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Journal articles on the topic 'Painting, Thai'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Seviset, Somchai, and Chaturong Louhapensang. "The Identity and Design of Thai Tradition Paintings." Advanced Materials Research 1028 (September 2014): 327–32. http://dx.doi.org/10.4028/www.scientific.net/amr.1028.327.

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“Kranok” mostly are inspired by the application from natural shapes such as lotus shape, floral species, climber creeping plants or various animals especially animals in the fairy tales. “Kranok” which previously had the meaning of a Thai Painting but later this was used to call another tradition paining which was believed to be applied from the shape of a lotus. Considered as a Thai Tradition Painting Model which is an important base of the Thai Tradition Painting inclusive of the model and steps of drawing the painting and the application into a variety of paintings in the same structure but

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Pichaichanarong, Tawipas. "Visual Methods in Social Research on Lanna Mural Painting: A Case Study of Wat Phumin, Nan Province." International Journal of Creative and Arts Studies 3, no. 2 (2017): 25. http://dx.doi.org/10.24821/ijcas.v3i2.1842.

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According to most of tourists who have visited Thai temples and have seen Thai mural paintings with untrained eyes, they might not understand a story on walls at first sight. It may be because Thai mural paintings look confusing, crowded with colorful figures that appears similar in detail and character, leaving no place to focus one’s attention (David K. Wyatt, 2004). Thai mural painting is a disparate of the visual arts because of conventions that are entirely its own. This research is designed to study the capability of Thai and Foreign tourists in order to apprehend Lanna mural painting th

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Charoenkijkajorn, Possanunt, and Yoshito Nakano. "Oblique structure in Thai traditional mural painting during the early Rattanakosin period: a composition analysis." Art and Architecture Journal Naresuan University 16, no. 1 (2025): 43–56. https://doi.org/10.71185/ajnu.2025.270312.

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This paper examines the oblique structure in Thai traditional painting during the Early Rattanakosin Era. Using a combination of art historical analysis by analyzing the use of oblique structure in Thai traditional painting by chronological approach and formalist techniques, the study aims to identify and analyze the distinctive features of oblique composition in Thai painting from this period. The paper draws on a wide range of primary sources, including surviving examples of Early Rattanakosin painting, contemporary texts on Thai art, and relevant historical records. Through its analysis, th

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Raksamani, Adis Idris. "The Siamese Concept of Muslims through Mural Paintings." Manusya: Journal of Humanities 22, no. 1 (2019): 1–33. http://dx.doi.org/10.1163/26659077-02201001.

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The objective of this study is to examine the purpose and meaning of portrayals of Muslims in the Thai traditional art and architecture of temples and palaces. The focus is on the Siamese concepts of Muslims and the features of Muslims that Siamese people in the past intended to communicate to Siamese society. The study deals with the concept and design of painting found in Thai traditional mural paintings. The findings reveal that the portrayals of Muslims in the mural paintings represent the symbolic meanings which can be traced according 4 chronicle stages as follows: 1. The otherness of Mu

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Suphaphimol, Nattaphon, Nakarin Suwannarach, Witoon Purahong, et al. "Identification of Microorganisms Dwelling on the 19th Century Lanna Mural Paintings from Northern Thailand Using Culture-Dependent and -Independent Approaches." Biology 11, no. 2 (2022): 228. http://dx.doi.org/10.3390/biology11020228.

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Lanna painting is a unique type of painting in many temples in the Northern Thai region. Similar to most mural paintings, they usually decay over time partly due to the activity of microbes. This study aimed to investigate the microorganisms from two Lanna masterpiece paintings in two temples that differ in the numbers of visitors using both culture-dependent and -independent approaches. The microorganisms isolated from the murals were also tested for the biodeterioration activities including discoloration, acid production and calcium precipitation. Most microorganisms extracted from the paint

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Mia Destia, Mia Destia, Enjang Suherman Enjang Suherman, and Flora Patricia Anggela Flora Patricia Anggela. "Penerapan Budaya 5R dalam Upaya Membina Karakter Karyawan Bagian Painting PT Indonesia Thai Summit Plastech." Reslaj: Religion Education Social Laa Roiba Journal 6, no. 4 (2024): 1667–80. http://dx.doi.org/10.47467/reslaj.v6i4.794.

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Every company has its own organizational culture and is different. PT INDONESIA THAI SUMMIT PLASTECH is one of the companies that implements the 5R culture. The 5R culture itself is an organizational culture originating from Japan that is made to make improvements in the work environment. The purpose of this study is that the author wants to know more about the analysis of the causes and strategies of implementing the 5R culture in an effort to foster the character of employees of the painting section of PT Indonesia Thai Summit Plastech. Data in this study was obtained from observations, inte

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Siriphanich, Panatda, Prapaporn Mitmuang, and Sunisa Thawonthong. "TOURIST SATISFACTION WITH THE QR CODES ON STREET ART IN SONGKHLA OLD TOWN, THAILAND." Journal of Event, Tourism and Hospitality Studies 2 (December 23, 2022): 1–32. http://dx.doi.org/10.32890/jeth2022.2.1.

