Relevant bibliographies by topics / Pakistani Arts

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Pakistani Arts'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 March 2023

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Journal articles on the topic "Pakistani Arts"

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Ahmed, Fasih, Muhammad Nawaz, and Aisha Jadoon. "Topic Modeling of the Pakistani Economy in English Newspapers via Latent Dirichlet Allocation (LDA)." SAGE Open 12, no. 1 (January 2022): 215824402210799. http://dx.doi.org/10.1177/21582440221079931.

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This research paper explores aspects of the Pakistani economy using the Latent Dirichlet Allocation (LDA) technique. The data based on 3,000 articles were collected from two Pakistani English newspapers, Dawn and The News, (2015–2020), through Lexis Nexis database. The headlines of the news articles relevant to Pakistan’s economy, were taken into account. By employing the data-driven approach of the grounded theory, it is found that changes in policies, security preference, textile industry, the shift of energy, inflation, growth and investment, mega projects, sustainable democracy and poverty control need to be focused to overcome the challenges of Pakistan’s economy. It also reveals that mega projects like the China Pakistan Economic Corridor (CPEC) are called to boost Pakistan’s economy. The results show that smooth trading would help reduce poverty in the country.
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Pant, Ritika. "Televisual Tales From Across the Border: Mapping Neo-Global Flows in Media Peripheries." BioScope: South Asian Screen Studies 10, no. 2 (December 2019): 164–82. http://dx.doi.org/10.1177/0974927619897439.

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Foreign programming on Indian television was largely dominated by American and British TV programmes until 2014, when a Hindi entertainment channel Zindagi, owned by Zee Entertainment Enterprises, began broadcasting syndicated television content from Pakistan. The channel’s tagline Jodey Dilon Ko (uniting hearts) shaped the possibility for peaceful reconciliation between the two political rivals, India and Pakistan, by offering ‘ sarhad paar ki kahaaniyaan’ (stories from across the border) to Indian audiences. The popularity of Pakistani serials in India may be observed against the backdrop of a television industry inundated with formulaic saas–bahu (mother-in-law/daughter-in-law) plotlines over the last decade. While Indian television and films have been a part of Pakistani popular culture for years, Pakistani serials like Humsafar (life partner, 2011) and Zindgai Gulzar Hai (life is a bed of roses, 2012) broadcast on Zindagi gave Indian audiences a peek into their neighbours’ socio-cultural environment. These serials dismantled the conventional mediatised image of the distanced ‘other’ and redefined the former perception of ‘foreign’ as essentially ‘Western’ in Indian television programming. Through an analysis of new trajectories of flows between media peripheries that I term ‘neo-global’ flows, this article argues that Pakistani dramas broadcast on Zindagi between 2014 and 2016 offered a ‘mediating space’ to Indian audiences by maintaining a balance between Indian tradition and Pakistani modernity.
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Qureshi, Bilal. "The Veiled Avengers of Pakistan’s Streaming New Wave." Film Quarterly 74, no. 3 (2021): 66–70. http://dx.doi.org/10.1525/fq.2021.74.3.66.

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The privatization of Pakistan’s media and television industry over the past two decades, along with the availability of high-speed internet and an easing of censorship, has revolutionized what plays in Pakistani homes. While hopes that this more open environment would encourage a Pakistani new wave have yet to be born out, an episodic series released this summer is perhaps a harbinger of things to come. Film Quarterly columnist Bilal Qureshi introduces readers to one of the most exciting voices in the emerging Pakistani film industry, Asim Abbasi, whose über-stylish series Churails (2020−) presents a women’s detective agency that works undercover to obtain justice for the women of Karachi. An extrajudicial feminist fantasy, Churails is remarkably uncensored and unrestrained, and ground-breaking in its exclusive focus on women’s rage.
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Alam, Muhammad Badar. "Notes from a Pakistani Newsroom." BioScope: South Asian Screen Studies 10, no. 2 (December 2019): 234–42. http://dx.doi.org/10.1177/0974927619896772.

