Relevant bibliographies by topics / Paired Stelae

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  2. Dissertations / Theses
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Academic literature on the topic 'Paired Stelae'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Paired Stelae"

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Leahy, Anthony. "More Light on a Saite Official of the God's Wife of Amun." Journal of Egyptian Archaeology 74, no. 1 (August 1988): 236–39. http://dx.doi.org/10.1177/030751338807400131.

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Levy, J. C., G. Brown, D. R. Matthews, and R. C. Turner. "Hepatic glucose output in humans measured with labeled glucose to reduce negative errors." American Journal of Physiology-Endocrinology and Metabolism 257, no. 4 (October 1, 1989): E531—E540. http://dx.doi.org/10.1152/ajpendo.1989.257.4.e531.

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Steele and others have suggested that minimizing changes in glucose specific activity when estimating hepatic glucose output (HGO) during glucose infusions could reduce non-steady-state errors. This approach was assessed in nondiabetic and type II diabetic subjects during constant low dose [27 mumol.kg ideal body wt (IBW)-1.min-1] glucose infusion followed by a 12 mmol/l hyperglycemic clamp. Eight subjects had paired tests with and without labeled infusions. Labeled infusion was used to compare HGO in 11 nondiabetic and 15 diabetic subjects. Whereas unlabeled infusions produced negative values for endogenous glucose output, labeled infusions largely eliminated this error and reduced the dependence of the Steele model on the pool fraction in the paired tests. By use of labeled infusions, 11 nondiabetic subjects suppressed HGO from 10.2 +/- 0.6 (SE) fasting to 0.8 +/- 0.9 mumol.kg IBW-1.min-1 after 90 min of glucose infusion and to -1.9 +/- 0.5 mumol.kg IBW-1.min-1 after 90 min of a 12 mmol/l glucose clamp, but 15 diabetic subjects suppressed only partially from 13.0 +/- 0.9 fasting to 5.7 +/- 1.2 at the end of the glucose infusion and 5.6 +/- 1.0 mumol.kg IBW-1.min-1 in the clamp (P = 0.02, 0.002, and less than 0.001, respectively).
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Ortiz-García, Jónatan. "A JOURNEY TO THE AFTERLIFE UNDER THE PROTECTION OF THE MISTRESS OF NAVIGATION: A ‘NEW’ FUNERARY BELIEF FROM ROMAN MEMPHIS." Greece and Rome 64, no. 1 (March 14, 2017): 27–38. http://dx.doi.org/10.1017/s001738351600022x.

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The study of Egyptian personal religiosity during the third century ad presents an interesting opportunity to explore the processes of cultural encounters between Egypt and the Roman Empire. The religious situation was more complicated and variegated than the textual evidence seems to suggest; sometimes one becomes aware of the existence of certain beliefs only through their iconographic record. For this reason, decorated stelae, coffins, and mummy wrappings are crucial materials for research into questions of religious exchange. This article presents the case of a third-century ad shroud from Memphis painted with a woman's portrait and funerary scenes, along with a representation of Isis navigans.
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Todic, Branislav. "The iconostasis in Decani: the original painted programme and subsequent changes." Zograf, no. 36 (2012): 115–29. http://dx.doi.org/10.2298/zog1236115t.

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The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted around 1343, were related to the relics of King Stefan Decanski and with the wall painting in the church space in front of the altar. The removal of those icons at the end of the sixteenth century and their replacement with new ones explains the strengthening cult of St. Stefan Decanski. In 1577 an icon of St. Stephen was placed over the king?s portrait depicted in the fourteenth century fresco painting, and by 1593/1594, the new despotic icons of Christ and the Virgin were painted for the iconostasis, then an expanded Deesis that was placed above them, with a large cross fixed on the top. The central icons were painted by the painter Longin, and the cross is attributed to Andreja, a painter known for his frescoes from the seventh and eighth decade of the seventeenth century.
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Starodubcev, Tatjana. "On portraits in Ravanica." Zbornik radova Vizantoloskog instituta, no. 49 (2012): 333–54. http://dx.doi.org/10.2298/zrvi1249333s.

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This research examines a badly washed-out portrait composition of Prince Lazar, Princess Milica and their sons, Stefan and Vuk, in the Ravanica church. The opinion is that it was not painted later, over the original layer of the frescoes, but that it was made simultaneously with the other wall paintings of the lowest zones of the church. Considering the age of Stefan represented in the portrait composition, it is assumed that the decoration of the church was completed around 1385.
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UDA, M., S. SASSA, T. YOSHIOKA, K. TANIGUCHI, S. NOMURA, S. YOSHIMURA, J. KONDO, M. NAKAMURA, NASRY ISKANDAR, and BAHAA ZAGHLOUL. "X-RAY ANALYSIS OF PIGMENTS ON ANCIENT EGYPTIAN MONUMENTS." International Journal of PIXE 09, no. 03n04 (January 1999): 441–51. http://dx.doi.org/10.1142/s0129083599000553.

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Ancient pigments were analyzed using PIXE and XRD methods in the laboratory, which were painted on ancient Egyptian monuments. On the other hand, those on monuments remaining with entire shape were investigated using the hand-held type of an XRF spectrometer and an X-ray diffractometer in the field. For the laboratory experiment, several wall fragments of the Malqata palace in ancient Egypt (18th Dynasty, ca. 1390 B.C.) were investigated. In the field experiment, the block of Ramesses II (19th Dynasty, ca. 1270 B.C.), the Wooden Coffin of Neb-sny (18th Dynasty, ca. 1400 B.C.), the Funerary Stele of Amenemhat (11th Dynasty, ca. 2000 B.C.), and the painted walls of the Tomb of Userhat (18th Dynasty, ca. 1400 B.C.) were investigated. From white and blue colored parts, huntite and Egyptian blue were found, respectively, which are a very rare mineral and an artificial pigment prepared only in ancient Egypt, respectively.
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Đekić, Đorđe, and Dragana Milić. "Portraits of the grand knez Vukan in the endowments of Nemanjić's family in the 13th century." Bastina, no. 52 (2020): 263–82. http://dx.doi.org/10.5937/bastina30-29143.