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Quick Response code or QR code is a type of bar code that is used widely in many organizations including in tourism to provide various information. This study aims to investigate tourists’ expectations of information provided by QR codes and to study tourists’ satisfaction with QR codes on Street Art in Songkhla old town, Thailand. Quantitative research design was employed in this study. 100 Thai and non-Thai respondents from each of the two phases of data collection answered each set of two questionnaires. Majority of the tourists responded for the need of QR codes to represent Street Art pai

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Pichaichanarong, Tawipas. "Practice-Based Research in Digital Arts: A Case Study of Wat Phumin, Nan Province, Thailand." International Journal of Creative and Arts Studies 6, no. 2 (2020): 157–72. http://dx.doi.org/10.24821/ijcas.v6i2.4159.

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ABSTRACTThai mural paintings have played a significant role in Thai society since The Sukhothai Kingdom period (1238-1438 AD) until the present. Wattana Boonjub (2009) points out that Mural painting was used for teaching the Thai people in the past. Throughout history, temples have become a crucial part of Thai' lives; for example, Wat Phumin in Nan Province. Wat Phumin has exceptional architecture, beautiful visual presentations of Buddhist storytelling on the walls which depict scenes from the Buddhist Jataka tales, and scenes of everyday life in Nan. These unique characteristics have attrac

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Sirimuengmoon, Kawin, Pisak Chinchai, and Jananya P. Dhippayom. "Traditional umbrella painting activity improved upper extremity function and decreased depression in stroke survivors in Northern Thailand." Journal of Associated Medical Sciences 56, no. 2 (2023): 162–71. http://dx.doi.org/10.12982/jams.2023.046.

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Background: Upper extremity (UE) dysfunction and depression often occur after a stroke. Strategies to promote UE function and reduce depression require task-related training. Objectives: This study aimed to investigate the effectiveness of conventional rehabilitation combined with traditional umbrella painting activity on UE function and depression in stroke survivors. Materials and methods: Twenty-two participants from rehabilitation units in Chiang Mai province, northern Thailand, were recruited according to the inclusion criteria and divided into experimental and control groups of 11 each.

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Pichaichanarong, Tawipas, Veerawat Sirivesmas, and Rueanglada Punyalikhit. "APPENDING ROLES OF THAI LANNA TEMPLES FOR SUSTAINABLE COMMUNITIES: A CASE STUDY OF WAT PHUMIN, NAN PROVINCE." International Journal of Heritage, Art and Multimedia 3, no. 8 (2020): 01–11. http://dx.doi.org/10.35631/ijham.38001.

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Temples have been important in Thai society for over 700 years. When the Sukhothai Kingdom (1238 -1438 AD) was the capital city of Thailand. The great King Ramkamhang had been accepted Theravada Buddhism to be the strongest religion in the land. Later Lanna kingdom (1296 - 1558 AD) was founded in the mid-13th century by King Mangrai. Indeed, King Ramkamhang was friends with King Mangrai, and King Ngam Muang of Phayao Kingdom (1094–1338 AD), it is possible Theravada Buddhism had been introduced to the kingdoms during the reigns of these three Kings. Indeed, the Lanna Kingdom has accepted Therav

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McCormick, Patrick, and Mathias Jenny. "Contact and convergence: The Mon language in Burma and Thailand." Cahiers de Linguistique Asie Orientale 42, no. 2 (2013): 77–117. http://dx.doi.org/10.1163/19606028-00422p01.

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Mon has long been in contact with the dominant Burmese and Thai languages. The documented history of more than a thousand years allows us to trace changes in the language over time. This study looks at the divergent Mon varieties spoken today in Burma (Myanmar) and Thailand respectively, both influenced to different degrees and in different domains by the dominant national languages, Burmese and Thai. The study brings together insights from areal linguistics and history, painting a picture of the development of Mon in the two countries and its changing structure. Le mon a été depuis longtemps

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TSUJIAI, Hidekazu. "About perspective of building and Ramakian in the wall painting of Thai Royal Palace Wat Phra Kaeo." Journal of Graphic Science of Japan 45, no. 2 (2011): 3–8. http://dx.doi.org/10.5989/jsgs.45.2_3.

