Log in

Relevant bibliographies by topics / Panofsky

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers

Academic literature on the topic 'Panofsky'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Panofsky.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Panofsky"

1

Avkiran, Melis. "Diffusion – Disjunktion – Distanz." Zeitschrift für Ästhetik und Allgemeine Kunstwissenschaft Band 64. Heft 1 64, no. 1 (2019): 111–24. http://dx.doi.org/10.28937/1000108297.

Full text

Abstract:

Der vorliegende Beitrag setzt die Überlegungen eines Forschungsentwurfs fort, dessen erster Teil im Band 63/2 dieser Zeitschrift erschien. Die historische Formel des sog. ›Disjunktionsprinzps‹ entwickelt Panofsky u.a. in dem 1944 im Kenyon Review erschienenen Artikel Renaissance and Renascences. Die grundsätzliche Mobilität antiker Kulturelemente, die er seiner Formel zuschreibt, impliziert einen bei ihm bisher unbenannten kulturtheoretischen Zugang mit deutlicher Nähe zum ethnologischen Modell der Diffusion. Ausgehend davon entwirft Panofsky mittels einer kulturmorphologischen Vorgehensweise

APA, Harvard, Vancouver, ISO, and other styles

2

Lysen, Flora. "What to do with the “Most Modern” Artworks? Erwin Panofsky and the Art History of Contemporary Art." Contemporaneity: Historical Presence in Visual Culture 3 (June 5, 2014): 38–49. http://dx.doi.org/10.5195/contemp.2014.81.

Full text

Abstract:

In the 1930s, when the world-renowned Medieval and Renaissance art scholar Erwin Panofsky became acquainted with the New York contemporary art scene, he was challenged with the most difficult dilemma for art historians. How could Panofsky, who was firmly entrenched in the kunstwissenschaftliche study of art, use his historical methods for the scholarly research of contemporary art? Can art historians deal with the art objects of their own time? This urgent and still current question of how to think about “contemporaneity” in relation to art history is the main topic of this paper, which depart

APA, Harvard, Vancouver, ISO, and other styles

3

Anderson, Alun. "Gorbachev thanks Panofsky." Nature 345, no. 6276 (1990): 564. http://dx.doi.org/10.1038/345564b0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Straten, Roelof Van. "Panofsky and ICONCLASS." Artibus et Historiae 7, no. 13 (1986): 165. http://dx.doi.org/10.2307/1483254.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Lamoureux, Johanne. "La migration d’Erwin Panofsky." Perspective, no. 2 (December 1, 2014): 157–59. http://dx.doi.org/10.4000/perspective.5563.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Easterbrook, David L. "Obituary: Hans E. Panofsky." African Research & Documentation 121 (2013): 67–68. http://dx.doi.org/10.1017/s0305862x00021956.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Wood, Christopher S. "Panofsky in Munich, 1967." MLN 131, no. 5 (2016): 1236–57. http://dx.doi.org/10.1353/mln.2016.0088.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Wirth, Jean. "« Essais d’iconologie » d’Erwin Panofsky." L'Histoire N° 492, no. 2 (2022): 91. http://dx.doi.org/10.3917/histo.492.0091.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Santiago Júnior, Francisco das Chagas Fernandes. "A infelicidade era Panofsky." MODOS: Revista de História da Arte 8, no. 2 (2024): 106–43. http://dx.doi.org/10.20396/modos.v8i2.8673026.

Full text

Abstract:

O objetivo deste texto é investigar a função do nome de Erwin Panofsky na obra de Georges Didi-Huberman entre os anos de 1986 e 2002. Ao longo dele, apresenta-se a obra de Didi-Huberman como um projeto de história-teoria da arte que se desenvolve, em parte, como uma história da historiografia da arte. Esta é atravessada por um dispositivo de paternidade como chave analítica que situa Panofsky como uma das personagens centrais. A obra de Didi-Huberman é marcada por um agon que localiza e se situa na geopolítica da história da arte. O artigo realiza uma análise das figuras e metáforas empregadas

APA, Harvard, Vancouver, ISO, and other styles

10

Kalina, Pavel. "MICHELANGELO, PYTHAGORAS, AND PANOFSKY." Source: Notes in the History of Art 24, no. 3 (2005): 38–42. http://dx.doi.org/10.1086/sou.24.3.23207939.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Panofsky"

1

Neher, Allister John. "Panofsky, Cassirer, and perspective as symbolic form." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0019/NQ47724.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Brie, Marc-André. "La perspective et l'imagination de l'espace selon Erwin Panofsky." Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/24623/24623.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Keenan, Daniel. "Kultur and acculturation : Erwin Panofsky in the United States of America." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5238/.