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The essay describes how and why various parts of the state in Pakistan, especially its security and intelligence agencies, have embarked on a campaign to censor and silence news media through mostly quasi-legal and extra-legal measures. It does so by offering a personal account as well as narrating many other impersonal examples collected from across the Pakistani news media. It also provides a historical and commercial context to the ongoing censorship and self-censorship in the country’s newsrooms to show how the present is both similar to and different from the past.
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Lu, Yuqiu, Guowei Li, Zhe Luo, Muhammad Anwar, and Yunju Zhang. "Does Intellectual Capital Spur Sustainable Competitive Advantage and Sustainable Growth?: A Study of Chinese and Pakistani Firms." SAGE Open 11, no. 1 (January 2021): 215824402199670. http://dx.doi.org/10.1177/2158244021996702.

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Steered by the resource-based view theory, this study scrutinizes the impact of the dimensions of Intellectual Capital (IC)—human capital, structural capital, and relational capital (RC)—on sustainable growth (SG) with the mediating role of Sustainable Competitive Advantage (SCA). We gathered data from 2010 to 2017 of 90 listed firms of China and Pakistan, respectively, and applied EVIEWS. The results indicate that IC plays a significant role in the SG of Chinese and Pakistani firms. IC has a significant influence on differentiation strategy (DS) in Chinese firms whereas only RC has an insignificant influence on DS in Pakistani firms. IC has a significant influence on cost leadership strategy (CLS) in Pakistani firms whereas structural and RC have an insignificant influence on the SG of Chinese firms. In terms of the mediating role, DS partially mediates the relationship between IC and SG in Pakistani firms while it only fully mediates the path between RC and SG in Chinese firms. CLS partially mediates the relationship between IC and SG in Chinese firms while it fully mediates the association between human capital and SG in Pakistani firms. This study recommends Chinese and Pakistani firms to encourage investment in IC to gain SCA and SG in the turbulent markets. To concise, this research advises Chinese firms to invest a satisfactory amount in human capital as compared with structural and RC. However, Pakistani firms should focus on IC to gain SCA and SG.
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Kanwal, Shamsa, Abdul Hameed Pitafi, Muhammad Yousaf Malik, Naseer Abbas Khan, and Rao Muhammad Rashid. "Local Pakistani Citizens’ Benefits and Attitudes Toward China–Pakistan Economic Corridor Projects." SAGE Open 10, no. 3 (July 2020): 215824402094275. http://dx.doi.org/10.1177/2158244020942759.

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The China–Pakistan Economic Corridor (CPEC) is a mega development plan in the South Asian region with the mutual cooperation of Pakistan and China. However, CPEC projects are still in the preliminary phase, and scholars and policymakers have continuously assured that CPEC projects will boost the economy of Pakistan through business creation and immense employment opportunities. This study investigated the influence of CPEC projects on the community lifestyle of local Pakistani citizens. The samples were gathered using an online survey from 335 respondents living in Pakistan. Most of the hypotheses supported by the existing data set showed the positive responses of local Pakistani citizens toward CPEC projects. The findings of this study will help government officials and the representatives of the CPEC understand the attitudes of the host community and their cooperation for the development of CPEC projects.
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Mulla, Ayesha. "‘Maza Nahin Aya’: Negotiating Sensationalism in Pakistani Television News Practices." BioScope: South Asian Screen Studies 10, no. 2 (December 2019): 207–24. http://dx.doi.org/10.1177/0974927619896775.

