Relevant bibliographies by topics / Palais du Louvre

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Palais du Louvre'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 January 2023

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Journal articles on the topic "Palais du Louvre"

1

Souchon, Cécile. "Terminer le palais du Louvre, 1861." Livraisons d histoire de l architecture, no. 21 (June 10, 2011): 59–62. http://dx.doi.org/10.4000/lha.273.

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Leri, Jean-Marc. "Les Registres de copistes et de Salons des Archives des Musées Nationaux: une source biographique des Artistes du XIXe Siecle Ainformatiser." Art Libraries Journal 15, no. 2 (1990): 30–32. http://dx.doi.org/10.1017/s030747220000674x.

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The Archives des Musées Nationaux in the Palais du Louvre comprise the archives of the Louvre itself, and of the Direction des Musées de France including the Réunion des Musées Nationaux. The archives of the Louvre include both ‘les registres de copistes’, a record of artists who sought entry to the Louvre, to visit and to make copies, during 1821-1850, and ‘les registres des salons’, covering the years 1824-1853 when the salons were still held in the Louvre. Together these comprise an invaluable source of information on artists in the first half of the 19th century, including as they do details of particular works, and artists’ addresses. A detailed analysis of this documentation was scheduled to begin at the start of 1990.
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Martens, Didier. "Una tabla flamenca procedente de Peñaranda de Bracamonte en el Palacio de Bellas Artes de Lille." De Arte. Revista de Historia del Arte, no. 7 (August 28, 2014): 93. http://dx.doi.org/10.18002/da.v0i7.1388.

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El objetivo del presente artículo es atraer la atención sobre una tabla flamenca de principios del siglo XVI que, en 1901-1903, se encontraba todavía en la iglesia de las Carmelitas descalzas de Peñaranda de Bracamonte (Salamanca). En 1946 esta tabla, de la que parecía haberse olvidado la procedencia española, fue adquirida en París por el Museo del Louvre y depositada en el Palais de Beaux-Arts de Lille. Representa un tema bastante raro: Cristo bendiciendo a María. El pintor debió trabajar en Brujas. De hecho, en otra obra que se le puede atribuir, una Virgen con el Niño rodeada de Santa Catalina y Santa Bárbara, conservada en Florencia, se ha inspira en un modelo utilizado con bastante frecuencia en la pintura de Brujas: la Virgo inter virgines atribuida a Hugo Van der Goes.
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Whiteley, Mary, and Monique Chatenet. "Deux escaliers royaux du XIVe siècle : Les « grands degrez » du Palais de la Cité et la « Grande Viz » du Louvre." Bulletin Monumental 147, no. 2 (1989): 133–54. http://dx.doi.org/10.3406/bulmo.1989.4709.

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Dudley, Lauren. "Hubert Robert’s Louvre in ruins: an exploratory note on imagined destruction and the national museum." Sculpture Journal: Volume 31, Issue 3 31, no. 3 (September 1, 2022): 319–30. http://dx.doi.org/10.3828/sj.2022.31.3.03.

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This short study considers the artist Hubert Robert’s Imaginary View of the Grande Galerie in the Louvre in Ruins and Design for the Grande Galerie in the Louvre, a pair of pendants that were exhibited at the 1796 Salon du Louvre and are now part of the national museum’s permanent collection. Robert’s thought-provoking display explored the formation of the national collection at the Louvre as part of the broad spectrum of revolutionary iconoclasm. This article examines Robert’s contribution to emerging debates about patrimoine and his professional role working as keeper for the Louvre in relation to the production and exhibition of the views representing the museum. It proposes that while various interpretations were plausible, Robert presented his views of the Louvre’s transformation from a royal palace into a republican museum as a process characterized by creation and destruction.
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ENDO, Taro. "BERNINI'S FIRST PROJECT FOR THE LOUVRE PALACE." Journal of Architecture and Planning (Transactions of AIJ) 67, no. 556 (2002): 327–32. http://dx.doi.org/10.3130/aija.67.327_2.

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Bresc‐bautier, Geneviève. "The Louvre: A National Museum in a Royal Palace." Museum International 55, no. 1 (May 2003): 61–67. http://dx.doi.org/10.1111/1468-0033.00414.