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Johnson, Irving Chan. "Doing fieldwork in an acrylic hell: mediations between personhood, art and ethnography in a Thai mural painting." Journal of Visual Art Practice 17, no. 1 (2017): 81–99. http://dx.doi.org/10.1080/14702029.2017.1381009.

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Schoonmaker, Cristina Penn. "Arts Education in Thailand: Why it Matters." MANUSYA 17, no. 2 (2014): 1–16. http://dx.doi.org/10.1163/26659077-01702001.

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The humanities, especially the visual arts, are often neglected at Thai universities because they are perceived as rarely yielding tangible results. This paper aims to demonstrate that learning to decode and talk about a painting not only require high level cognitive, visual, and language skills, but also extensive contextual knowledge, which only a background in the humanities can offer. The author analyzes several works of art as well as discusses modern aesthetics to argue that the arts are an integral part of the human experience, and therefore, should be included in general education cour

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Pahukan, Sujittra. "New Dimension of Lacquered Work." Asian Journal of Arts and Culture 23, no. 1 (2023): 260635. http://dx.doi.org/10.48048/ajac.2023.260635.

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Thai artwork Kammalor patterns (Lacquered Work) are the national art of Thailand that indicate the prosperity of culture that shows Thai identity. Handicrafts in Thai art, therefore, represent a skill that is exquisite, delicate, and tactful. In the midst of the contemporary social trend, social changes in art are diverse in commercial art. There are modifications and developments of works of art. Making the art market, the addiction to commercial art has an alternative channel for people to consume art in a variety of ways and more freely. The result of this creative research, researchers stu

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Fatimah, Siska Ernawati, Acep Komara, Prattana Srisuk, Sanchita Saha, and Dien Noviany Rahmatika. "EDUCATIONAL TOURISM OF LOCAL WISDOM PRODUCTS IN THAILAND." JOURNAL OF SUSTAINABLE COMMUNITY SERVICE 4, no. 2 (2024): 135–42. http://dx.doi.org/10.55047/jscs.v4i2.571.

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Management of local wisdom-based tourism products, development and packaging of globally competitive local products can be packaged through educational tourism. Educational Tourism is an effort to introduce local wisdom products of a country. One of Thailand's local wisdom products is traditional pottery. However, the existence of pottery in the era of modernization began to be less attractive to the younger generation. This international service was carried out with the aim of recognizing local culture and local wisdom products and participating in painting traditional Thai pottery. This acti

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Kader, RabeaRadi Abdel, ShaimaaSayed Mohamed El –Sayed, and Ahmed Abo-El Yamin. "Study The Severe Effects of Iron Compounds Presenting in Sandstone on the Deterioration of Wall Paintings of Archaeological Tombs in Bahariya Oasis - Egypt." Budapest International Research in Exact Sciences (BirEx) Journal 1, no. 3 (2019): 5–13. http://dx.doi.org/10.33258/birex.v1i3.337.

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The Wall paintings in Bahariya oasis expose to various deterioration factors, especially the resulted deterioration from the geological nature of sandstones' supports; sandstone of Bahariya formation is considered the weakest sandstone type in Egypt because of its geological formation which contains a very big percentage of iron oxides. Sandstone samples were taken, analyzed and examined by x-ray diffraction and scanning electron microscope, the iron oxides are thecement material in sandstone which affect negatively on the wall paintings in the selected tombs (Badi –Ishtarand Bannantiu tombs),

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Viphanphong, Wut, Pongsakorn Limna, Tanpat Kraiwanit, and Kris Jangjarat. "Merit Piggy Bank in the Digital Economy." Shanti Journal 2, no. 1 (2023): 1–9. http://dx.doi.org/10.3126/shantij.v2i1.53727.

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Making merit, especially charity and donation, is enormous in Asian countries, particularly in Thailand, where it has long been systematically incorporated into Thai culture. This study aimed to evaluate the literature on merit-making in the digital economy. A narrative synthesis was employed for this study. The documentary method and content analysis via systematic review were used to analyze the data. Making merit has several benefits such as improving the community, as well as receiving a tax-deductible and reducing a tax burden. The most fruitful form of merit-making is the good deeds acco

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Herz, Rachel S., and Gerald C. Cupchik. "The Effect of Hedonic Context on Evaluations and Experience of Paintings." Empirical Studies of the Arts 11, no. 2 (1993): 147–66. http://dx.doi.org/10.2190/36rg-0v9j-4y4g-7803.