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Over the course of the last 18 years, privatised television news channels have transformed the nature of the national news culture in Pakistan. In addition to sensational news packaging, leading current affairs talk-show hosts routinely capitalise on aggressive interrogative tactics to antagonise politicians on air, producing a dramatised performance that feeds a politics of publicity. Within this context, the emancipatory potential of television once celebrated through media deregulation in the early 2000s has since been replaced with a disdainful liberal discourse on the lack of critical-rational debate. Based on in-depth interviews with a range of television news professionals in Karachi, I explore how Pakistani news media professionals negotiate the tension between a principled commitment to protecting the ‘independence’ of mass media and a cynical disavowal of its existing forms. Sensationalist media programming is certainly not unique to Pakistani television, and an increasing interest in postcolonial news publics continues to provide much needed perspectives from non-Western models of journalism, yet I believe a scholarly focus on media sensationalism remains impoverished without an understanding of the contextual constraints within which television news producers mediate their livelihood. In this article, I argue that the prevailing discourse on the ethics of journalism in Pakistan becomes a productive site through which the differences between privileged and vulnerable media labour emerge as most apparent.
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NÆSS, ANDERS, and BJØRG MOEN. "Dementia and migration: Pakistani immigrants in the Norwegian welfare state." Ageing and Society 35, no. 8 (June 6, 2014): 1713–38. http://dx.doi.org/10.1017/s0144686x14000488.

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ABSTRACTThis article is about dementia disease in the context of transnational migration. Focusing on the example of Pakistani immigrants in Norway, the article explores response processes surrounding signs and symptoms of dementia. Particular attention is lent to understanding how Norwegian-Pakistani families ‘negotiate dementia’ in the space between their own imported, culturally defined system of cure and care, and the Norwegian health-care culture, which is characterised by an inclination towards public care and biomedical intervention. Based on field observations and in-depth interviews with Norwegian-Pakistani families and hospital professionals working with dementia, we show that the centrality of the traditional family in Norwegian-Pakistanis' identity claims has significant implications for how Norwegian-Pakistanis relate to the Norwegian health-care culture, and for how signs and symptoms of cognitive decline are read and responded to in a migratory context.
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Montpellier, Elliot. "Mirāt ul-‘Urūs on the Small Screen: Family TV Dramas and the Making of Pious Publics in Pakistan." BioScope: South Asian Screen Studies 10, no. 2 (December 2019): 145–63. http://dx.doi.org/10.1177/0974927619901046.

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This article analyses three Pakistani television adaptations of Nazir Ahmad’s novel Mirāt ul-‘Urūs to better understand the role of television dramas, an entertainment genre, in shaping pious publics. Scholarly attention to the novel, notably Shenila Khoja-Moolji’s work (2018) on the two most recent adaptations, primarily discuss feminine piety, women’s education and modes of instilling middle class values for women in these narratives. This article shifts focus to examine more broadly how dramas contend with family tensions, how they conceptualise familial duty, and how this widened focus on family provides new insights on religion in these adaptations. The article explores the concept of ‘religious-adjacent’ issues (‘ side-chizen’), a category that emerges from ethnographic fieldwork in the Pakistani television industry. This framing helps us understand not only the ways in which narratives are structured around private piety and tensions arising from familial duty, but also the changing forms of circulation and online audience engagement of these dramas, all of which play an important role in shaping religious publics in contemporary Pakistan.
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Pirzado, Ali Akbar, Naeem Ahmed Qureshi, Imran Khan Jaoti, Komal Arain, and Riaz Ali Buriro. "MODELLING THE CONDITIONAL CO-MOVEMENTS OF PAKISTAN AND INTERNATIONAL STOCK MARKETS." Humanities & Social Sciences Reviews 9, no. 3 (May 10, 2021): 295–307. http://dx.doi.org/10.18510/hssr.2021.9330.