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Tadgell, Christopher. "Correction: The Palace of the Sun: The Louvre of Louis XIV." Journal of the Society of Architectural Historians 54, no. 2 (June 1, 1995): 265. http://dx.doi.org/10.2307/990989.

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Geber, Ecaterina. "“Le Louvre - the palace & its paintings,” CD-ROM: A review." Archives and Museum Informatics 10, no. 2 (June 1996): 138–47. http://dx.doi.org/10.1007/bf02802361.

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Padget, Martin. "The Bingo Palace by Louise Erdrich." Western American Literature 30, no. 3 (1995): 304–5. http://dx.doi.org/10.1353/wal.1995.0112.

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Dissertations / Theses on the topic "Palais du Louvre"

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Deutsch, Kristina. "Jean Marot et l'estampe d'architecture au Grand Siècle : la représentation du palais du Louvre dans le "Grand Marot"." Paris, EPHE, 2010. http://www.theses.fr/2010EPHE4040.

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Jusqu’ici, les estampes du graveur d’architecture français Jean Marot (vers 1619-1679), qui a représenté maints édifices du Grand Siècle, ont principalement suscité l’intérêt des chercheurs en tant que sources pour l’histoire des bâtiments concernés. Nos recherches visent cependant sa méthode, la genèse, la forme, les objectifs et la réception de ses œuvres qui s’inscrivent dans la tradition de la représentation de l’architecture réelle qui se consolide pendant la Renaissance italienne et trouve un sommet dans le Cabinet du Roi de Louis XIV. Une des œuvres principales de Jean Marot est son anthologie dite le « Grand Marot » (petit in-folio, probablement 1686), renouant avec la tradition des recueils des édifices importants du royaume, établie par les Plus excellents bâtiments de France (Paris, 1576/1579) de Jacques Androuet du Cerceau. Comme ce dernier, Marot consacre une suite dans son anthologie au palais du Louvre et au château des Tuileries, liés dans un ensemble monumental suivant le « grand dessein des rois » d’Henri IV, symbole majeur du pouvoir royal. La suite du Louvre se prête à l’étude d’un exemple concret et offre en même temps la possibilité d’approfondir les connaissances concernant la genèse du Grand Marot. Interprétant les dessins d’architectes, Marot ne dispose souvent que d’une documentation fragmentaire qu’il assemble et complète en mettant en valeur ses propres inventions d’ornemaniste et d’architecte. Liée à des objectifs variés d’autopromotion, de panégyrique et de représentation du pouvoir, l’œuvre de Jean Marot témoigne d’un moment crucial de la mainmise croissante de l’état s’organise sur la production artistique
Until now, the main interest of historians towards the work of the etcher of architecture Jean Marot (about 1619-1679), who represented many buildings of the Grand Siècle (the “great century”, as one calls the 17th century in France), was based on their value as sources for the history of the building in question. Our thesis parts from another point of view and asks about the method, the evolution, the form, the objectives and the reception of these images as part of the tradition of the representation of real architecture which becomes important during the Renaissance in Italy and reaches a climax with the Cabinet du Roi of Louis XIV. One of Jean Marot’s major works is the anthologie called the “Grand Marot” (small folio, probably 1686), which renews with the tradition of collections of prints showing the most important buildings of the kingdom, founded by Jacques Androuet du Cerceau, author of the Plus excellents bâtiments de France (Paris, 1576/1579). As the latter, Marot consecrated a group of prints (etched with some engraved details) to the Louvre and the Tuileries in Paris, two initially separated palaces related according to the « grand dessein des rois », initiated by Henri IV as a major symbol of power of the king. The Louvre-etchings are appropriate for the examination of a concrete example and at the same time offer the possibility to learn more about of the evolution of the “Grand Marot”. Interpreting the drawings of architects, Marot often disposes only of a fragmentary documentation, which he combines and completes, always attempting to present his own inventions concerning architecture and decoration. Related to various objectives of self-promotion, dedication and representation of power, the work of Jean Marot gives evidence of a crucial moment, when the state undertook a growing control and organization of artistic production
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Kopp, Vanina Madeleine. "Der königh und die bücher : sammlung, nutzung und funktion der königlichen bibliothek am spätmittelalterlichen hof in Frankreich." Paris, EHESS, 2013. http://www.theses.fr/2013EHES0073.

