Relevant bibliographies by topics / Palácio de Belém (Lisbon, Portugal)

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  2. Dissertations / Theses
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Academic literature on the topic 'Palácio de Belém (Lisbon, Portugal)'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 March 2023

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Journal articles on the topic "Palácio de Belém (Lisbon, Portugal)"

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Redweik, Paula, José Juan de Sanjosé Blasco, Manuel Sánchez-Fernández, Alan D. Atkinson, and Luís Francisco Martínez Corrales. "Tower of Belém (Lisbon)–Status Quo 3D Documentation and Material Origin Determination." Sensors 20, no. 8 (April 21, 2020): 2355. http://dx.doi.org/10.3390/s20082355.

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The Tower of Belém, an early 16th century defense tower located at the mouth of the Tagus river, is the iconic symbol of Lisbon. It belongs to the Belém complex, classified since 1983 as a World Heritage Site by the UNESCO, and it is the second most visited monument in Portugal. On November 1st, 1755, there was a heavy earthquake in Lisbon followed by a tsunami, causing between 60,000 and 100,000 deaths. There is a possibility of a repetition of such a catastrophe, which could bring about the collapse of the structure. This was the reasoning behind the decision to evaluate the Tower of Belém by means of surveys using Terrestrial Laser Scanning and photogrammetry. Until now, there was no high-resolution 3D model of the interior and exterior of the tower. A complete 3D documentation of the state of the Tower was achieved with a cloud of more than 6,200 million 3D points in the ETRS89 PT-TM06 coordinate system. Additionally, measurements were made using a hyperspectral camera and a spectroradiometer to characterize the stone material used in the Tower. The result is a digital 3D representation of the Tower of Belém, and the identification of the quarries that may have been used to extract its stone. The work carried out combines geometrical and material analysis. The methods used may constitute a guide when documenting and intervening in similar heritage elements. Finally, the information contained therein will allow an eventual reconstruction of the Tower in the case of another catastrophe.
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Oliveira, Éder. "Portfólio Éder Oliveira." Arteriais - Revista do Programa de Pós-Gradução em Artes 3, no. 5 (December 29, 2017): 13. http://dx.doi.org/10.18542/arteriais.v3i5.5373.

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Nasceu em Timboteua, no Pará, em 1983. Trabalha e vive em Belém. Licenciado em Educação Artística - Artes Plásticas pela UFPA. Pintor por ofício, desde 2004 desenvolve trabalhos relacionando retratos e identidade, tendo como objeto principal o homem amazônico. Através de intervenções, site-specifics e óleos sobre tela aborda temas como marginalidade, mídia, sensacionalismo e preconceitos, entre outros. Realizou as exposições individuais: Pintura – ou a Fotografia como Violência, Palácio das Artes – MG, 2017; Malerei - oder die Fotogafie als Gewaltakt, Kunstalle Lingen – Alemanha, 2016; Você é a Seta, Periscópio Arte Contemporânea – MG, 2016; Páginas Vermelhas, Blau Projects – SP, 2015 e Alistamento, Sesc Boulevard – Belém, 2015. Dentre os projetos coletivos podemos citar: Modos de ver o Brasil: Itaú Cultural 30 anos, Oca SP, 2017; A Cor do Brasil, Museu de Arte do Rio - MAR, 2016; Zona de Perigo, MON Curitiba e MAMAM Recife, 2016; 31a Bienal de Artes de São Paulo, 2014, bem como sua itinerância para Campinas e ao Porto, Portugal, no Museu de Serralves, 2015; Pororoca: A Amazônia no MAR, Museu de Arte do Rio – MAR, 2014; Amazônia, Ciclos de Modernidade, CCBB Rio de Janeiro e Brasília, 2012; Amazônia, Lugar da Experiência, Espaço Cultural Casa das Onze Janelas, 2012 e intervenção com pintura mural na Rua da Marinha, 250; Amazônia, a Arte, Museu Vale, Vitória e Fundação Clóvis Sangado, Palácio das Artes, BH, 2010. Recebeu as seguintes premiações: Prêmio PIPA Voto Popular Exposição, 2017; Lingener Kunstpreis 2016 Lingen – Alemanha, 2016; Programa Rede Nacional Funarte Artes Visuais – 11a Edição, 2015; Prêmio SEIVA Projetos Artísticos Fundação Cultural do Pará, 2015; Bolsa Funarte de Estímulo à Produção em Artes Visuais, 2014; Prêmio SIM de Artes Visuais do Sistema Integrado de Museus, 2008; 2o Grande Prêmio Salão Arte Pará, 2007.
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Tostões, Ana. "Manuel Salgado interviewed by Ana Tostões." Modern Lisbon, no. 55 (2016): 74–77. http://dx.doi.org/10.52200/55.a.wdsh9h4l.