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The portrait of grand knez Vukan, the only modern and fragmentarily preserved one, was located on the North wall of the tower of the main entrance to the Studenica monastery. It is assumed that there was a composition on the North wall of the main entrance in which Simeon with his three sons approaches the Mother of God and Christ. There is a possibility that Vukan, as one of the ktetors of Studenica, was shown in the ktetor's composition. Since then, Vukan has been shown only with Stefan in compositions that illustrate scenes from the Life of Saint Simeon, in Radoslav's narthex and monasteries Gradac and Sopoćani. Due to the usurpation of Stefan's supremacy, Vukan became a sinner who broke his father's vow to live in harmony with his brother. However, after the end of the civil war, the brothers reconciled: Vukan repented for everything that he had done, and Stefan forgave him everything. The peace between them was established by Sava's arrival with the relics of Saint Simeon. Saint Sava arranged the reconciliation of the brothers, and he laid the ideal of brotherly love and harmony in the basis of the ruling ideology of Nemanjić's dynasty. He wanted to emphasize this through paintings, fitting the portraits of his brothers into the iconographic program of the frescoes of the Studenica monastery, and he introduced their names in the founder's inscription. After the frescoes created in 1208/9. Vukan was painted where it made sense, as someone who, in agreement with his brother Stefan, transfers theirs father's relics. Since he does not belong to the main lineage of the dynasty, his portrait wasn't painted in the family compositions of Nemanjićs in the 13th century.
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Bubalo, Djordje. "Were king Stefan the First-Crowned and his son Radoslav co-rulers?" Zbornik radova Vizantoloskog instituta, no. 46 (2009): 201–29. http://dx.doi.org/10.2298/zrvi0946201b.

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The Serbian historiography considers the issue of the co-ruling of King Stefan the First-Crowned and his son Radoslav as the one finally resolved. The suggested solution on the co-rule of Stefan and Radoslav may be most succinctly expressed as following: as early as in the year of 1220, due to the frail health of Stefan the First-Crowned and Radoslav's marriage to Anne the Epirus princess, Radoslav was crowned to be the king and positioned to co-rule with his father after the Byzantine model of governing. Nevertheless this point of view has some loose ends. The notion of co-ruling and the very term of 'co-ruler' are quite freely used in the scholarly works. A general consensus on the precise meaning has not been reached yet. At the point where one author perceives a co-rule, the other categorically denies it. Basically the approach equalizing the heir to the throne and the co-ruler is wrong. Although the co-rulers in most cases were the throne heirs, they cannot be called the co-rulers because of the right to inherit the throne, but for the ruling attributes that formally established that right. The conviction of the co-rule of King Stefan and his son Radoslav is founded on the interpretation of the facts coming from the following sources: entitling charters for the monastery of Zica, produced by Stefan and Radoslav around 1220; some segments from St. Sava's biographies by Domentian and Theodosius describing the circumstances of Stefan's death-bed leaving the throne to Radoslav; the three acts of the town of Kotor from 1221 and 1227 dated by the rule of king Radoslav, the portraits of Stefan and Radoslav next to the entrance to the Church of the Ascension in the monastery of Zica and in the nartex of the Mileseva monastery church. In the first Zica charter, Stefan calls Radoslav his heir, while in the second Zica charter Stefan points out Radoslav as his first-born son blessed by him to be the king of the whole state. (jegoze i blagoslovismo biti emou kralju v'se sije dr'zave). Though differently in manner, Radoslav's hereditary right has been emphasized in both of these charters. In my opinion, the formulation of the second charter does not refer to the coronation of a co-ruler, but a ceremonious act of proclaiming the successor. That may have been one of the results of Radoslav's marrying Anne the daughter of the Epirus ruler Theodore I Angelos in 1219/1220. St. Sava's biography by Domentian tells us about Stefan's appointing Radoslav for his heir immediately before his death. That was followed by arch-bishop Sava's crowning him the king to be s'prestol'nik' ot'c'stva svoego. The expression s'prestol'nik' was supposed to be the proof of Radoslav being his father's co-ruler. However, Domentian uses the term s'prestol'nik' ot'c'stva svoego in the metaphysical sense to cast the stress on the Nemanjic dynastic permanent right to the Serbian throne, not to describe the relations in the real time. The Nemanjic hereditary authority was regarded equal to the throne, so every ruler stepping onto it, according to Domentian, shares the same throne with his predecessors and the future rulers from the same family. Domentian calls both Stefan the First-Crowned and Vladislav, Radoslav's brother s'prestol'nik' ot'c'stva svoego, and the two of them have been firmly confirmed not to be their fathers' co-rulers. Besides, Domentian speaks of Radoslav as of s'prestol'nik' at the moments immediately preceding Stefan's death, thus not even for the chronological reasons can this fact be used as an evidence for the co-rule of Stefan and Radoslav. Theodosius similarly depicts the shift on the throne using the word s'prestol'nik' in the same context. The two acts of the town of Kotor from 1221 and the one from 1227 were dated sub tempore domini regis Radoslavi. The mentioning of king Radoslav at the time when his father was the Serbian king was considered a valid proof of Radoslav's co-rule with his father with the title of a king. Anyway, this is not about the mere mentioning of king Radoslav in some document, but about the official Kotor town documents being dated after the rule of king Radoslav as the master of Kotor (dominus rex). The Kotor town resolutions were dated in the same fashion at the time when Stefan Nemanja's son Vukan had the rule over Duklja while his father and afterwards his brother held the Serbian throne. Therefore, the mentioning of king Radoslav as the master of Kotor means that he got Duklja to rule probably as an heir to the throne and, like Vukan, he took over the old royal title of Duklja. To the left and to the right from the entrance to the Zica monastery Church of the Ascension, the portraits of King Stefan the First-Crowned and king Radoslav were painted. The portraits were believed to have been made at the time of Stefan and Radoslav's producing the charter to the monastery of Zica (circa 1220), so Radoslav's royal title in the inscription next to the portrait was taken as evidence that he had already been appointed as his father's co-ruler and the king. Nonetheless, the Zica exonartex with the tower was built most likely during the rule of king Radoslav (circa 1229-1234); hence the portrait itself could have been painted only then implying that the title in the inscription next to the character of Radoslav might have referred to his independent status as a ruler. In addition to this, there is an iconographic motif after which, when the son is to carry on the father's building project, the younger, i.e. the other founder is always portrayed on the left side of the entrance, just like in the case of Zica. A donors' composition, including the portraits of Stefan the First-Crowned and Radoslav, was painted in the Mileseva church nartex during the twenties of the 13th century. Both Stefan and Radoslav bear the wreaths on their heads and Stefan holds a scepter in his left hand. The wreath on Radoslav's head is regarded as a symbol of his keeping the position of a co-ruler. Still without the support of the written sources, for which this article has showed that they do not prove Radoslav's co-rule, the portraits in Mileseva do not have an independent source value. We do not have at our disposal a representative sample from an earlier period or the one contemporary with the Mileseva fresco paintings to serve as the basis for establishing the iconographic patterns of presenting the co-ruling position. Certain examples of the later paintings (Sopocani, Bogorodica Ljeviska) indicate that the images of the heirs with the ruling signs do not mean that their actual coronation and raising to the rank of a co-ruler had already taken place. Not even the portraits of the younger king Uros, i.e. king Uros at the time of Dusan's imperial rule mark the co-ruler, but the heir to the throne. Since painting is the ultimate expression of the monarchic ideology, the painters of the donors' compositions, similarly to the biographers, have no need to convey every particularity from the real life. Instead of that, they primarily use symbols. Therefore, the crown on the head of the ruler's son doesn't necessarily have to imply him being crowned and set to be a co-ruler. The wreath on Radoslav's head only symbolized his position of the throne heir. From my point of view, no source analyzed here provides an unequivocal confirmation of Radoslav's co-rule. If his participation in the governing may be spoken of, it has been achieved only over the position of the king of Duklja. Considering the fact that the sources of the co-ruling matter are scarce and subject to various interpretations, this piece of work has been intentionally titled with a question mark. Its purpose is not to offer the final and consistently opposite solutions from those generally accepted by scholars, but to provoke a further scientific dispute on this sensitive issue.
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Geba, Maria, Lacramioara Stratulat, Nicoleta Vornicu, Daniela Salajan, and Mihaela M. Manea. "Research on the Chromatic Palette of a Modern Romanian Painter." Revista de Chimie 68, no. 3 (April 15, 2017): 447–52. http://dx.doi.org/10.37358/rc.17.3.5476.

