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Relevant bibliographies by topics / Painting – United States – Exhibitions

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Academic literature on the topic 'Painting – United States – Exhibitions'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Painting – United States – Exhibitions"

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Matallana, Andrea. "BUILDING ART DIPLOMACY: THE CASE OF CONTEMPORARY AMERICAN ART EXHIBITION IN LATIN AMERICA, 1941." ShodhKosh: Journal of Visual and Performing Arts 3, no. 2 (2022): 272–86. http://dx.doi.org/10.29121/shodhkosh.v3.i2.2022.172.

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This article analyzes the construction of the visual narrative expressed in the exhibition Contemporary North American Painting in 1941. During the II World War, the U.S. government recovered the initiative to build a strong tight with Latin American countries by relaunching the Good Neighbor Policy. Cultural diplomacy was an important branch of this policy. With the purpose of winning friends in the continent, the government created the Office of Inter-American Affairs, led by Nelson Rockefeller, and he sent artists, intellectuals, and exhibitions to make North America known in the other Amer

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Kulakova, Olga Yu. "Dutch Flower Still Life of 17th Century: Interest and Oblivion through the Centuries." Observatory of Culture 18, no. 5 (2021): 496–505. http://dx.doi.org/10.25281/2072-3156-2021-18-5-496-505.

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Over three and a half centuries, the genre of flower still life created by Dutch artists experienced ups of interest and oblivion. There were the maximum assessment of society in the form of high fees of the 17th century artists; the criticism of connoisseurs and art theorists; the neglect in the 19th century and the rise of auction prices and close attention of art critics, manifested from the middle of the 20th century to the present day. In the middle of the 17th century, there was already a hierarchy of genres, based on both the subject and the size of the paintings, which was reflected in

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Iswahyudi. "Towards Remediation of Indonesian New Fine Arts." Britain International of Linguistics Arts and Education (BIoLAE) Journal 2, no. 3 (2020): 797–809. http://dx.doi.org/10.33258/biolae.v2i3.332.

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Modern Indonesian painting mainly developed from the situation of the Dutch East Indies and Mooi-Indie art that was dominant at that time. The independence of the Republic of Indonesia became a very important milestone in the development of modern Indonesian painting. This is inseparable from the occurrence of a high dynamics and change through various political regimes in power starting from the leadership of Sukarno, Suharto and subsequent presidents. Each of these political regimes also played an important role in the development of modern art that occurred so as to bring out its own charac

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Dr., Meenakshi Thakur. "MITHILA- A GLOBALIZED ART FORM." International Journal of Research -GRANTHAALAYAH 5, no. 2 (2017): 208–12. https://doi.org/10.5281/zenodo.345668.

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India has long been a focal point of art. From the traditional to the contemporary, India is fast developing itself as a key destination for those who love art. India is marked by its rich traditional heritage of Tribal/Folk Arts and Culture. Since the days of remote past, the diversified art and cultural forms generated by the tribal and rural people of India have continued to evince their creative magnificence. Apart from their outstanding brilliance from the perspective of aesthetics, the tribal/folk art and culture forms have played an instrumental role in reinforcing national integrity, c

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Thakur, Meenakshi. "MITHILA- A GLOBALIZED ART FORM." International Journal of Research -GRANTHAALAYAH 5, no. 2 (2017): 208–12. http://dx.doi.org/10.29121/granthaalayah.v5.i2.2017.1725.

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India has long been a focal point of art. From the traditional to the contemporary, India is fast developing itself as a key destination for those who love art. India is marked by its rich traditional heritage of Tribal/Folk Arts and Culture. Since the days of remote past, the diversified art and cultural forms generated by the tribal and rural people of India have continued to evince their creative magnificence. Apart from their outstanding brilliance from the perspective of aesthetics, the tribal/folk art and culture forms have played an instrumental role in reinforcing national integrity, c

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Romanenkova, Julia V. "Archetypes of Boris Smotrov`s works as a tool for national self-identification of the individual in chaotic conditions of the turn of the 21st century." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 60 (2021): 237–48. http://dx.doi.org/10.37816/2073-9567-2021-60-237-248.

