Relevant bibliographies by topics / Palazzo del Te (Mantua, Italy)

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Academic literature on the topic 'Palazzo del Te (Mantua, Italy)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Palazzo del Te (Mantua, Italy)"

1

Degli Abbati, Stefania, Serena Cattari, Ilaria Marassi, and Sergio Lagomarsino. "Seismic Out-of-Plane Assessment of Podestà Palace in Mantua (Italy)." Key Engineering Materials 624 (September 2014): 88–96. http://dx.doi.org/10.4028/www.scientific.net/kem.624.88.

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The paper describes the seismic assessment of the Palazzo del Podestà in Mantua (Italy), hit by the Emilia earthquake (2012), focusing the attention on the activation of the out-of-plane response of the north-east façade on Piazza Broletto. In fact, even if the earthquake marginally hit Mantua, the façade highlighted its significant vulnerability mainly consequent to the lack of connection between the orthogonal walls and of tie-rods. Nonlinear kinematic analyses have been performed, referring to a macro-block model and considering both the original configuration and some possible strengthened ones. The results were coherent with the observed damage after the seismic event, highlighting in this way the reliability of the adopted modelling strategies and analysis method, and allowed to outline the most proper strengthening solution, able to minimize the impact on the monument and guarantee its preservation.
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Cofani, Marco, Verena Frignani, and Angelo Landi. "The Complexity and the Logic Behind Historical Buildings: The Case-Study of Palazzo del Podestà in Mantova, Italy." Advanced Materials Research 133-134 (October 2010): 181–86. http://dx.doi.org/10.4028/www.scientific.net/amr.133-134.181.

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The Palazzo del Podestà, situated in the centre of Mantua, has Medieval origins, but it is the result of many additions and reconstructions and it is now abandoned. In 2005 the Town Council commissioned the Politecnico of Milan a research on the real situation of the palaces, in order to determine the future possible uses of the buildings. The causes of the structural decays were investigated and furtherly studied by means of a comparison between archive records and diagnostic tests.
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Gómez Gil, Antonio Miguel, and María Mestre Martí. "Consolidación de un modelo palaciego basado en la domus vitruviana: del Palazzo dei Tribunali de Roma al Palazzo Te de Mantua = The consolidation of a palatial model based on the Vitruvian domus: From the Palazzo dei Tribunali in Rome to the Palazzo Te in Mantua." Cuaderno de Notas, no. 24 (September 30, 2023): 02–15. http://dx.doi.org/10.20868/cn.2023.5189.

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AbstractThe article highlights that the free-standing palaces of the late Italian Renaissance, built by archi­tects of Bramante’s circle, share the same compositional scheme in plan, based on the study of the Vitruvian domus. Starting with the Palace of the Chancellery in Rome, the private palaces’ typology was consolidated during the 16th century. It consists of the articulation of the floor plan throughout two orthogonal axes: a main one clearly inspired by the longitudinal axis of the classical domus and an added second transverse axis, which joins two new and secondary accesses. This spatial organization generates a building divided into four almost autonomous parts, endowed with their own communication elements. Although articulated by a central cortile, it allows independent func­tioning. This typological model should be considered as one of the taxonomies that have so far not been highlighted in the Italian Mannerist architecture of Bramante’s circle. ResumenEl artículo demuestra que los palacios exentos, del Bajo Renacimiento italiano, ejecutados por ar­quitectos del círculo de Bramante, comparten un mismo esquema compositivo en planta, basado en el estudio de la domus vitruviana. A partir del Palazzo della Cancelleria en Roma, la tipología del palacio privado se va consolidando durante el siglo XVI. Esta consiste en la articulación de la planta mediante dos ejes ortogonales: uno principal, claramente inspirado en el eje longitudinal de la domus clásica y un añadido segundo eje transversal, que une dos accesos nuevos y secun­darios. Dicha organización espacial genera un edificio dividido en cuatro partes casi autónomas, dotadas de elementos de comunicación propios, que, aunque articuladas por un cortile central, posibilitarían un funcionamiento independiente. Este modelo tipológico debe considerarse como una de las taxonomías no puestas en valor hasta ahora en la arquitectura manierista italiana del círculo de Bramante.
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4

Chiarini, S., S. Cremonesi, L. Fregonese, F. Fassi, and L. Taffurelli. "A multi-range approach for Cultural Heritage survey: a case study in Mantua Unesco site." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5 (June 6, 2014): 157–64. http://dx.doi.org/10.5194/isprsarchives-xl-5-157-2014.