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The paper focuses on two works of art, Chrysanthemums and Roses, painted by Stefan Luchian, a representative painter for the modern Romanian art from the beginning of the 20th century. The two paintings were analyzed by several non-invasive techniques (optical microscopy, grazing light and UV examination, IR reflectography, XRF and Raman spectrometry) in order to get information concerning the chromatic and to assess the state of conservation. The study is focused in particular on yellow, red and white pigments, which are different in the two pictorial compositions: in Chrysanthemums the predominant pigments are Madder lake, cadmium yellow and zinc white mixed with lead white, while in Roses cinnabar, strontium yellow and lead white were found, according to the XRF and Raman analysis.
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Unković, Nina. "Matej Sternen as a Restorer: Selected examples in Slovenia and Croatia." Ars & Humanitas 11, no. 1 (July 31, 2017): 204–23. http://dx.doi.org/10.4312/ah.11.1.204-223.

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Matej Sternen (1870–1949) is better known as an impressionist painter rather than for his restoration work, even though in his impressive career he discovered and restored a considerable number of works, especially frescos in Slovenia and Dalmatia (Croatia). His strong interest in restoration can be seen in the numerous notes he wrote about painting technologies, restoration and conservation techniques. This enriched his entire opus, as it stimulated him to try numerous painting techniques and genres, such as frescoes. Sternen was a painter who constructed his paintings very carefully, and a master in the preparation of the painting’s surface, or “the ground,” and always considered the laws of colours and their relationships and proportions to the white painted surface.In his restoration practice, working together with his close colleagues the art historians France Stele (1886–1972) and Ljubo Karaman (1886–1971), Matej Sternen actualized the principle “conserve instead of restore” that was the rule in his day. This paper is based on fieldwork data and archive sources, kept in Ljubljana, Celje, Split and Zagreb, and focuses on two important monuments — the painted ceiling in the Old Manor House in Celje (Slovenia), and a wall painting in the church of St Michael in Ston (Croatia). These two cases, which are different from both technical and methodological approaches to monument protection, clearly show Sternen’s professional expertise and practical realization of “conserve instead of restore,” which speaks in favour of preserving the original work as opposed to aggressive restoration interventions.
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Dissertations / Theses on the topic "Paired Stelae"

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Stewart, Daniel Moroni. "Parentage Statements and Paired Stelae: Signs of Dynastic Succession for the Classic Maya." BYU ScholarsArchive, 2008. https://scholarsarchive.byu.edu/etd/1588.