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The paper discusses the works of Moscow artist Boris Smotrov. It provides a general analysis of the tools of his artistic style as well as the data on his main vectors of creative activity (painting, poster graphics). The author dwells on the master’s works in the field of painting, focusing on national themes. The study distinguishes dominant blocks of the painter's works (landscape, thematic painting), detects specifics of the artistic language, methods of working with color, his mastering of the line and pays attention to the interaction of painting and graphics in B. Smotrov’s creative bag

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Lesničenoka, Agnija. "Student Fraternity of the Art Academy of Latvia “Dzintarzeme”: Latvian National Art Conservation Policy in Exile (1958–1987)." Art History & Criticism 15, no. 1 (2019): 57–70. http://dx.doi.org/10.2478/mik-2019-0004.

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Summary After the proclamation of the Republic of Latvia in 1918, Latvia experienced a rapid influx of youth into its capital city of Riga, looking to obtain education in universities. Students began to build their academic lives and student societies. In 1923, students of the Art Academy of Latvia founded the “Dzintarzeme” (“Amberland”) fraternity. The aim of “Dzintarzeme” was to unite nationally minded students of the Art Academy of Latvia and to promote the development of national art and self-education. Most “Dzintarzeme” members were faithful to the old masters and Latvian art. This pheno

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Rosellini, Anna. "Principi della didattica di Mies nei progetti di Brenner, Jansone e Lippert per un museo d’arte." Opus Incertum 9 (December 13, 2023): 86–99. http://dx.doi.org/10.36253/opus-14843.

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When Mies began teaching at the Armour Institute, he defined a programme that would make technical and industrial developments in the United States problematic and theoretical. Some of the exercises concerned the relationship between painting, sculpture and architecture, and were transformed into museum projects. In the paper, the projects for exhibition spaces drawn up by Brenner, Jansone and Lippert for the Master of Science in Architecture are analysed from archive documents. The spatial, structural and material characteristics of these projects are reconstructed, as are their relationships

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Neglinskaya, Marina Aleksandrovna. "“Gunpowder painting” of Cai Guo-Qiang: Chinese artistic tradition in the era of postmodernism." Культура и искусство, no. 2 (February 2020): 44–50. http://dx.doi.org/10.7256/2454-0625.2020.2.29690.

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The subject of this research is the art of Cai Guo-Qiang (born in 1957) &ndash; the modern Chinese painter who lives and works in China and the United States (New York). The object of this research is the storyline fireworks of Cai and his innovative technique of &ldquo;gunpowder painting&rdquo;. The first works of the painter were canvasses in oil painting, and by 1980&rsquo;s he invented a new &ldquo;gunpowder&rdquo; technique, which was first applied in combination with oil on the canvas, and since 1990&rsquo;s &ndash; with ink on the paper, as a version of m

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Milligan, Barry. "LUKE FILDES'STHE DOCTOR, NARRATIVE PAINTING, AND THE SELFLESS PROFESSIONAL IDEAL." Victorian Literature and Culture 44, no. 3 (2016): 641–68. http://dx.doi.org/10.1017/s1060150316000097.

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Since its introductionat the Royal Academy exhibition of 1891, Luke Fildes's paintingThe Doctorhas earned that often hyperbolic adjective “iconic.” Immediately hailed as “the picture of the year” (“The Royal Academy,” “The Doctor,” “Fine Arts”), it soon toured the nation as part of a travelling exhibition, in which it “attracted most attention” (“Liverpool Autumn Exhibition”) and so affected spectators that one was even struck dead on the spot (“Sudden Death”). Over the following decades it spawned a school of imitations, supposed companion pictures, poems, parodies, tableaux vivants, an early

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Dissertations / Theses on the topic "Painting – United States – Exhibitions"

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Grunenberg, Christoph. "The politics of presentation : museums, galleries and exhibitions in New York, 1929-1947." Thesis, Courtauld Institute of Art (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283893.

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Uchill, Rebecca 1978. "Developing experience : Alexander Dorner's Exhibitions, from Weimar Republic Germany to the Cold War United States." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/100327.

