Academic literature on the topic 'Pakistani Women Writers'

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Journal articles on the topic "Pakistani Women Writers"

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Mehmood, Sadaf. "Voicing The Silences: Women In Contemporary Pakistani Fiction In English." Pakistan Journal of Gender Studies 18, no. 1 (2019): 113–28. http://dx.doi.org/10.46568/pjgs.v18i1.28.

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Indigenous women of Pakistan have long been struggling with the patriarchal norms. Categorization of their existence in the conventional oppressions connotes diversified victimization. Grappling with such assorted repressions and articulating the subsequent silences, women writers of Pakistan and the social activists are incessantly engaged to empower women from societal peripheries. The selected fiction exposes how the indigenous woman is controlled and exploited on the name of religio-cultural rhetoric. The present article outlines the historical developments in changing the social positioni
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Zainab, Rida, Maria Liaqat, Pakeeza Fatima, and Hassan Bin Zubair. "A Postcolonial Feminist Appraisal of Pakistani English Literature." Journal of Education, Teaching and Social Studies 4, no. 2 (2022): p7. http://dx.doi.org/10.22158/jetss.v4n2p7.

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This research explores women’s position in Pakistani society. Women are considered an interesting topic for researchers. The following research will show women’s empowerment in male-dominant backgrounds. This research offers a close analysis of women’s presentations by Pakistani English writers. This research is qualitative in nature. It provides a detailed account of information about postcolonial feminism and feminist writers of contemporary times. Portraiture of women is clear in the works of Pakistani English writers. The whole task will be accomplished with the impact of Colonialism. Paki
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Zainab, Rida, Maria Liaqat, Pakeeza Fatima, and Hassan Bin Zubair. "A Postcolonial Feminist Appraisal of Pakistani English Literature." Journal of Education, Teaching and Social Studies 4, no. 2 (2022): p7. http://dx.doi.org/10.22158/jetss.v4n2p7.

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This research explores women’s position in Pakistani society. Women are considered an interesting topic for researchers. The following research will show women’s empowerment in male-dominant backgrounds. This research offers a close analysis of women’s presentations by Pakistani English writers. This research is qualitative in nature. It provides a detailed account of information about postcolonial feminism and feminist writers of contemporary times. Portraiture of women is clear in the works of Pakistani English writers. The whole task will be accomplished with the impact of Colonialism. Paki
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Rehman, Nabila, Tabassum Maqbool, and Saira Akhter. "THE REPRESENTATION OF WOMEN’S IDENTITY IN THE HOLY WOMAN AND SLUM CHILD." Pakistan Journal of Social Research 04, no. 02 (2022): 1048–57. http://dx.doi.org/10.52567/pjsr.v4i2.600.

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This study investigates the aspect of pejorative condition of Pakistani women through the comparative study of two novels The Holy Woman (2001) by Qaisra Shahraz and Slum Child (2010) written by Bina Shah. Both the novels scrutinize communal and gendered subalternity of women and their struggle for selfhood in male chauvinist society of Pakistan. This research specifically explores the issues of women such as how they are dispossessed of identity, right of choice and social standing in the disguised form of honor. The plight of female characters in The Holy Woman and Slum Child is analyzed rel
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Asghar, Salma, and Urooj Akhter. "Representation of Women: A Corpus-based Analysis of Pakistani English Newspapers." Journal of Communication and Cultural Trends 4, no. 2 (2022): 61–80. http://dx.doi.org/10.32350/jcct.42.04.

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This study investigates the use of gendered lexical items and collocates to deconstruct the patriarchal social system of Pakistan with the help of corpus tools. Media frame the mind and thinking of people with its repetitive announcements. Women being a part of the society are also part of media news but they are underreported by reporters and editors as most of the news are male- filtered news. Pakistani English newspapers are one of the popular sources of getting information across Pakistan. The local social system and male dominating mindset have influenced all types of media in Pakistan. I
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Humayun, Sufia. "Projection of Occidental Gaze in Kartography: A Study of the Western Feminist Prism in the Diaspora Narrative." Journal of English Language, Literature and Education 5, no. 3 (2023): 45–62. http://dx.doi.org/10.54692/jelle.2023.0503188.

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The research paper employs Kamila Shamsie’s novel Kartography as a primary text to critique the influence of occidental gaze on the diaspora female writers of Pakistan. It explores how these writers end up projecting the Pakistani women from their personal perspective of affluent, educated status mimicking the western feminist philosophy. The study uses textual analysis and closed reading methods within the post-colonial feminism and narrative theoretical framework. The discourse of the occidental gaze, representation/misrepresentation of the Orient, objectification of women, and Western femin
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Zainab, Noreen. "Repression, Isolation, and Paranoia: A Psychoanalytic Feminist Study of ‘The Nightmare’ by Rukhsana Ahmad." University of Chitral Journal of Linguistics and Literature 1, no. 1 (2018): 83–105. http://dx.doi.org/10.33195/uochjll/1/1/05/2017.

