Academic literature on the topic 'Paintings'

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Journal articles on the topic "Paintings"

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Lin, Shuxin. "A Comparative Study of Yuanti Flower-and-bird Paintings and Western Classical Still-life Paintings: A Formal and Thematic Analysis of Li Song’s “Basket of Flowers” and Caravaggio’s “Basket of Fruit”." World Journal of Education and Humanities 6, no. 4 (2024): p95. http://dx.doi.org/10.22158/wjeh.v6n4p95.

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In the context of globalization, cultural exchange between the East and West is becoming increasingly frequent, and painting serves as a unique perspective for exploring cultural differences. In particular, flower-and-bird paintings and still-life paintings, as two major traditional painting genres, share similarities in selecting the subject and pursuing realism while maintaining their artistic characteristics, which both act as effective research models for cross-cultural comparative studies. This paper selects Li Song’s “Basket of Flowers”, a representative of Yuanti flower-and-bird paintin
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Nie, Yujie. "The Understanding of Bad Pictorialism from the Perspective of Origin and Development." BCP Social Sciences & Humanities 20 (October 18, 2022): 417–21. http://dx.doi.org/10.54691/bcpssh.v20i.2350.

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Since the emergence of "bad" painting doctrine in the 1970s, "bad" paintings have always been on the cusp of public opinion.According to the standards of classicism or modernism, "bad" paintings are characterized by ugly, clumsy brushwork., Quirky images, dull colors, incompatible with mainstream art.But this kind of ugliness never affects the expression of spirit and thought.This article aims to explore the origin of "bad" paintingism, explore the practical meaning of the word "bad", and analyze the trend of "bad" painting in contemporary China.
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Barron, Irving R., and Gaurav Sharma. "Toward CanvasChain: A Block Chain and Craquelure Hash Based System For Authenticating and Tracking Fine Art Paintings." Electronic Imaging 2020, no. 4 (2020): 399–1. http://dx.doi.org/10.2352/issn.2470-1173.2020.4.mwsf-399.

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Determining the authenticity of a painting is not an easy task. First, distinguishing fake paintings from originals is challenging, and often even art experts cannot reliably identify forgeries. Counterfeiters can also create spurious documentation to support the “authenticity” of fake paintings. In this work, we present work toward CanvasChain, a system for authenticating/tracking paintings that uses a blockchain in combination with a robust hash of the crack patterns (craquelure) on the surface of paintings. The robust hash is used as a painting’s fingerprint, which is used in a blockchain t
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Liu, Shengnan. "Intertextuality and Shielding of Poetic painting: A Case Study of Qiao Zhongchang’s “The Sequel to the Ode to the Red Cliff Scroll”." Studies in Linguistics and Literature 8, no. 3 (2024): p86. http://dx.doi.org/10.22158/sll.v8n3p86.

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As an art form combining poetry and painting, poetic painting usually presents the emotion and mood of the source poem in a positive and favorable way. However, due to the limitations of painting’s ideograms, poetic painting has limitations in presenting the connotations and extensions of poetry. Qiao Zhongchang’s The Sequel to the Ode to the Red Cliff Scroll of the Northern Song Dynasty is one of the typical models of ancient poetic paintings. From the perspective of the relationship between poetry and painting, the writer analyze the intertextual and shielding phenomena therein, with a view
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Ye, Zhihao, and Xinyun Jiao. "Contemporary Art on Realistic Subjects in the New Era of Lacquer Painting." Asian Journal of Social Science Studies 7, no. 7 (2022): 75. http://dx.doi.org/10.20849/ajsss.v7i7.1249.

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By using lacquer painting creation with realistic themes as an example, this essay will examine the primary issues with lacquer painting creation with realistic themes in the context of the modern period.It will summarize the key pathways and construction expansion choices for lacquer painting creation with realistic themes by analyzing the creative issues and traits of lacquer painting with realistic themes, and it will provide the future path perspective that may be supported.Modern lacquer paintings with realistic topics suffer from a loss of pictoriality, a weakening of pictoriality, and a
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Jovanović, Vanja, Suzana Erić, Philippe Colomban, and Aleksandar Kremenović. "Identification of Lithol Red Synthetic Organic Pigment Reveals the Cause of Paint Layer Degradation on the Lazar Vozarević Painting “Untitled” with Copper Plates." Heritage 2, no. 3 (2019): 2612–24. http://dx.doi.org/10.3390/heritage2030160.