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This study examined the proposition that the hedonic context within which paintings are viewed interacts with the hedonic quality of paintings to determine aesthetic evaluation. Hedonic context was manipulated using twelve positive and twelve negative odor cues in three different formats (odor alone, odor + name, name alone). The hedonic quality of paintings was manipulated using six positive, six negative and twelve neutral emotionally toned paintings. Twenty-four males and twenty-four females viewed each painting in the context of a different cue with half of the emotional cue-painting trial

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Markevicius, Tomas. "Innovation in Green Materials for the Non-Contact Stabilization of Sensitive Works of Art: Preliminary Assessment and the First Application of Ultra-Low Viscosity Hydroxypropyl Methylcellulose (HPMC) by Ultrasonic Misting to Consolidate Unstable Porous and Powdery Media." Sustainability 15, no. 20 (2023): 14699. http://dx.doi.org/10.3390/su152014699.

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Paintings and other works of art created with fragile and mechanically unstable powdery media present challenges to conservators. Frequently, powdery media is water-sensitive, extremely fragile, tends to delaminate, and may be altered by even the slightest physical action or interaction with liquids. Materials that can provide an efficient stabilization without unacceptably altering the optical characteristics of the delicate substrate are extremely limited. Among these, Funori, Isinglass, and Methocel A4C have become established for this use. In bench practice, consolidants are frequently app

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Bivens, Becky. "An Unlikely Match: Modernism and Feminism in Lynda Benglis’s Contraband." Arts 13, no. 3 (2024): 106. http://dx.doi.org/10.3390/arts13030106.

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In 1969, Lynda Benglis withdrew her large latex floor painting, Contraband, from the exhibition Anti-Illusion: Procedures/Materials. Looking beyond the logistical problems that caused Benglis to pull the work, I suggest that it challenged the conceptual and formal parameters of the exhibition from its inception. Taking hints from feminism, modernist painting, camp aesthetics, psychedelic imagery, pop, and minimalism, Benglis’s latex pours unify an array of movements, styles, and political positions that have often been treated as antithetical. Although the refusal of traditional binaries was t

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Li, Lingjing, and Yu Tian. "Aesthetic Preference and Time: Preferred Painting Dilates Time Perception." SAGE Open 10, no. 3 (2020): 215824402093990. http://dx.doi.org/10.1177/2158244020939905.

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In the domain of aesthetic preference, previous studies focused primarily on exploring the factors that influence aesthetic preference while neglecting to investigate whether aesthetic preference affects other psychological activities. This study sought to expand our understanding of time perception by examining whether aesthetic preference in viewing paintings influenced its perceived duration. Participants who preferred Chinese paintings ( n = 20) and participants who preferred western paintings ( n = 21) were recruited to complete a temporal reproduction task that measured their time percep

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Yu, Lan, and Yukari Nagai. "An Analysis of Characteristics of Children’s Growth through Practical Art." Healthcare 8, no. 2 (2020): 109. http://dx.doi.org/10.3390/healthcare8020109.

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Children’s paintings reflect their growth environments and psychological conditions, and these growth environments represent children’s family and educational environments in primary schools. The characteristics of these paintings change as children grow, and children’s expressiveness in the paintings also improves. Children’s paintings are a representation of their perceptions of things; children transform their perceptions into images that can be understood and observed by people. This research studies the growth characteristics of children based on professional painting techniques. A digita

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Sharma, Yam Prasad. "Nepali Paintings: A Departure From Religious Contents to Secular Subject Matters." Tribhuvan University Journal 36, no. 01 (2021): 85–95. http://dx.doi.org/10.3126/tuj.v36i01.43582.

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Traditional Nepali paintings are religious since they are based on Hindu and Buddhist myths. Manuscript illuminations and paubhas, the examples of religious paintings, have magical and mystical contents. Characters of myths have been portrayed and mythical stories have been narrated in visual form. There are a series of changes from traditional Nepali paintings to contemporary works. In painting, secular elements are introduced through didactic visual narratives from Hitopadesha manuscript. The moral lessons are taught through animal fables. Early paubhas are fully religious but later paubhas

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Nieves, Juan Luis, Juan Ojeda, Luis Gómez-Robledo, and Javier Romero. "Psychophysical Determination of the Relevant Colours That Describe the Colour Palette of Paintings." Journal of Imaging 7, no. 4 (2021): 72. http://dx.doi.org/10.3390/jimaging7040072.

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In an early study, the so-called “relevant colour” in a painting was heuristically introduced as a term to describe the number of colours that would stand out for an observer when just glancing at a painting. The purpose of this study is to analyse how observers determine the relevant colours by describing observers’ subjective impressions of the most representative colours in paintings and to provide a psychophysical backing for a related computational model we proposed in a previous work. This subjective impression is elicited by an efficient and optimal processing of the most representative

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Zhang, Biyun. "Art on Chinese Xuan Paper." European Scientific e-Journal 1, no. 1 (2020): 67–91. https://doi.org/10.47451/art2020-09-001.