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On August 2016, Ana Tostões interviewed the architect Manuel Salgado, councilor of the Municipality of Lisbon since 2007, in order to discuss the main policies undertaken and his ideas on urban planning in its connection to mobility infrastructures, public space and the continuous reconstruction of park and green areas, in Lisbon. Manuel Salgado was born in 1944, Lisbon, and studied architecture at the Lisbon School of Fine Art (1968). From 1971 to 1982, he was the technical responsible for the architectural office CIPRO and in 1984 he became manager of the architectural office Risco. From 2002 to 2008, he was architecture professor, at Instituto Superior Técnico. He has participated in conferences worldwide and widely published, on urban planning, and has designed major urban projects and buildings in Portugal: the Belém Cultural Centre (with Vittorio Gregotti), the Lisbon Theatre and Film School, the Polytechnic Institute of Setúbal, the Expo’98 public areas, the FC Porto Dragão Stadium, the Lisbon Luz Hospital, etc. His architectural and public space projects received several awards: the Valmor Award (1980, 1998), the International Award Architecture in Stone (1993), the AICA Award (1998); the Portuguese National Design Award (1999) and the Brick in Architecture Award (2003). Within the Municipality of Lisbon, he took the position of councilor of the Urbanism and Strategic Planning Department in 2007, which accumulates, from 2009 to 2013, with the Municipality Vice-Presidency. Currently, as councilor, heads the Department of Planning, Urbanism, Urban Rehabilitation, Public Space and Construction of the Municipality of Lisbon.
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Elias, Heléna, and Francesca De Luca. "Atlas: Matrix." GIS - Gesto, Imagem e Som - Revista de Antropologia 4, no. 1 (October 24, 2019): 73–93. http://dx.doi.org/10.11606/issn.2525-3123.gis.2019.152838.

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This short, experimental piece, represents one possible way to describe the site-specific installation ATLAS: MATRIX in the Tropical Garden of Belém in Lisbon, Portugal. The text is the narrative of a mindful collaboration, one where the act of collaborating - intentional but not overly planned - resulted in an open-ended installation/dispositive that called for ulterior collaboration, enabling the spectators to play with the elements while generating, at the same time, a reflection around the collaborative endeavour itself. An introductory story in the form of a diary is followed by DIY guidelines, indicating a replicable formula for co-laborating - [from Latin cum (together) + laborare (to practice)] - in transdisciplinary settings.
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Cardoso, João Luís, António Faustino Carvalho, Paulo Rebelo, Nuno Neto, and Carlos Duarte Simões. "Individual Vessels, Individual Burials? New Evidence on Early Neolithic Funerary Practices on the Iberian Peninsula's Western Façade." European Journal of Archaeology, January 25, 2022, 1–19. http://dx.doi.org/10.1017/eaa.2021.64.

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Early Neolithic funerary practices and the meaning of complete ceramic vessels found isolated are poorly researched topics in western Iberia. However, recent archaeological salvage excavations at Armazéns Sommer and Palácio Ludovice in Lisbon have revealed individual burial pits of male individuals laid in a foetal position and directly associated with necked vessels. These discoveries suggest that finds of isolated vessels, known since the beginning of the twentieth century in Portugal and usually found fortuitously apparently without archaeological context, may also have originally belonged to similar burials, unnoticed by their finders. This hypothesis opens new perspectives for the interpretation of such finds, which are inventoried in the present article.
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Lobo Soares, Antonio Carlos, and J. Luis Bento Coelho. "Urban park soundscape in distinct sociocultural and geographical contexts." Noise Mapping 3, no. 1 (January 30, 2016). http://dx.doi.org/10.1515/noise-2016-0016.

