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Books on the topic 'Palm (Firm)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Harrison, Eddie, Lisa Yapp, and Stuart Varney. Creating new categories, businesses and markets. Films for the Humanities & Sciences, 2005.

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2

Martin, Susan M. The UP saga. NIAS Press, 2002.

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3

Nabokov, Vladimir Vladimirovich. Pale fire. Penguin, 1991.

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4

Nabokov, Vladimir Vladimirovich. Pale fire. Everyman's Library, 1992.

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5

Nabokov, Vladimir Vladimirovich. Pale fire. The Arion Press, 1994.

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6

Nabokov, Vladimir Vladimirovich. Pale fire. Knopf, 1992.

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7

Nabokov, Vladimir Vladimirovich. Pale fire: A novel. Vintage Books, 1989.

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8

Nabokov, Vladimir Vladimirovich. Pale fire: A novel. Arion Press, 1994.

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9

Yuzna, Susan. Pale bird, spouting fire. University of Akron Press, 2000.

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10

Franzoia, Elena. Progetto CMR: Nuova sede Pall Italia. Compositori, 2008.

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11

Fla.) Jewish Film Festival (12th 2001 Palm Beach. 12th Palm Beach Jewish Film Festival: December 6-16, 2001. Jewish Arts Foundation, 2001.

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12

Finland. Palo- ja rakennuslainsäädäntö. Suomen kalenterit, 2005.

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13

Finland. Väestönsuojelu, palo- ja pelastustoimi. Edita, 1997.

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14

Brian, Boyd. John Shade's Pale fire: [a boxed set]. Gingko Press, 2010.

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15

Boyd, Brian. Nabokov's Pale fire: The magic of artistic discovery. Princeton University Press, 1999.

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16

Nabokov, Vladimir Vladimirovich. Novels, 1955-1962: Lolita, Pnin, Pale fire, Lolita a screenplay. Literary Classics of the United States, 1996.

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17

Nabokov, Vladimir Vladimirovich. Novels, 1955-1962: Lolita, Pnin, Pale fire, Lolita: a screenplay. Library of America, 1996.

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18

Meyer, Priscilla. Find what the sailor has hidden: Vladimir Nabokov's Pale fire. Wesleyan University Press, 1988.

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19

Gutierrez-Velez, Victor. Oil palm expansion and land cover changes in the Peruvian Amazon: Implications for forest conservation and fire mitigation. [publisher not identified], 2013.

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20

Bernd, Lepel, ed. Träume unter goldenen Palmen: Der deutsche Film auf dem Internationalen Filmfestival in Cannes = Dreams beneath the golden palms : German films at the International Film Festival in Cannes. Edition Achteinhalb L. Just, 1987.

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21

Chupin, Yannicke. Vladimir Nabokov: Fictions d'écrivains. PUPS, Presses de l'Université Paris-Sorbonne, 2009.

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22

Grossini, Giancarlo. Firme in passerella: Italian style, moda e spettacolo : con interviste ad Armani, Biki, Cerini, Coveri, Ferre, Fiorucci, Gambaro, Krizia, Missoni, Moschino, Schon, Schrecker, Trussardi, Valentino, Versace, Dalla Palma, Pietroni, Gastel, Meijer, Vergottini. edizioni Dedalo, 1986.

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23

Martin, Susan M. Up Saga. Taylor & Francis Group, 2004.

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24

Martin, Susan M. The Up Saga. Nordic Institute of Asian Studies, 2004.

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25

Guthrie, Graeme. Separating the wheat from the chaff. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190641184.003.0007.

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Past pay generates incentives via the ownership stake that it creates; present pay generates incentives via the link between firm performance and the level of pay; future pay generates incentives via executives’ career concerns. This chapter explains how uncertainty about an executive’s ability and effort generates incentives for the executive to exert effort on behalf of shareholders. These incentives stem from the links between labor-market perceptions of an executive’s ability and the likelihood that he is promoted or fired from his current job, able to gain employment at another firm, and

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26

Nabokov, Vladimir Vladimirovich. Pale Fire. Brilliance Audio, 2010.

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27

Nabokov, Vladimir Vladimirovich. Pale Fire. Brilliance Audio, 2010.

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28

Nabokov, Vladimir Vladimirovich. Pale Fire. Barnes & Noble, 2002.

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29

Nabokov, Vladimir Vladimirovich. Pale Fire. Penguin Books, Limited, 2012.

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30

Nabokov, Vladimir Vladimirovich. Pale Fire. Orion Publishing Group, Limited, 2022.

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31

Nabokov, Vladimir Vladimirovich, and Robert Blumenfeld Marc Vietor. Pale Fire. Brilliance Audio, 2015.

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32

Nabokov, Vladimir Vladimirovich. Pale Fire. Penguin Books, Limited, 2012.