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Purpose of the study: This study assesses and evaluates the conditional co-movements and dynamic conditional correlation of the Pakistan Stock Exchange (PSX) with other Stock Market. Methodology: DCC-GARCH model has been applied due to its feasibility to model the covariance as a function of correlation and variance together. Main findings: The findings of the research suggest that the Pakistani Stock Exchange (PSX) is highly volatile compared to two other selected stock markets. In-sample fitting, the study has selected the DCC-GARCH (1, 1) model based on information criterion, conversely, the criterion used for out-of-sample forecast evaluation such as MSFE, RMSFE, MAPE, selected the DCC (2,1)-GARCH (1,1). Application of the study: This study is very useful for the Pakistan stock market and other international selected stocks markets until and unless the government of Pakistan and other governments will devise new policies which may open new opportunities to investors. Novelty/ Originality of the study: This study has a great potential in the Pakistani stock market to offer investors to several foreign and domestic investors, allowing them to hold Pakistan as well as foreign and local stocks all major benefits.
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Dissertations / Theses on the topic "Pakistani Arts"

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Zafar, Muhammad Hasan. "Pakistani documentary : representation of national history and identity (1976-2016)." Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8386/.

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This thesis presents a study of Pakistani documentary, with a focus on the ways in which it represents Pakistan’s national identity and history. The study examines three sources of documentary production – state media, commercial television channels, and independent filmmakers – as three distinct voices of Pakistani documentary. The study argues that the discourses of these institutions are governed by their respective ideological, political, and economic priorities. These factors result in two competing approaches to Pakistan’s national history and identity: right-wing and left-wing. The Islamic ideology of the state governs the discourse of state-sponsored documentaries. The commercial television documentaries take an anti-establishment position, however, they remain faithful to Islamic ideology of the state to a large extend. The independent filmmakers, on the other hand, offer a liberal perspective of history and a secular identity of Pakistan. Hence, they offer a critical view of the state’s Islamic ideology as a governing principle of historiography and identity formation. The notion of representation entails the issues of authenticity, credibility, and truth-value, associated with the various methods adopted by the filmmakers. Hence, attention is paid to the styles and modes of documentary, with a reflection on the documentarian’s individual approaches to realism. The documentaries have been placed within historical and political contexts considering Pakistan as a postcolonial state, which also functions as a critical framework of this study.
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Iqbal, Samina. "Modern Art of Pakistan: Lahore Art Circle 1947-1957." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4359.

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This dissertation focuses on the modern art of Pakistan from 1947-57, more specifically, the role of six important artists who founded the Lahore Art Circle (LAC) in 1952. The group played a pivotal role in the formulation of modernism in Pakistan after its establishment as an Islamic Republic. Framed within postcolonial theories and criticism, this study will address the role of modern art in developing new artistic sensibilities in the nation of Pakistan. In order to understand the context of LAC’s framing of “modernism” and “nationalism” in terms of specific historic and hybrid nexus,my research will provide an investigation of works of only the founding members of the Lahore Art Circle including: Shakir Ali (1924-1975), Sheikh Safdar Ali (1924-1983),Moyene Najmi (1926-1997), Ali Imam (1924-2000), Ahmed Parvez (1926-1979) and Anwar Jalal Shemza (1928-1985). In analyzing the works of individual artists and the role of LAC during the first decade of the establishment of Pakistan as a nation-state, this study provides a framework to understand the specific condition of modernism in Pakistan that was dictated by these artists’ careers and works. Thus, this research investigates how the framing of modernism for these artists took on highly personal, international, incipiently national and distinctly local forms in the early years of the Pakistan after the Partition of 1947. Lastly, it will also examine how the individual LAC artists situated themselves in the discourse between constructing a newly established Pakistani identity within the larger paradigms of international modernism.
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Pamment, Claire. "The bhānd mode in Pakistani performance." Thesis, Central School of Speech and Drama, 2013. http://crco.cssd.ac.uk/459/.