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The formal beauty of Chinese paintings mainly lies in the peculiar material, the special brush and ink effect, the unique painting pattern, the poetry, calligraphy, painting and seal cutting, the mounting style, the composition and the technique and style of the painter. The author reveals the features of ink effect, the unique painting pattern, the poetry, calligraphy, painting and seal cutting, the mounting style, the composition and the technique and style of the painter of beauty of Chinese paintings through making contact with Chinese Xuan paper and ink because Chinese ink painting, boast

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Sulistiyowati, Lisa Harry, Siska Ernawati Fatimah, Acep Komara, M. Yudi Mahadianto, Sanchita Saha, and Dien Noviany Rahmatika. "TURTLE CONSERVATION CAMPAIGN AS A TOURIST ATTRACTION FOR BALI." JOURNAL OF SUSTAINABLE COMMUNITY SERVICE 4, no. 2 (2024): 128–34. http://dx.doi.org/10.55047/jscs.v4i2.572.

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Most sea turtle species around the world are threatened with extinction. The threat of sea turtle extinction is largely caused by humans for consumption, souvenirs, trade, medicine and religious activities as well as for commercial purposes such as the sale of eggs, meat and shells. This human behavior is threatening sea turtle populations. Preventing the decline of these threatened sea turtle populations requires changes in human behavior that are educated through conservation campaigns. This international service was carried out with the aim of recognizing local culture and local wisdom prod

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Zhao, Yuanyuan. "Formation and Schema Analysis of Oil Painting Style Based on Texture and Color Texture Features under Few Shot." Computational Intelligence and Neuroscience 2022 (June 13, 2022): 1–10. http://dx.doi.org/10.1155/2022/4125833.

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Texture has strong expressiveness in picture art, and color texture features play an important role in composition. Together with texture, they can convey the artistic connotation of portrait, especially in oil painting. Therefore, in order to make the picture form oil painting style and oil painting schema, we need to study the texture and color texture in combination with the previous oil painting art images. But now, there are few samples of good oil paintings, so it is difficult to study the texture and color texture in oil paintings. Therefore, in order to form a unique artistic style of

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Ning, Xiaomeng. "Landscape Painting in the Tang Dynasty: On “Changes” and the Historical Constitution of the Concept." Culture and Dialogue 10, no. 2 (2022): 158–79. http://dx.doi.org/10.1163/24683949-12340123.

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Abstract Focusing on the “bian” (changes) of Chinese landscape painting in the Tang Dynasty, this essay seeks to expound a breakthrough in the study of painting in the dynasty. Such a study was once difficult to carry out in the form of pictorial and stylistic analyses due to the lack of physical works. By showing that the prevailing landscape paintings of two representative painters Wu Daozi and Li Sixun were at the time most likely to be dominated by the sutra paintings and pictures of the immortal land, the essay attempts to demonstrate that the meaning of “changes” in landscape painting li

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Noobanjong, Koompong. "Chakri Maha Prasat: A Colonial Discourse in Siamese Architecture." Journal of Architectural/Planning Research and Studies (JARS) 4 (October 30, 2006): 71–88. http://dx.doi.org/10.56261/jars.v4.169184.

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Modernity is a creation of the West. In a non-Western context, it normally reflects a direct interventionof the Western powers by means of colonization. However, the Siamese, known today as the people of Thailand,have argued that they are an exception to such an occurrence. The shift toward Western culture and Modernity is evident in the production of Thai cultural artifacts,notably its art and architecture throughout the 19th and 20th centuries. Many works have been the results of hybriddesigns—the syntheses between European and Siamese artistic styles, either in painting, sculpture, co

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Zhan, L., Z. Wang, X. Zhao, Z. Liu, and G. Liu. "THE MONITORING AND ANALYSIS OF THE CHINESE TRADITIONAL ARCHITECTURE PAINTING DECAY – THE CASE OF JILAN PAVILION IN THE SUMMER PALACE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W5 (August 23, 2017): 737–41. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w5-737-2017.

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The painting is one of the most decorative elements of ancient Chinese architecture and it is sensitive to the natural environment. The outdoor painting is very easily to be affected by the natural environment and its color is easily to decay. In order to study the relationship between the painting decay and the physical environment, the two paintings on both east and west inner eaves of Jilan Pavilion beside the Kunming Lake in Summer Palace are taken as the research objects, because these two paintings are painted at the same period but their decay degrees are greatly different. Since 2013,

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Minglu, Yang, Ahmad Albattat, and Norhidayah Azman. "Investigate the Impact of the Current Watercolour Painting Market Situation on the Development of the Watercolour Painting Market in China. Market Environment as a Mediator." International Journal of Professional Business Review 8, no. 8 (2023): e02992. http://dx.doi.org/10.26668/businessreview/2023.v8i8.2992.