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The purpose of this thesis is to describe and document parentage statements and paired stela found on Maya monuments or portable objects. While the existence of parentage statements, within the Maya text, has been known since the late 1970s, no thesis or major research project has ever been published pertaining to this class of glyphs within the Maya script. In 1977 Christopher Jones is credited with the discovery of parentage statements in Maya hieroglyphic texts (Jones 1977). His discovery was followed by a detailed analysis of parentage statements by Floyd Lounsbury, Peter Mathews, and Linda Schele (1977). They introduced most of the known parentage statements and detailed their use in the hieroglyphic texts. While their work, which introduced parentage statements, in general, is cited regularly as the all-encompassing source of information about parentage statements, it remains unpublished. This thesis provides a source for all new and previous work done on parentage statements and insight into possibly why parentage statements were used by the Classic Maya. An analysis of 253 archaeological sites containing a total of 2473 glyphic monuments was conducted as part of this thesis. Justin Kerr's online vase and photo collections were also checked for parentage statements on portable objects and ceramic vessels. Parentage statements were found on 225 monuments and 70 portable objects bringing the total to 295 different monuments with parentage statements. Each parentage statement is identified and transcribed phonetically. The usage of each parentage statement and its variants are then mapped through time. Also introduced in this thesis is the death of a parent glyph commonly known as the Winged Capped Ajaw Death Phrase. An analysis of its usage demonstrates that it refers to the death of a parent. Paired stelae were analyzed as another possible form of parentage statements. This thesis tests three hypotheses on why parentage statements were used. They included ancestor worship, political legitimacy, and heir designation. The weaknesses and strengths of each hypothesis are demonstrated through case studies. Lastly, the appendices include source material for each site and monument researched as part of this thesis.
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Stewart, Daniel Moroni. "Parentage statements and paired stelae : signs of dynastic succession for the classic Maya /." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd2771.pdf.

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Loidolt-Krüger, Maria [Verfasser], Stefan [Akademischer Betreuer] Hell, Stefan [Gutachter] Hell, and Sarah [Gutachter] Köster. "STED Microscopy of FRET Pairs / Maria Loidolt-Krüger ; Gutachter: Stefan Hell, Sarah Köster ; Betreuer: Stefan Hell." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1160086206/34.

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Greiner, Stefan [Verfasser]. "Synthese und Charakterisierung von Seltenerdmetall(III)-Verbindungen mit komplexen Lone-Pair-Oxochalkogenat-Anionen / Stefan Greiner." München : Verlag Dr. Hut, 2018. http://d-nb.info/117442639X/34.

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Cassidy, Donna. "The painted music of America in the works of Arthur G. Dove, John Marin, and Joseph Stella: an aspect of cultural nationalism." Thesis, Boston University, 1988. https://hdl.handle.net/2144/38014.

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Thesis (Ph.D.)--Boston University
PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
The music-painting analogy had a pervasive influence on American early modernist art criticism, theory, and painting. Music became an aesthetic model and a theme in painting, and, for some artists and critics, music, particularly jazz and "noise music," expressed the energy of modern America. This dissertation addresses these aspects of the music-painting analogy, using Arthur G. Dove, John Marin, and Joseph Stella as case studies.
2031-01-01
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Scyboz, Ludovic M. [Verfasser], Stefan [Akademischer Betreuer] Kluth, Stefan [Gutachter] Kluth, and Martin [Gutachter] Beneke. "Top-Quark Mass Determinations in the eμ Dilepton Channel and Top-Quark Mass Effects in Higgs Boson Pair Production / Ludovic M. Scyboz ; Gutachter: Stefan Kluth, Martin Beneke ; Betreuer: Stefan Kluth." München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1192911628/34.

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Diez, Stefan J. [Verfasser], Neder [Akademischer Betreuer] Reinhard, Neder [Gutachter] Reinhard, and Julien [Gutachter] Bachmann. "Pair distribution function analysis applied on weakly scattering nanoparticles ― their structure and surfaces / Stefan J. Diez ; Gutachter: Neder Reinhard, Julien Bachmann ; Betreuer: Neder Reinhard." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2020. http://d-nb.info/1223175170/34.

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Gomez, Fajardo Luz Stella [Verfasser], Klaus [Akademischer Betreuer] Mönig, Jörgen [Akademischer Betreuer] Sjölin, and Thomas [Akademischer Betreuer] Lohse. "A search for massive resonances decaying to top quark pairs and jet trigger performance studies with the ATLAS detector at the Large Hadron Collider / Luz Stella Gomez Fajardo. Gutachter: Klaus Mönig ; Jörgen Sjölin ; Thomas Lohse." Berlin : Humboldt Universität zu Berlin, Mathematisch-Naturwissenschaftliche Fakultät I, 2014. http://d-nb.info/1064356419/34.

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Lugert, Stefan [Verfasser]. "In-medium modification of pion-pairs on deuterium / von Stefan Lugert." 2008. http://d-nb.info/990943089/34.

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Pearson, Sarah. "Stellar Streams, Dwarf Galaxy Pairs, and the Halos in which they Reside." Thesis, 2018. https://doi.org/10.7916/D83502W5.

