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Journal articles on the topic 'Palace architecture 8th-10th century'

Author: Grafiati

Published: 14 March 2023

Last updated: 31 July 2025

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1

Ziani, Asadik. "Geography of urban areas in the country of Zab through the flood trip of Al - Abab al - Numeiri - Otman Al-Riahi Palace model." Milev Journal of Research and Studies 4, no. 1 (2018): 559–75. http://dx.doi.org/10.58205/mjrs.v4i1.1211.

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This paper discusses the features and forms urbanization of the Architecture in the cities of Zab during the Century 7th - 8th Hijri /13 -14 AD in thesource represented in the "Faydh El-Obab" to Ibn Haj Nimeiri; we chose amodel for the palaces built by "B’ni Riyah" in the Palace of Othman AlRiyahi.

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2

Khan, Sonia Nasir, and Iqra Ashraf. "The Architecture and Decoration Varieties of Khirbat al Mafjar." PERENNIAL JOURNAL OF HISTORY 1, no. 2 (2020): 161–80. http://dx.doi.org/10.52700/pjh.v1i2.17.

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The 8th century desert palace Khirbat al Mafjar remains (in present day Jordan) is a matchless specimen of Umayyad luxurious lifestyle and their perception for art. The palace is amalgamation of variety of decoration type like carved and moulded stucco, stone relief and birds and figure sculpture and also frescos paintings. It is famous for its well-preserved floor mosaics. Although credited to caliph Hisham (r. AD 724– 743) but his successor and also his nephew named as Al Walid II probably built this palace (r. AD 743– 44) . However after five years Al-Walid’s died and, the palace was smashe

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3

Baeva, O. V., and A. Yu Kazaryan. "About one type of oriental residential building in the city of Ani, the medieval capital of Armenia." Zhilishchnoe Stroitel stvo, no. 12 (January 20, 2025): 62–70. https://doi.org/10.31659/0044-4472-2024-12-62-70.

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The study of architectural planning structure of two houses discovered in Ani during archaeological work in recent decades was undertaken in order to clarify their typological characteristics, architectural features and their place in the history of housing construction in the East. Acquaintance with the publications of archaeologists, the field surveys of objects in Ani undertaken by the authors led to the identification of a complex of stable features in these buildings, which made it possible to identify a range of typological analogies in the 12th–13th palace architecture of Armenians, Geo

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4

Sonia Nasir Khan and Iqra Ashraf. "The Architecture and Decoration Varieties of Khirbat al Mafjar." PERENNIAL JOURNAL OF HISTORY 1, no. 2 (2020): 161–80. http://dx.doi.org/10.52700/pjh.v1i2.171.

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The 8th century desert palace Khirbat al Mafjar remains (in present day Jordan)is a matchless specimen of Umayyad luxurious lifestyle and their perception forart. The palace is amalgamation of variety of decoration type like carved andmoulded stucco, stone relief and birds and figure sculpture and also frescospaintings. It is famous for its well-preserved floor mosaics. Although credited tocaliph Hisham (r. AD 724– 743) but his successor and also his nephew named asAl Walid II probably built this palace (r. AD 743– 44) . However after five yearsAl-Walid’s died and, the palace was smashed due t

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5

Arnold, Felix. "Das Landhaus des Marqués de Murrieta bei Córdoba." Architectura 47, no. 1-2 (2019): 132–45. http://dx.doi.org/10.1515/atc-2017-0008.

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AbstractThe architecture of Spain of the 1920s and 1930s remains a little studied aspect of the emergence of the modern movement. In 1926 –1931 the architects Carlos Arniches and Martín Domínguez, both prominent members of the so called ›Generación del 25‹, constructed a country estate near Córdoba for the Marqués de Murrieta. The remains of the now lost villa and garden have recently been investigated by the German Archaeological Institute, as part of a comprehensive study of the 10th century Islamic palace on which the estate had been built. The singular design of the building attests to the

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Boudiafe, M. SAOUANE Mohamed, and Mme ZEGHICHI Sarra. "The Impact of the Religious Dimension as Building, Urban Fabric and the Social Behavior of the Population." Resourceedings 2, no. 3 (2020): 194. http://dx.doi.org/10.21625/resourceedings.v2i3.685.