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Purpose: The purpose of this study is to investigate the impact of the current watercolour painting market situation in China on the development of the watercolour painting market in China. In addition, this study investigates the role of the watercolour painting market environment in China as a moderating variable in the relationship between the current state of the watercolour painting market in China and its future development. Theoretical framework: Contemporary Chinese art and culture exist in a society that is open and pluralistic. Through the efforts of several generations, they have cr

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Hommes, Margriet van Eikema, and Emilie Froment. "'Een doek van geene beteekenis' De nachtelijke samenzwering van Claudius Civilis in het Schakerbos van Govert Flinck en Jürgen Ovens technisch onderzocht." Oud Holland - Quarterly for Dutch Art History 124, no. 2-3 (2011): 141–70. http://dx.doi.org/10.1163/187501711798264193.

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AbstractBecause of its extreme darkness, The nocturnal conspiracy of Claudius Civilis by Govert Flinck (16151660) and Jürgen Ovens (1623-1678) holds an isolated position within the decoration program with the Batavian revolt in the galleries of Amsterdam's former Town Hall. Of course the canvas depicts a nocturnal scene with light from only the fire and the moon, but in this painting the darkness dominates virtually everything. The rough, rather sketchy execution, whereby large parts of the canvas are left unpainted is also peculiar. Because of this appearance, some art historians have thought

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Dulal, Lok Nath. "Wall Painting of Pujari Math of Bhaktapur: An Exploration." Contemporary Research: An Interdisciplinary Academic Journal 6, no. 2 (2023): 124–43. http://dx.doi.org/10.3126/craiaj.v6i2.60252.

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Historical evidences prove that painting is considered as the mother of all other forms of art and crafts. While artists start to sculpture the icon and any art objects, very first, they sketch the drawing of concerning deities and specimens, therefore, a painting is said to be the mother of all other sculpture arts. Therefore, the history of creation of painting is older than other forms of arts. On the basis of creating materials, mediums, instruments, technologies, and nature, painting can be classified into three different forms such as fresco, miniature and painted scroll. This article ha

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Ko, Yeon-Mi. "Characteristics of the Tea Culture and Tea Utensils Depicted in the Nineteenth Century's Joseon Dynasty Paintings." Korean Tea Society 31, no. 2 (2025): 35–57. https://doi.org/10.29225/jkts.2025.31.2.35.

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This study examined tea culture and the ritual for drinking tea during the 19th century Joseon Dynasty, targeting 32 tea paintings by 13 Joseon painters in the 19th century. The results are as follows. First, the artworks depicted the spaces and people who prepared the tea. In 19th century paintings, the learned scholar was depicted with a brazier in an indoor space, along with young children preparing tea in front of a wind furnace in an outdoor space. Second, the artworks revealed the characteristics of tea utensils. In the painting, the wind furnace, tea kettle, and tea utensils such as tea

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Actis-Grosso, Rossana, Carlotta Lega, Alessandro Zani, Olga Daneyko, Zaira Cattaneo, and Daniele Zavagno. "Can music be figurative? Exploring the possibility of crossmodal similarities between music and visual arts." Psihologija 50, no. 3 (2017): 285–306. http://dx.doi.org/10.2298/psi1703285a.

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According to both experimental research and common sense, classical music is a better fit for figurative art than jazz. We hypothesize that similar fits may reflect underlying crossmodal structural similarities between music and painting genres. We present two preliminary studies aimed at addressing our hypothesis. Experiment 1 tested the goodness of the fit between two music genres (classical and jazz) and two painting genres (figurative and abstract). Participants were presented with twenty sets of six paintings (three figurative, three abstract) viewed in combination with three sound condit

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Wang, Fang, and Xu Zheng. "Performance analysis of investing in Chinese oil paintings based on a hedonic regression model of price index." China Finance Review International 7, no. 3 (2017): 323–42. http://dx.doi.org/10.1108/cfri-03-2016-0009.

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Purpose The purpose of this paper is to construct a price index for Chinese oil paintings and analyze the financial performance of investing in Chinese oil paintings and its potential for portfolio diversification in Chinese financial markets. Design/methodology/approach A hedonic regression model is applied to construct a semiannual price index for Chinese oil paintings from 2000 to 2014. The CAPM model, downside β and standard portfolio optimization are used for analyzing portfolio diversification. Findings The hedonic regression shows that the majority of hedonic variables, such as dimensio

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Wang, Xiaohui, Jingyan Qin, and Yujiao Gao. "Artistic Coloring: Color Transfer from Painting." International Journal of Pattern Recognition and Artificial Intelligence 30, no. 07 (2016): 1654005. http://dx.doi.org/10.1142/s0218001416540057.

