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1

Therese, J. Monica, and Dr M. Amutha. "Chuck Palahniuk as a Versatile and Multifaceted Penman." Think India 22, no. 3 (2019): 912–17. http://dx.doi.org/10.26643/think-india.v22i3.8428.

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Chuck Palahniuk is the recent American novelist, journalist and essayist. He is known for his transgression fiction. Chuck Palahniuk’s ideas have been described as nihilistic but he has declined this identity and he labeling himself as a romantic writer. His books often focused on temporal end and also include some similar plot twists. His writings mainly focused on the struggles which we faced nowadays due to this growth of techno culture. Palahniuk’s concepts and themes are too strange to believe. He is the man of argument in which he argues the struggles between money and agony. There are s
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Köhler, Myrta. "Chuck Palahniuk: Fratze." hautnah dermatologie 34, no. 3 (2018): 70. http://dx.doi.org/10.1007/s15012-018-2769-7.

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Chemezova, E. R. "INTERPRETATION OF DEATH IN THE CH. PALAHNIUK’S ARTISTIC WORLD." Bulletin of Kemerovo State University, no. 2 (June 29, 2017): 216–22. http://dx.doi.org/10.21603/2078-8975-2017-2-216-222.

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The article is devoted to the interpretation of the phenomenon of death in contemporary American literature on the example of Ch. Palahniuk’s novels. The article analyzes the approaches to the phenomenon of death in different fields of knowledge such as philosophy, sociology, medicine. We describe the overview of the “life after death” theme in native and foreign literature. The place of the phenomenon of death in the artistic world and the influence of this phenomenon on the attitude of the characters to each other are in the focus of our attention. Death in the artistic world defines the cha
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Kurakova, Inna Aleksandrovna. "The image of a teenage girl in Chuck Palahniuk’s novel “Cursed”." Litera, no. 6 (June 2020): 28–43. http://dx.doi.org/10.25136/2409-8698.2020.6.33068.

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The goal of this research is determination of specificity of the image of the heroine in the novel by a contemporary American writer Chuck Palahniuk “Cursed”. The article analyzes such aspects as the inner world of the character, relationship with parents, agemates and society in the two contrasting words: real world, during the lifetime of the heroine, and surreal, in hell, after her death. Detailed description of the character allows seeing two different guises of the heroine, while application of literary analysis allows analyzing the traits of the protagonist and place
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Mart, Çağrı Tuğrul. "“Choke” Chuck Palahniuk Book Review." Advances in Literary Study 01, no. 02 (2013): 16–18. http://dx.doi.org/10.4236/als.2013.12005.

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Mendieta, Eduardo. "Surviving American Culture: On Chuck Palahniuk." Philosophy and Literature 29, no. 2 (2005): 394–408. http://dx.doi.org/10.1353/phl.2005.0029.

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Feitosa, André Pereira. "Corpos (im)perfeitos e versões do inferno em chuck palahniuk e john hughes." Latin American Journal of Development 3, no. 3 (2021): 1525–36. http://dx.doi.org/10.46814/lajdv3n3-040.

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O romance Condenada: a vida é curta: a morte é eterna (2013), de Chuck Palahniuk, mantém referências explícitas a diversas produções cinematográficas, em especial com o filme O clube dos cinco (1985), de John Hughes. A protagonista de Palahniuk, Madison Spencer, uma adolescente rica, gorda e mimada, encontra-se no inferno, presa em uma cela imunda. Percebendo que está cercada de outras quatro pessoas também condenadas, cada uma com aptidões e características físicas bem distintas (uma líder de torcida, um jogador de futebol americano, um nerd e um punk), Madison decide que o grupo deve explora
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Nascimento de Oliveira, Diane, and Thiago Martins Caldas Prado. "QUEBRANDO A PRIMEIRA REGRA DO CLUBE DA LUTA: UM ESTUDO SOBRE A ORIGEM E O DESENVOLVIMENTO DA LUTA EM CLUBE DA LUTA E CLUBE DA LUTA 2." IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 25, no. 2 (2021): 52–65. http://dx.doi.org/10.34019/1982-0836.2021.v25.35295.