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In this paper, a Cultural Heritage survey, performed by employing and integrating different type of acquisition technologies (imagebased and active sensor based) is presented. The aim of the survey is to create a 3D multiscale database, therefore, different restitution scales, from the architectural-urban one to a detail one are taken in consideration. This research is part of a project financed by the Unesco for the study of historical gardens located in Mantua and Sabbioneta, and in particular for the <i>Palazzo Te</i> renaissance gardens in Mantua, which are reported in this paper. First of all, a general survey of the area has been realized by employing the classical aerial photogrammetry in order to provide the actual arboreal and urban furniture conditions of the gardens (1:500 scale). Next, a detailed photogrammetric survey of the Esedra courtyard in <i>Palazzo Te</i> has been performed by using a UAV system. At the end, laser scanning and traditional topography have been used for the terrestrial detailed acquisition of gardens and architectural façades (1:50&ndash;1:20 scale). The aim of this research is to create a suitable graphical documentation support for the study of the structure of the gardens, to analyze how they have been modified over the years and as an effective support for eventual future re-design. Moreover, the research has involved a certain number of botanic and archeological investigations, which have been duly acquired and modeled with image based systems.<br><br> Starting from the acquired datasets with their acquisition scales, a series of comparative analysis have been performed, especially for those areas in which all the systems have been employed. The comparisons have been extracted by analyzing point cloud models obtained by using a topographical network.<br><br> As a result, the multi-range approach efficiency, obtained by employing the actual available technologies have been illustrated in the present work.
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Kulhánková, Zora. "Villa Kratochvíle as an Example of an Italian Garden in the Czech Lands." Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 65, no. 4 (2017): 1213–23. http://dx.doi.org/10.11118/actaun201765041213.

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The paper deals with an example of the Italian garden applied as a type in the Czech lands. Villa Kratochvíle is one of the very few cases of an independently created Renaissance villa in the territory of the Czech Republic. Its author was an Italian builder coming from the area around Como Lake – Baldassare Maggi and he was commissioned by a significant Czech nobleman, William of Rosenberg. Villa Kratochvíle together with the surrounding landscape is compared with the landscape of lakes around Mantua and Palazzo Te, which is typologically similar. Especially the use of large water bodies is what these two places and their surrounding landscape have in common. Italian arts came to the Czech lands directly with Italian artists – one of them was the garden design. However, it was transformed there by the cultural tradition as well as the geographical location.
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6

Bourne, Molly. "Giulio Romano: Arte e desiderio (Mantua: Palazzo Te, 6 October 2019–6 January 2010). Catalogue (also in English edition) by BarbaraFurlotti, GuidoRebecchini, and LindaWolk‐Simon. Milan: Electa, 2019.‘Con nuova e stravagante maniera’: Giulio Romano a Mantova (Mantua: Palazzo Ducale, 6 October 2019–6 January 2010). Catalogue by LauraAngelucci, PeterAssmann, PaoloBertelli and RobertaSerra with Michaela Zurla. Milan: Skira, 2019." Renaissance Studies 34, no. 5 (May 4, 2020): 861–68. http://dx.doi.org/10.1111/rest.12671.

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7

Linda, Svitlana. "The Mannerism of Giulio Romano: Innovation and dramatic imagery." Architectural Studies 9, no. 2 (May 21, 2023). http://dx.doi.org/10.56318/as/1.2023.47.

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Giulio Romano was a prominent Italian Mannerist architect from Mantua of the Late Renaissance who made a significant contribution to the development of architectural processes and proposed methods of interpreting the order system used in the modern era. The research aims to present the architect's activity as a natural step in the development of the classical order system. The methods of systematisation, comparative and synchronic analyses were used. The study analyses from the artistic point of view the most significant realised objects by Giulio Romano: Palazzo del Te, Cavalerizza in Palazzo Duccale, and the architect's house in Mantua. It is shown how the artist interpreted the order system to form an individual architectural style, full of drama and tension in composition. The study proposes a concept that explains the reason for the emergence of Mannerism, which is based on the Renaissance architects' perception of their place in the historical process. It is shown that the architects' understanding of their time as superior to the masters of antiquity and the awareness of the idea of permanent development as the basis of the historical process created a methodological and methodological prerequisite for Mannerism, which can be described by the term "stylisation". The study also proves that the methods of interpreting the order system proposed during the Late Renaissance were developed in the practice of postmodernism and have not lost their relevance in the present
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Corrain, Lucia. "Art and Artifice." AN-ICON. Studies in Environmental Images [ISSN 2785-7433] 2, no. I (December 28, 2023). http://dx.doi.org/10.54103/ai/19938.