Full text

Abstract:

This study shows that the historiographical understanding of the life and work of Erwin Panofsky, that most ‘famous’ of art historians, remains curiously unresolved, and that the unsatisfactory nature of this appraisal centres upon just how Panofsky’s scholarship developed after 1933, when he was forced to migrate from his home in Germany to the United States of America. Utilising Panofsky’s correspondence this study then provides a contextualised re-evaluation of Panofsky’s experience of acculturation in America, and the effect of this acculturation upon the development of his work.

APA, Harvard, Vancouver, ISO, and other styles

4

Carpio, Anguita Maria Teresa <1967&gt. "Il concetto di simbolo e lo statuto della verità nell'iconologia di Erwin Panofsky." Doctoral thesis, Università Ca' Foscari Venezia, 2005. http://hdl.handle.net/10579/705.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Petersson, Arvid. "Konst och bilder i klassrummet : En pedagogisk bearbetning av konsten." Thesis, Högskolan i Halmstad, Akademin för lärande, humaniora och samhälle, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-36820.

Full text

Abstract:

Denna undersökning syftade till att analysera historia i konst genom att förenkla Panofskys analysmodell. Detta i samband med ett pedagogiskt tankesätt för att i framtiden utveckla analysredskap för mina elever på gymnasienivå. Panofskys analysmodell är tidskrävande och komplicerad, för att konkretisera detta för eleverna utvecklade författaren en enklare variant som är menat att lägga grund för intressanta diskussioner i klassrummen. För att undersöka detta valde författaren två olika konstverk, ett från Barocken (1600tal), ett från Romantiken (1800tal), och analyserade dessa utifrån sin eg

APA, Harvard, Vancouver, ISO, and other styles

6

Rieber, Audrey. "Concepts fondamentaux d’une iconologie. Etude des présupposés philosophiques de la méthode historique d’Erwin Panofsky." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040243.

Full text

Abstract:

L’étude des concepts fondamentaux de l’iconologie permet de dégager la conception de l’art, de l’histoire et de la création qu’elle implique. L’examen de l’analyse iconographique, des formations par analogie et de la critique du formalisme de Wölfflin permet de réviser l’idée selon laquelle l’intellectualisme de Panofsky le conduirait à méconnaître la spécificité du visuel. La mise au jour des torsions que l’iconologue fait subir au concept de forme symbolique clarifie la question du néo-kantisme et pose celle de l’usage de concepts (philosophiques) par l’historien. Le propre de la démarche hi

APA, Harvard, Vancouver, ISO, and other styles

7

Petersson, Henrik, and Joakim Areskoug. "Konsten i förändring : En undersökning om, och i så fall hur pass väl, Panofskys ikonologiska bildanalysmodell kan appliceras på konstverk ifrån olika tider och kulturer med olika syn på konstbegreppet." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-20145.

Full text

Abstract:

Syftet med följande analysstudie är att undersöka huruvida Panofskys ikonologiska bildanalysmodell är applicerbar på bilder/verk ifrån olika tider med olika konstbegrepp. Var, hur och när fungerar Panofskys modell som allra bäst och när gör den det mindre bra? För att kunna få svar på följande fråga valde författarna att, utifrån Panofskys metod, analysera tre bilder/konstverk – en från Romantiken, en från Modernismen och en från Postmodernismen – där man använder olika konstbegrepp, med andra ord där synen på konst skiljer sig åt. Resultatet, vilket härleds ur författarnas slutgiltiga tolknin

APA, Harvard, Vancouver, ISO, and other styles

8

Bengtsson, Emma. "Ikoniska bilder : En undersökning om hur historia skapas och uppfattas i bilder som blivit ikoniska för historiska händelser." Thesis, Konstfack, Institutionen för Bildpedagogik (BI), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-4747.