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Bhānds are wandering comedians, widely dispersed in Pakistan and North India. While their art constitutes a persistent mode of performed practice in Pakistan, it is not given recognition by dominant culture. The thesis explores the caste, class, ethnic and literary biases that motivate this ostracism, and in turn how bhānds play with these status distinctions in performance. This interaction creates a dynamic mode, which is able to expose, negotiate and subvert hegemonic power structures, and, in so doing, continually adapts itself to changing socio-cultural contexts. Appreciation of these practices and their effects on the social norm has hitherto been lacking, precisely because of the cultural marginalisation which attempts to place the bhānd within a fixed definition of identity. In order to redress this imbalance, I explicate the bhānd’s aesthetics and socio-cultural mediation through multiple contemporary and historical manifestations. Contemporary reinventions range from stand-up comics in the nuptial rites, to carnivalesque comedians of the popular Punjabi theatre and socio-political commentators on satellite television. By extracting the bhānd from the prejudices of historiography, the thesis explores historical lineages between the bhānd and Sanskrit jesters and Sufi wise fools, arguing that this Indo-Muslim synchronism perpetuates the bhānd's presence in South Asia. This re-reading aims conceptually to release the bhānd from contemporary and historical constraints as a shape-shifting mode, which may be seen to continue generating innovative forms and practices for theatre and performance in Pakistan today.
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Siddiqa-Agha, Ayesha. "Pakistan's arms procurement decision-making, 1979-94." Thesis, King's College London (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.318478.

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Whiles, Virginia N. "Miniature manoeuvres tradition and subversion in Pakistani contemporary art /." Online version, 2006. http://bibpurl.oclc.org/web/31478.

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Dunne, Justin S. "Crisis in Baluchistan : a historical analysis of the Baluch Nationalist Movement in Pakistan /." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2006. http://library.nps.navy.mil/uhtbin/hyperion/06Jun%5FDunne.pdf.

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Bluth, Christoph, and U. R. Lee. "India and Pakistan: An Analysis of the Conventional Military Strategic Relationship." International Conference on Economics and Security 2019, 2019. http://hdl.handle.net/10454/17202.

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Thies, Douglas G. "Influence through airpower security cooperation in Egypt and Pakistan : lessons for Iraq /." Thesis, Monterey, Calif. : Naval Postgraduate School, 2007. http://bosun.nps.edu/uhtbin/hyperion-image.exe/07Dec%5FThies.pdf.

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Thesis (M.A. in National Security Affairs)--Naval Postgraduate School, December 2007.
Thesis Advisor(s): Russell, James A. ; Khan, Feroz. "December 2007." Description based on title screen as viewed on January 25, 2008. Includes bibliographical references (p. 99-107). Also available in print.
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Khurshid, Kamran. "Instability in presidential and parliamentary systems : the cases of Costa Rica and Pakistan." Honors in the Major Thesis, University of Central Florida, 1999. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/66.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Sciences
Political Science
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Schneider, Jeffrey W. "What Drives Defense Spending in South Asia?: An Application of Defense Spending and Arms Race Models to India and Pakistan." Thesis, Virginia Tech, 1999. http://hdl.handle.net/10919/31345.

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India and Pakistan are two of the world's poorest countries, yet each devotes a substantial portion of its resources to defend itself against the other. What drives these expenditures? Are they internally or externally driven? If externally, how do the countries interact with each other? To try to answer these questions, we apply five models widely used in defense spending studies. If the model performs well, we will assume that the underlying driver of defense expenditure or change in defense expenditure is present. If the model does not perform well, we will assume the driver is absent. Our goal is not to find the single "best" model, but to see if a consistent pattern of behavior emerges for each country through the combination of the models. We conclude that existing models do shed light on the defense spending behaviors of the two countries, although they are by no means the final word and have only limited value for forecasting. The patterns that emerge from empirical testing of the models indicate that: India is far more sensitive to Pakistan's spending than Pakistan is to India's. India is concerned with maintaining a certain level of superiority over its rival, but shows little inclination to spend Pakistan into the ground. Pakistan has run up against its resource constraint and Pakistani leaders have opted to spend what they feel they prudently can on defense rather than try to engage India in an arms race that they would assuredly lose. On the other hand, Pakistan' defense spending bureaucracy is stronger than India's, so that Pakistan finds it more difficult to cut defense spending than does India.
Master of Arts
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Books on the topic "Pakistani Arts"

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National Exhibition of Visual Arts (7th 1996 Islāmābād, Pakistan). 7th National Exhibition of Visual Arts, 1996: Catalogue 96. Islamabad: Pakistan National Council of the Arts, 1996.

