Relevant bibliographies by topics / Palazzo Marigliano (Naples, Italy)

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  3. Book chapters

Academic literature on the topic 'Palazzo Marigliano (Naples, Italy)'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Palazzo Marigliano (Naples, Italy)"

1

Semyonova, A. L. "Maxim Gorky: Russian ideological contexts and Italian realia. Proceedings of the conference marking Maxim Gorky’s 150th birth anniversary." Voprosy literatury, no. 6 (March 22, 2022): 256–61. http://dx.doi.org/10.31425/0042-8795-2021-6-256-261.

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The review discusses the collection of papers submitted for the international scholarly conference ‘Maxim Gorky: Russian ideological contexts and Italian realia,’ which took place in Italy, hosted by L’Istituto Italiano per gli Studi Filosofici in Palazzo Serra di Cassano, Naples. Articles by Russian and Italian scholars appear in two sections — ‘Maxim Gorky and Russian ideological contexts’ and ‘Maxim Gorky and Italian realia’ — and are printed in Russian and Italian. The papers are accompanied by bilingual abstracts. The volume contains an extensive supplement with excerpts from the early-20t
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2

Manzo, Elena. "Sacred Architecture in the Neapolitan Baroque Era. Space, Decorations, and Allegories." Resourceedings 2, no. 3 (2019): 46. http://dx.doi.org/10.21625/resourceedings.v2i3.624.

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In Naples (Italy), the passage from Renaissance to Baroque architectonic language could be identified between 1580 and 1612. During this era, one of the most significant topics of the architectonic research on the sacred space was the right compromise among the Counter-Reformation patterns, the central space and the oval plan. Giovanni Antonio Dosio and Dionisio di Bartolomeo were the most representative architects of this passage. They provide the access to new experimental varieties. So, when the architect Cosimo Fanzago arrived in Naples in 1612, the city was almost ready to use the emblema
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3

Aucelli, P., A. Cinque, G. Mattei, G. Pappone, and M. Stefanile. "Coastal landscape evolution of Naples (Southern Italy) since the Roman period from archaeological and geomorphological data at Palazzo degli Spiriti site." Quaternary International 483 (July 2018): 23–38. http://dx.doi.org/10.1016/j.quaint.2017.12.040.

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Books on the topic "Palazzo Marigliano (Naples, Italy)"

1

Franco, Strazzullo, ed. Palazzo di Capua. Arte tipografica, 1995.

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Petroni, Giulio. Del gran palazzo di giustizia a Castel Capuano in Napoli. Grimaldi &c., 1996.

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Borrelli, Gennaro. Il Palazzo Penne: Un borghese a corte. Arte tipografica, 2000.

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Epifani, Mario. Dante a Palazzo reale. Editori Paparo, 2021.

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Nicola, Spinosa, ed. Il palazzo e la collezione d'arte della Tirrenia. Electa Napoli, 2001.

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6

Italy), Palazzo reale (Naples, ed. La quadreria di Palazzo reale nell'Ottocento: Inventari e museografia. Arte tipografica, 1999.

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Irollo, Alba. Palazzo Salerno: Dai complessi religiosi ai comandi militari. Carlo Delfino editore, 2017.

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Belli, Pietro. Palazzo Donn'Anna: Storia, arte e natura. Allemandi, 2017.

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Antonella, Di Luggo Aversa, ed. Palazzo Canino e la Mostra delle terre d'oltremare. Officina, 2009.

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10

D'Arbitrio, Nicoletta. Il Palazzo Reale di Napoli negli anni di Ferdinando II: La riforma generale, le tappezzerie. Edisa, 1999.

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Book chapters on the topic "Palazzo Marigliano (Naples, Italy)"

1

Tyler, James, and Paul Sparks. "Naples and the Origins of a New Instrument." In The Early Mandolin. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198163022.003.0006.

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Abstract The entry of Charles Bourbon into Naples in 1734 at the head of his Spanish army signalled the beginning of a golden age of Neapolitan culture. Although Naples was the third largest city in Europe (after London and Paris), and the Neapolitan kingdom comprised the whole of the south of Italy (including Sicily), the region had languished under foreign rule for centuries until Charles established an autonomous kingdom and encouraged the emergence of a distinctive Neapolitan style in art and music. The next few years saw the building of the San Carlo opera house, the porcelain factory at
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