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Color transfer is to alter an image’s color composition by reference to the color characteristics of another image. In this paper, we build a system called artistic coloring that realizes automatic color transfer from famous paintings. It properly extracts the wonderful color characteristics of famous paintings and applies them to color transfer. Specially, we investigate the traditional color theme extraction methods and find their deficiencies. Based on this, we quantify the processing of human painting to find the main colors in the color palette and propose an artistic balanced color theme

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Gordon, Melissa. "Liquid gestures: The language of that land." Journal of Contemporary Painting 9, no. 1 (2023): 55–76. http://dx.doi.org/10.1386/jcp_00049_1.

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The painterly language arising from the paintings of Helen Frankenthaler finds itself describing gestures that behave ‘in-between’ constructed histories. Historic accumulated gestures by female painters and artists at seminal moments in history point towards spaces in which contemporary artists can speak about how new painting language can be formed, now. Using notions of liquidity from Giorgio Agamben and Luce Irigaray to think of a new painterly terminology. The field of making, the performance and transitive material visualizations of Frankenthaler’s practice makes space for the voices of f

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Guo, Wei. "Oil Painting Art Style Extraction Method Based on Image Data Recognition." Mathematical Problems in Engineering 2022 (May 18, 2022): 1–11. http://dx.doi.org/10.1155/2022/4196174.

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This paper introduces the background and significance of oil painting art style research and summarizes the concept and development of oil painting. Based on the research of image data recognition technology, a new method of oil painting art style extraction based on image data recognition is proposed. The visual features of oil painting images in hue, lightness, and purity are calculated in color space, which are divided into global color features and local color features. Color image boundaries are obtained by using structures of various scales, and then the boundaries are synthesized by mul

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Gao, Xirong, Liza Mohammad Noh, and Zhongwei Huang. "Chinese Opera Character Painting Style Transfer: Using AI to Generate and Preserve Art." International Journal of Research and Innovation in Social Science VIII, IIIS (2024): 5724–31. https://doi.org/10.47772/ijriss.2024.803428s.

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Chinese Opera characters ink painting, a distinctive blend of Chinese color ink painting and traditional opera, reflects the rich aesthetic heritage of Chinese culture. The advent of Artificial Intelligence Generated Content (AIGC) technology presents new opportunities for preserving and innovating this traditional art form. While style transfer techniques have been widely applied to Western art, the freehand style of Chinese ink painting remains under-explored. This paper fills this gap by constructing datasets of Chinese Opera character paintings through field visits and web crawling. This p

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Zhu, Chun, Kaixuan Liu, Xiaoning Li, et al. "Research on Archaeology and Digital Restoration of Costumes in DaoLian Painting." Sustainability 14, no. 21 (2022): 14054. http://dx.doi.org/10.3390/su142114054.

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Costume restoration is one of the important ways to study costume history and culture. The purpose of this paper is to show the characteristics of Chinese costumes more than 1000 years ago, through the research on the costume in the famous ancient Chinese painting DaoLian painting, and provide strong technical support for the research of Chinese ancient costume culture. DaoLian painting is the work of Xuan Zhang, a famous painter in Tang dynasty (618–907), China. From the perspective of clothing engineering, we analyzed the characteristics of costume style, color, and pattern and used the virt

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Fomitova, Dina A., and Margarita U. Satunkina. "The Use of Nanomaterials in the Conservation of Monumental Painting on a Plaster Ground." Vestnik of Saint Petersburg University. Arts 15, no. 1 (2025): 72–92. https://doi.org/10.21638/spbu15.2025.105.

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The problem of the destruction of paintings on a plaster ground has been the object of research by restorers in Russia since the end of the 19th century. After the negative experience with the use of gypsum and cement as reagents for hardening plaster foundations, lime-based formulations were already used by restorers at the beginning of the 20th century to harden cavities and lags in plaster foundations. Today, lime injection compounds specially developed for restoration purposes are also widely used for this purpose. Destruction of the painting structure is the most serious damage to monumen

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Lewis, Vicky. "Young Children's Painting of the Sky and the Ground." International Journal of Behavioral Development 13, no. 1 (1990): 49–65. http://dx.doi.org/10.1177/016502549001300104.

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Young children often leave a gap between the sky and the horizon in their drawings and paintings. Study 1 examined the landscape paintings of a group of 45 7-10-year-old children and found the children leaving an air gap to be significantly younger than those painting the sky to the horizon. In addition the omission of the air gap was associated with the use of devices to represent three-dimensional space in two dimensions. In Study 2 a group of 7-8-year old chldren painted landscapes on two occasions separated by 7-7.5 months. This study suggested that there are a series of stages between lea

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Unković, Nina. "Matej Sternen as a Restorer: Selected examples in Slovenia and Croatia." Ars & Humanitas 11, no. 1 (2017): 204–23. http://dx.doi.org/10.4312/ah.11.1.204-223.