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Salima, Hashmi, and Mirza Quddus, eds. 50 years of visual arts in Pakistan. Lahore: Sang-e-Meel Publications, 1997.

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Saqafat-e-Pakistan, Idara, ed. 6th National Exhibition of Visual Arts, 1994. [Islamabad]: Pakistan National Council of the Arts, 1994.

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Pakistan National Council of the Arts. Heart strings of heritage. Islamabad: Ministry of Information, Broadcasting & National Heritage, 2014.

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Aḥmadu, Qanāṣiro Manẓūru, and Abṛo Āftābu, eds. Bhiṭāʼī jo s̲aqāftī virs̲o. [Bhita Shah, Hadarabad]: Bhiṭa Shahu S̲aqaftī Markazu, 2006.

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Azhar, Aslam. "Ik zara sochney do" (Let me think awhile): The arts in Pakistani society and other essays. Lahore: Sang-e-Meel Publications, 2021.

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Mazaar, Bazaar: Design and visual culture in Pakistan. Karachi: Oxford University Press, 2009.

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Tahir, M. Athar. Pakistan colours. Karachi: Oxford University Press, 2001.

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Pakistan colours. Oxford: Oxford University Press, 2001.

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(Pakistan), National Art Gallery. National Art Gallery collection. Islamabad: Pakistan National Council of the Arts, 2007.

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Book chapters on the topic "Pakistani Arts"

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Siddiqa-Agha, Ayesha. "Pakistan’s Arms Suppliers." In Pakistan’s Arms Procurement and Military Buildup, 1979–99, 91–108. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230513525_6.

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Moshaver, Ziba. "Pakistan and Nuclear Arms Control." In Nuclear Weapons Proliferation in the Indian Subcontinent, 123–33. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-11471-9_7.

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Aarten, Sander Ruben. "Deterrence (In)stability Between India and Pakistan." In NL ARMS, 215–30. The Hague: T.M.C. Asser Press, 2020. http://dx.doi.org/10.1007/978-94-6265-419-8_12.

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AbstractSince the introduction of India’s cold start and Pakistan’s full spectrum deterrence doctrines, the subcontinental deterrence landscape has been characterised by strong cross-domain dynamics. In extremis, if both states adhere to the threats issued in their doctrines a Pakistan-supported militant attack on Indian soil could escalate into an all-out nuclear exchange. It is a development that has been met with great concern by many analysts for its detrimental impact on deterrence stability. Since the doctrines are believed to have become operational, at least four incidents occurred which could have sparked this cross-domain escalation spiral. And yet, crisis behaviour proved vastly different from what doctrine predicted. What does this say about deterrence stability on the subcontinent? This chapter assesses deterrence stability on the basis of perfect deterrence theory, which is argued to provide a more nuanced view of deterrence relationships than classical deterrence theory. It finds support for the stability-instability paradox and argues that deterrence is less unstable than appears at first sight. Furthermore, to fully appreciate the degree of deterrence stability, it is suggested that the factors ‘context’ and ‘narrative’ should be included into the equation.
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Rizvi, Gowher. "Arms Control and Indo-Pakistan Relations." In Arms Control in Asia, 116–43. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-08975-8_7.

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Shahab, Palvasha. "The Land of Mourning: A Conversation with Adeela Suleman." In Interdisciplinary Studies in Human Rights, 121–28. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-73835-8_7.