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In this Dissertation we explore how the nature of tidal interactions tear gravitationally bound systems apart into distinct morphological and kinematic structures. We use the properties of these structures, persisting for billions of years, to investigate the potential of the Milky Way Galaxy and to disentangle the baryonic evolution of gas in dwarf galaxy interactions. We approach these problems through a combination of observations, and simulations, as well as comparisons between the two. In particular, we use the properties of the thin, curved stellar stream emerging from the old, Milky Way globular cluster, Palomar 5 (Pal 5) to show that its mere existence can rule out a moderately triaxial potential model of our Galaxy. Pal 5-like streams on appropriate orbits diffuse much further in space from the orbital path (dubbed “stream-fanning”) in this triaxial potential than in the oblate case. We further show that torques from the Milky Way’s Galactic bar, can create ever-widening gaps in stellar streams. The fact that the bar can create such under densities, demonstrates that we should be careful when interpreting gaps in stellar streams as indirect evidence of the existence of dark matter subhalos in our Galaxy. We carry out a systematic study of resolved neutral hydrogen (HI) synthesis maps of 10 interacting dwarf galaxy pairs. The pairs are located in a range of environments and captured at various interaction stages. We find that the neutral gas is extended in the interacting pairs when compared to non-paired analogs, indicating that gas is tidally pre- processed. Additionally, we find that dwarf-dwarf interactions enable the “parking” of gas at large distances to serve as a continual gas supply channel to the dwarfs until accretion by a more massive host. We model a specific dwarf pair in our sample, NGC 4490/85, which is an isolated analog of the Magellanic Clouds and is surrounded by a ∼50 kpc extended HI envelope. We use hybrid N-body and test-particle simulations along with a visualization interface to simultaneously reproduce the observed present-day morphology and kinematics. Our numerical results con- firm that encounters between two dwarf galaxies can “park” baryons at very large distances, without the aid of environmental effects. The extended tidal features will continue to evolve over several billion years which will affect the efficiency of gas stripping if such dwarf pairs are accreted by a massive host. In contrast, in isolated environments dwarf-dwarf interactions can create a long-lived supply mode of gas to the merger remnant potentially explaining the population of dwarfs in the field with large gas envelopes, but limited star formation. All of these topics share the common theme of utilizing morphological and kinematic structures left behind from ongoing gravitational interactions on various scales.
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Books on the topic "Paired Stelae"

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Richards, Larry. Education Centre, University of Toronto: A report on the Education Centre architecture and art. [S.l: s.n., 2004.

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Uwe, Fleckner, Künstlerhaus (Dortmund), and Kapil Jariwala Gallery, eds. Shaped paintings - painted shapes: Stefan Gritsch, Gerhard Mantz, Colin Nicholas, Dorothea Posdiena, Trevor Sutton. Dortmund: Künstlerhaus, 1994.

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Thompson, William R., and Leila Zakhirova. Energy, Technology, and (Possibly) the Nature of the Next World Economy Upswing. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190699680.003.0010.

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In the last several upswings of the world economy, core innovations paired new engines with new fuels: steam engines with coal, internal combustion engines with petroleum, and numerous electricity-driven applications with fossil fuels. In each instance, the new fuels initially were inexpensive, abundant, and incredibly powerful but also damaging to the climate and environment. Now we need to develop engines that can run using decarbonized fuels to minimize CO2 emissions. In this chapter we shift our focus to the implications of carbon-based energy sources, system leadership, and climate change. We first review the evidence for a strong relationship between global warming and fossil fuels and then consider what might be done to forestall the consequences of such a relationship.We then relate macro-level fluctuations in world economic growth to policy responses focusing largely on electricity and transportation.
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Blundell, Katherine. 6. How do you weigh a black hole? Oxford University Press, 2015. http://dx.doi.org/10.1093/actrade/9780199602667.003.0006.

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Infra-red observations have been used by teams in California and Germany to measure the mass of the black hole at the centre of the Galaxy at just over 4 million times the mass of our Sun. ‘How do you weigh a black hole?’ shows that similar dynamic techniques can be used to measure the masses of the millions of black holes that pervade our Galaxy as stars and black holes are frequently found as pairs in a binary system. The smallest black hole that we can measure is a few times the mass of our Sun, but the heaviest stellar-mass black holes can exceed a hundred times the mass of our Sun.
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Bendel, Markus A., Drew M. Trainor, and Susan M. Moeschler. Imaging. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780190217518.003.0006.

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This chapter focuses on diagnostic and procedural imaging techniques that are essential for the pain medicine practitioner. Attention is given to most modern imaging modalities, including ultrasonography, fluoroscopy, computed tomography, and magnetic resonance imaging. The chapter includes a review of many advanced pain medicine procedures, such as celiac plexus and stellate ganglion blocks. A discussion regarding the use of imaging to elucidate a problem with an implanted intrathecal drug delivery system is included as well. In addition to the procedure suite, this chapter provides a review of common radiological findings that are critical for the proper diagnosis and management of pain patients, including spondylolysis and Modic changes. Special attention is paid to the use of ultrasound in pain medicine, including diagnostic techniques in musculoskeletal disorders. Many questions contain a review of the significant anatomic considerations with each procedural technique.
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Endreß, Alexander, and Hubert Wandjo, eds. Musikwirtschaft im Zeitalter der Digitalisierung. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783845276939.

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How does one deal with the digitalisation of an industry when practice is overtaking itself so quickly, as the music industry has experienced in the past twenty years? On the one hand, by questioning the causes of change and, on the other hand, by describing and reflecting on practice. Both are done in this book. The music industry is understood as a complex system based on the division of labour, in which artist development, content production, content marketing and rights management go hand in hand. Special attention is therefore paid to these operative fields of action. The practice-oriented explanations are complemented by a description of the normative and cultural framework conditions to which the music production, distribution and reception system is subject. The articles are written by music industry experts from academia and practice and focus in particular on digital competencies and industry structures. In this respect, this book is not only interesting for (future) professionals in the music and creative industries. Academics can also benefit from these practical reports and future theses on the digital transformation of the music industry. With contributions by Christian Baierle, Sophie Brüggemann, Florian Drücke, Alexander Endreß, Frank Fenslau, Hanno Fierdag, Jörg Fukking, Dirk Geibel, Steffen Geldner, René Houareau, Lucas Holczinger, Ralf Kitzberger, Peter Knees, David Maier, Armin Oldendorf, Matthias Rauch, Ryan Rauscher, Tim Renner, Markus Rennhack, Julien Schaffhauser, Nina Schneider, Stefan Schulte-Holthaus, Jeong-Won Sin, Kolja Spohn, Nina Christin Stehr, Peter Tschmuck, Hubert Wandjo, Heiko Wandler, Stefan Weinacht, Asterix David Westphal, Peter Wicke and David-Emil Wickström.
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Boggs, Colleen Glenney. Patriotism by Proxy. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863670.001.0001.