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Clube da luta 2, de Palahniuk e ilustração de Stewart, dá continuidade, em quadrinhos ao romance Clube da luta. O objetivo deste trabalho é estudar, comparativamente, as diferenças entre a origem e o desenvolvimento do grupo, apresentado nas duas obras. Para fundamentar a pesquisa, têm-se: Eisner (2010 e 2005), McCloud (1995 e 2006), Bey (2001 e 2007), Prado (2016). Assim, o que outrora era uma possibilidade de reivindicação do poder individual, no romance, transforma-se em um espaço de opressão, nos quadrinhos. REFERÊNCIAS ARQUITETURA da destruição. Direção: Peter Cohen. Suécia, 1989. (110 mi
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Lushnikova, Galina I., and Ekaterina R. Chemezova. "Poetics of the anti-world in prose by Ch. Palahniuk." Vestnik Tomskogo gosudarstvennogo universiteta, no. 405 (April 1, 2016): 30–37. http://dx.doi.org/10.17223/15617793/405/4.

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10

Chandrasoma, S. "Physicians, shamans, and personal trainers: An interview with Chuck Palahniuk." Western Journal of Medicine 176, no. 3 (2002): 200–202. http://dx.doi.org/10.1136/ewjm.176.3.200.

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Muhammad, Ali, Andhika Pratiwi, and Ria Herwandar. "Middle Class Rebellion through the Main Characters in Chuck Palahniuk’s Fight Club." JURNAL Al-AZHAR INDONESIA SERI HUMANIORA 4, no. 4 (2018): 214. http://dx.doi.org/10.36722/sh.v4i4.299.

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<p><em>Abstract - </em><strong>This research entitled “Middle Class Rebellion through the Main Characters in Chuck Palahniuk’s Fight Club” analyses the portrayal of the Middle Classes which is depicted through the main characters. These characters are undertaking a Rebellion towards the system of Capitalism that is depicted in the novel Fight Club. The theory used in this research is the theory of the intrinsic element of Characterization by M.H. Abrams and the theory Capitalism by Karl Marx which includes the theory of Alienation and the Struggle of Social Classes. Thi
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Dinanti, Putri Ayienda, and Joesana Tjahjani. "SEKSUALITAS PEREMPUAN DAN WACANA DOMINAN PATRIARKI DALAM BEAUTIFUL YOU KARYA CHUCK PALAHNIUK." LITERA 20, no. 2 (2021): 200–215. http://dx.doi.org/10.21831/ltr.v20i2.30707.

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Patriarki adalah salah satu sistem sosial yang mengatur di beberapa negara. Imbas dari sistem patriarki, perempuan sering mengalami dominasi dan tekanan yang ditimbulkan oleh laki-laki. Hal tersebut dilakukan melalui penguasaan terhadap seksualitas perempuan. Mengacu pada latar belakang tersebut, penelitian ini bertujuan mengungkap hubungan seksualitas perempuan dengan wacana patriarki di dalam karya sastra, khususnya novel Beautiful You. Karya tersebut ditulis oleh Chuck Palahniuk di tahun 2014 dan termasuk ke dalam jajaran sastra kontemporer Amerika. Metode berlandaskan kualitatif dipilih ke
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Lazarev, Vladimir A., and Tatyana Yu Larina. "Ch. Palahniuk’s Novel «Fight Club» in Terms of F. Nietzsche’s Philosophy of Nihilism." Current Issues in Philology and Pedagogical Linguistics, no. 4 (December 25, 2022): 193–203. http://dx.doi.org/10.29025/2079-6021-2022-4-193-203.

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Based on the material of Ch. Palahniuk’s novel «Fight Club», the article examines the nihilistic predestination of the antihero’s split personality, taking into account F. Nietzsche’s conception. The aim of the study is to prove that the anonymous narrator and the character of Tyler Durden’s images, symbolizing two fragments of the antihero’s personality, manifest the passive and active nihilistic position, respectively. The research is carried out in the format of the comparative approach, which is aimed at identifying the features of Ch. Palahniuk’s creative reception of Nietzsche’s nihilist
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Chemezova, Ekaterina Rudol'fovna. "“Toxic” American literature." Litera, no. 10 (October 2021): 97–103. http://dx.doi.org/10.25136/2409-8698.2021.10.36271.