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Matej Sternen (1870–1949) is better known as an impressionist painter rather than for his restoration work, even though in his impressive career he discovered and restored a considerable number of works, especially frescos in Slovenia and Dalmatia (Croatia). His strong interest in restoration can be seen in the numerous notes he wrote about painting technologies, restoration and conservation techniques. This enriched his entire opus, as it stimulated him to try numerous painting techniques and genres, such as frescoes. Sternen was a painter who constructed his paintings very carefully, and a m

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Unković, Nina. "Matej Sternen as a Restorer: Selected examples in Slovenia and Croatia." Ars & Humanitas 11, no. 1 (2017): 204–23. http://dx.doi.org/10.4312/ars.11.1.204-223.

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Matej Sternen (1870–1949) is better known as an impressionist painter rather than for his restoration work, even though in his impressive career he discovered and restored a considerable number of works, especially frescos in Slovenia and Dalmatia (Croatia). His strong interest in restoration can be seen in the numerous notes he wrote about painting technologies, restoration and conservation techniques. This enriched his entire opus, as it stimulated him to try numerous painting techniques and genres, such as frescoes. Sternen was a painter who constructed his paintings very carefully, and a m

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Zhao, Wentao, Dalin Zhou, Xinguo Qiu, and Wei Jiang. "How to Represent Paintings: A Painting Classification Using Artistic Comments." Sensors 21, no. 6 (2021): 1940. http://dx.doi.org/10.3390/s21061940.

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The goal of large-scale automatic paintings analysis is to classify and retrieve images using machine learning techniques. The traditional methods use computer vision techniques on paintings to enable computers to represent the art content. In this work, we propose using a graph convolutional network and artistic comments rather than the painting color to classify type, school, timeframe and author of the paintings by implementing natural language processing (NLP) techniques. First, we build a single artistic comment graph based on co-occurrence relations and document word relations and then t

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Haidu, Rachel. "Shapes, Wholes, History: For Benjamin." October, no. 185 (2023): 99–117. http://dx.doi.org/10.1162/octo_a_00495.

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Abstract How can we understand the phrase “Painting After the Subject of History,” which forms the subtitle of Benjamin Buchloh's opus on Gerhard Richter? This essay proposes that that post-subject might be addressed by shapes, rather than figures, closely examining paintings from Philip Guston's celebrated “return to figuration” in the 1970s, when, it is argued, figuration's referentiality is exceeded by the force of Guston's painted shapes. Indeed that force registers as the public dimension of the artist's paintings, addressing an American hellscape, or its unconscious register, populated b

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Ershova, Elena S. "ICONOGRAPHY OF THE REWARDING SCENE FROM THE ANCIENT EGYPTIAN PRIVATE TOMBS OF THE XIX DYNASTY." Articult, no. 4 (2020): 37–42. http://dx.doi.org/10.28995/2227-6165-2020-4-37-42.

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The phenomenon of the king’s rewarding of the court officials and warriors for the loyal service reached the peak of its development during the New Kingdom Era, which is confirmed by lots of historical sources, as well as the scenes depicting the king’s rewarding the noble people which first appeared in private tombs during the reign of Thutmose IV and went on appearing during the whole New Kingdom Era. This article deals with the rewarding scenes which can be seen in private tombs in Thebes and which are dating back to Dynasty XIX period. Painting of private tombs of Dynasty XIX is characteri

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An, Hyeon-Kyeong. "A Study on Hair Style and Headdress in the Joseon Dynasty Genre Paintings: Focusing on the Genre Paintings of Danwon Kim Hong-do, Geungjae Kim Deug-shin, and Hyewon Shin Yoon-bok." Journal of the Korean Society of Cosmetology 29, no. 3 (2023): 665–84. http://dx.doi.org/10.52660/jksc.2023.29.3.665.

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This study sought to provide basic data for developing the new korean hairstyle images by studying the hairstyles and headdress of Joseon dynasty in the late 18th and 19th centuries, focusing on the genre paintings of the three major Joseon genre painters, Danwon Kim Hong-do, Geungjae Kim Deug-shin, and Hyewon Shin Yoon-bok. The subjects of the study consisted of 25 pieces of the paintings of Kim Hong-do's "Danwon Genre Painting Book", 8 pieces of the paintings of Kim Deug-shin’s "Geungjae Genre Painting Book", and 30 pieces of the paintings of Shin Yoon-bok's "Hyewon Genre Painting Book". The

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