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Les projet de recherche a pour centre la bibliothèque royale telle qu'elle a existé au Louvre entre les années 1368 à1429. La problématique de la thèse s'articule autour de la question centrale: Comment et quand la collection, l'ordre et le transfert des savoirs de la bibliothèque du Louvre furent-ils utilisés par les rois de France dans le cadre de la politique et de la vie de cour ? Elle renvoie aux axes de recherche qui animeront cette étude: la genèse de la bibliothèque du Louvre à la cour parisienne, sa portèe politique ainsi que l'utilisation par les rois et leur entourage, notamment dans le contexte de la cour royale et de la politique. Comment l'accumulation de manuscrits participait à l'élaboration de l'image royale et à la légitimation politique? Donc, dans une perspective historique, comment fut utilisée la bibliothèque royale avec ses fonds? A travers cette étude, nous voulons démontrer que la bibliothèque livra une contribution politique à la conception de la religion royale et du lien dynastique. Nous examinerons sous une approche d'histoire culturelle comment l'emploi des livres, leur circulation et leur utilisation s'insérèrent à la cour royale et dans les pratiques politiques et sociales. Nous analyserons avec un regard critique les traductions qui furent généralement labellisées comme « commandes royales» afin de découvrir quelles répercussion leur utilisation eut sur l'expression politique dans la littérature historique, de propagande ou de légitimation, et notamment dans la construction de l'image du « roi sage »
The royal library, known as the "librairie du Louvre", was the royal book collection, assembled in small rooms on three levels of a Louvre tower. About 900 manuscripts were in the library, which made it the biggest non-clerical library in the West. At the centre of my research, I study the following question: How and when was the collection of books and knowledge in the Louvre Library used by the French kings for cultural or political operations? 1demonstrate in a historical perspective how, in addition to a bibliophile aspect, the library made a political contribution to the development of the "religion royale" and the legitimation of royalty. This dissertation challenges several theoretical and methodological approaches to capture the different dimensions of the Louvre Library. I try to contextualise the subject in different fields of research in order to infer some general information on the use of books. 1focus on the virtually existing medieval library in order to contextualise and historicise the function it had at the French court. Following a historical anthropological approach, I concentrate on the use of the book collection and the use of texts. In this project 1show that the Louvre Library, the use of the texts by the kings and the circulation of the books served to accumulate arguments in favour of the king's politics, strengthen the legitimisation of the dynasty and disseminate this content. The functional character of the Louvre Library fits into a larger politics of circulations, commands and acquisitions. These cultural and courtly processes strengthened the monarchic ideology and contributed to the construction of the image of a wise king
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Pastore, Kristy L. "Hard traveling down the red dirt road exploring working-class issues in Louise Erdrich's Love Medicine and The Bingo Palace /." Laramie, Wyo. : University of Wyoming, 2009. http://proquest.umi.com/pqdweb?did=2066571971&sid=3&Fmt=2&clientId=18949&RQT=309&VName=PQD.

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Chuang, Hsuan-Hua, and 莊宣樺. "Exhibition Quality of Service─A Case Study of Louvre Exhibition in National Palace Museum." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/07480777570666348859.