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33

Nabokov, Vladimir Vladimirovich. Pale Fire. Berkley, 1985.

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34

Nabokov, Vladimir Vladimirovich. Pale Fire (Penguin Modern Classics). Penguin Books, 2000.

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35

Boyd, Brian. Nabokov's Pale Fire: The Magic of Artistic Discovery. Princeton University Press, 2001.

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36

Boyd, Brian. Nabokov's Pale Fire: The Magic of Artistic Discovery. Princeton University Press, 2001.

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37

Shine on, Nabokov: Celestial keys to Pale fire. Sputnik, 2016.

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38

Nabokov's "Pale Fire": The Magic of Artistic Discovery. Princeton University Press, 2001.

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39

Badley, Linda. Film, Horror, and the Body Fantastic. Praeger, 1995. http://dx.doi.org/10.5040/9798400651069.

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This fascinating study relates horror film to recent interpretations of the body and the self, drawing from feminist film theory, psychoanalytic theory, cultural criticism and gender studies. Applying the term horror broadly, this work includes discussions of black comedy, thrillers, science fiction, and slasher films. Central to this book is the view of horror as a modern iconography and discourse of the body. Badley's thought-provoking analysis of films by directors Tim Burton, Tobe Hooper, George Romero, Ridley Scott, Brian De Palma, David Lynch, David Cronenberg, Jonathan Demme, and Clive

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40

Basically Modern : Los Angeles Houses by SPF: A. ORO Editions, 2013.

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41

Novels 1955-1962: Lolita / Pnin / Pale Fire / Lolita: A Screenplay. Library of America, 1996.

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42

Bouzereau, Laurent. The De Palma Cut: The Films of America's Most Controversial Director. Dembner Books, 1988.

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43

Socha, Rudy, and Carolyn Darrow. Above & Beyond: Former Marines Conquer The Civilian World. Turner Publishing Company (KY), 2004.

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44

Tulloch, John, and Belinda Middleweek. Brutal Intimacy. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190244606.003.0007.

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Chapter 5 begins with risk sociology’s understanding of intimacy as “a dogmatism for two” to explore an interdisciplinary mix of theory, including Tim Palmer’s analysis of the cinema of “brutal intimacy”; Tanya Modleski’s recognition of a current horror genre inflection of new desires for unleashing sexuality, violence, and control; Kelley Conway’s recognition of an authorship of considerable diversity in the context of films made by women about female sexuality in French culture; Raymond Williams’s concept of historical “structures of feeling”; Beck and Beck-Gernsheim’s “normal chaos of love”

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45

Mercer, Sabine. Creative Madness and Paranoia in Vladimir Nabokov's Novels Lolita and Pale Fire. GRIN Verlag GmbH, 2018.

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46

L'école dans les griffes du septième art: Une Palme d'or scandaleuse. Éditions de Paris, 2008.

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47

Isaacs, Bruce. The Art of Pure Cinema. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190889951.001.0001.

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Alfred Hitchcock’s notion of a “pure cinema” has continued to fascinate and perplex film audiences, critics, and theorists alike. The concept first emerged loosely in the 1920s, as European avant-garde artists and intellectuals grappled with the essence of the moving image as an aesthetic form. But what, precisely, was pure cinema as an artistic philosophy and style? How did it evolve within Hitchcock’s body of work, and how was a pure cinema artistic style then developed by the filmmakers who came after Hitchcock, such as Dario Argento and Brian De Palma? The Art of Pure Cinema connects film

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48

High, Casey. Civilized Victims. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039058.003.0002.

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This chapter explores the relationship between historical representations of Waorani and indigenous forms of social memory that define Waorani people as victims or “prey” to violence. To accomplish this task, the chapter draws on the autobiographical narratives of Waorani elders and the place of Waorani concepts of civilización (“civilization”) in such narratives. The Waorani elders' stories about past revenge killings and becoming “civilized” not only describe a time of intense violence but also voice indigenous understandings of what it means to be Waorani and kowori in the context of social

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49

Hutchinson, Pamela. The Red Shoes. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781839026096.

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Endlessly fascinating, dark and bright, The Red Shoes (1948) employs every branch of the cinematic arts to sweep the audience off its feet, invigorated by the transcendence of art itself, only to leave them with troubling questions. Representing the climax of Michael Powell and Emeric Pressburger’s celebrated run of six exceptional feature films, the film remains a beloved, if unsettling and often divisive, classic. Pamela Hutchinson’s study of the film examines its breathtaking use of Technicolor, music, choreography, editing and art direction at the zenith of Powell and Pressburger’s capacit

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50

L'orso e la palma: Vincere, il cinema italiano nei premi di Berlino e di Cannes. Edizioni Istituto culturale del Mezzogiorno, 2017.

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