces between the source and the product, and I revealed the meaning that is made from this process. By deconstructing and reevaluating my habitual way of creating a painting, I was able to understand the reasons why I use a photograph as reference in the studio. Since I take the photograph with the intention of painting it, I realized that the photograph not only informs my painting proce

APA, Harvard, Vancouver, ISO, and other styles

32

jung, cho hyo, and 曹孝政. "The Study of HUA YAN’s Art Work(The effect that Eccentric of Yang-Zhou had on the fine Korean paintings of 17、18 century)." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/78927481683285838002.

Full text

Abstract:

碩士<br>中國文化大學<br>藝術研究所<br>88<br>This thesis is to research the qing dynasties Flower and Bird painters, and Eccentric painters of Yang-Zhou’s Xinluo Shanren Hya Yan. The content and main focus is on his paintings and his success. Also all of the in formation pertaining to his paintings and artwork；furthered explains the effects of paintings. This thesis is broken up in to 8 chapters. Chapter 1:content Chapter 2:The time period and its background. As well as the total background of the Eccentric painters of Yang-Zhou. Chapter 3:The total accomplishment

APA, Harvard, Vancouver, ISO, and other styles

33

Chapman, Gaye, University of Western Sydney, of Arts Education and Social Sciences College, and School of Contemporary Arts. "Decompose : decay + weeds = beauty : research into the visual art/painting implications of botanical biodegradation of weeds as an expression of I. The subjective, expansive and ephemeral nature of art, artist and materials. II. An incarnation of the nature of time and sublime beauty that articulates and expands perceptions of art, artist and materials as text + paintings." 2004. http://handle.uws.edu.au:8081/1959.7/29745.

Full text

Abstract:

“In the decomposition of organic/botanic materiality, decayed and decaying exotic weeds are printed and imprinted on the host vessel: The surviving trace becomes a code - a sign - a semiotic map = disjecta membra: being there ... then destroyed... but still remaining.” THE BODY OF VISUAL AND WRITTEN RESEARCH, 'DECOMPOSE', is a cross-disciplinary interrogation, interpreting overlapping meanings in the Botanical Biodegradation of Weeds through Visual Art/Science practices and processes expressed as Text +Paintings. DECOMPOSE validates the Act of Art, Botanical Biodegradation of Weeds, as both:

APA, Harvard, Vancouver, ISO, and other styles

34

Lima, Clarissa Faccini de. "A entrevista com o artista e a conservação de grandes formatos sobre papel : abordagens multidisciplinares na conservação e restauro da pintura contemporânea ‘Thais’, de Pedro Proença." Master's thesis, 2021. http://hdl.handle.net/10400.14/37166.

Full text

Abstract:

As obras de arte contemporânea oferecem aos profissionais de conservação-restauro desafios que vão desde suas poéticas artísticas até sua materialidade, que envolve técnica, materiais, dimensões, entre outras características. Estes desafios são evidentes neste trabalho, perante a necessidade de realizar uma intervenção de conservação-restauro da pintura contemporânea “Thais”, de Pedro Proença, realizada em 1984. As questões, relacionadas com a grande dimensão, de 199x275cm, e com a falta de documentação, tiveram claro impacto na a identificação dos materiais e intervenções anteriores, interven

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!