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I knew architecture grew since the ages of prehistoric and was the goal of the appearance of architecture at first in order to meet the need and protection from surrounding risks, but with the evolution of architecture through the ages, and the concept of civilization that appeared with the development of architecture gave a special identity to architecture. like Mesopotamia in Iraqi architecture, Egyptian architecture shows African, Romanian Greek, and Islamic architecture. The Byzantine Empire which covered most regions of the world saw the emergence of a very Christian architecture in Italy

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Miguel, Guitart. "Buscando luz en la tierra: Bajo las bóvedas del Baño Real del Palacio de Comares = Searching for Light in the Earth: Under the Vaults of the Royal Bath of the Comares Palace." rita_ Revista Indexada de Textos Académicos, no. 3 (May 6, 2015): 106–11. https://doi.org/10.24192/2386-7027(2015)(v3)(06).

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A lo largo de la cultura islámica se han producido soluciones espaciales de enorme riqueza arquitectónica y refinamiento estético, que no necesariamente material. El baño o hammam es con probabilidad uno de los más singulares. Procedente de las pautas establecidas por las termas romanas, estos baños se convirtieron en salas fundamentales de la vida social del mundo islámico. Cabría destacar en España ejemplos tan relevantes como los Baños de Alí en Jaén del siglo X, el Bañuelo del Albaicín en Gran

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8

Ozola, Silvija. "The Evolution of Cathedral Planning on the Baltic Sea Southern Cast during the 13th – 14th Centuries in Context of European Building Traditions." Landscape architecture and art 14 (July 16, 2019): 45–58. http://dx.doi.org/10.22616/j.landarchart.2019.14.04.

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In Rome, Emperor Constantin I started to build the most ancient cathedral – the five-nave Archbasilica of St. John in Lateran, but the Lateran Palace was given as a present to Bishop of Rome for his residence. Perimeter building blocks set up the building complex. In Europe, during the 6th–9th centuries numerous rulers proclaimed Christianity as the only religion in the country. The Church strengthened its impact on the society and governmental administration. In Rome, like in Jerusalem, a religious centre was created, but in the middle of the 8th century, a city-state Vatican was founded, and

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9

Arnold, Felix. "Mathematics and the Islamic Architecture of Córdoba." Arts 7, no. 3 (2018): 35. http://dx.doi.org/10.3390/arts7030035.

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In 10th-century Córdoba, mathematics—and particularly geometry—was applied to architectural design in new ways, constituting a “mathematical turn” of Islamic architecture. In the mosque of Córdoba and in the palaces of Madīnat al-Zahrāʾ, geometry was employed in the design of ground plans, elevations, decorative patterns, and even to measure the human view. While Roman architects like Vitruvius had used mathematics to place each element of a building in its appropriate relation to all other elements of a building, the architects at Córdoba employed geometry to create a spatial web in which all

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10

Laviola, Valentina. "Inserting and Combining. Stucco and Brick Tiles from the Ghaznavid Royal Palace (11th–12th c.) in Ghazni." Annali Sezione Orientale 80, no. 1-2 (2020): 197–209. http://dx.doi.org/10.1163/24685631-12340099.

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Abstract Numerous isolated tiles in brick and stucco emerged from the excavation of the Ghaznavid royal palace in Ghazni (11th–12th century). The finding in situ of edgewise laid bricks’ panels with inserted stucco tiles allows inferring that they adorned the upper section of the antechambers opening onto the palace central courtyard. How brick tiles were combined with them is still to be explained. This preliminary note offers a typological classification of tiles presenting the variety of sizes and morphologies as well as of the decorative patterns. The combination of baked brick and stucco

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11

Zornetta, Giulia. "Benevento and Salerno." Quellen und Forschungen aus italienischen Archiven und Bibliotheken 103, no. 1 (2023): 97–120. http://dx.doi.org/10.1515/qufiab-2023-0008.

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Abstract After the Carolingian conquest of the Lombard Kingdom in 774, the Duchy of Benevento became an independent principality. Duke Arechis (758–787) proclaimed himself princeps gentis Langobardorum, thus opposing the political authority of the new King of the Lombards, Charlemagne. During the second half of the 8th century, Arechis refounded Salerno as the second capital city of Lombard Southern Italy by building a palace which stood as a marker of his political authority within the urban landscape. When the competition between two factions of the Beneventan aristocracy led to a civil war

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12

Ito, Yoshihiko. "Old Columns, New Architecture." architectura 52, no. 1-2 (2025): 24–47. https://doi.org/10.1515/atc-2022-1004.

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Abstract Aligning load-bearing vertical posts to make an interior space is a longstanding practice, evident in Mediterranean architecture, where stone columns became the standard among all the materials and forms used by the Greeks and Romans. From the late Antiquity to the Middle Ages, Christians and Muslims repurposed those stone columns for their prayer halls. This paper delves into the architectural practices of the Iberian Peninsula from the 8th to 10th century, focusing on the strategic use of spolia columns at the ends of colonnades. Though its colonnaded interior spaces are apparent co

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13

Salimov, Aleksey M., and Marina A. Salimova. "The Ensemble of the Imperial Travel Palace on the “Tsar’s Road” in Torzhok." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 73 (2024): 283–304. http://dx.doi.org/10.37816/2073-9567-2024-73-283-304.