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The subject of this research is the behavior model of the characters in modern American literature. The goal lies in examination of the key attributes of “toxicity” as an element of artistic world resembled in modern American literature. The object of this research is the prose of Chuck Palahniuk. It is established that “toxicity” is one of the plotline components for building the characters of the heroes in modern American literature. The conducted analysis of the images of heroes and the components of artistic world of C. Palahniuk’s prose al
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Filistova, Natalia Yuryevna, and Anastasiya Yuryevna Bashkirtceva. "Linguistic peculiarities of the category of time in “Fight Club” by Chuck Palahniuk." Вестник Шадринского государственного педагогического университета, no. 1 (2021): 119–23. http://dx.doi.org/10.52772/25420291_2021_1_119.

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Zadorozhna, Anna, and Vasyl Bialyk. "VARIABLY-INTERPRETIVE POTENTIAL OF THE LITERARY TEXT AND ITS REALIZATION IN THE TRANSALTION (BASED ON CHUCK PALAHNIUK'S NOVEL "FIGHT CLUB")." Germanic Philology Journal of Yuriy Fedkovych Chernivtsi National University, no. 831-832 (2021): 60–69. http://dx.doi.org/10.31861/gph2021.831-832.60-69.

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The article examines the variability of translation of the text of fiction as performed by different translators. The purpose of the work is to study and identify the diversity of the translation strategies and features of their application in the translation of a literary text. The method of comparative analysis proved to be effective in the scientific investigation. The subject of the research is a literary text, its original and translation. The postulates of translation theorists on linguistic variability and multiplicity of translations have been outlined. The subjective-objective activit
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Ekaputri, Na'ilah Dian, and Abu Fanani. "PERSONA AND SHADOW IN SHATTERDAY BY HARLAN ELLISON AND FIGHT CLUB BY CHUCK PALAHNIUK." JEELL (Journal of English Education, Linguistics and Literature) English Department of STKIP PGRI Jombang 8, no. 2 (2022): 82. http://dx.doi.org/10.32682/jeell.v8i2.2178.

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This study aims at analyzing The Persona and The Shadow in two literary works, Shatterday a by Harlan Ellison and Fight Club by Chuck Palahniuk which show the mental disorders of the main characters. Sometimes, some people are confused with what happen in their life and it makes them create a “new” personality to “explain” and express what they feel. In these literary works, the main characters “use” other personality to express their feeling and make them realized with the reality.This study is conducted to enrich the topic about persona and shadow. The writeruses qualitative approach in rela
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Fuentes Fuentes, Carmen. "CHUCK PALAHNIUK’S FIGHT CLUB UNDER A DIFFERENT LENS: PRESSURES ON THE MALE BODY IN COMMUNITY AND THE QUESTION OF MASCULINITY." ODISEA. Revista de estudios ingleses, no. 19 (September 30, 2019): 53. http://dx.doi.org/10.25115/odisea.v0i19.2008.

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Este artículo tiene como objetivo analizar la novela de Chuck Palahniuk El Club de la Lucha (1996) desde un punto de vista diferente, el de las teorías comunitarias. Para enriquecer dicho estudio, este campo se combinará con los estudios de género, específicamente en los estudios de masculinidades. La novela describe la formación de una comunidad simbólicamente saturada, la del “club de la lucha”, cuyos miembros están obsesionados con una figura paternal ausente, incluido el protagonista. Sin embargo, su crisis existencial se resolverá gracias a su encuentro con Marla Singer, en el que Tyler D
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OLIVEIRA, Diane, and Thiago Martins PRADO. "A TRANSVALORAÇÃO DOS VALORES MORAIS PELA PERSONAGEM TYLER DURDEN EM "CLUBE DA LUTA" DE CHUCK PALAHNIUK." Muitas Vozes 6, no. 1 (2017): 96–109. http://dx.doi.org/10.5212/muitasvozes.v.6i1.0006.

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Vernay, Jean-François. "Pierre-Louis Patoine, Corps/texte. Pour une théorie de la lecture empathique. Cooper, Danielewski, Frey, Palahniuk." Lidil, no. 53 (May 30, 2016): 206–9. http://dx.doi.org/10.4000/lidil.4012.

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Mounga, Bauvarie. "Pierre-Louis Patoine, Corps/texte. Pour une théorie de la lecture empathique. Cooper, Danielewski, Frey, Palahniuk." Questions de communication, no. 29 (June 30, 2016): 455–57. http://dx.doi.org/10.4000/questionsdecommunication.10616.