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Out of a total of 56 paintings in the collection of the Lazar Vozarević Gallery in Sremska Mitrovica, only one Lazar Vozarević painting from 1961, titled “Untitled”, has been subject to atypical degradation that has resulted in damage of completely atypical appearance. Such a problem had never before been noticed in Yugoslavian paintings of the 20th century. Discolored areas were found in various locations on the paint layer of the painting “Untitled” (especially on the lower and central parts of the painting), which disturbed the visual experience of the artistic work. To discover the cause o
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Kader, RabeaRadi Abdel, ShaimaaSayed Mohamed El –Sayed, and Ahmed Abo-El Yamin. "Study The Severe Effects of Iron Compounds Presenting in Sandstone on the Deterioration of Wall Paintings of Archaeological Tombs in Bahariya Oasis - Egypt." Budapest International Research in Exact Sciences (BirEx) Journal 1, no. 3 (2019): 5–13. http://dx.doi.org/10.33258/birex.v1i3.337.

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The Wall paintings in Bahariya oasis expose to various deterioration factors, especially the resulted deterioration from the geological nature of sandstones' supports; sandstone of Bahariya formation is considered the weakest sandstone type in Egypt because of its geological formation which contains a very big percentage of iron oxides. Sandstone samples were taken, analyzed and examined by x-ray diffraction and scanning electron microscope, the iron oxides are thecement material in sandstone which affect negatively on the wall paintings in the selected tombs (Badi –Ishtarand Bannantiu tombs),
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Na Ri, Ge Le. "Characteristics of Mongol Figures in Persian Miniature Paintings." Highlights in Art and Design 4, no. 2 (2023): 62–64. http://dx.doi.org/10.54097/hiaad.v4i2.12855.

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Among art categories, Persian miniature paintings have a very high reputation. Persian miniature paintings are also called Iranian miniature paintings. Persian miniature paintings first appeared in illustrations in books. Miniature painting began to have a significant Mongolian style in the 13th century AD. At the same time, it was influenced by Mongolian art and finally reached its peak in the 15th and 16th centuries. Because the Mongols at that time wanted to write "Historical Collection" and other similar types of works, they added some illustrations. This movement effectively promoted the
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Hariwarman, Made Satya, I. Gusti Ngurah Sura Ardana, and Luh Suartini. "ANALISIS FORMAL KARYA LUKISAN IDA BAGUS KETUT SUTA." Jurnal Pendidikan Seni Rupa Undiksha 12, no. 3 (2022): 161–73. http://dx.doi.org/10.23887/jjpsp.v12i3.52685.

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This study aims to describe (1) Identify the characteristics of Ida Bagus Ketut Suta painting (2) Describe the theme of Ida Bagus Ketut Suta's painting (3) Describe the visual form of Ida Bagus Ketut Suta's painting using formal analysis methods. The subject and object of this research is the profile of Ida Bagus Ketut Suta with traditional paintings that have been made by Ida Bagus Ketut Suta. This research is a qualitative descriptive study, data collection in this study used the techniques of (1) observation, (2) interviews, (3) documentation, and (4) literature. The results of this study i
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Li, Lingjing, and Yu Tian. "Aesthetic Preference and Time: Preferred Painting Dilates Time Perception." SAGE Open 10, no. 3 (2020): 215824402093990. http://dx.doi.org/10.1177/2158244020939905.

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In the domain of aesthetic preference, previous studies focused primarily on exploring the factors that influence aesthetic preference while neglecting to investigate whether aesthetic preference affects other psychological activities. This study sought to expand our understanding of time perception by examining whether aesthetic preference in viewing paintings influenced its perceived duration. Participants who preferred Chinese paintings ( n = 20) and participants who preferred western paintings ( n = 21) were recruited to complete a temporal reproduction task that measured their time percep
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Dissertations / Theses on the topic "Paintings"

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Smith, Stephen Connolly. "New Paintings." Thesis, Montana State University, 2005. http://etd.lib.montana.edu/etd/2005/smith/SmithS0505.pdf.