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Torzhok is rightfully considered among the most ancient cities in the Tver region, since the settlement on the territory of the Novotorzhsky Kremlin appeared no later than the turn of the 10th century. There, in the Middle Ages, over the years the administrative center of the city was formed and existed until the second half of the 18th century. The landmark in its history were the urban planning reforms initiated by Catherine II. Having given instructions to adjust the layout of Torzhok taking into account other, “regular” principles of organizing the urban environment, the Empress ordered he

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14

Boneva, Tsvetanka, and Severina Yorgova. "3D Reconstruction and Digital Visualization of the South of the Royal Palace in Great Preslav." Digital Presentation and Preservation of Cultural and Scientific Heritage 3 (September 30, 2013): 205–11. http://dx.doi.org/10.55630/dipp.2013.3.24.

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The report presents the film 10 th century. The South of the Royal Palace in Great Preslav. It consists of two parts – 10 th century. The Royal Palace in Great Prelsav. The Square with the Pinnacle and The Ruler’s Lodgings. 3D and virtual reconstructions of an architectural ensemble – part of the Preslav Royal Court unearthed during archaeological researches are used in the film. 3D documentaries have already gained popularity around the world and are well received by both scholars and the public at large. One of the distinguished tourist destinations in Bulgaria is Great Preslav – capital of

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15

Polshikova, Nadejda. "DEVELOPMENT AND FORMATION OF SLAVIC ARCHITECTURAL AND BUILDING TRADITIONS IN THE TERRITORY OF WESTERN AND SOUTHERN EASTERN EUROPE FROM THE 8TH TO 10TH CENTURIES." Problems of theory and history of architecture of Ukraine, no. 21 (May 2021): 97–104. http://dx.doi.org/10.31650/2519-4208-2021-21-97-104.

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This research is a continuation of the theme started in the previous issues of the collections of scientific works «Problems of the theory and history of architecture of Ukraine», where the development of the architecture of Eastern Europe from the Paleolithic to the beginning of Russian statehood at the end of XX century. The previous articles examined the formation of architecture and the development of architectural traditions among the population of the foreststeppe and steppe zones of Eastern Europe from the Paleolithic to the end of the early stage of the Slavic Middle Ages, to the end o

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16

Beauvoit, Emmie, Anne Bouquillon, Odile Majérus, Daniel Caurant, Julien Cuny, and Ariane Thomas. "Comparative Study of Architectural Bricks from Khorsabad and Susa Sites: Characterization of Black Glazes." Heritage 6, no. 9 (2023): 6291–310. http://dx.doi.org/10.3390/heritage6090329.

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In this study, the well-preserved glazes of 13 colored bricks representative of the decoration of the palaces of Sargon II (Khorsabad, 8th century BC) and of Darius I (Susa, 6th century BC) were examined. The purpose of this research is to gather information about the ancient brick manufacturing processes by examining the colored glazes and, in particular, black glazes using a combination of methods that included optical microscopy, SEM-EDX, synchrotron µ-XRD, and µ-Raman spectroscopy. The results revealed different coloring techniques for producing black glazes in the Neo-Assyrian and Persian

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17

Garfinkel, Yosef, Katharina Streit, Saar Ganor, and Paula J. Reimer. "King David's City at Khirbet Qeiyafa: Results of the Second Radiocarbon Dating Project." Radiocarbon 57, no. 5 (2015): 881–90. http://dx.doi.org/10.2458/azu_rc.57.17961.

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Seventeen samples of burnt olive pits discovered inside a jar in the destruction layer of the Iron Age city of Khirbet Qeiyafa were analyzed by accelerator mass spectrometry (AMS) radiocarbon dating. Of these, four were halved and sent to two different laboratories to minimize laboratory bias. The dating of these samples is ~1000 BC. Khirbet Qeiyafa is currently the earliest known example of a fortified city in the Kingdom of Judah and contributes direct evidence to the heated debate on the biblical narrative relating to King David. Was he the real historical ruler of an urbanized state-level

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18

Матвеев, В. Н. "ПОЛЫ OPUS SECTILE НА РУСИ: ОТ ПОДРАЖАНИЙ ВИЗАНТИИ ДО ШЕДЕВРОВ". Terra artis. Art and Design, № 2 (10 вересня 2022): 18–35. https://doi.org/10.53273/27128768_2022_2_18.