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Patriotism by Proxy develops a new understanding of the connections between American literature and American lives by focusing on a historic moment when the military transformed both. At the height of the Civil War in 1863, the Union instated the first-ever federal draft. Paired with the Emancipation Proclamation, the draft inaugurated new relationships between the nation and its citizens. A massive bureaucratic undertaking, the draft redefined the American people as a population. Equitable as the system was in theory, the draft laid bare social divisions, as wealthy draftees could hire substitutes to serve in their stead. A unique feature of the Civil War draft, substitutes reflect the transformation of how the state governed American life: the draft is the context in which American politics met and also transformed into a new kind of biopolitics. Replicating the core assumption of representative democracy that enables one person to stand in as a political proxy for another, the substitute took the place of the draftee and stood in uneasy relationship to the volunteer. Censorship and the suspension of habeas corpus prohibited free discussions over the draft’s significance, making literary devices and genres the primary means for deliberating over the changing meanings of political representation and citizenship. Assembling an extensive textual and visual archive, Patriotism by Proxy examines the draft as a cultural formation that operated at the nexus of political abstraction and embodied specificity, where the definition of national subjectivity was negotiated in the interstices of what it means to be a citizen-soldier.
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Schrijver, Karel. Drifting Through a Planetary System. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198799894.003.0006.

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This chapter describes how the first found exoplanets presented puzzles: they orbited where they should not have formed or where they could not have survived the death of their stars. The Solar System had its own puzzles to add: Mars is smaller than expected, while Venus, Earth, and Mars had more water—at least at one time—than could be understood. This chapter shows how astronomers worked through the combination of these puzzles: now we appreciate that planets can change their orbits, scatter water-bearing asteroids about, steal material from growing planets, or team up with other planets to stabilize their future. The special history of Jupiter and Saturn as a pair bringing both destruction and water to Earth emerged from the study of seventeenth-century resonant clocks, from the water contents of asteroids, and from experiments with supercomputers imposing the laws of physics on virtual worlds.
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Howard-Johnston, James. The Last Great War of Antiquity. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198830191.001.0001.

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This book fills a gaping hole in the history of warfare. The conflict lasted twenty-five years (spring 603–late winter 628). It was on an unprecedented scale, ideologically charged, fought along the full length of the Persian-Roman frontier, and drawing in the great powers of the steppe world. It brought the classical phase of history to a close and ushered in a new Islamic era. There was drama aplenty, culminating in the final, forlorn counteroffensive thrusts of the Emperor Heraclius deep into Persian territory. The book describes the unfolding of events and something of the detective work required to piece together a connected narrative. It also introduces the principal participants—Turks, Arabs, and Avars as well as Persians and Romans (Appendix 1), provides a tour of the Middle East (Appendix 2), and, for the historiographical infrastructure, presents a survey and evaluation of the extant sources (Appendix 3). Attention is paid to underlying structures in both belligerent empires and in the Middle East under Persian occupation in the 620s. But the decisions and actions of individuals, above all of Heraclius, a general of rare talent, and the various immaterial factors affecting morale are placed centre stage.
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Lee, Peter. Spectacular Bid. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813177809.001.0001.

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A safety pin was all that kept Spectacular Bid from racing immortality. On the morning of the Belmont Stakes, the third jewel in horse racing’s prestigious Triple Crown, Spectacular Bid stepped on a safety pin in his stall, injuring his foot. He had won the first two races in impressive fashion but finished third that day, losing his chance for a Triple Crown. But that did not stop him from becoming one of horse racing’s greatest competitors—in fact, in the words of his trainer, Grover “Bud” Delp, he was “the greatest horse ever to look through a bridle.” The battleship-gray colt won twenty-six of thirty races during his career, with two second-place finishes and one third. He was voted the tenth greatest Thoroughbred of the twentieth century by Blood-Horse magazine, and the book A Century of Champions placed him ninth in the world and third among North American horses—ahead of the immortal Man o’ War. Spectacular Bid: The Last Superhorse of the Twentieth Century is the story of a horse that was owned, trained, and ridden by people who weren’t part of the Kentucky establishment. Harry Meyerhoff paid only $37,000 for Bid, but inspite of his less than stellar pedigree, he became one of racing’s immortals.
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Book chapters on the topic "Paired Stelae"

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De Mello, D. F., W. C. Keel, J. W. Sulentic, and R. Rampazzo. "Stellar Populations in Mixed Pairs of Galaxies." In Stellar Populations, 434. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-0125-7_104.

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Antoine, Jean-Pierre, and Camillo Trapani. "Beyond Frames: Semi-frames and Reproducing Pairs." In STEAM-H: Science, Technology, Engineering, Agriculture, Mathematics & Health, 21–59. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97175-9_2.

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Takahashi, Koh. "Stellar Yields of Rotating Pair Instability Supernovae and Comparison with Observations." In Springer Proceedings in Physics, 445–48. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-13876-9_86.

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Tolstoy, Leo. "17." In Anna Karenina. Oxford University Press, 2016. http://dx.doi.org/10.1093/owc/9780198748847.003.0054.

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Stepan Arkadyich went upstairs, his pocket bulging with the banknotes the merchant had paid him for three months in advance. The business with the wood was over, the money was in his pocket, the shooting had been marvellous, and Stepan Arkadyich was in the...
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Davies, Peter N. "Alexander Elder and John Dempster." In The Trade Makers, 19–36. Liverpool University Press, 2000. http://dx.doi.org/10.5949/liverpool/9780968128893.003.0002.