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In the Lives, Vasari advises the artist to aim his arrows high, and above the mark which he intends to hit. In that way the aspiring artist compensates for the fact that the arrow seems always to fall short of the target. Vasari's advice was given to artists whose goal it was to represent nature and, particularly, the human body. And since Vasari felt that no artist would ever come as close to representing the body as perfectly as Michelangelo, one could do no better than to place the efforts of Michelangelo in their sights, and aim at surpassing him.
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Land, Robert William. "Little Paintings." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1035.

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Little Paintings is a document that describes the creation, influences and process of two films, "Betty Creek" and "New Berlin". The films are personal responses to my experiences growing-up and living in the Southern United States. The Thesis illustrates the influences of painters such as Jimmie Lee Sudduth and Willie Jinks and how their raw painting methods inspire the development of my films using a tactile approach to filmmaking.
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Klos, Matthew Peter. "White paintings." College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/1472.

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Thesis (M.F.A.) -- University of Maryland, College Park, 2004.<br>Thesis research directed by: Dept. of Art. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Zhang, Naijun. "Recent paintings untitled /." Morgantown, W. Va. : [West Virginia University Libraries], 2000. http://etd.wvu.edu/templates/showETD.cfm?recnum=1642.

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Thesis (M.F.A.)--West Virginia University, 2000.<br>Title from document title page. Document formatted into pages; contains iii, 21 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 9).
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Ender, Scott. "Paintings and explorations /." Click here to view, 2009. http://digitalcommons.calpoly.edu/artsp/27.

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Thesis (B.F.A.)--California Polytechnic State University, 2009.<br>Project advisor: Kathryn McCormick. Title from PDF title page; viewed on Jan. 21, 2010. Includes bibliographical references. Also available on microfiche.
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Bundgaard, Helle. "An Indian cloth painting and its art worlds : perceptions of Orissan patta paintings." Thesis, SOAS, University of London, 1994. http://eprints.soas.ac.uk/29346/.

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This study examines how a particular kind of Indian painting comes to have value. The focus of analysis is on the social life of paintings rather than the purely aesthetic. This is explored through a detailed examination of perceptions of the paintings amongst producers, consumers and art critics. The study is an attempt to apply the sociological institutional theory of art on Orissan patta paintings by developing the sociological approach into what I consider to be an anthropological approach. The Orissan patta paintings, with which the study is concerned, are circulated not only within India
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Simonsen, Garric. "Some artists paint paintings." Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Thesis/Spring2010/g_simonsen_042110.pdf.

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Watson, Leonie. "Collecting the self paintings /." Access electronically, 2006. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20070821.122506/index.html.

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Tederstrom, Benjamin Harlin. "Seriously sexy silly paintings." The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1316539043.

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Luk, Yu-ping. "Ren Bonian's Zhong Kui paintings." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B30568316.

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Books on the topic "Paintings"

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Insoll, Chris. Paintings about painting - Chris Insoll. Falmouth Art Gallery, 2001.

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Takeda, Teppei. Paintings of painting: Teppei Takeda. United Vagabonds, 2019.

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Canoilas, Hugo. HCPP: Hugo Canoilas, paintings against painting. Centro Cultural Vila Flor, 2011.

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Chalkley, Brian. Paintings. Lanchester Gallery, 1988.

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Milroy, Lisa. Paintings. Waddington Galleries, 1998.

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Leonardo. Paintings. Geddes & Grosset, 1990.

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Scouller, Glen. Paintings. Open Eye Gallery, 2002.

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Titian. Paintings. Geddes & Grosset, 1990.

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O'Dowd, Gwen. Paintings. Butler Gallery, 1989.

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Chambers, Stephen. Paintings. Kettle's Yard, 1998.

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Book chapters on the topic "Paintings"

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Jackson, Penelope. "Paintings-Within-Paintings." In The Art of Copying Art. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88915-9_4.

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Barsoum, Anni. "Finishing Paintings." In The Coach's Guide to Completing Creative Work. Routledge, 2023. http://dx.doi.org/10.4324/9781003351344-27.