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AbstractThe importance of soundscape in urban public parks has galvanised researchers concerned with improving the sound environment in cities. Existing literature reveals, however, a relative paucity of studies on soundscape in particular sociocultural and environmental contexts, and on the influence of these contexts in the perception of the urban sound space.Within this framework, this paper investigates the soundscape of parks in the cities of Belém, Brazil, and Lisbon, Portugal. The influence of geography and climate as determinant of activities and behaviors, the emission of natural and man-made sounds that characterise the soundscape of urban parks, the way park users evaluate the quality of sound environments were analysed, as were other elements that contribute for such an appreciation. The methodology encompassed sound measurements inside and outside the parks, analysis of the audibility of identifiable sound sources, study of local uses and activities through soundwalks and interviews, and assessment of responses to enquiries. The results shows that the soundscape of park depends on different features such as geography, climate, urban architecture, park infrastructure, sound sources, and most importantly the visitors’ expectations for the planned activities, together with their other sensorial responses, which proved to be different in distinct sociocultural and environmental contexts.
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Dissertations / Theses on the topic "Palácio de Belém (Lisbon, Portugal)"

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Rebelo, Marta Isabel da Silva Guerreiro. "Análise exploratória dos turistas estrangeiros : o caso dos pastéis de Belém." Master's thesis, Instituto Superior de Economia e Gestão, 2014. http://hdl.handle.net/10400.5/11548.

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Mestrado em Economia Internacional e Estudos Europeus
A importância crescente da globalização faz com que a preservação dos valores culturais seja crítica na determinação da competitividade dos lugares turísticos. A Antiga Confeitaria de Belém em Lisboa é um símbolo regional de incontestável valor e os pastéis de Belém são, não só uma insígnia regional, mas um doce reconhecido mundialmente. A presente dissertação explora as motivações e intenções comportamentais dos turistas estrangeiros pelo doce mais conceituado da região de Lisboa, sugerindo o seu impacto na procura turística. Esta dissertação foi baseada numa análise exploratória com recurso a um inquérito elaborado para alcançar os objetivos da investigação. Este inquérito foi realizado a turistas estrangeiros dos cinco continentes que visitaram as instalações da Antiga Confeitaria de Belém. A análise exploratória na sua essência propõe-se avaliar a importância da autenticidade da doçaria regional na satisfação dos turistas estrangeiros. Os resultados mostram que os turistas estrangeiros preferem produtos típicos quando visitam um local em vez de produtos e marcas internacionais. Tais resultados foram interpretados com base na literatura do Comportamento do Consumidor, presente em artigos científicos, livros e outros trabalhos de investigação. Também se utilizou como suporte informação relativa aos pastéis de Belém, assim como dados estatísticos relacionados com o turismo. Tendo em conta a natureza exploratória deste trabalho, os resultados alavancam novas propostas que se espera poderem alimentar futuras investigações.
The increasing importance of globalization makes the preservation of the cultural values critical to establish the competitiveness of a tourism destination. The Antiga Confeitaria de Belém in Lisbon is a regional symbol of incontestable value and the pastéis de Belém are, not only a regional ensign, but a sweet known worldwide. The present dissertation explores the behavioral motivations and intentions of the foreign tourists for the most renowned sweet of Lisbon region, suggesting its impact in the touristic demand. This dissertation was based on an exploratory analysis from an investigation with a survey designed to achieve the aims of the research and applied to tourists of five continents that visited the Antiga Confeitaria de Belém facilities. The exploratory analysis in its essence proposes to evaluate the authenticity importance of the regional sweets in foreign tourist's satisfaction. The results show that foreign tourists prefer typical products when they visit a place instead of international products and brands. Such results were interpreted based on Consumer Behavior literature present in scientific articles, books and other research works. This study was also supported by information about pastéis de Belém, as well statistical data related with tourism. Considering the exploratory nature of this work, the results leverage new proposals that are expected to nurture future investigations.
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Books on the topic "Palácio de Belém (Lisbon, Portugal)"

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Museu da Presidência da República (Portugal), ed. Calçadas de Belém: Palácio de Belém. [Lisbon, Portugal]: Museu da Presidência da República, 2011.

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2

Saraiva, José António. O Palácio de Belém: Com os seus hóspedesos seus segredos e a sua vida quotidiana. Mem Martins: Editorial Inquérito, 1985.

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Saraiva, José António. O Palácio de Belém: Com os seus hóspedes os seus segredos e a sua vida quotidiana. [S.l.]: Editorial Inquérito, 1985.

