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Journal articles on the topic 'Panama Pacific International Exposition 1915 San Francisco'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Markwyn, Abigail. "Fair Labor." Boom 5, no. 1 (2015): 62–70. http://dx.doi.org/10.1525/boom.2015.5.1.62.

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Labor relations during the run up to and duration of the Panama-Pacific International Exposition in 1915 have been called the “Pax Panama Pacifica” thanks to unwritten agreements between fair planners and key labor unions in San Francisco. Fair planners intended to use the exposition to declare California’s ascendance as an economic stronghold in the Pacific, but the staging of it involved work that was inexorably bound with local, domestic, class, race, and gender conflicts in the Progressive Era. This article looks at why avoiding labor strife was critical to fair organizers’ objectives, and

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2

Young, Phoebe S. K. "To Show What Will Be By What Has Been." Boom 5, no. 1 (2015): 71–78. http://dx.doi.org/10.1525/boom.2015.5.1.71.

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San Diego vied with San Francisco to host the 1915 World’s Fair. San Francisco won, but San Diego went ahead and staged the International Panama-California Exposition. Planners of both fairs traded on ideas of empire to raise their cities’ profiles and capitalize on increased commercial opportunities promised by the newly opened Panama Canal, but they took very different approaches. In San Diego, city leaders saw themselves as inheritors of Spain’s colonial empire and as the critical link to a new American empire at the intersection of Latin America and the Pacific. They also saw themselves as

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3

Osborne, Thomas J. "California." Boom 5, no. 1 (2015): 4–11. http://dx.doi.org/10.1525/boom.2015.5.1.4.

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San Francisco’s 1915 Panama-Pacific International Exposition, celebrating the opening of the Panama Canal, symbolized California’s desire for preeminence in Pacific trade and naval power. The expected reopening of an enlarged Panama Canal in 2015 is causing shippers, ports, and military strategists to reassess how the Golden State should adapt to the ever-growing importance of the Pacific world in global affairs. Such ongoing and future adaptations to the enlarged Panama Canal will continue to underscore and augment California’s perennially close ties to the Pacific world.

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4

Andréoli de Villers, Jean-Pierre. "Les futuristes à la Panama Pacific International Exposition de San Francisco en 1915." Ligeia N°57-60, no. 1 (2005): 5. http://dx.doi.org/10.3917/lige.057.0005.

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5

Putman, John. "Empire on Display: San Francisco’s Panama-Pacific International Exposition of 1915." Southern California Quarterly 96, no. 3 (2014): 354–57. http://dx.doi.org/10.1525/scq.2014.96.3.354.

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6

Findling, J. "Empire on Display: San Francisco's Panama-Pacific International Exposition of 1915." Journal of American History 101, no. 1 (2014): 290. http://dx.doi.org/10.1093/jahist/jau228.

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7

MISHIMA, Masahiro. "THE DESIGN OF THE JAPANESE PAVILION AT PANAMA-PACIFIC INTERNATIONAL EXPOSITION IN SAN FRANCISCO, 1915." Journal of Architecture and Planning (Transactions of AIJ) 69, no. 576 (2004): 185–90. http://dx.doi.org/10.3130/aija.69.185_1.

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8

Medero, Santiago. "Arquitectura, imagen y estado." Anales de Investigación en Arquitectura 10, no. 1 (2020): 29–45. http://dx.doi.org/10.18861/ania.2020.10.1.2967.

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El artículo propone adentrarnos, a través de un caso particular, en la problemática de la representación del Estado a través de la arquitectura a comienzos del siglo XX, cuando las bases del Uruguay moderno aún se encontraban en construcción. Mediante la revisión de un antecedente inmediato, una exposición del Ministerio de Obras Públicas en 1914 publicada en la Revista de la Asociación Politécnica del Uruguay, se reflexiona sobre el envío uruguayo a la Panama-Pacific International Exposition de 1915, celebrada en la ciudad de San Francisco, en Estados Unidos. Los edificios, representados a tr

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9

MISHIMA, Masahiro. "THE SIGNIFICANCE OF THE JAPANESE PAVILION AND ITS GARDEN IN SAN FRANCISCO, PANAMA-PACIFIC INTERNATIONAL EXPOSITION 1915." Journal of Architecture and Planning (Transactions of AIJ) 70, no. 593 (2005): 187–94. http://dx.doi.org/10.3130/aija.70.187_4.