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Thesis: Ph. D. in History and Theory of Art, Massachusetts Institute of Technology, Department of Architecture, 2015.<br>CD-ROM contains PDF of Addenda section, quarterly report and 5 PDFs of images for thesis.<br>Cataloged from PDF version of thesis. Pages 237 to 428 of original thesis for Addenda section are removed and copied onto CD-ROM.<br>Includes bibliographical references (pages 429-446).<br>Following the work of German-American curator Alexander Dorner (1893-1957) from his early curatorial career in Niedersachsen to professorships in New England, this dissertation explores the interse

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Pena, Nicholas. "Land of the American condition." Diss., Columbia, Mo. : University of Missouri-Columbia, 2005. http://hdl.handle.net/10355/5834.

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Thesis (M.F.A.)--University of Missouri-Columbia, 2005.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (January 24, 2007) Vita. Includes bibliographical references.

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McMahon, Cliff Getty. "The sublime in Rothko, Newman and Still." Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/11002.

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An important body of literature has accumulated (both primary and secondary sources) which necessitates that Rothko, Newman and Still be placed in the tradition of the sublime. In attempting this task, a background is established by a detailed summary of classical theory of the sublime in Longinus, Burke, Kant, and Nietzsche, followed by detailed summaries of major recent sublimist theory by Weiskel, Crowther, Lyotard, and Ferguson. Also, key ideas of Sartre and Jung are treated in order to round out the proper ideational context for a sublimicist analysis of these three painters. From this fo

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Gordon, Alan H. "What happens to a dream deferred? /." Online version of thesis, 1993. http://hdl.handle.net/1850/11749.

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Holland, Nicole Murphy. "Worlds on view visual art exhibitions and state identity in the late Cold War /." Diss., [La Jolla] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/ucsd/fullcit?p3397171.

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Thesis (Ph. D.)--University of California, San Diego, 2010.<br>Title from first page of PDF file (viewed March 30, 2010). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references.

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Nesbit, G. H. H. "Current practice in the field of architectural and autonomous stained glass in Europe and the United States of America." Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1012955.

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This prodrome sought to define through research, the material. composition, historic foundations, significance and technical development of glass as a window-glazing material for ecclesiastical, and later secular purposes, and examining thus its determining role in the development of architecture. The history and techniques of stained glass, an art-form linked more than any other to the mythology and dogma of the Roman Catholic Church, were traced; its history is thus one with that of the church, rising to its greatest glory during the twelfth and thirteenth centuries, and declining from the l

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Alvarez, Leticia. "The Influence of the Mexican Muralists in the United States. From the New Deal to the Abstract Expressionism." Thesis, Virginia Tech, 2001. http://hdl.handle.net/10919/32407.

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This thesis proposes to investigate the influence of the Mexican muralists in the United States, from the Depression to the Cold War. This thesis begins with the origins of the Mexican mural movement, which will provide the background to understand the artists' ideologies and their relationship and conflicts with the Mexican government. Then, I will discuss the presence of Mexican artists in the United States, their repercussions, and the interaction between censorship and freedom of expression as well as the controversies that arose from their murals. This thesis will explore the influenc

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Hoene, Katherine Anne. "Tracing the Romantic impulse in 19th-century landscape painting in the United States, Australia, and Canada." Thesis, The University of Arizona, 2000. http://hdl.handle.net/10150/278748.

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The purpose of this thesis is to identify essential characteristics of the first generation of Romantic landscape painters and painting movements in a given English-speaking country which followed the generation of Turner, Constable and Martin in England, and then trace how the second generation of Romantic-realist painters represents a different paradigm. For a paradigmatic construct of the first generation, the focus is on the lives and major works of the American arch-Romantic landscape painter Thomas Cole (1801--1848) and the Australian Romantic landscape painter Conrad Martens (1801--1878

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Thompson, Mary E. "The furrowed face : the depiction of the elderly in painting, England and the United States, 1870-1910." Thesis, Oxford Brookes University, 2017. https://radar.brookes.ac.uk/radar/items/9c6b3ee4-80f0-44dc-a0a4-70399c36f001/1/.