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4

A magnífica Torre de Belém: The magnificent Belém Tower. Vila do Conde: Verso da História, 2014.

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5

fot, Pavão Luís, Lacerda Manuel coord ed, and Evvans Gilla trad, eds. Torre de Belém. Londres: Scala Publishers, 2005.

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6

Quignard, Pascal. A fronteira. Lisboa: Quetzal, 1992.

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Quignard, Pascal. A fronteira. 2nd ed. Lisboa: Quetzal Editores, 1992.

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8

Sampaio, Jorge Pereira. O Palácio da Independência: Sua história e evolução arquitectónica. Lisboa: Edição da Sociedade Histórica da Independência de Portugal, 1988.

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Palácio dos Condes de Tomar. Lisboa: Santa Casa Misericórdia de Lisboa, 2019.

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Carvalho, Artur Marques de. Do Mosteiro dos Jerónimos: De Belém, termo de Lisboa. [Lisbon]: Impr. Nacional-Casa da Moeda, 1990.

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Book chapters on the topic "Palácio de Belém (Lisbon, Portugal)"

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Silva, Inês, Marina Pinto, João Pinto, Sara da Cruz Ferreira, André Bargão, and Rodrigo Banha da Silva. "Os Cachimbos dos Séculos XVII e XVIII do Palácio Mesquitela e Convento dos Inglesinhos (Lisboa)." In Arqueologia em Portugal 2020 - Estado da Questão - Textos, 1761–73. Associação dos Arqueólogos Portugueses e CITCEM, 2020. http://dx.doi.org/10.21747/978-989-8970-25-1/arqa131.

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Era-Arqueologia excavated in 2004 and 2009 two significant buildings in Bairro Alto quarter in Lisbon, due to urban rehabilitation projects. With approximate 17th century chronologies, they display very distinctive socioeconomic profiles: one, St. Peter’s and St. Paul’s Honourable Pontifical College (commonly known as the “Little English Convent”), and was devoted to catholic teaching to the British community living in Lisbon during Early Modern Age; the other, a noble mansion belonging to Mesquitela Earls. Despite archaeological limitations of contextual data, they display some contrast between the religious context and the noble one, allowing some archaeological inference on social significance of pipe presence in Early Modern Age contexts from Lisbon.
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Lopes, Martim, and Tomás Mesquita. "Faianças de dois contextos entre os finais do século XVI e XVIII do Palácio dos Condes de Penafiel, Lisboa." In Arqueologia em Portugal 2020 - Estado da Questão - Textos, 1733–46. Associação dos Arqueólogos Portugueses e CITCEM, 2020. http://dx.doi.org/10.21747/978-989-8970-25-1/arqa129.

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The Palace of Condes de Penafiel, in Lisbon, was archaeological interventioned between 1992-1993, in which were recovered three contexts of historical archaeology, datable between the XVI century and the XVIII century, when is documented the collapse of the previous to the actual palace, during the 1755 earthquake. The authors analyse the European faience recovered from the two oldest contexts (XVI-XVII century), associated to the deactivation of a medieval drain and the primitive edification of the building (1st quarter of XVI century), which is destroyed in 1755, where were collected ceramics reused within the walls.
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MASSING, JEAN MICHEL. "From Marco Polo to Manuel I of Portugal: The Image of the East African Coast in the Early Sixteenth Century." In Racism and Ethnic Relations in the Portuguese-Speaking World. British Academy, 2012. http://dx.doi.org/10.5871/bacad/9780197265246.003.0015.

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Less than twenty years after Vasco da Gama joined the commercial perimeter of the Indian Ocean (1497–8), European artists had developed a view of the newly discovered lands, ranging from highly exotic and sometimes quite fanciful renderings based on medieval sources (the ‘Tapestries of the Indies’) to careful ethnographic illustrations based on written and visual sources (Hans Burgkmair's large woodcut frieze, People of Africa and India, of 1508). These few years, in which the monstrance of Belém of 1506 (Museu Nacional de Arte Antiga, Lisbon) was produced with the gold of Kilwa, also saw an interesting development in Portuguese gold coinage. All these ventures record a brief moment of European fascination with the east coast of Africa and its multicultural inhabitants, which is the object of this study.
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