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Prado, Thiago Martins. "Discussão sobre a cultura e a política econômica dos Estados Unidos em Condenada, de Chuck Palahniuk." Remate de Males 36, no. 2 (2016): 503. http://dx.doi.org/10.20396/remate.v36i2.8647912.

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Este estudo analisa a construção alegórica do inferno na obra Condenada, de Chuck Palahniuk, com o objetivo de apontar a vertente corrosiva do escritor ao descrever a política, a cultura e a economia estadunidenses contemporâneas. Centrando-se no olhar da personagem Madison, uma menina de 13 anos de idade recém-chegada ao inferno, a investigação coloca em relevância as críticas palahniukianas ao padrão estético-corpóreo, à cultura midiática da inação, ao regime semiescravo sustentado por multinacionais, à retroalimentação da política de débito econômico-social disfarçada em alargamento de créd
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Ullah, Faiz, Mujtaba Khan, and Rehmat Ali Yousaf Zai. "Freud's Theory of Human Nature and Instincts in Chuck Palahniuk's Novel Fight Club." Global Language Review VI, no. II (2021): 130–39. http://dx.doi.org/10.31703/glr.2021(vi-ii).15.

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The 1996 novel Fight Club by Chuck Palahniuk demonstrates a strong basis in psychoanalytical theory. The analysis of this novel shows that Freudian concepts of human nature and the basic instincts of Ero and Thanatos explain the reason behind the struggle of nature and nurture. This representation is evident in the setting, in the plot, and in the major characters of the novel. Within this framework for the discussion, I argue that the narrator's initial attempt to rebel against consumer culture force his natural instincts to resist nurture. The narrator escapes from the social orders and choo
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Muhammad, Ariq Zufar, and Catur Kepirianto. "Speech And Thought Representation of the Split Personality Between the Narrator and Tyler Durden In Fight Club By Chuck Palahniuk." Culturalistics: Journal of Cultural, Literary, and Linguistic Studies 5, no. 3 (2021): 23–33. http://dx.doi.org/10.14710/culturalistics.v5i3.12748.

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This research is to analyze the stylistics elements of speech and thought of the narrator’s and his split personality, Tyler Durden in Fight Club (1996) is Chuck Palahniuk. The analysis employs Geoffrey Leech and Michael Short’s theory of speech and thought representation as presented in Paul Simpson’s stylistics guidebook. The method of data collection is close reading the novel and then analyzing them with descriptive qualitative method. The research shows that the narrator is prominently represented thought representation while Tyler Durden most represented by speech representation. Through
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Seyhan, Ekin Can. "A spatial reading from a consumer culture perspective: Fight club assessment." International Journal of New Trends in Social Sciences 5, no. 2 (2021): 73–86. http://dx.doi.org/10.18844/ijntss.v5i2.5492.

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In design readings, the relationship between place and the user of place is quite strong. In the Fight Club story, the main character Narrator, and the places are presented with a critical point of view and based on consumer culture. Although there are differences between the film and the book, both are based on the same text and fiction. This study aims to make a reading of the relations of the Narrative character with places and the relations. In this sense, two separate productions will be considered as a whole and the book and the film will be used as a common reading tool in this study. I
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Ghizzi Neto, Joacy. "Vida e comunidade em Clube da Luta e A praia." outra travessia, no. 23 (April 26, 2018): 291–306. http://dx.doi.org/10.5007/2176-8552.2017n23p291.

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A partir das narrativas Clube da luta (1996) de Chuck Palahniuk e A praia(1996) de Alex Garland, o presente artigo investiga as configurações comunitáriasque essas ficções propõem na virada do milênio. Os dois livros sãoo ponto de partida para analisar uma dialética da ruptura e da fundação, dolugar e do território, mas também entre arte e vida, já que a narrativa comunitáriaassombra a própria paixão pelo real (Alain Badiou, O século). É diantedessa contradição que as leituras de Giorgio Agamben (A comunidade que vem),Jean-Luc Nancy (A comunidade inoperante) e Massimo Cacciari (Nomes de lugar:
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Puspito, Agus Hadi, and Agnes Widyaningrum. "EGO DEFENSE MECHANISM OF THE MAIN CHARACTER IN "FIGHT CLUB" NOVEL (1996) PSYCHOANALYTIC STUDY." Dinamika Bahasa dan Budaya 15, no. 1 (2020): 1–6. http://dx.doi.org/10.35315/bb.v15i1.7889.