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Old age has always evoked diametrically opposed opinions. On the one hand, the elderly are respected, regarded as benevolent repositories of wisdom and comfort; on the other, they are considered as decrepit vestiges of life, who pointlessly linger on, wasting the world for the vibrant and useful. These views were particularly topical in the last decades of the nineteenth/first decade of the twentieth centuries, when there was increasing concern in many countries about the aged and their vulnerability. In England and Wales this resulted in the 1908 provision by the government of an old age pens

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Books on the topic "Painting – United States – Exhibitions"

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M, De Salvo Donna, and Biennale di Venezia (51st : 2005), eds. Course of empire: Paintings. Hatje Cantz, 2005.

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Klement, Vera. Vera Klement: Poem-paintings. Fassbender Gallery, 1997.

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Gerdts, William H. American Impressionism: Masterworks from public and private collections in the United States : exhibition catalogue. Thyssen-Bornemisza Foundation, 1990.

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Dawn, Ades, González Mello Renato, Miliotes Diane Helen, San Diego Museum of Art., Hood Museum of Art, and Museo de Arte Carrillo Gil., eds. José Clemente Orozco in the United States, 1927-1934. Hood Museum of Art, Dartmouth College, in association with W. W. Norton, 2002.

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App, Timothy. Timothy App: Homage paintings. Goya Contemporary : Goya-Girl Press, 2009.

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1912-1963, Baziotes William, Preble Michael 1947-, and Peggy Guggenheim Collection, eds. William Baziotes: Paintings and drawings, 1934-1962. Skira, 2004.

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Baldessari, John. John Baldessari: Pure beauty. Los Angeles County Museum of Art, 2009.

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1968-, Morgan Jessica, Jones Leslie, Brugerolle Marie de, et al., eds. John Baldessari: Pure beauty. Los Angeles County Museum of Art, 2009.

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Bramson, Phyllis. Phyllis Bramson: 1973-1986. Renaissance Society at the University of Chicago, 1986.

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Carswell, Rodney. Rodney Carswell, selected works, 1975-1993: The Renaissance Society at the University of Chicago, March 7-April 18, 1993. Renaissance Society at the University of Chicago, 1993.

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Book chapters on the topic "Painting – United States – Exhibitions"

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Burns, Emily C. "Frontier Impressionisms in the United States and Australia." In Mapping Impressionist Painting in Transnational Contexts. Routledge, 2021. http://dx.doi.org/10.4324/9781003044239-4.

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Knapp, Danielle M. "'This New Life of Painting'." In Art History at the Crossroads of Ireland and the United States. Routledge, 2022. http://dx.doi.org/10.4324/9781003225621-7.

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Lwin, M. Myint, Alexander D. Wilson, and Vasant C. Mistry. "High-Performance Steels in the United States." In Use and Application of High-Performance Steels for Steel Structures. International Association for Bridge and Structural Engineering (IABSE), 2005. http://dx.doi.org/10.2749/sed008.011.

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<p>In 1992, the U.S. Federal Highway Administration (FHWA) initiated an effort with the American Iron and Steel Institute (AISI) and the U. S. Navy (Navy) to develop new high-performance steels (HPS) for bridges. The driving force for this project was the need to develop improved higher strength, improved weldability, higher toughness steels to improve the overall quality and fabricability of steels used in bridges in the United States. It was furthermore established that such steels should be "weathering". By this is meant the ability to perform without painting under normal atmospheric

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"Contested Kinship." In Earth Diplomacy. Duke University Press, 2024. http://dx.doi.org/10.1215/9781478059493-002.

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Chapter 1 maps the ideological and geopolitical contours of Cold War Native arts activity, focusing on the international circulation of a modern painting movement headquartered in New Mexico and Oklahoma. Through a series of exhibitions sponsored by the United States government, Dorothy Dunn, the white founding director of the Studio School of the Santa Fe Indian School, exerted an outsized influence on propaganda concerning Native Americans. In tension with Dunn’s narrative, the author develops a framework of trans-Indigenous, more-than-human kinship that reconnects the paintings to customary

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Frank, Patrick. "International Recognition, 1964." In Painting in a State of Exception. University Press of Florida, 2016. http://dx.doi.org/10.5744/florida/9780813062228.003.0005.