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碩士
國立臺北教育大學
文化創意產業經營學系
100
For long, the missions and objectives of museums in Taiwan are the preservation and research of culture, while insufficient emphasis has been placed on business operations. And customer satisfaction concerning service quality was largely being ignored. However as the raising of economic growth, it is now mandatory for museums to have a clearly written mission statement. Therefore since 1990 museums in Taiwan, co-organizing with public media groups, started to host numerous special exhibitions of diverse nature, stipulating considerable business opportunities. However, increased amount of patrons resulted in decreased service quality, and over-commercialization also breeds negative impacts on neutral and academic images. Thus how to stay trendy while keeping the mission of showcasing culture and establish unique individuality has been important issues. This study uses the exhibition “Western Myths and Legends ─ Louvre Treasures" co-organized by Want Want China Times Group and National Palace Museum as research subject, while employing the service quality conceptual models as bases for analyzing the factor dimension that affects the quality of the exhibition. The relationship of the characteristics and the behaviors of the patrons are also analyzed. The feedback result showed that, among Human Factors, only Level of Education is related with Empathy and Assurance service quality factors. Among Behavior Factors, increase in Stay Time and providing Guide Service effectively raises positive recognition of service quality. It has been proven that the exhibition service quality shows positive correlation with the service quality conceptual model proposed by Parasuraman, Zeithmal, & Berry: Reliability, Responsiveness, Tangibles, Assurance, and Empathy. Cross analysis showed that among the feedback, Staff Friendliness ranked in the top level of satisfaction, while Open Space for Resting and Guideline Narration ranked the lowest. Finally basing these results, this study also files advises for the host, the museum, and the government, respectively. Keywords: Museum、Exhibition、Quality of Service
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Pereira, Iolanda Cristina Barreira. "A renascença dos destroços do progresso : reabilitação do Palácio de Valflores, em Loures." Master's thesis, 2018. http://hdl.handle.net/10437/9181.

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Orientação: Alberto Flávio Monteiro Lopes
Esta dissertação teve por objetivo debruçar-se sobre os lugares de memória, conceito desenvolvido por Pierre Nora, e sobre a realização de intervenções de reabilitação nestes espaços, que possuem um carácter simbólico, histórico e cultural. O objeto de estudo recaiu sobre o Palácio de Valflores (século XVI), lugar ainda muito presente na comunidade de Santa Iria da Azóia, mas em estado de ruína. É sobre ele que se propõe uma intervenção de reabilitação que revitalize o espaço do antigo Palácio e anexos, bem como do parque envolvente que caracterizava a quinta de recreio renascentista onde se implantava.
The main goal of this dissertation is to reflect about places of memory, a concept developed by Pierre Nora, and about the rehabilitation practices that frequently take place in these kind of places often marked by a very strong sense of symbolism, culturalism and history. As a study object I choose the Valflores Palace (16th century), a place that is still very present in the community of Santa Iria da Azóia, but that presents itself in state of ruin. It’s about this construction that we propose a rehabilitation intervention that aims to revitalize the ancient Palace, their outskirts, as well as the surrounding park that formerly characterized the renaissance villa in which the Palace was implanted.
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Books on the topic "Palais du Louvre"

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Quoniam, Pierre. Le Palais du Louvre. Paris, France: Nathan, 1988.

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Le Louvre: Un palais, un musée--. Courbevoie, Paris: ACR, 1999.

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Mémoires du Louvre. [Paris]: Gallimard, 2011.

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Bresc-Bautier, Geneviève. Mémoires du Louvre. [Paris]: Gallimard, 1989.

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Louvre, Musée du. Le Grand Louvre: Le palais, les collections, les nouveaux espaces. Paris: Beaux Arts, 1994.

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(Firm), Gallimard. Le Louvre: L'histoire du musée, l'architecture du palais, les collections, le quartier. Paris: Gallimard, 2006.

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Le Louvre à l'époque romantique: Les décors du palais (1815-1835). Lyon: Fage, 2006.

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Delange, Elisabeth. Monuments égyptiens du Nouvel Empire: Chambre des ancêtres, annales de Thoutmosis III, décor de palais de Séthi Ier. Paris: Louvre éditions, 2015.

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Fleury, Michel. The medieval castle of the Louvre: An archaeological account and guide. Paris: Ed. Atlas, 1989.

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de, Bussierre Sophie, and Fondazione Magnani Rocca, eds. Rembrandt: Dal Petit Palais di Parigi. Cinisello Balsamo, Milano: Silvana, 2009.

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Book chapters on the topic "Palais du Louvre"

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Philippe, Emmanuelle, and Séverine Sofio. "‘I was born in this palace’: Emotional Bonds in the Artistic Community of the Louvre (1750–1800)." In Emotions in the Household, 1200–1900, 234–51. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230286092_14.

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Salamagne, Alain. "Le Louvre de Charles V." In Le palais et son décor au temps de Jean de Berry, 73–138. Presses universitaires François-Rabelais, 2010. http://dx.doi.org/10.4000/books.pufr.1499.