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This chapter explores the lives of Alexander Elder and John Dempster, two men whose work, power and influence changed the whole of Britain’s shipping and commercial relationship with West Africa. It discusses the pair’s impact on the British West African shipping trade in general and on Elder Dempster and Company in particular. The chapter details the rivalry between the African Steam Ship Company and the British and African Steam Navigation Company and presents the eventual negotiation and agreements made between the two. It concludes with the abrupt ending of the agency of the African Steam Ship Company.
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Kreuzer, Gundula. "Steam." In Curtain, Gong, Steam, 162–214. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520279681.003.0005.

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Wagner’s abundant evocation of fogs and fires in Der Ring des Nibelungen was unprecedented. The water vapor used in 1876 at Bayreuth’s inaugural festival provided Wagner with his most “real” stage ingredient. Additionally, the chapter proposes, steam could mediate between bodies and painted scenery and could both enliven and veil open transformations. Yet while onstage vapors became a visual icon of the Ring, steam also drew attention to tensions within Wagner’s works and theories. Although intended to evoke unspoiled mythic nature, this novel and multisensorial technology generated smells and sounds associated precisely with the industrial modernity that Wagner’s Gesamtkunstwerk was to overcome. Allegorically, steam’s rendering of both fogs and fires anticipated the vanquishing of nature in the Ring by fire, the oldest human technology. Ultimately, its multivalence allowed steam to transcend both scenic realism and the operatic stage to become a cyp her of both modernity and performativityper se.
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Rogerio-Candelera, M. A., L. García Sanjuán, M. Díaz-Guardamino Uribe, and D. W. Wheatley. "Were late prehistoric stelae painted? Digital image analysis-based research of the late prehistoric stelae of Mirasiviene (Lora del Río, Sevilla) and Montoro (Montoro, Córdoba), South Spain." In Conserving Cultural Heritage, 157–59. CRC Press, 2018. http://dx.doi.org/10.1201/9781315158648-40.

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Baralay, Supratik. "Hellenistic Sacred Dedications." In The Epigraphy of Ptolemaic Egypt, 114–26. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198858225.003.0008.

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Dedications of physical objects placed in a sanctuary or some other space sacred to the gods were very common in all places and at all times in the Graeco-Roman world. While a number of these dedications were not inscribed, many dedicators chose to make a written record of their act of dedication, usually upon the object itself. This chapter sets out the typical formats employed in Greek sacred dedicatory inscriptions during the Hellenistic period. It then discusses in detail a pair of documents: an inscribed marble plaque from Alexandria dated to the mid-third century BC and an inscribed limestone stele from Krokodilopolis (Arsinoe) in the Fayum, dated to the mid-second to mid-first century BC It shows that although both inscriptions are part of a wider Hellenistic epigraphic koine, they exhibit features that are peculiar to the sacred dedications of Hellenistic Egypt and arose due to particular social processes at work there.
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"Definition of Tourism." In Cultural Tourism in the Wake of Web Innovation, 1–12. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-8395-0.ch001.

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The chapter reviews the development of travel and tourism, especially cultural tourism from Egyptian times to the present. Attention is paid to intersecting developments in three key technologies impacting tourism: travel, communication, and information technologies. The evolution of travel technologies from walking to horse drawn coaches, to steam engines, to internal combustion, to jet technologies are presented parallel to communication and information technologies. International tourism increased 4,000% between 1950 and 2014. Travel technology was the primary driver in the development of tourism from its inception in early recorded time; however, in the last 100 years, communication and information technologies have asserted important roles in tourism, and in recent decades equaled and possibly surpassed the importance of travel technology.
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Bradley, Richard. "Turning to Stone." In The Idea of Order. Oxford University Press, 2012. http://dx.doi.org/10.1093/oso/9780199608096.003.0011.

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The starting point for this chapter is a work by the German artist Joseph Beuys. ‘7000 oaks’ is an installation which he inaugurated at Kassel, a city that had been damaged during the Second World War (Scholz 1986). Each tree was paired with a basalt stele which was quarried locally. In Beuys’s conception, the installation would change its character over time. For the first few years the standing stones would be the dominant feature, but they would become less conspicuous as the oaks grew to maturity. After that, there might be two very different outcomes. Either new trees would be planted as the old ones died— that was the artist’s plan—or a setting of monoliths would be all that remained with the stones themselves marking the positions of oaks that had disappeared. Beuys was concerned with regeneration in a way that was entirely appropriate in a war-damaged city where the oak trees would gradually replace a setting of rocks. His work was informed by his interest in ecology and played on a contrast between wood and stone which is equally relevant to archaeology. They are very different materials from one another, but both were used in prehistoric structures and employed in distinctive ways. Wood is an organic substance and eventually decays. Stone, on the other hand, is inorganic and for that reason it lasts a long time. The distinction is important in considering ancient architecture (Parker Pearson and Ramilsonina 1998). Of course, there were places in which only one of these materials was available, but there were others where the distinctive ways in which stone and wood were used are especially informative. Two examples illustrate the point. Neolithic houses in Northern Europe were timber constructions, but most of the tombs that accompanied them were made of local stone. In this case, the choice of building material suggests that these dwellings were thought to have a finite lifespan, whilst the tombs of their occupants would have a longer history. Similarly, the Neolithic longhouse at La Haute Mée in north-west France was built of wood but was accompanied by a granite menhir (Cassen et al. 1998).
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Conference papers on the topic "Paired Stelae"

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Miri, Rim, Melek Ben Mrad, Yassine Khadhar, Mohamed Ben Hamamia, Faker Ghedira, and Raouf Denguir. "Angioplasty of Forearm Arteries: A New Approach to Manage Dialysis-Associated Steal Syndrome." In PAIRS Annual Meeting. Thieme Medical and Scientific Publishers Pvt. Ltd., 2019. http://dx.doi.org/10.1055/s-0041-1730625.