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In chapter 4, Frank traces the changing styles of Noé and Macció. These two won travel awards from the Di Tella Foundation that took them to New York and Paris. Perhaps because of their absence from the disorder of Buenos Aires, the paintings of both artists evolved toward consideration of formal issues, such as the potential of flat color planes and the integrity of the surface of the work. Jorge de la Vega created the important Anamorphic Conflict series, influenced by Italian artist Enrico Baj and a response to conflicts between Argentine military factions. Frank rebuts critic Clement Green

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de Silva, Nushelle. "Assembling Smallness: The United States Small Industries Exhibition in Colombo, 1961." In Exhibitions Beyond Boundaries. Bloomsbury Visual Arts, 2022. http://dx.doi.org/10.5040/9781350088511.ch-006.

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"El Gran Espectáculo." In Selected Writings, Volume 2. Duke University Press, 2025. https://doi.org/10.1215/9781478060574-015.

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This essay was written for the exhibition Jean-Michel Basquiat, curated by Dieter Buchhart and Olivier Michelon and shown at the Fondation Louis Vuitton, Paris, from March 2018 to January 2019. This is another detailed analysis of the life’s work of, in this case, the most celebrated artist of his generation. Noting the usual origin story in Basquiat’s graffiti, Okwui Enwezor emphasizes instead his first paintings of the early 1980s as setting the terms of his subsequent practice. The diasporic, Black Atlantic content as expressed in art, music, and other cultural forms in the United States is

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Hale, Matthew Rainbow. "For the Love of Glory." In Warring for America. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469631516.003.0006.

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Utilizing a political-cultural approach to the concept of glory, this essay offers not only a fresh account of American perceptions of Napoleon, but also a new perspective on democracy’s development in the United States. More specifically, an investigation of select Bonapartist phenomena—printed accounts of and reader responses to Napoleon; post-revolutionary soldiers’ and sailors’ actions, dress, and utterances; a John Wesley Jarvis painting; and gender roles and concepts—illuminates early American democracy’s romance with power as expressed in a new culture of war. This new culture held that

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Bachrach, Susan. "“Bystanders” in Exhibitions at the United States Holocaust Memorial Museum." In Probing the Limits of Categorization. Berghahn Books, 2018. http://dx.doi.org/10.2307/j.ctvw04hm8.20.

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O’Steen, Danielle. "The Pioneers of Plasticraft: When Artists Found Plastics in the United States." In Plastics, Environment, Culture, and the Politics of Waste. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399511735.003.0009.

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O’Steen asserts that public presentations and exhibitions were integral tools for the growth of modern plastics in the United States, starting in the 1930s. She considers key collaborations between the arts and the plastics industry, particularly seen in the 1939–40 World’s Fair in Flushing, New York. Modern plastics had their most public debut at the fair, creating many opportunities for manufacturers to explore creative ways to sell their products to the public. O’Steen shows how the emerging plastics industry used artwork and exhibitions as part of their corporate agendas. She argues that t

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Conference papers on the topic "Painting – United States – Exhibitions"

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Edmonds, S. Mark. "ICE and Snow, Away We Go! Painting Ships in Cold Winter Conditions." In Paint and Coatings Expo (PACE) 2010. SSPC, 2010. https://doi.org/10.5006/s2010-00016.

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Abstract November to March is a beautiful time of the year in the wintry climate of the United States and Canada. People participate in all kinds of wintertime activities. It is also the time owners of marine vessels working on the Great Lakes use to do repairs and maintenance, including painting. Although the weather during this time poses many challenges, necessity has been the mother of invention in coming up with equipment and products to meet this challenge.

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McCane, Matthew, and Curt Hickcox. "Transmission Tower and Pole Painting – a Challenge for All Involved." In SSPC 2017 Greencoat. SSPC, 2017. https://doi.org/10.5006/s2017-00026.