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Armitage, Ruth Ann, and Adelphine Bonneau. "Rock Paintings." In Encyclopedia of Geoarchaeology. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-44600-0_197-1.

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Urbano, Paulo. "Consensual Paintings." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11732242_59.

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Kandinsky, W. "THE PAINTINGS." In Schoenberg and His World, edited by Walter Frisch. Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400831937.238.

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Winterbach, Ingrid. "Two Paintings." In The Plague Years. Routledge, 2022. http://dx.doi.org/10.4324/9781003298014-6.

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Forsaith, Peter S. "Scene paintings." In Image, Identity and John Wesley. Routledge, 2017. http://dx.doi.org/10.4324/9781315107905-6.

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Estrada, Ursula Tania. "Unpretentious Paintings." In Women in International and Universal Exhibitions, 1876–1937. Routledge, 2017. http://dx.doi.org/10.4324/9781315196534-3.

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Lindorfer, Bianca M. "Collecting Paintings." In Cosmopolitan Baroque. Routledge, 2024. http://dx.doi.org/10.4324/9781032721347-7.

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Burgess, David. "Paintings on Canvas." In Chemical Science and Conservation. Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-11429-0_5.

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Conference papers on the topic "Paintings"

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Khan, Shameem A. "Paint System Performance Warranty." In SSPC 2015 Greencoat. SSPC, 2015. https://doi.org/10.5006/s2015-00031.

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Bridges are a vital part of the primary infrastructures of transportation. To protect the bridges, a bridge painting program in Maryland was initiated in 1980. At that time lead based paints were used for painting the bridges. Around 1986, due to environmental, workers safety and health issues, Maryland as well as other states ceased using lead based paints. As a result new paint technology was developed for bridge paintings needs.
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Leong, Wai Yie. "Revitalizing Historical Paintings through Artificial Intelligence." In 2025 Joint International Conference on Digital Arts, Media and Technology with ECTI Northern Section Conference on Electrical, Electronics, Computer and Telecommunications Engineering (ECTI DAMT & NCON). IEEE, 2025. https://doi.org/10.1109/ectidamtncon64748.2025.10962044.

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Wang, Chenrui, Yi Fu, Diao Zhou, and Ze Shi. "Super Sesolution Reconstruction of Ancient Paintings." In 2025 5th International Conference on Neural Networks, Information and Communication Engineering (NNICE). IEEE, 2025. https://doi.org/10.1109/nnice64954.2025.11063975.

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Nutcher, Paul. "Green Building 101 for the Painting & Coatings Industry." In SSPC 2008. SSPC, 2008. https://doi.org/10.5006/s2008-00044.

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Abstract The trend toward sustainable buildings will eventually become mainstream as local governments adopt many of the voluntary guidelines in the LEED® Green Building Rating System® into building and energy codes. This paper will cover the impact sustainable buildings will have on painting and coatings contractors in addition to building professionals such as architects, specifiers, and building owners and developers is important to all involved. Paintings and coatings will have a role in sustainable projects. Generally, this paper covers the basics of what is green building, LEED and then
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Shakeri, Hanieh, and Carman Neustaedter. "Painting Portals: connecting homes through live paintings." In CHI '21: CHI Conference on Human Factors in Computing Systems. ACM, 2021. http://dx.doi.org/10.1145/3411763.3451730.

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Maeda, A., Y. Oe, and N. Yoshizawa. "EVALUATION STRUCTURE ON PREFERENCE OF PAINTING’S APPEARANCE WITH LOW REFLECTANCE IN THE MUSEUM LIGHTING ENVIRONMENT." In CIE 2021 Conference. International Commission on Illumination, CIE, 2021. http://dx.doi.org/10.25039/x48.2021.po45.

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The purpose of this paper is to clarify the evaluation structure of the preference for the visibility of paintings, taking into account the characteristics of paintings with low reflectance. Although illuminance is used in the standards for museum lighting (CIE 157:2004), it is desirable to design lighting that also considers luminance from the viewpoint of perceived brightness. Therefore, we conducted the subjective experiment of oil paintings in which luminance ratio was set as an experimental variable and examined the evaluation structure of paintings with low reflectance. As a result, it w
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Kolay, Saptarshi, Bhavya Sihmar, and Mahua Mukherjee. "Ways of Seeing: an Eye-tracking Study of Natural Viewing Behavior Towards Paintings." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003700.