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Generally, literature written by Pakistani women writers in English depicts women as victims of patriarchy, social and cultural oppression. Meanwhile, in recent times the short fiction is exploring new paradigms related to the psychological oppression of married women in Pakistan. The following paper selects the short story, ‘The Nightmare’ by Pakistani writer, Rukhsana Ahmad, where a housewife suffers from paranoia because of disconsolate marriage. Therefore, this research aims to study the causes of psychological disorders specifically paranoia among apparently happy housewives. Moreover, th
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Salahuddin, Ambreen. "Mystic Language and Symbols: Unity of Being and Pakistani Women Fiction Writers." Journal of Islamic Thought and Civilization 10, no. 101 (2020): 170–81. http://dx.doi.org/10.32350/jitc.101.09.

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This article explores the concept of unity of being in fiction by Pakistani women writers. The usage of mystic language and depiction of mystical and Sūfi symbols in literature can be traced back to ancient texts. However, it has been deemed alien for women to be Sūfis and have mystic experience, apart from a few exceptions. Indulging in formulating mystical symbols and using mystic language by women has not been perceived as too womanly. The main reason for this is the fact that women’s world-view has been restricted and thus deemed limited. Complete works of fiction by Pakistani women writer
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Mansoor, Asma, and Najeeba Arif, International Islamic University, Islamabad, Pakistan. "Articulation, Agency and Embodiment in Contemporary Pakistani Urdu Poetry by Women." Asiatic: IIUM Journal of English Language and Literature 10, no. 1 (2016): 128–44. http://dx.doi.org/10.31436/asiatic.v10i1.748.

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This paper explores the notions of “articulation,” “agency” and “embodiment” in Urdu poetry composed by Pakistani women. Although these terms have been taken from the First world feminist discourses, we aim to highlight how these three terms were not merely reflected in the contemporary poetry of Pakistani women, but rather were used to express their own modalities and associations as they countered the patriarchal system within which they were embedded. Our study does not simply apply these terms on selected poems by Kishwar Naheed (1940-), Fehmeeda Riaz (1946-) and Azra Abbas (19
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Kahf, Mohja. "Women and Social Justice." American Journal of Islam and Society 8, no. 2 (1991): 347–50. http://dx.doi.org/10.35632/ajis.v8i2.2633.

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The task undertaken in this book, the development of a “third approach”to the issue of women’s oppression superceding both feminism and traditionalism,is much needed and much neglected in the Islamic movement.Specifically, Ahmad analyzes the impact of the introduction of hudud (Islamicpenal code) laws in Pakistan and makes policy recommendations for theirreform. Although his analysis is not limited in usefulness to Pakistan, it islimited, however, by several shortcomings in argument, structure, and language.Ahmad’s strong points emerge in his empirical study of Pakistani familylaw. While he at
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Dissertations / Theses on the topic "Pakistani Women Writers"

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Mirza, Maryam. "L'Intimité inter-classes 5 : une étude de la littérature féminine anglophone contemporaine de l'Inde et du Pakistan." Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3048.

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En prenant appui sur dix romans anglophones contemporains par les auteures indiennes et pakistanaises, cette étude explore et évalue les enjeux politiques et poétiques de la représentation de l'amitié et de l'amour inter-classes dans une littérature souvent considérée comme essentiellement ‘élitiste'. Cette thèse s'écarte de l'approche habituelle dans les études postcoloniales qui privilégie l'idée d'hybridité conçue uniquement en termes binaires (Occident/Orient ou Nord/Sud) et au cœur de l'étude se trouvent la figure du subalterne et la négociation complexe des identités liées à la classe, à
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Books on the topic "Pakistani Women Writers"

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1938-, Fak̲h̲r Zamān, Ḥamīd Yāsmīn, Farruk̲h̲ī Āṣif 1959-, and Iftik̲h̲ār ʻĀrif, eds. Pakistani women writers. Fiction House, 2001.

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Pākistān, Akādmī Adabiyāt-i., ed. Pakistani women writers, 1947-2017. Pakistan Academy of Letters, 2018.

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Nirupama, Dutt, ed. Half the sky: Stories by women writers of Pakistan. Unistar Books, 2004.

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(Editor), Yasmine Hameed, and Asif Aslam Farrukhi (Editor), eds. So That You Can Know Me: An Anthology of Pakistani Women Writers. Unesco, 1998.

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(Editor), Yasmine Hameed, and Asif Aslam Farrukhi (Editor), eds. So That You Can Know Me: An Anthology of Pakistani Women Writers (Garnet World Fiction Series). Garnet Publishing, Ltd., 1999.

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Dutt, Nirupama. Half The Sky ; Stories by Women Writers of Pakistan. Unistar Books Pvt. Ltd., 2004.

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Women writes on partition of Pakistan and India. Vanguard Books, 2006.

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In her own write: Short stories by women writers in Pakistan. ASR Publications, 1994.

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In her own write: Short stories by women writers in Pakistan. ASR Publications, 1994.