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Abstract Transmission Tower and Pole Painting can be a challenge for the owner, their inspection staff and the contractor. Transmission Structure painting also requires a specialized skill set which leads to worker safety, protection of owner’s equipment, surface preparation options, material selection, quality control / quality assurance documentation and the cost effectiveness of the project. This lecture will discuss typical means and methods of surface preparation, coating application, recommended worker training, tower terminology and examples used in this industry. Transmission towers an

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Keith, Kevin H., and David M. Hatherill. "The Walt Whitman Bridge Painting Project: A Case Study for the Skills Needed by the Construction Monitoring Team and a QP1/QP2 Certified Contractor for Successful Completion of a Major Bridge Painting Project." In SSPC 2018. SSPC, 2018. https://doi.org/10.5006/s2018-00031.

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With a total length of 11,981 feet and 120,000 vehicles crossing the bridge per day, the Walt Whitman Bridge is the 10th largest Suspension Span in the United States. In 2015, after completing the deck replacement of the suspension spans, the Delaware River Port Authority let their biggest painting contract ever, over $57,000,000 to blast and paint the entire suspension span which included the complete interior and exterior of the towers, deck support steel in the anchorages, suspension cables, and various steel repairs. A Construction Monitoring Contact was also awarded based on a qualificati

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Laliberte, L. H., R. G. Miller, B. A. Shaw, and J. A. Escarsega. "An Evaluation of Sacrificial Metallic Coatings for Service Life Extension of U.S. Army Vehicles." In CORROSION 2005. NACE International, 2005. https://doi.org/10.5006/c2005-05210.

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Abstract Corrosion costs for United States (U.S.) Army ground vehicles are estimated at $2 billion per year. A study was conducted to evaluate how sacrificial metallic coatings applied on steel by electroplating, galvanizing, spray painting, flame spray (FS), arc spray (AS) and high-velocity particle consolidation (HVPC) enhance the corrosion protection afforded by coating systems. The coatings in this study were Zn, Zn-1Co and Zn-12Ni electroplates; Zn, Zn-5Al and Al-44Zn-1.6Si galvanized coatings, zinc-rich primers, Zn, Al, and Zn-15Al thermal sprays and Zn and Al HVPC. Thickness of the meta

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Beers, Adam. "Performing Coating and Corrosion Assessments to Maintain Military Fuel Piping." In CONFERENCE 2022. AMPP, 2022. https://doi.org/10.5006/c2022-18027.

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Abstract The US Military has and maintains several thousand bases. Several hundred of those bases are outside the United States. The Air National Guard has several hundred installations across the United States. One commonality at each of these facilities is a Fuels Management System, that is, a collection of pipelines, storage tanks, containment dikes, pumping stations, fuel islands, and canopies. Maintaining all the above ground and underground assets is no small task so one important method of preventative maintenance includes a regular coatings and corrosion assessment/survey. A well-plann

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Koryagina, Irina O. "CREATIVE METHODOLOGIES FOR ENVIRONMENTAL GRAPHIC DESIGN PROJECTS BASED ON WORK BY IRINA KORYAGINA." In TWEET-FENTS. Новосибирский государственный университет архитектуры, дизайна и искусств им. А.Д. Крячкова, 2020. http://dx.doi.org/10.37909/978-5-89170-266-0-2020-1013.

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This article demonstrates examples of realized projects in the field of environmental graphic design developed by Irina Koryagina in collaboration with leading international design agencies, architects, and institutions.These projects, built in various locations across the United States, are open to public, and reveal how graphic design can enrich and open new opportunities for the design of public spaces, exhibitions, and signage.

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Mukhopadhyay, Sanjoy, and Johnny Grimes. "From count rates to quantifying isotopic activities: Field analysis of radiation monitoring data." In SPIE Optics + Photonics 2023, 20 - 24 August 2023 San Diego, California, United States https://spie.org/conferences-and-exhibitions/optics-and-photonics. US DOE, 2023. http://dx.doi.org/10.2172/1994925.