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This research paper analyzed the ego defense mechanism by Sigmund Freud that are found in the main character of “Fight Club“ novel. The author of novel is Chuck Palahniuk in 1996. This research applied qualitative study, and the data are derived from the novel. The researcher focuses on causes of defense mechanism, the ego defense mechanism that the main character experienced and the effect that the main character got. The researcher found that anxiety is the cause why defense mechanism of the main character can active. The main character also applied ego defense mechanism namely displacement
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Лобанов, С. В. "Style-forming Linguistic Means in Prose Fiction as the Determiner of Translation Strategies." Иностранные языки в высшей школе, no. 4(63) (February 15, 2023): 84–90. http://dx.doi.org/10.37724/rsu.2022.63.4.011.

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В статье рассматривается проблема выбора средств перевода художественного текста современной американской англоязычной трансгрессивной прозы. Актуальность выбора темы связана с тем, что художественная литература как вид искусства постоянно пребывает в поиске новых форм. Авторы, работающие в жанре transgressive fiction, стремятся к созданию текста, одним из важных достоинств которого является реалистичность художественного образа. В статье рассматриваются методы и приемы журналистики, в особенности так называемой «новой журналистики» — направления, сформировавшегося в 60–70-е годы ХХ века. “New
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Murray, Gordon. "At the MoviesFight Club. Directed by David Fincher . Screenplay by Jim Uhls , based on the novel by Chuck Palahniuk ." San Francisco Jung Institute Library Journal 20, no. 1 (2001): 73–75. http://dx.doi.org/10.1525/jung.1.2001.20.1.73.

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Seyhan, Ekin can. "A spatial reading from a consumer culture perspective: Fight club assessment." Global Journal of Arts Education 11, no. 1 (2021): 57–70. http://dx.doi.org/10.18844/gjae.v11i1.5725.

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Ozet
 Dovus klubu hikayesinde, tuketim kulturunun icinde hapsolmus bir karakterin, bu kulture karsi anarsi ruhlu bir karakter ile tanismasiyla baslayan degisimi anlatmaktadir. Hikayede yaraticinin gozunde modern zaman insaninin yansimasinin, uclarda bir yasam deneyimi ve yasadiklari anlatilmaktadir. Hikaye Anlatici karakterinin okuyucu ve izleyiciye aktardiklari uzerine ilerleyen bir kurguya sahiptir. Hikayede bas kahraman anlatici ve icinde bulundugu mekanlar, tuketim kulturu temeline dayali ve elestirel bakis acisi ile sunulur. Bu elestiri baslarda mensubu oldugu kulture Anlaticinin tan
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Musiy, Valentina, Artur Malynovskyi, Olena Mizinkina, and Iraida Tombulatova. "Universal “Music” in the Prose of the Postmodern Era." Postmodern Openings 13, no. 1 Sup1 (2022): 276–99. http://dx.doi.org/10.18662/po/13.1sup1/427.

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The article focuses on the prose works of several modern writers (Paola Capriolo, Chuck Palahniuk, Olga Tokarchuk, Andrei Lyubka, Goran Tribuson, Roman Kofman). All these works are united by the image of the musician and the motive of listening to the music. Thus, the music in the article is considered as an universal.First of all - problems of life and death, the main values of life, the opposition “sacred - infernal”. The purpose of the article is to investigate how the era of postmodern influenced the author's concept of music. In each of the works the form of the narrative is subjective. A
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Hourigan, Daniel. "Palahniuk’s Tyranny of Language and Ontological Minimalism." Kritike: An Online Journal of Philosophy 4, no. 2 (2010): 26–32. http://dx.doi.org/10.25138/4.2.a.3.

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Olivia Burgess. "Revolutionary Bodies in Chuck Palahniuk's Fight Club." Utopian Studies 23, no. 1 (2012): 263. http://dx.doi.org/10.5325/utopianstudies.23.1.0263.