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Stories with Oil Stains: The World of Women Digest Writers in Pakistan. Oxford University Press, 2021.

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Book chapters on the topic "Pakistani Women Writers"

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"5. Betrayal, Anger, and Loss: Women Write the Partition in Pakistan." In Speaking of the Self. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822374978-007.

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Christine, C. "We, the Mothers of the Lashkar‐e‐Tayyaba by Umm-e-Hammad*." In The Literature of Lashkar-e-Tayyaba. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198883937.003.0007.

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Abstract Lashkar-e-Tayyaba (LeT) is a distinctive militant group in Pakistan because it dedicates considerable resources to recruiting women and their families, acknowledging that women are responsible for reproducing the ummat and raising good Muslims. While LeT encourages women to observe strict purdah, it also relies upon women to engage in important social and political activities. This affords women significant status within the organization and a socially acceptable public life, with the relatively rare opportunity to leave their homes to participate in LeT’s various women’s ijtema’at (p
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Khoja-Moolji, Shenila. "Introduction." In Rebuilding Community. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197642023.003.0001.

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Abstract Rebuilding Community uncovers the stories of care, help, and support that dozens of Ismaili Muslim women have extended to coreligionists against the dislocating effects of wars and forced migration. The book focuses on two cohorts of women: one that fled East Pakistan in the early 1970s due to civil war, and the other that was forced to leave East Africa during the same time, when Idi Amin expelled Asians from Uganda and anti-Asian sentiments intensified in Kenya and Tanzania. It tells the tale of how these women began the individual and collective work of remaking religious community
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Khan, Maryam Wasif. "Modern/Mecca: Populist Piety in the Contemporary Urdu Novel." In Who Is a Muslim? Fordham University Press, 2021. http://dx.doi.org/10.5422/fordham/9780823290123.003.0006.

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By the twenty-first century, seventy odd years into Pakistan’s existence, the cobbled ideals of nationhood and state implode into a radically reimagined Muslimness enabled and legitimized within a number of popular novels and television serials authored by bestselling writers, Umera Ahmad, Nimra Ahmad, and Farhat Ishtiaq. Among them, the “new” Muslim, predominantly signified by young women, is the contemporary reincarnation of a salafī, an early convert and companion of the Prophet Muhammad. In these religio-populist novels, the true Muslim protagonist actively rejects those outside the fold o
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Haq, Mahbub Ul. "Human Development Strategies In South Asia." In Reflections On Human Development. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195101911.003.0007.

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Abstract The battle for human development is going to be won or lost mainly m Asia because that is where 70% of the developing world’s people live. Asia has made significant human progress in the past three decades. Average life expectancy has increased by 18 years-from 46 years in 1960 to 64 years in 1990. Average primary enrolment has increased from 57% to 71%. Infant and child mortality rates have been about halved. And the immunization coverage for one-year-olds is now around 85% in East Asia-higher than the average for industrial countries. But there is a distressing and lengthening agend
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Conference papers on the topic "Pakistani Women Writers"

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Kumar, Neeraj. "Exploration of Womanhood and the Assertion of Self: A Comparative Study of Meghna Pant's One and a Half Wife and Bapsi Sidhwa's The Pakistani Bride." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8204.

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Feminism emerged as a worldwide movement to secure women's rights on the one hand and love, respect, sympathy and understanding from males on the other. It focused on women's struggle for recognition and survival and made them realise that the time has come when they should stop suffering silently in helplessness. The images of women in South Asian novels have also undergone a change in the last three decades. Earlier women were conceived as a symbol of self sacrifice and suffering. In due course of time women writers affected by Western Feminism have exp-lored the alternative ideal of self as
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Kumari, Urwashi. "Delineation of Inner Spaces and Angst: A Comparative Studyof Amrita Pritam’sPinjar and Bapsi Sidhwa’sIce – Candy –Man." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9040.

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The recent women writers from India, Pakistan, SriLanka and Bangla­desh exemplify the issue of gendered self-representation and feminist con­cern. Their works realize not only the diversity of women but the diversity within each woman. They are incorporating their experiences to make new, empowering image for women, instead of limiting the lives of woman to one ideal; they push the ideal towards the full expression of each woman’s poten­tial. Indian land is known for its unity and diversity. It has been a witness to the most horrific as well as terrible atrocities that have ever been committed
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Kumari, Urwashi. "Delineation of Inner Spaces and Angst: A Comparative Study of Amrita Pritam’s Pinjar and Bapsi Sidhwa’s Ice – Candy – Man." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8203.

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The recent women writers from India, Pakistan, SriLanka and Bangladesh exemplify the issue of gendered self-representation and feminist concern. Their works realize not only the diversity of wo-men but the diversity within each woman. They are incorporating their experiences to make a new, empowering image for women, instead of limiting the lives of women to one ideal; they push the ideal towards the full expression of each woman’s potential. Indian land is known for its unity and diversity. It has been a witness to the most horrific as well as terrible atrocities that have ever been committed
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