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AbstractAdeela Suleman is a globally celebrated artist and sculptor. She was front and centre of the artists’ response to the Ali Enterprises Factory Fire of 2012. Under her leadership, the Vasl Artists’ Association sent out a call for submissions to artists across Pakistan and the overwhelming response was curated in the form of the exhibition titled: ‘Awaaz Baldia Factory Inferno: Artists Respond’ which was hosted by the Arts Council of Pakistan in February 2013. Her monument dedicated to those who lost their lives in the fire was also part of the one year anniversary of the fire has been placed at the Pakistan Institute of Labour Education and Research (PILER). She also facilitated several international collaborations and artists intending to engage with the fire. Palvasha Shahab sat down with her to explore her thoughts about the role that art and artists play in the face of calamities and social injustices, her relationship to Karachi and her own response to the fire.
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Cheema, Pervaiz Iqbal. "Defence Policy II: Arms Procurements and Alignments." In Pakistan’s Defence Policy, 1947–58, 105–44. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20942-2_4.

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Salik, Naeem Ahmad. "Arms Control, Confidence Building, and Nuclear Risk Reduction—A Pakistani Perspective." In The India-Pakistan Military Standoff, 215–27. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118768_9.

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Hashmi, Salima, and Farida Batool. "Reframing the Contexts for Pakistani Contemporary Art." In Intersections of Contemporary Art, Anthropology and Art History in South Asia, 73–92. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-05852-4_3.

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Wirsing, Robert G. "The Arms Race with India: The Nuclear Imperative." In Pakistan’s Security under Zia, 1977–1988, 81–141. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-12903-4_3.

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Sultan, Adil. "Pakistan and India’s Approaches Toward Arms Control and Disarmament." In Universalizing Nuclear Nonproliferation Norms, 43–61. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01334-9_4.

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Conference papers on the topic "Pakistani Arts"

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Tahir, Rafya. "ART EDUCATION IN PAKISTAN: COLONIAL LEGACY AND CHALLENGES OF 21st CENTURY." In International Conference on Arts and Humanities. The International Institute of Knowledge Management (TIIKM), 2018. http://dx.doi.org/10.17501/icoah.2017.4109.

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Turco, Maria Grazia. "THE BUDDHIST SITE OF TOKAR-DARA 1 (SWAT, PAKISTAN). BUILDING TECHNIQUES IN THE ANCIENT GANDHARA." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s15.122.

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Kumar, Nagendra. "ALL’S WELL THAT ENDS WELL; THE END WAS NEVER WELL: COLLECTIVE MEMORY IN KHUSHWANT SINGH’S TRAIN TO PAKISTAN." In 5th Arts & Humanities Conference, Copenhagen. International Institute of Social and Economic Sciences, 2019. http://dx.doi.org/10.20472/ahc.2019.005.014.

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Donnelly, Warren H. "Nuclear arms race technologies in the 1990s The case of India and Pakistan." In AIP Conference Proceedings Volume 178. AIP, 1988. http://dx.doi.org/10.1063/1.37834.

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WANG,, YOU-SHENG, and AHMAD FAROQ. "COMPARISON OF HIGHER EDUCATION BETWEEN CHINA AND PAKISTAN." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35698.

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China Pakistan friendly relations have a long history and have cooperation in many aspects, including education. However, due to the different systems and policies, higher education in the two countries also has great differences. The paper compares and analyzes the secondary education, education policies and objectives, challenges and difficulties encountered in the two countries, which is conducive to better education exchanges between the two countries in the future.
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Khan, Mohammad Rasheed, Shams Kalam, and Rizwan Ahmed Khan. "Development of a Computationally Intelligent Model to Estimate Oil Formation Volume Factor." In Offshore Technology Conference. OTC, 2021. http://dx.doi.org/10.4043/31312-ms.

