Relevant bibliographies by topics / Palazzo San Clemente (Florence, Italy)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Palazzo San Clemente (Florence, Italy)'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Palazzo San Clemente (Florence, Italy)"

1

Mazurczak, Urszula. "Panorama Konstantynopola w Liber chronicarum Hartmanna Schedla (1493). Miasto idealne – memoria chrześcijaństwa." Vox Patrum 70 (December 12, 2018): 499–525. http://dx.doi.org/10.31743/vp.3219.

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The historical research of the illustrated Nuremberg Chronicle [Schedelsche Weltchronik (English: Schedel’s World Chronicle)] of Hartmann Schedel com­prises the complex historical knowledge about numerous woodcuts which pre­sent views of various cities important in the world’s history, e.g. Jerusalem, Constantinople, or the European ones such as: Rome, some Italian, German or Polish cities e.g. Wrocław and Cracow; some Hungarian and some Czech Republic cities. Researchers have made a serious study to recognize certain constructions in the woodcuts; they indicated the conservative and contractu
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2

Fadda, Elisabetta. "Circulation of Models: Casts from Michelangelo Between Emilia and Veneto, in the Second Half of the Sixteenth Century." Body of Art, no. 1 (December 11, 2019). http://dx.doi.org/10.30687/va/2385-2720/2019/05/004.

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In Reggio Emilia, the sculptor Prospero Spani, also known as Clemente (1516-1584), created two statues representing Adam and on the facade of the cathedral. Along with Saint Daria and Saint Crisanto, they were both commissioned in 1552. The two statues indisputably draw inspiration from Dawn and Dusk, which are part of the monument dedicated to Lorenzo de’ Medici in the New Sacristy of San Lorenzo in Florence, work of Michelangelo Buonarroti. In January 1892, Eva’s leg by Prospero Clemente broke and fell to the ground. During the restoration, it was noticed that the leg and all other statues w
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3

Fadda, Elisabetta. "La circolazione dei modelli: calchi da Michelangelo tra Emilia e Veneto, nella seconda metà del Cinquecento." 28 | 2019, no. 1 (December 11, 2019). http://dx.doi.org/10.30687/va/2385-2720/2019/01/004.

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In Reggio Emilia, the sculptor Prospero Spani, also known as Clemente (1516-1584), created two statues representing Adam and on the facade of the cathedral. Along with Saint Daria and Saint Crisanto, they were both commissioned in 1552. The two statues indisputably draw inspiration from Dawn and Dusk, which are part of the monument dedicated to Lorenzo de’ Medici in the New Sacristy of San Lorenzo in Florence, work of Michelangelo Buonarroti. In January 1892, Eva’s leg by Prospero Clemente broke and fell to the ground. During the restoration, it was noticed that the leg and all other statues w
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Dissertations / Theses on the topic "Palazzo San Clemente (Florence, Italy)"

1

MANASSERO, STEFANIA. "Il trasferimento della capitale da Torino a Firenze. Le sedi ministeriali dell'Italia unita come banco di prova delle politiche per i beni culturali / The capital's transfer from Turin to Florence. The ministry offices of united Italy as a testing ground for policies for cultural heritage." Doctoral thesis, Politecnico di Torino, 2015. http://hdl.handle.net/11583/2617606.

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La vicenda del trasferimento della capitale del regno d’Italia da Torino a Firenze è nota e non mancano importanti studi di riferimento sugli aspetti storico-politici e amministrativi di questo delicato passaggio. Meno indagate risultano alcune questioni più propriamente tecniche, di carattere urbanistico e soprattutto architettonico: in questo ambito la letteratura approfondisce il tema dell’ingrandimento della città scelta provvisoriamente come capitale, ossia Firenze, e dei nuovi significati che Torino, ormai ex-capitale, tenta più o meno consapevolmente di assumere, mentre sfiora soltanto
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2

Maratsos, Jessica. "The Devotional Imagination of Jacopo Pontormo." Thesis, 2014. https://doi.org/10.7916/D8CN722C.

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In Italy the first half of the Cinquecento was marked by both flourishing artistic innovation and deep-seated religious uncertainty, the latter revealing itself most clearly in a widespread impetus towards reform. The relationship between these two cultural spheres--long a fraught problem in art historical scholarship--is made visually manifest in the religious works produced by the Florentine painter Jacopo da Pontormo. By re-examining Pontormo's three monumental religious commissions--the Certosa del Galluzzo (1522-27), the Capponi Chapel (1525-28), and the choir of San Lorenzo (1545-1557)
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Books on the topic "Palazzo San Clemente (Florence, Italy)"

1

Silva, Luca De. Il giardino immaginato: Arte e progetti per il giardino del Palazzo San Clemente a Firenze. Gli ori, 2008.

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2

Lorella, Migliorati, ed. Studio storico artistico sulle opere di Giuliano da San Gallo a Palazzo Gondi. [s. n.], 2011.

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3

Hyman, Isabelle. Fifteenth century Florentine studies: The Palazzo Medici and a ledger for the Church of San Lorenzo. Martino Pub., 2006.

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4

1951-, Acidini Luchinat Cristina, and Francolini Stefano 1951-, eds. Bonifazio in San Gallo: Dallo spedale alla questura : un palazzo ed i suoi seicento anni di storia. Questura di Firenze, 1988.

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Gozzoli, Benozzo. Benozzo Gozzoli: Le storie di Sant'Agostino a San Gimignano. Bulzoni, 2001.

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6

Patrizia, Pietrogrande, and Fondazione Giulio Marchi, eds. Due restauri 2003. Fondazione Giulio Marchi, 2003.

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7

Gozzoli, Benozzo. Benozzo Gozzoli: La Cappella dei Magi. Electa, 1993.

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8

Gozzoli, Benozzo. Benozzo Gozzoli: Allievo a Roma, maestro in Umbria. SilvanaEditorale, 2002.

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9

Per Maso da San Friano. Scuola Beato Angelico, 2007.

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10

Hyman, Isabelle. Fifteenth Century Florentine Studies: The Palazzo Medici and a Ledger for the Church of San Lorenzo. Martino Publishing, 2005.

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