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Interpretation of paintings is dependent on the visual saliency and focal points created in a painting. The self-expression of artist is perceived through the eyes of viewer to create a meaningful visual interpretation. It is important to know eye fixation points of viewer’s gaze behaviour coincides with the focal points created by the artist in a painting. The goal of this study is to analyse the natural viewing behaviour towards paintings, by tracking the eye movements of the human subjects when exposed to various paintings of different art movements. This study will deal with individual var
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Zhao, Amy, Guha Balakrishnan, Kathleen M. Lewis, Fredo Durand, John V. Guttag, and Adrian V. Dalca. "Painting Many Pasts: Synthesizing Time Lapse Videos of Paintings." In 2020 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2020. http://dx.doi.org/10.1109/cvpr42600.2020.00846.

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Arpa, Sami, Sabine Süsstrunk, and Roger D. Hersch. "Sculpture paintings." In Expressive '18: Joint Symposium on Computational Aesthetics and Sketch Based Interfaces and Modeling and Non-Photorealistic Animation and Rendering. ACM, 2018. http://dx.doi.org/10.1145/3229147.3229156.

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Lioret, Alain. "Being paintings." In the ACM SIGGRAPH 05 electronic art and animation catalog. ACM Press, 2005. http://dx.doi.org/10.1145/1086057.1086145.

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Reports on the topic "Paintings"

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Ryan, Alix. Paintings of Home. Portland State University Library, 2015. http://dx.doi.org/10.15760/honors.209.

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Jones, Anita. Paintings and drawings. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.5382.

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Garnett, William. Series of Drawings and Paintings. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2275.

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Варданян, Марина Володимирівна, Ірина Анатоліївна Дирда, and Маргарита Вікторівна Кірєєва. Cultural memory of Chornobyl in literature and fine arts (in case of a picturebook “The Flowers beside the Fourth Reactor” by K. Mikhalitsyna and paintings by M. Prymachenko). Atlantis, 2022. http://dx.doi.org/10.31812/123456789/7059.

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From the category “cultural memory”, the paper compares the works of different arts – a picturebook Kvity bilia chetvertoho (The Flowers beside the Fourth Reactor) by K. Mikhalitsyna and paintings of a representative of naive art, an artist M. Prymachenko. The paper explores the interaction of various arts based on Chornobyl’s issue within the comparative interpretation. The Flowers beside the Fourth Reactor by K. Mikhalitsyna narrates the life of M. Prymachenko and refers to her paintings devoted to Chornobyl. From the reception of fine arts, the writer’s picturebook raises verbilised and vis
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Galenson, David. The Careers of Modern Artists: Evidence from Auctions of Contemporary Paintings. National Bureau of Economic Research, 1997. http://dx.doi.org/10.3386/w6331.

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Gorin, Clément, Stephan Heblich, and Yanos Zylberberg. State of the Art: Economic Development Through the Lens of Paintings. National Bureau of Economic Research, 2025. https://doi.org/10.3386/w33976.

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Galenson, David. Quantifying Artistic Success: Ranking French Painters - and Paintings - from Impressionism to Cubism. National Bureau of Economic Research, 1999. http://dx.doi.org/10.3386/w7407.

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Rajnovich, G. Reading rock art: interpreting the Indian rock paintings of the Canadian Shield. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2002. http://dx.doi.org/10.4095/216231.

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Iliev, Mihail, Milena Mitova, Ralitsa Ilieva, Veneta Groudeva, and Petar Grozdanov. Bacterial Isolates from Rock Paintings of Magura Cave and Sensitivity to Different Biocides. "Prof. Marin Drinov" Publishing House of Bulgarian Academy of Sciences, 2018. http://dx.doi.org/10.7546/crabs.2018.05.08.

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Galenson, David. Masterpieces and Markets: Why the Most Famous Modern Paintings Are Not by American Artists. National Bureau of Economic Research, 2001. http://dx.doi.org/10.3386/w8549.

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