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Journal articles on the topic 'Palazzo ducale (Mantua, Italy)'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Adami, Andrea, Luigi Fregonese, Daniela Lattanzi, Antonio Mazzeri, Olga Rossignoli, and Barbara Scala. "A Multidisciplinary Conservation Project for the Cavallerizza Courtyard, Palazzo Ducale di Mantova." Heritage 2, no. 2 (May 16, 2019): 1441–59. http://dx.doi.org/10.3390/heritage2020091.

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The “Palazzo Ducale” museum complex in Mantua has been the object of intermittent interventions, which have not represented, over the last 30 years, a consistent strategy in terms of conservation. In the light of new financial and technological possibilities, a renewed management synergy has been activated: better operative decisions and the application of innovative tools are the core of this attitude. The article illustrates the path of knowledge activated in the museum’s “Cortile della Cavallerizza”: from archival research, geometrical survey and diagnostic analysis, up to the executive design of its conservative project.

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2

Besutti, Paola. "The ‘Sala degli Specchi’ uncovered: Monteverdi, the Gonzagas and the Palazzo Ducale, Mantua." Early Music XXVII, no. 3 (August 1999): 451–66. http://dx.doi.org/10.1093/earlyj/xxvii.3.451.

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3

Besutti, P. "Performing matters. The 'Sala degli Specchi' uncovered: Monteverdi, the Gonzagas and the Palazzo Ducale, Mantua." Early Music 27, no. 3 (August 1, 1999): 451–65. http://dx.doi.org/10.1093/em/27.3.451.

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4

Noh, J., and S. Russo. "LONG-TERM DYNAMIC MONITORING OF THE HISTORICAL MASONRY FAÇADE: THE CASE OF PALAZZO DUCALE IN VENICE, ITALY." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences IV-2/W2 (August 9, 2017): 187–93. http://dx.doi.org/10.5194/isprs-annals-iv-2-w2-187-2017.

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Long-term dynamic monitoring of the masonry façade of Palazzo Ducale known as Doge’s palace in Venice, Italy was performed from September 2010 to October 2012. This article demonstrates the results of preliminary analysis on the data set of the first 12-month long monitoring campaign for out-of-plumb dynamic responses of the medieval façade of the monument. The aim of the analysis of the dynamic signals is to validate the data set and investigate dynamic characteristics of the vibration signature of the historical masonry wall in the long-term. <i>Palazzo Ducale</i> is a heavily visited heritage due to its high cultural importance and architectural value. Nevertheless, little is known about the dynamic behaviour of the double-leaf masonry façade. In this study, the dynamic properties of the structure are presented by dynamic identification carried out with the effect of the ambient vibration measured at four different locations on the façade and portico level. The trend and intensity of the vibration at each measurement locations are identified over the year. In addition, the issue on eliminating the noise blended in the signals for reliable analysis are also discussed.

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5

Bianchi, A., and M. Belloni. "PALAZZO DUCALE OF SABBIONETA ARCHITECTURAL SURVEY OF SOME DECORATED ROOMS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W9 (January 31, 2019): 127–34. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w9-127-2019.

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<p><strong>Abstract.</strong> Sabbioneta is a small town situated in the province of Mantova, in northern Italy. Founded by Vespasiano Gonzaga Colonna in the XVI century, it constituted the capital of the Sabbioneta Ducat. His specific historical background and renaissance urban fabric made it enter into the UNESCO’s World Heritage list in 2008. Other than the economic and political consequences of this event, it shows the architectural importance of Sabbioneta and its great potential for future developments. Palazzo Ducale (Figure 1) was one of the first constructions of the new town. Acting as a ducal residence in its beginnings, its function has evolved over time until the current situation: an exposition space.</p>

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6

Miglioli, Alessandro, Harold Huerto-Cardenas, Fabrizio Leonforte, Niccolò Aste, and Claudio Del Pero. "Energy and economic assessment of HVAC solutions for the armoury hall at the Palazzo Ducale in Mantua:." Procedia Structural Integrity 29 (2020): 118–25. http://dx.doi.org/10.1016/j.prostr.2020.11.147.

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7

Degli Abbati, Stefania, Serena Cattari, Ilaria Marassi, and Sergio Lagomarsino. "Seismic Out-of-Plane Assessment of Podestà Palace in Mantua (Italy)." Key Engineering Materials 624 (September 2014): 88–96. http://dx.doi.org/10.4028/www.scientific.net/kem.624.88.