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Мозаики opus sectile («штучная мозаика») появились на Руси как заимствование из византийской архитектуры. Первым примером использования техники является выполненная в лучших традициях константинопольской архитектуры VIII–X вв. выкладка из ценных пород камня в первом каменном храме на Руси — Десятинной церкви в Киеве. В XI — начале XII вв. доминировали мо- заики, выполненные в технике инкрустации, при которой кусочки смальты вставлялись в каменные плиты. Основной декоративный мотив таких выкладок — переплетенные круги — повторял такой же мотив в одновременно созданных мозаиках Константинополя.

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19

Палладес, А. А. "Issue of Formation of Early Islamic Ornament on the Example of the Umayyad Mosque in Damascus, the First Half of the 8th Century." Scientific Papers of St Petersburg Academy of Fine Arts, no. 69 (July 9, 2024): 3–16. http://dx.doi.org/10.62625/2782-1889.2024.49.15.001.

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В VII в. формируется новая монотеистическая религия – ислам. Процесс объединения арабов на основе идейно-религиозных верований привел к возникновению нового государства– Арабского халифата. Искусство служило мощным инструментом демонстрации власти и могущества халифа. Значительное влияние на формирование арабского искусства оказали ограничения, диктуемые исламом. В оформлении светских зданий могли присутствовать изображения живых существ, как, например, в мозаиках и скульптурах дворцового комплекса Хирбат аль-Мафджар, но в монументально-декоративном убранстве религиозных построек на них был же

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20

Aref, Eman. "The Far Morocco Idrisid Arts and their role in enriching the plaster wall processing in the southwest Saudi Arabian kingdom in the century (14th AH/ 20th AD)." Academic Research Community publication 1, no. 1 (2017): 13. http://dx.doi.org/10.21625/archive.v1i1.137.

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Studying the methods of plaster wall decorations is considered one of the complementary elements of the architectural vocabulary that reflects the cultural and ideological heritage identy of the time period. Wall decoration has broken the barrier of time and place, and the political and doctrinal differences, expressing in an abstract way the truth about the beilefs of both the Far Morocco Idrisid and Sebia Idrisid in kingdom of Saudi Arabia, where they did not use any symbol or sign that demonstrates their belonging to Shi'i Muslims, so-most probably- they belong to Sunni Muslims. This study

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21

Kim, Dong-Hun. "The distribution and significance of Buddhist remains in Central Asia." Central Institute of Cultural Heritage 45 (October 31, 2024): 91–116. http://dx.doi.org/10.20292/jcich.2024.45.91.

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Buddhist remains in Central Asia are found in five regions: Bactria-Toharistan region in southern Uzbekistan and in southwestern Tajikistan, Fergana region in eastern Uzbekistan and Sogdiana region in central Samarkand, Merv region in eastern Turkmenistan, and Semirechiye region in north-eastern Kyrgyzstan. They are dated from around the 1st century to the 9th and 10th centuries. Most of the Buddhist remains in the northern part of Bactria-Toharistan region are Buddhist temples, but there are only stupas remained without temple buildings such as the Jurmala Stupa and Airtam Stupa. The Karatepa

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22

"ملامح من العِمارة في مالي في الفترة من (القرن 8 – 10هـ) Features of Architecture in Mali From 8th to 10th Century". مجلة الدراسات الإنسانية والأدبية 24, № 24 (2021): 209–41. http://dx.doi.org/10.21608/shak.2021.168569.

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23

Marina, Toumpouri. "Cathedral of Hagia Sophia." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12573327.

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The church dedicated to the Holy Wisdom, or the Divine Wisdom (Hagia Sophia in Greek) was built by emperor Justinian I in the 6th century (532-537 CE), under the direction of the architects Anthemios of Tralles and Isidore of Militos. It was inaugurated on 27 December 537. The first church on the site was a basilica built in the 4th century by emperor Constantius II, inaugurated in 360. This building known also as the Great Church was burned down in 404 by the supporters of John Chrysostom, then Patriarch of Constantinople. The domed basilica built by emperor Theodosios II was completed in 415

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24

Goodall, Jane. "Looking Glass Worlds: The Queen and the Mirror." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1141.

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As Lewis Carroll’s Alice comes to the end of her journey through the looking glass world, she has also come to the end of her patience with its strange power games and arbitrations. At every stage of the adventure, she has encountered someone who wants to dictate rules and protocols, and a lesson on table manners from the Red Queen finally triggers rebellion. “I can’t stand this any more,” Alice cries, as she seizes the tablecloth and hurls the entire setting into chaos (279). Then, catching hold of the Red Queen, she gives her a good shaking, until the rigid contours of the imperious figure b

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