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Syomchenko, R. A. "ALTERNATIVE WORLD OF DAY AND NIGHT IN THE CH. PALAHNIUK’S NOVEL “RANT: AN ORAL BIOGRAPHY OF BUSTER CASEY”." National Association of Scientists 1, no. 29(56) (2020): 76–77. http://dx.doi.org/10.31618/nas.2413-5291.2020.1.56.228.

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The article considers the artistic world of American author Ch. Palahniuk’s novel “Rant: an oral biography of Buster Casey”. The differences in the worldview of the Day and Night inhabitants are established. It is determined that the social structure of the artistic world directly correlates with the problems of the real world.
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Semchenko, Raisa Anatol'evna. "Ch. Palahniuk’s Creative Process: From Abstract Representation to Material Implementation." Philological Sciences. Issues of Theory and Practice, no. 1 (January 2020): 104–10. http://dx.doi.org/10.30853/filnauki.2020.1.22.

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Collado-Rodríguez, Francisco. "Textual Unreliability, Trauma, and the Fantastic in Chuck Palahniuk’s Lullaby." Studies in the Novel 45, no. 4 (2014): 620–37. http://dx.doi.org/10.1353/sdn.2014.0008.

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Lee, Kang Sun. "Chuck Palahniuk’s Fight Club from the Perspective of Self-Actualization." Modern Studies in English Language & Literature 60, no. 2 (2016): 135–55. http://dx.doi.org/10.17754/mesk.60.2.135.

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Aparicio, Jose Antonio. "“Your Heart Is My Piñata”: Chuck Palahniuk's Unconventional Love Stories." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 26, no. 3 (2013): 210–15. http://dx.doi.org/10.1080/0895769x.2013.779169.

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Stamenković, Slađana. "TAMA U NAMA: POSTMODERNA GOTIKA U ROMANU BORILAČKI KLUB ČAKA PALAHNJUKA." Годишњак Филозофског факултета у Новом Саду 41, no. 1 (2017): 399–419. http://dx.doi.org/10.19090/gff.2016.1.399-419.

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Postmoderni gotski žanr predstavlja postmodernu inkarnaciju tradicionalnog gotskog žanra i obuhvata tradicionalne gotske elemente, premda u izvesnoj meri izmenjene i nadograđene. U biti, ovaj žanr predstavlja jedinstven spoj gotskog žanra i postmodernih odlika. U radu se razmatraju takvi unapređeni gotski elementi na primeru romana Čaka Palahnjuka Borilački klub. Svi glavni gotski elementi (poput vremena i mesta zbivanja, gotskih junaka i junakinje, dvojnika itd.) predstavljeni su u ovom romanu sa posebnim naglaskom na subjektivnosti i elementu terora, jer su oni možda dve tačke najvećeg pomak
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Stamenković, Slađana. "SUBCULTURE RISING: THE TRANSITION FROM SUBCULTURE TO HEGEMONY IN CHUCK PALAHNIUK’S FIGHT CLUB." ZBORNIK ZA JEZIKE I KNJIŽEVNOSTI FILOZOFSKOG FAKULTETA U NOVOM SADU 7, no. 7 (2018): 303. http://dx.doi.org/10.19090/zjik.2017.7.303-315.

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Kada govorimo o kulturološkom fenomenu supkulture, možemo reći da ona nastaje kao reakcija izvesne grupe ljudi na dominantnu kulturu u jednom istorijskom momentu. Ona uključuje prisvajanje dobara kojima dominantna kultura raspolaže i oblikovanje tih dobara tako da odgovaraju potrebama supkulture koja nastaje. Međutim, onda kada pojedine odlike neke supkulture budu dovedene do ekstrema, može se govoriti o njenom razvoju u hegemoniju. Ovaj rad prati upravo proces pretvaranja jedne supkulture u sistem koji ima gotovo sve odlike hegemonije na primeru romana Borilački klub Čaka Palahnjuka. U romanu
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Warso, Anna. "Chuck Palahniuk’s Haunted: A Novel of Stories and the Underbellies of American Culture." Theoria et Historia Scientiarum 14 (December 21, 2017): 99. http://dx.doi.org/10.12775/ths.2017.007.

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Boon, Kevin. "Men and Nostalgia for Violence: Culture and Culpability in Chuck Palahniuk's Fight Club." Journal of Men's Studies 11, no. 3 (2003): 267–76. http://dx.doi.org/10.3149/jms.1103.267.