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Abstract This investigation presents a powerful predictive model to determine crude oil formation volume factor (FVF) using state-of-the-art computational intelligence (CI) techniques. FVF is a vital pressure-volume-temperature (PVT) parameter used to characterize hydrocarbon systems and is pivotal to reserve evaluation studies and reservoir engineering calculations. Ideally, FVF is measured at the laboratory scale; however, prognostic tools to evaluate this parameter can aid in optimizing time and cost estimates. The database utilized in this study is obtained from open literature and covers statistics of crude oils of Pakistan, Iran, UAE, and Malaysia. Resultantly, this allows to move step forward towards the creation of a generalized model. Multiple CI algorithms are considered, including Artificial Neural Networks (ANN) and Artificial Neural Fuzzy Inference Systems (ANFIS). Models for CI are developed utilizing an optimization strategy for various parameters/hyper-parameters of the respective algorithms. Unique permutations and combinations for the number of perceptron and their resident layers is investigated to reach a solution that provides the most optimum output. These intelligent models are produced as a function of the parameters intrinsically affecting FVF; reservoir temperature, solution GOR, gas specific gravity, and crude oil API gravity. Comparative analysis of various CI models is performed using visualization/statistical analysis and the best model pointed out. Finally, the mathematical equation extraction to determine FVF is accomplished with the respective weights and bias for the model presented. Graphical analysis using scatter plots with a coefficient of determination (R2) illustrates that ANN equation produces the most accurate predictions for oil FVF with R2 in excess of 0.96. Moreover, during this study an error metric is developed comprising of multiple analysis parameters; Average Absolute Error (AAE), Root Mean Squared Error (RMSE), correlation coefficient (R). All models investigated are tested on an unseen dataset to prevent the development of a biased model. Performance of the established CI models are gauged based on this error metric, which demonstrates that ANN outperforms the other models with error within 2% of the measured PVT values. A computationally derived intelligent model proves to provide the strongest predictive capabilities as it maps complex non-linear interactions between various input parameters leading to FVF.
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Reports on the topic "Pakistani Arts"

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Masud, Shahid. Arms Control and Disarmament Between India and Pakistan - An Appraisal. Fort Belvoir, VA: Defense Technical Information Center, April 1998. http://dx.doi.org/10.21236/ada345607.

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Béraud-Sudreau, Lucie, Paul Holtom, Mark Bromley, Pieter D. Wezeman, and Siemon T. Wezeman. Trends in International Arms Transfers, 2010. Stockholm International Peace Research Institute, March 2011. http://dx.doi.org/10.55163/pkdq7817.

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The SIPRI Arms Transfers Database now contains information on all international transfers of major conventional weapons from 1950 to the end of 2010. It is the only publicly available resource providing consistent data on international arms transfers for this length of time. This Fact Sheet describes the trends in international arms transfers that are revealed by the new data. It lists the main suppliers and recipients for the period 2006–10 and describes the changes in regional trends. The volume of international transfers of major conventional weapons for the period 2006–10 was 24 per cent higher than for the period 2001–2005. The five biggest suppliers in 2006–10 were the United States, Russia, Germany, France and the United Kingdom. The five biggest recipients were India, China, South Korea, Pakistan and Greece.
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Béraud-Sudreau, Lucie, Xiao Liang, Siemon T. Wezeman, and Ming Sun. Arms-production Capabilities in the Indo-Pacific Region: Measuring Self-reliance. Stockholm International Peace Research Institute, September 2022. http://dx.doi.org/10.55163/xgre7769.

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Armed forces in the Indo-Pacific region remain dependent on weapon systems imported from foreign suppliers. This is despite the efforts of many governments in the Indo-Pacific to implement policies that support the development of local arms industrial capabilities with the aim of increasing self-reliance. This report develops three indicators to give a score and regional ranking of self-reliance to twelve jurisdictions in the Indo-Pacific region: Australia, China, India, Indonesia, Japan, South Korea, Malaysia, Pakistan, Singapore, Taiwan, Thailand and Viet Nam. Overall, this report contributes to knowledge and debates on armament trends and military modernization in the Indo-Pacific. In a region where tensions among neighbours are rising, it further contributes to transparency with regard to levels of self-reliance in domestic arms production, allowing for an independent assessment of the region’s respective arms industries.
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