Full text

Abstract:

Jag har valt att undersöka hur bilder utgör fönster till det förflutna och blir till ett minne av något. Bilder kan berätta om en historisk händelse, visa hur det gick till och upprätta hur vi ska se på ett skede. Bilder kan bli en ikon för en händelse. Under min undersökning arbetar jag med historia, bild och konst, genom att analysera bilder med hjälp av Erwins Panofskys ikonologiska analysmetod som visar olika historiska skeden och tolka vad bilden kan berätta. Vilka kännetecken har de bilder som blivit ikoniska för historiska händelser? Vad skymmer den ikoniska framställningen? I mitt sk

APA, Harvard, Vancouver, ISO, and other styles

9

Kuchnowski, Monika [Verfasser]. "Ästhetische Zugänge zur Chemie : Wirkungen der ikonologischen Erkenntnismethode des Kunsthistorikers Erwin Panofsky auf den Chemieunterricht / Monika Kuchnowski." Kiel : Universitätsbibliothek Kiel, 2008. http://d-nb.info/1019810017/34.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Holmberg, Alexander. "Tro i bild : En studie av hur religiösa föreställningar kan yttra sig i bilder." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper, KV, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-20812.

Full text

Abstract:

Detta arbete syftar till att undersöka vad bilder, gestaltande religiösa berättelser, kan förmedla om den religiösa kontext där de har sitt ursprung. Hur väl dessa bilder kan tjäna som hjälpmedel till att förklara centrala aspekter av respektive religion i undervisningssammanhang är även en del som kommer att undersökas. Det aktuella bildmaterialet består av två bilder hämtade ur den kristna och den buddhistiska bildtraditionen. För att behandla aktuella bilder används en kvalitativ observationsmetod i form av en egen bildanalys-anpassning som inkluderar delar av både den ikonologiska och semi

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Panofsky"

1

Panofsky, Wolfgang K. H., and Jean Marie Deken, eds. Panofsky on Physics, Politics, and Peace. Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-69732-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Bruno, Reudenbach, and Abels Heinz, eds. Erwin Panofsky: Beiträge des Symposions, Hamburg, 1992. Akademie Verlag, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

editor, Schöner Petra, ed. Fokus-Panofsky: Beiträge zu Leben und Werk von Erwin Panofsky : mit Ergänzungen zur Korrespondenz und mit der erneut erweiterten Panofsky-Bibliographie 1914 bis 1969/73 / Dieter Wuttke ; herausgegeben von Petra Schöner. Verlag Valentin Koerner, 2018.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Edouard, Pommier, ed. Histoire et théories de l'art: De Winckelmann à Panofsky. Presses universitaires de France, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Wyss, Beat. Ein Druckfehler: Panofsky versus Newman, verpasste Chancen eines Dialogs. Buchhandlung W. König, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Thomas, Weihe, ed. Eugen Panofsky (1855-1922): Berliner Bankier, Stadtrat und Stadtältester. Hentrich & Hentrich, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Richler, Mordecai. Barney's version: With footnotes and an afterword by Michael Panofsky. [Vintage Canada], 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Krause, Eckart. Zum Gedenken an Erwin Panofsky (1892-1968)/Reden aus Anlass der Benennung des Hörsaals C im Hauptgebäude der Universität Hamburg in Erwin-Panofsky-Hörsaal am 20. Juni 2000. Hamburg University Press, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Dieter, Wuttke, ed. Korrespondenz 1910 bis 1968: Eine kommentierte Auswahl in fünf Bänden. Harrassowitz, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Spitzer, Hartwig. Zur Verleihung der Ehrensenatorwürde der Universität Hamburg an Professor Wolfgang K. H. Panofsky am 6. Juli 2006. Hamburg University Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Panofsky"