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Malone, Robert, Jesus Castaneda, and Morris Kaufman. "Adapting a prototype zoom lens to work outside its zoom range." In SPIE Optics + Photonics Technical Conferences - San Diego Convention Center, San Diego, California, United States, 1 - 5 August 2021 - https://spie.org/conferences-and-exhibitions/optics-and-photonics/conferences. US DOE, 2020. http://dx.doi.org/10.2172/1718903.

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Maurer, Richard J., Sanjoy Mukhopadhyay, Johnny Grimes, Paul P. Guss, and Ronald E. Guise. "High fidelity ground deposition measurement with robots after explosive radiological dispersion." In SPIE Optics + Photonics Conference, Hard X-Ray, Gamma-Ray, and Neutron Detector Physics XXV, 20–24 August 2023, San Diego, California, United States https://spie.org/conferences-and-exhibitions/optics-and-photonics. US DOE, 2023. http://dx.doi.org/10.2172/1992212.

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Zeng, Lei, and Hong Chen. "A case study of the Shanghai No. 20 tram on cultural bus service design based on the AT-ONE Rule." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003817.

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In the new era environment, the metropolitan public transportation system is constantly evolving. The relevant administrative departments in Shanghai have proposed measures to create cultural buses and build characteristic lines in order to promote Shanghai culture and improve bus service. Using the Shanghai NO.20 tram as an example, this paper investigates how to combine Shanghai culture with tram ride service in order to make the NO.20 tram a distinctive route. The study employed participatory observation and the AT-ONE rule to investigate the entire waiting, boarding, and alighting process,

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Reports on the topic "Painting – United States – Exhibitions"

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Bowman, Mark D., Bryan D. Hagan, and William D. Hurdle. Steel Bridge Coating Evaluation and Rating Criteria. Purdue University, 2023. http://dx.doi.org/10.5703/1288284317386.

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The aim of the study is to gather information on three topics: (1) the evaluation and rating of steel bridge protective coatings, (2) coating systems used by various states throughout the United States, and (3) maintenance painting procedures employed by various state department of transportation agencies (DOTs). First, it was found that most state DOTs use either an Element Level type rating of the coating system or a 9–0 NBI type rating; many state DOTs use both methodologies, with one used for state bridges and the other for local bridges. Second, for coating systems, it was found that ther

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Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w

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Hertrich, André. The Atomic Bomb Victims in Nagasaki and Hiroshima on Display: Differing Exhibition Strategies and International Trends in Musealization. Austrian Academy of Sciences, 2024. http://dx.doi.org/10.1553/0x003f56e7.

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The Japanese cities Hiroshima and Nagasaki represent the horrors of war as places of the hundred-thousandfold killing of humans with scientific and industrial means. And as such Hiroshima and Nagasaki (to a lesser degree) became dominant symbols within global memory culture. In my paper I will juxtapose this form of commemoration with what Jeffrey Alexander claimed was an ongoing universalization of the Holocaust as a symbol of radical evil. This universalization also supposedly led to the globalization of aesthetic standards in museum designs of memorial museums worldwide, deriving from Holoc

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Selections from the IDB Art Collection: In Celebration of Hispanic Heritage Month 2006. Inter-American Development Bank, 2006. http://dx.doi.org/10.18235/0006430.

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Celebrating the United States Hispanic Heritage Month, the exhibition presented a selection of 40 works from the Inter-American Development Bank (IDB) Art Collection that have been acquired over the last few years, including painting, drawing, sculpture, graphics, and folk art pieces from most countries of the Americas.

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3rd Inter-American Biennial of Video Art. Inter-American Development Bank, 2006. http://dx.doi.org/10.18235/0006410.

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The call for the Third Biennial included larger cash awards, an electronic registration system in four languages and, for the first time, the inclusion of Puerto Rico as a good will gesture to the United States, and artists from the Commonwealth who are indeed members of the Latin American and Caribbean family. Artist nationals from 20 countries, including Puerto Rico, submitted a total of 211 videos. The international jury with Irma Arestizábal, Cultural Secretary of the Istituto Italo-Latinoamericano in Rome and Curator of the Latin American Pavilion for the Venice Biennial, and José Roca, C

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