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10

Baldacci, Luigi. "À propos du pavillon futuriste italien à la Panama Pacific International Exposition de San Francisco (février-décembre 1915)." Ligeia N° 77-80, no. 2 (2007): 5. http://dx.doi.org/10.3917/lige.077.0005.

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11

Ortenberg, Alexander. "Joy in the Act of Drawing: Maybeck's Palace of Fine Arts." Journal of the Society of Architectural Historians 70, no. 1 (2011): 38–63. http://dx.doi.org/10.1525/jsah.2011.70.1.38.

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Joy in the Act of Drawing: Maybeck's Palace of Fine Arts focuses on Bernard Maybeck's working drawings for the surviving fragment of the 1915 Panama-Pacific International Exposition in San Francisco. Because it was originally designed as a temporary structure, it has been dismissed by some critics as the roughly detailed product of a speedy production process. However, Alexander Ortenberg shows that the working drawings were carefully produced in accordance with the professional standards of American Beaux-Arts architecture. What appear to be crude details were the product of thoughtful study,

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12

Bouissac, Paul. ": The Anthropology of World's Fairs: San Francisco's Panama Pacific International Exposition of 1915 . Burton Benedict." American Anthropologist 87, no. 4 (1985): 929–30. http://dx.doi.org/10.1525/aa.1985.87.4.02a00280.

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13

Logan, Elizabeth. "The Lotus and the Rose." Boom 5, no. 1 (2015): 50–61. http://dx.doi.org/10.1525/boom.2015.5.1.50.

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Planners of San Francisco’s 1915 Panama-Pacific International Exposition wanted to present their city as the center of an American empire that stretched from Maine to the Philippines. The fair’s head landscape engineer John McLaren and his team spent three years planning and planting the fairgrounds to reinforce this message. They used plants and flowers from around the world to show off California’s gentle climate, and convey to visitors the idea that the city was at the center of the commercial world. This article details the work that McLaren’s crews undertook, analyzes three sections of th

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14

Gilbert, James. "Book Review: Moore, Empire on Display: San Francisco’s Panama-Pacific International Exposition of 1915, by James Gilbert." Pacific Historical Review 83, no. 4 (2014): 712–13. http://dx.doi.org/10.1525/phr.2014.83.4.712.

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15

CANNATA, AMANDA. "Articulating and Contesting Cultural Hierarchies: Guatemalan, Mexican, and Native American Music at the Panama-Pacific International Exposition (1915)." Journal of the Society for American Music 8, no. 1 (2014): 76–100. http://dx.doi.org/10.1017/s1752196313000618.

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AbstractThree case studies, on Guatemalan, Mexican, and Native American music performed at San Francisco's 1915 Panama-Pacific International Exposition, illustrate the complex and varied ways that music can both reflect and challenge dominant and local ideologies of cultural value. The Guatemalan Commission made a claim for cultural significance through the Hurtado Royal Marimba Band's residency in their pavilion. This claim, however, was made through a Euro-American framework of cultural progress; the band's performances thus obscured the important role of Afro-Guatemalans and indigenous grou

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16

Miller, Robert D. "The Art of Progress: Masculinity and Expansionism at the Golden Gate - Sarah J. Moore Empire on Display: San Francisco's Panama-Pacific International Exposition of 1915. Norman: University of Oklahoma Press, 2013. xi + 240 pp. $34.95 (cloth), ISBN 978-0-8061-4348-4." Journal of the Gilded Age and Progressive Era 13, no. 3 (2014): 461–63. http://dx.doi.org/10.1017/s1537781414000309.

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17

Pestrikov, Viktor. "Success Business Plan for AT&T." Infocommunications and Radio Technologies 6, no. 3 (2023): 327–55. http://dx.doi.org/10.29039/2587-9936.2023.06.3.25.

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It is shown that AT&T’s purchase of patent rights to his audion from Lee de Forest in 1912 made the New York – San Francisco transcontinental telephone line project a realty. The features of the construction of this telephone line and the difficulties that arose in this case are considered. Attention is paid to the development of electrical circuits and designs of tube repeaters, as well as their installation on a telephone line. The principles of operation of tube repeaters of type 21 and 22 are analyzed. The results of the first testing of the line on July 29, 1914 are given. A memorable

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18

Naylor, Elaine. "Abigail M. Markwyn.Empress San Francisco: The Pacific Rim, the Great West, and California at the Panama–Pacific International Exposition." American Historical Review 120, no. 5 (2015): 1901–2. http://dx.doi.org/10.1093/ahr/120.5.1901.