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Fonkenell, Guillaume. "Le Louvre : un palais royal face à la ville." In Paris, ville de cour, 89–110. Presses universitaires de Rennes, 2017. http://dx.doi.org/10.4000/books.pur.156485.

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ROBINSON, DUNCAN. "Palace or Powerstation? Museums Today." In Proceedings of the British Academy, Volume 154, 2007 Lectures. British Academy, 2008. http://dx.doi.org/10.5871/bacad/9780197264355.003.0001.

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This lecture presents the text of the speech about art museums in England delivered by the author at the 2007 Isaiah Berlin Lecture held at the British Academy. It comments on the role of museums as palaces or powerstations. The lecture suggests that the shape and size of museum buildings are bound to reflect not only their purpose but also the cultural assumptions of the period in which they were created, or recreated. It describes the Louvre and the Fitzwilliam Museums.
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Williams, Hannah. "The Other Palace: Versailles and the Louvre." In The Versailles Effect. Bloomsbury Visual Arts, 2020. http://dx.doi.org/10.5040/9781501357756.ch-002.

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André-Salvini, Béatrice. "The palace decoration of Susa in the Louvre." In The Palace of Darius at Susa. I.B.Tauris, 2013. http://dx.doi.org/10.5040/9780755625659.0023.

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Pachpande, Priti, and Sham Bachhav. "The Candy Lounge." In Indian Business Case Studies Volume IV, 59–68. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192869401.003.0009.

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Abstract The Candy Lounge is about an entrepreneurial business venture started and owned by Dr Jorge Palacio, an astute businessman from Ensenada, Baja California in western Mexico. It is a highly promising and prospering business in the manufacture and sale of Candies and other confectionary items through a Kiosk type stores in Ensenada and other places in Mexico. The proprietor entrepreneur is highly knowledgeable, ambitious, and motivated to excel in this venture by providing the best of products and services to the current and prospective markets. The owner has a keen sense of the competition as also the customer preferences and has taken adequate steps to ensure the best of customer relations and loyalty. While he is aware of the growing market demands of candy and related confectionery items as also the speed at which he needs to expedite investment decisions for aggressive marketing strategy, he is handicapped by inadequate cash flow and fresh investments for modernization of manufacturing process along with tackling vendor-related issues. The enterprise has to break out of these barriers to meet its business objectives and targets come what may.
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Frommel, Sabine. "Residenze a confronto : Il Palazzo di Carlo V a Granada, il Castello di Fontainebleau e la ricostruzione del Louvre di Francesco I." In El patio circular en la arquitectura del Renacimiento : de la Casa de Mantegna al Palacio de Carlos V, 197–218. Universidad Internacional de Andalucía, 2018. http://dx.doi.org/10.56451/10334/5474.

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Conference papers on the topic "Palais du Louvre"

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Allo, Ferdiand George Sarung, Dewi Rahmawati, and Adam M. Ramadhan. "UJI AKTIVITAS ANTIBAKTERI EKSTRAK DAUN BELIMBING HUTAN (CNESTIS PALALA (LOUR)MERR)." In the 5th Mulawarman Pharmaceuticals Conferences. Fakultas Farmasi, Universitas Mulawarman, Samarinda, 2017. http://dx.doi.org/10.25026/mpc.v5i1.227.

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Arbain, Chairunnisa, Nur Mita, and Laode Rijai. "UJI AKTIVITAS TABIR SURYA EKSTRAK DAUN BELIMBING HUTAN (Cnestis palala (Lour.) Merr)." In the 5th Mulawarman Pharmaceuticals Conferences. Fakultas Farmasi, Universitas Mulawarman, Samarinda, 2017. http://dx.doi.org/10.25026/mpc.v5i1.223.

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Wardani, Ika, Lizma Febrina, and Rolan Rusli. "PROFIL KROMATOGRAFI FRAKSI N-HEKSANA DAUN BELIMBING HUTAN (Cnetis palala (lour) Merr)." In the 5th Mulawarman Pharmaceuticals Conferences. Fakultas Farmasi, Universitas Mulawarman, Samarinda, 2017. http://dx.doi.org/10.25026/mpc.v5i1.229.

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