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Kovtunenko, Inna, and Igor Kudryashov. "CREATIVE RECEPTION OF J. BAUDRILLARD’S CONCEPT IN CH. PALAHNIUK’S POSTMODERN WORLDVIEWSIMULACRA, MEDIATION, DISAPPEARING REALITY." HUMANITIES OF THE SOUTH OF RUSSIA 11, no. 6 (2022): 241–54. http://dx.doi.org/10.18522/2227-8656.2022.6.14.

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Ullah, Faiz, Mujtaba Khan, and Rehmat Ali Yousaf Zai. "The Comparison of Sigmund Freud's Id, the Ego and the Superego to Chuck Palahniuk's Tyler, the Narrator, and society in the Novel Fight Club." Global Language Review VI, no. I (2021): 298–306. http://dx.doi.org/10.31703/glr.2021(vi-i).32.

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Psychoanalysis has been used for decades to explore the hidden motives and explanation of violent behavior of the characters in a novel. This paper analyses Chuck Palahniuk’s famous novel Fight Club using Freudian psychoanalysis. It explores the Freudian concepts of Id, Ego, and Super-ego as portrayed in the character of Tyler, the narrator, and the society in the novel. The research show how the characters of Tyler Durden with his violent behavior and the narrator with his passive lifestyle are a suitable representation of Freudian Id and Ego, respectively. The paper also throws light upon th
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Mohd Said, Nur Aainaa Amira, and Arbaayah Ali Termizi. "Order in Disorder: Exploring Chaos Theory in the Narrative Structure of Chuck Palahniuk’s Fight Club." 3L The Southeast Asian Journal of English Language Studies 26, no. 2 (2020): 37–49. http://dx.doi.org/10.17576/3l-2020-2602-03.

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Grivina, Viktoria. "Interrelation between the Author and the Text in W. S. Burroughs’s Naked Lunch and Chuck Palahniuk’s Fight Club." Pitannâ lìteraturoznavstva 89 (November 27, 2014): 247–55. http://dx.doi.org/10.31861/pytlit2014.89.247.

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De Chavez, Jeremy. "The Political Subject Is a Lover Not a Fighter: Reading Chuck Palahniuk’s Fight Club as a Love Story." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 31, no. 2 (2017): 123–31. http://dx.doi.org/10.1080/0895769x.2017.1369863.

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Sanusi, E. O. "Jack’s Anxieties and Defense Mechanisms in Fight Club." K@ta Kita 9, no. 3 (2022): 452–57. http://dx.doi.org/10.9744/katakita.9.3.452-457.

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In this article, I want to analyze a movie entitled Fight Club by David Fincher. It is one of Film Noir movies that is adapted from Chuck Palahniuk’s novel. Film Noir usually employs mentally unstable characters. In this movie, Jack, the main character, has psychological problems which causes his anxieties. Thus, I want to find out the types of Jack’s anxiety and the defense mechanism he uses to cope with it. I will identify the types of Jack’s anxieties and the defense mechanisms he uses. His anxieties have led him to have insomnia, depression, and the formation of his alter ego Tyler Durden.
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DJABALLAH, SELMA. "Violence in American Popular Culture: The Myth of the Vigilante in Chuck Palahniuk’s Fight Club and Sam Ismail’s Mr. Robot." Arab World English Journal For Translation and Literary Studies 4, no. 1 (2020): 171–83. http://dx.doi.org/10.24093/awejtls/vol4no1.14.

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Wheatley, Michael. "For Fame and Fashion." Exchanges: The Interdisciplinary Research Journal 7, no. 2 (2020): 115–33. http://dx.doi.org/10.31273/eirj.v7i2.458.

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This research explores the ways cannibalism in Chuck Palahniuk’s novel Haunted (2005) and Nicolas Winding Refn’s film The Neon Demon (2016) are a consequence, and reflective, of the consuming nature of creative industries. The research draws from this exploration that the consumptive characteristics of cannibalism often allegorise the processes and careers of artists. Specifically, the sacrificial nature of putting oneself into one’s work, the notion of the tortured artist, and the competitive nature of creative industries, where the hierarchy is ascended through others’ losses.
 In the f
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