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19

Smith, Sherry L. "Empress San Francisco: The Pacific Rim, the Great West and California at the Panama-Pacific International Exposition by Abigail M. Markwyn." American Studies 54, no. 2 (2015): 115–16. http://dx.doi.org/10.1353/ams.2015.0058.

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20

Simpson, Lee M. A. "Review: Empress San Francisco: The Pacific Rim, the Great West, and California in the Panama-Pacific International Exposition by Abigail M. Markwyn." Pacific Historical Review 85, no. 1 (2016): 164–65. http://dx.doi.org/10.1525/phr.2016.85.1.164.

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21

Moore, Sarah J. "Empress San Francisco: The Pacific Rim, the Great West & California at the Panama-Pacific International Exposition. By Abigail M. Markwyn. (Lincoln, NE: University of Nebraska Press, 2014. Pp. xi, 335. $35.00.)." Historian 78, no. 4 (2016): 763–64. http://dx.doi.org/10.1111/hisn.12360.

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22

"By the Century's Early Light." Lighting Design + Application 30, no. 11 (2000): 50–54. https://doi.org/10.1177/036063250003001107.

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23

Latsis, Dimitrios. "Films at the Fairs: Cinema at the San Francisco and San Diego International Expositions of 1915." Canadian Review of American Studies, May 12, 2022. http://dx.doi.org/10.3138/cras-2021-009.

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The influence of World’s Fairs on the development and dissemination of the visual culture of the United States has long been studied by historians and art historians, but the way motion pictures figured into these celebrations of nation, progress, and technology is less well understood. This article surveys cinema’s function as a conduit for visual education, a technology for immersive entertainment, an instrument of social control and a mode of advertisement in two fairs staged in 1915, the Panama Pacific International Exposition in San Francisco and the Panama-California Exposition in San Di

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24

"Empire on display: San Francisco's Panama-Pacific International Exposition of 1915." Choice Reviews Online 51, no. 05 (2013): 51–2468. http://dx.doi.org/10.5860/choice.51-2468.

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25

Parham, Joel. "Reframing and Recontextualizing Maria Montessori’s 1915 California Visit." Journal of Montessori Research 9, no. 2 (2023). http://dx.doi.org/10.17161/jomr.v9i2.21042.

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Maria Montessori’s visit to California in 1915—her second visit to the United States—coincided with multiple events in the region: San Francisco’s Panama–Pacific International Exposition (PPIE), San Diego’s Panama–California Exposition (PCE), and the National Education Association of the United States (NEA) annual meeting in Oakland. Her visit also came at a time when the American Montessori movement was splintering, and the academic elite increasingly criticized her educational model. These circumstances made Montessori’s visit to California a potentially valuable opportunity to rekindle inte

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26

Issaias, Theodossis. "Imperial spectacle and emergency shelters: the American Red Cross programmes presented at the Panama–Pacific International Exposition in San Francisco, 1915." Planning Perspectives, August 3, 2022, 1–32. http://dx.doi.org/10.1080/02665433.2022.2104350.

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27

"Empire on Display: San Francisco's Panama-Pacific International Exposition of 1915. By Sarah J. Moore . ( Norman : University of Oklahoma Press , 2013 . xii + 240 pp. Illustrations, maps, notes, bibliography, index. $34.95 .)." Western Historical Quarterly 45, no. 2 (2014): 217–18. http://dx.doi.org/10.2307/westhistquar.45.2.0217.

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28

"Empress San Francisco: The Pacific Rim, the Great West, and California at the Panama-Pacific International Exposition." Journal of American History 102, no. 2 (2015): 588–89. http://dx.doi.org/10.1093/jahist/jav373.

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29

"Empress San Francisco: The Pacific Rim, the Great West, and California at the Panama-Pacific International Exposition. By Abigail M. Markwyn . ( Lincoln : University of Nebraska Press , 2014 . xi + 335 pp. Illustrations, maps, notes, bibliography, index. $35.00 , CAN$43.95 , £22.99 .)." Western Historical Quarterly 46, no. 2 (2015): 254–55. http://dx.doi.org/10.2307/westhistquar.46.2.0254.

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