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The paper describes the seismic assessment of the Palazzo del Podestà in Mantua (Italy), hit by the Emilia earthquake (2012), focusing the attention on the activation of the out-of-plane response of the north-east façade on Piazza Broletto. In fact, even if the earthquake marginally hit Mantua, the façade highlighted its significant vulnerability mainly consequent to the lack of connection between the orthogonal walls and of tie-rods. Nonlinear kinematic analyses have been performed, referring to a macro-block model and considering both the original configuration and some possible strengthened ones. The results were coherent with the observed damage after the seismic event, highlighting in this way the reliability of the adopted modelling strategies and analysis method, and allowed to outline the most proper strengthening solution, able to minimize the impact on the monument and guarantee its preservation.

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8

Cofani, Marco, Verena Frignani, and Angelo Landi. "The Complexity and the Logic Behind Historical Buildings: The Case-Study of Palazzo del Podestà in Mantova, Italy." Advanced Materials Research 133-134 (October 2010): 181–86. http://dx.doi.org/10.4028/www.scientific.net/amr.133-134.181.

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The Palazzo del Podestà, situated in the centre of Mantua, has Medieval origins, but it is the result of many additions and reconstructions and it is now abandoned. In 2005 the Town Council commissioned the Politecnico of Milan a research on the real situation of the palaces, in order to determine the future possible uses of the buildings. The causes of the structural decays were investigated and furtherly studied by means of a comparison between archive records and diagnostic tests.

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9

Patrucco, G., F. Rinaudo, and A. Spreafico. "MULTI-SOURCE APPROACHES FOR COMPLEX ARCHITECTURE DOCUMENTATION: THE “PALAZZO DUCALE” IN GUBBIO (PERUGIA, ITALY)." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 5, 2019): 953–60. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-953-2019.

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<p><strong>Abstract.</strong> Nowadays, the employment of rapid mapping solutions for architectural survey is more and more considered, not only for the strong reduction of the primary data acquisition times, but also thanks to their adaptability to various contexts, especially in the framework of Cultural Heritage documentation where tailored solutions are required. The combined use of Mobile Mapping Systems (MMS), Unmanned Aerial Vehicles (UAV) for close range aerial image acquisition, and Terrestrial Laser Scanning (TLS) seems to be an effective solution for the architectonic scale compliant to the level of detail and accuracy of 1&thinsp;:&thinsp;200, and 1&thinsp;:&thinsp;100 scales. The present research tries to evaluate the use of a handheld MMS, the ZEB-Revo RT by Geoslam, an UAV, the DJI Mavic Pro, and a LiDAR system, the Faro Focus<sup>3D</sup> S 120 by CAM2. The complex case of the documentation metric survey of Palazzo Ducale in Gubbio, the Montefeltro’s Palace, now hosting the museum of itself, allows the comparison of the effectiveness of the used technologies.</p>

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10

Gambaro, A., R. Ganzerla, M. Fantin, E. Cappelletto, R. Piazza, and W. Cairns. "Chemical and statistical characterization of selected documents from the archives of the Palazzo Ducale (Venice, Italy)." Analytica Chimica Acta 651, no. 2 (October 2009): 139–48. http://dx.doi.org/10.1016/j.aca.2009.08.023.

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11

Ganzerla, R., A. Gambaro, E. Cappelletto, M. Fantin, S. Montalbani, and M. Orlandi. "Characterization of selected paper documents from the archives of Palazzo Ducale (Venice), Italy using various analytical techniques." Microchemical Journal 91, no. 1 (January 2009): 70–77. http://dx.doi.org/10.1016/j.microc.2008.08.003.

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12

Gambaro, A., R. Ganzerla, M. Fantin, E. Cappelletto, R. Piazza, and W. R. L. Cairns. "Study of 19th century inks from archives in the Palazzo Ducale (Venice, Italy) using various analytical techniques." Microchemical Journal 91, no. 2 (March 2009): 202–8. http://dx.doi.org/10.1016/j.microc.2008.11.002.

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13

Frunzio, Giorgio, and Luciana Di Gennaro. "Seismic structural upgrade of historical buildings through wooden deckings strengthening: the case of study of Palazzo Ducale in Parete, Italy." Procedia Structural Integrity 11 (2018): 153–60. http://dx.doi.org/10.1016/j.prostr.2018.11.021.

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14

Russo, Salvatore. "Testing and modelling of dynamic out-of-plane behaviour of the historic masonry façade of Palazzo Ducale in Venice, Italy." Engineering Structures 46 (January 2013): 130–39. http://dx.doi.org/10.1016/j.engstruct.2012.07.032.

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15

Sciarretta, Francesca, Fabrizio Antonelli, Fabio Peron, and Silvia Caniglia. "Final outcomes on the multi-disciplinary long-term monitoring and preservation state investigation on the medieval external Façades of Palazzo Ducale in Venice, Italy." Journal of Civil Structural Health Monitoring 8, no. 1 (December 12, 2017): 111–33. http://dx.doi.org/10.1007/s13349-017-0263-2.