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Art in general, more than other fields, appears to lie at the heart of immersivity. As argued by Oliver Grau, it is art that still deploys a considerable genealogy with examples that resonate with the immersivity as proposed in contemporaneity. It is the current immersivity that constructs “constellations” which, as Benjamin put it, dynamically enact “the history of art [as] the history of prophesies […] which can be written only starting from the point of view of an immediate present,” where “every present is determined by those images that are synchronous to it: each now is the now of a given knowability.” In the art history field, however, it is almost mandatory to re-evoke a fully mannerist ambience where “painting” creates – without the aid of particular instruments – the near-total immersion, acting fully on the passional dimension. The case in point is the Camera dei Giganti/Chamber of the Giants, made by Giulio Romano between 1532 and 1536 in Palazzo Te in Mantua. A stunning illusionist artifice that catapults the viewers into the heart of the ongoing event, to produce in them a sense of awe and estrangement beyond the “frame.”
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Books on the topic "Palazzo del Te (Mantua, Italy)"

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Belluzzi, Amedeo. Palazzo Te a Mantova =: The Palazzo Te in Mantua. Modena: Franco Cosimo Panini, 1998.

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2

Grazia, Sgrilli, ed. Palazzo Te a Mantova =: The Palazzo Te in Mantua. Modena: F.C. Panini, 1998.

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3

Grazia, Sgrilli, Roli Ghigo, and Crerar-Bromelow Grace, eds. Palazzo Te: Giulio Romano's masterwork in Mantua. London: Thames & Hudson, 2013.

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4

Galleria civica di Palazzo Te, ed. Venere a Palazzo Te. [Mantua]: Tre lune edizioni, 2021.

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5

Barbera, Dario. Palazzo Te. Milano: Electa, 2019.

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Grazia, Sgrilli, ed. Giulio Romano: Amore e Psiche a Palazzo Te. Modena: F. C. Panini, 2006.

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7

Il Palazzo del Te e la camera di Psiche: Miti e altre fantasie e storie antiche nella villa di Federico II Gonzaga ideata da Giulio Romano a Mantova. Mantova: Sometti, 2001.

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Signorini, Rodolfo. Il Palazzo del Te e la Camera di Psiche: Miti e altre fantasie e storie antiche nella villa di Federico II Gonzaga ideata da Giulio Romano a Mantova. Mantova: Sometti, 2001.

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9

Cappelletti, Ludovica. Arte architettura ironia: Giulio Romano e Palazzo Te. Mantova: Tre lune edizioni, 2021.

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10

Bonoldi, Lorenzo. Mantova: Splendore dei Gonzaga. Milano: Skira, 2021.

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Book chapters on the topic "Palazzo del Te (Mantua, Italy)"

1

Bocchi, Renato. "Ut architectura poësis." In Arquitecturas verbales y otras antigrafías. Venice: Fondazione Università Ca’ Foscari, 2024. http://dx.doi.org/10.30687/978-88-6969-780-7/006.

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This essay seeks to establish a strict dialogue between images and words belonging to different fields through an unusual parallel between architecture and literary narration and techniques. The theory which underlies the act of composing architecture looks for design-lines, strategies and tools of action outside the disciplinary field of architecture itself and aims to build up spaces and objects taking into deep consideration the (perceptive, emotional, empathic, embodied) reactions of the user. The relationship between architectural, artistic and literary research spans two different case-studies: the landscape projects made by Iuav students, inspired by Ariosto’s and Boiardo’s poems; the architectural devices of Palazzo Te in Mantua by Giulio Romano read by Manfredo Tafuri, compared with the literary devices of the poem Orlando Furioso by Ludovico Ariosto.
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Golan, Nurit. "Nature, Art, and Human Perception in Giulio Romano’s Room of the Giants at the Palazzo del Te, Mantua (1532–1535)." In Nature in the Middle Ages and the Early Modern Times, 353–82. De Gruyter, 2024. http://dx.doi.org/10.1515/9783111387635-012.

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