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Sikora, M. "On pair content of quasar jets." In X-RAY ASTRONOMY: Stellar Endpoints,AGN, and the Diffuse X-ray Background. AIP, 2001. http://dx.doi.org/10.1063/1.1434778.

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Zargar, Zeinab, and S. M. Farouq Ali. "How to Space SAGD Well Pairs for Optimal Performance." In SPE Annual Technical Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/206381-ms.

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Abstract Steam-Assisted Gravity Drainage (SAGD) is a remarkably successful process for the tar sands (oil sands). Two closely spaced parallel horizontal wells, injector above the producer, form a SAGD well pair. Steam is injected to provide heat to the reservoir oil and mobilize it. The low viscosity oil drains down to the producer under the gravity effect. Parallel well pairs 1000 m long are utilized in the process, spaced 100 m apart horizontally almost in all projects. In this work, an analytical model for the SAGD process is introduced by coupling heat and fluid flow and constitutive equations. A moving boundary, counter-current flow approach is used for the steam chamber rise and subsequent sideways expansion. The model is unique because it assumes the steam injection rate is constant and it permits modeling of the late phase of SAGD when adjacent well pair interference occurs. This leads to a reduction in heat loss to the overburden and a decline in oil production rate. This study examines the question of optimal well pair spacing in relation to the formation thickness and in-place oil. The effect of other variables on SAGD performance is investigated. A case study was performed using Christina Lake oil sand properties to show how the project performance varies under different senerios involving well pair spacing, reservoir thickness, steam injection rate, and steam quality. Results show that, in evaluating a SAGD pad performance, as the spacing is increased, the cumulative oil production decreases, with a simultanous increase in the cumulative steam-oil ratio at the same steam injection rate. However, a smaller portion of injected heat is lost to the overburden. It is concluded that a smaller well spacing requires more wells to deplete the whole pad area. On the other hand, a larger pattern well spacing affects oil recovery and heat consumption. Different conclusions are derived for the same pattern well spacing value using a single well pair model and pattern well pair configuration. Results also show that SAGD well pair spacing can be increased with an increase in formation thickness. The computational procedure is simple and makes it possible to examine a series of options for well spacing for a given set of conditions. This study presents for the first time an analytical relation between SAGD pattern well pair spacing and oil recovery.
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Błażejowski, M. "Electron injection break and pair content of quasar jets." In X-RAY ASTRONOMY: Stellar Endpoints,AGN, and the Diffuse X-ray Background. AIP, 2001. http://dx.doi.org/10.1063/1.1434673.

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Aksenov, A. G., R. Ruffini, G. V. Vereshchagin, Giuliana Giobbi, Amedeo Tornambe, Gabriella Raimondo, Marco Limongi, L. A. Antonelli, Nicola Menci, and Enzo Brocato. "Thermalization of pair plasma with proton loading." In PROBING STELLAR POPULATIONS OUT TO THE DISTANT UNIVERSE: CEFALU 2008, Proceedings of the International Conference. AIP, 2009. http://dx.doi.org/10.1063/1.3141571.

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Gotthelf, E. V. "A new pulsar/SNR pair: AX J1845-0258 in G29.6+0.1." In X-RAY ASTRONOMY: Stellar Endpoints,AGN, and the Diffuse X-ray Background. AIP, 2001. http://dx.doi.org/10.1063/1.1434658.

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Petrucci, P. O. "Pair creation at shocks: A possible origin of the high energy variability of AGNs." In X-RAY ASTRONOMY: Stellar Endpoints,AGN, and the Diffuse X-ray Background. AIP, 2001. http://dx.doi.org/10.1063/1.1434761.

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Kasen, Daniel, Alex Heger, and Stan Woosley. "The First Stellar Explosions: Theoretical Light Curves and Spectra of Pair‐Instability Supernovae." In FIRST STARS III: First Stars II Conference. American Institute of Physics, 2008. http://dx.doi.org/10.1063/1.2905560.

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Bohn, Dieter, Jing Ren, and Christian Tuemmers. "Investigation of the Unstable Flow Structure in a Rotating Cavity." In ASME Turbo Expo 2006: Power for Land, Sea, and Air. ASMEDC, 2006. http://dx.doi.org/10.1115/gt2006-90494.

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Annular cavities are found inside rotor shafts of turbomachines with an axial or radial throughflow of cooling air, which influences the thermal efficiency and system reliability of the gas turbines. The flow and heat transfer phenomena in those cavities should be investigated in order to minimize the thermal load and guarantee system reliability. An experimental rig is set up in the Institute of Steam and Gas Turbines to analyze the flow structure inside the rotating cavity with an axial throughflow of cooling air. The corresponding 3D numerical investigation is carried out with the in-house fluid solver CHTflow, in which the Coriolis force and the buoyancy force are implemented in the time-dependent Navier-Stokes equations. Both the experimental and numerical results show the whole flow structure rotating against the cavity rotating direction. The flow passing the observation windows shows the quite similar trajectories in the experimental and numerical results. The computed sequences and periods of the vortex flow structure correspond closely with those observed in the experiment. Furthermore, the numerical analysis reveals a flow pattern changing between single pair, double pairs and triple pairs vortices. It is suggested that the vortices inside the cavity are created by the gravitational buoyancy force in the investigated case, and the number and strength of the vortices are controlled mainly by the Coriolis force.
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Zhao, Lin, Hanqiao Jiang, Fengrui Sun, and Junjian Li. "Effect of Steam State on the Productivity of a Horizontal Well Pair During the Steam-Assisted-Gravity-Drainage Process: Physical Aspect Analysis." In SPE Trinidad and Tobago Section Energy Resources Conference. Society of Petroleum Engineers, 2018. http://dx.doi.org/10.2118/191173-ms.

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