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16

Pankina, Elena V. "The Musical Iconography of the Private Chambers of Studiolo and Grotta of Isabella d’Este." Observatory of Culture 15, no. 4 (October 25, 2018): 468–78. http://dx.doi.org/10.25281/2072-3156-2018-15-4-468-478.

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The article is dedicated to the analysis of certain components of the historical interior of the studiolo and grotta of Isabella d’Este, Marquise of Mantua (1474—1539). The article considers, in the imagological aspect, the decorative elements of her private chambers in the “Palazzo Ducale” as a form of personal and, at the same time, status representation of the wife of the ruler of the state and as a reflection of some aspects of the behavioral standard of the Renaissance noble lady. For the first time, the artistic design of the Mantuan studiolo (private studio)and grotta (adjoining storage room for art and rarities) is examined through extraction of musical imagery and musical symbolism, which had a special importance in authomythologization of Isabella d’Este and reflected her deep personal passion for music.Analyzing the contextual part of the allegorical painting by Lorenzo Costa the Elder (1504—1506) “Allegory of the Court of Isabella d’Este”, the article focuses on the proximity of the characters playing the “heavenly” lute and zither to the figure of Isabella d’Este. And the attainment of eternal life by Isabella, as the center of the harmonious world of wisdom and art, is considered to be the main conceptual message. The depictions of the musical instruments on the wooden intarsia are regarded in connection with the music practice of the Marquise and people around her, which is evidenced by numerous documents of the Mantuan Archive of Gonzaga. The incipit of the chanson by Ockeghem “Prenez sur moi votre exemple amoreux”, included in the decor, for the first time receives an extended interpretation as an indirect semantic message. The figures of Euterpe and Erato, with their usual flute and lyre, are, on the contrary, quite traditional and expected in this context on the doorway marble medallions. The ceiling impreses, with the enigmatic image of musical signs (viola key, metric designations and pauses), have a symbolic meaning. The article concludes that the purpose of inclusion of the musical decor in the design of studiolo and grotta is to indicate the status of Isabella d’Este as a ruler of the artistic world where music takes the main part.

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17

Bourne, Molly. "Giulio Romano: Arte e desiderio (Mantua: Palazzo Te, 6 October 2019–6 January 2010). Catalogue (also in English edition) by BarbaraFurlotti, GuidoRebecchini, and LindaWolk‐Simon. Milan: Electa, 2019.‘Con nuova e stravagante maniera’: Giulio Romano a Mantova (Mantua: Palazzo Ducale, 6 October 2019–6 January 2010). Catalogue by LauraAngelucci, PeterAssmann, PaoloBertelli and RobertaSerra with Michaela Zurla. Milan: Skira, 2019." Renaissance Studies 34, no. 5 (May 4, 2020): 861–68. http://dx.doi.org/10.1111/rest.12671.

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18

Ballarin, M., C. Balletti, P. Faccio, F. Guerra, A. Saetta, and P. Vernier. "SURVEY METHODS FOR SEISMIC VULNERABILITY ASSESSMENT OF HISTORICAL MASONRY BUILDINGS." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-5/W1 (May 12, 2017): 55–59. http://dx.doi.org/10.5194/isprs-archives-xlii-5-w1-55-2017.

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On 20<sup>th</sup> and 29<sup>th</sup> of May 2012, two powerful earthquakes struck northern Italy. The epicentres were recorded respectively in Finale Emilia (magnitude 5.9 Ml) and Medolla (magnitude 5.8 Ml) in the province of Modena, though the earthquake was formed by a series of seismic shakes located in the district of the Emilian Po Valley, mainly in the provinces of Modena, Ferrara, Mantova, Reggio Emilia, Bologna and Rovigo. Many monuments in the city of Mantova were hit by the earthquake and, among these, Palazzo Ducale with the well-known Castello di San Giorgio which host the noteworthy “Camera degli Sposi”. This building, the most famous of the city, was so damaged that it was closed for more than one year after the earthquake. The emblem of the Palace and Mantova itself, the previously cited “Camera degli Sposi” realized by Andrea Mantegna, was damaged and all the economic and social life of the city was deeply affected. Immediately after the earthquake, the Soprintendenza per i Beni Architettonici e Paesaggistici of Brescia, Cremona and Mantova establish an agreement with the University Iuav of Venice, requiring an analysis and assessment of the damage in order to proceed with the development of an intervention project. This activity turned out to be very important not only from the point of view of the recovery of the architectural and artistic heritage but also because the city's economy is based primarily on tourism. The closure of one of the most important monuments of Mantova has led to a significant and alarming decline in the government income.

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