1

Dilly, Heinrich. "Panofsky, Erwin." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16026-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Hieber, Lutz. "Erwin Panofsky." In Handbuch Filmsoziologie. Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-10729-1_10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Wyngaard, John C. "Hans Panofsky, 1917–1988." In Boundary Layer Studies and Applications. Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-0975-5_1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Hieber, Lutz. "Erwin Panofsky (1892–1968)." In Handbuch Filmsoziologie. Springer Fachmedien Wiesbaden, 2019. http://dx.doi.org/10.1007/978-3-658-10947-9_10-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Müller, Julian. "Erwin Panofsky (1892 – 1968)." In Klassiker der Soziologie der Künste. Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-01455-1_10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Heinich, Nathalie. "Panofsky as an Epistemologist." In The Frontiers Collection. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-27577-8_6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Arnold, Thomas. "Ikonologie (Erwin Panofsky, Edgar Wind)." In Plotin-Handbuch. J.B. Metzler, 2024. http://dx.doi.org/10.1007/978-3-476-05975-8_63.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Dilly, Heinrich. "Panofsky, Erwin / Saxl, Fritz / Klibansky, Raymond." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_23002-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Raynaud, Dominique. "The Hauck–Panofsky Conjecture Regarding Curvilinear Perspective." In Studies on Binocular Vision. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-42721-8_9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Wuttke, Dieter. "Panofsky, Erwin / Saxl, Fritz / Klibansky, Raymond: Saturn and Melancholy." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_23005-1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Panofsky"

1

Biallas, George H., Nathan Belcher, David Douglas, Tommy Hiatt, and Kevin Jordan. "Combined panofsky quadrupole & corrector dipole." In 2007 IEEE Particle Accelerator Conference. IEEE, 2007. http://dx.doi.org/10.1109/pac.2007.4440292.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Vianna Neto, Liszt. "Habitus e o ponto de inflexão de Panofsky: teoria e metodologia da História da Arte no século XX." In Encontro da História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.3962.

Full text

Abstract:

Este trabalho abrange o conceito de habitus, segundo Arquitetura Gótica e Escolástica de Erwin Panofsky, visando as permanências de historiografias passadas, como a de Warburg ou a formalista, os debates que os trabalhos de Panofsky produziram entre historiadores da arte e a influência que sua teoria e metodologia teriam sobre autores posteriores à ele, nas mais diversas disciplinas, através desse conceito.

APA, Harvard, Vancouver, ISO, and other styles

3

Rozestraten, Artur Simões. "As caçadoras-de-cabeças e os desafios da interpretação de imagens artísticas." In Encontro de História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.4054.

Full text

Abstract:

Este texto pretende comparar os procedimentos interpretativos de Erwin Panofsky (1892-1968) e Aby Warburg (1866-1929), tomando como base o motivo artístico das caçadoras-de-cabeças, que tanto interessou a ambos. A primeira parte desse estudo é uma reaproximação à análise iconográfica de Panofsky sobre uma imagem dúbia de Salomé, ou Judite. A segunda parte trata do fascínio de Warburg pela forma plástica da postura de corpo e do gesto dramático das mulheres “headhunter”. E a terceira, e última parte, compara e revisa, criticamente, os procedimentos de interpretação de imagens desses dois pesqui

APA, Harvard, Vancouver, ISO, and other styles

4

Rovenko, Elena. "ERWIN PANOFSKY�S ICONOLOGY AND THE ANALYSIS OF MUSICAL COMPOSITION: ON SEARCHING NEW SEMANTIC STRATEGIES." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.08.

Full text

Abstract:

The paper offers a renewed interest for Erwin Panofsky�s iconology, which consists of the applying of this concept and analytical method to musical art per se. Although Panofsky himself did not intend to introduce his methodology into the sphere of music, he establishes correlations between some musical compositions and painting. Thus, Panofsky felt the presence of certain general laws of the formation of structure of the artistic whole in painting and music. In terms of iconology, music, like painting, presupposes the original hermeneutic algorithm, which consists of three steps. Firstly, the

APA, Harvard, Vancouver, ISO, and other styles

5

Furlan, Annie Simões Rozestraten. "A abordagem da perspectiva no tratado de Piero Della Francesca." In Encontro de História da Arte. Universidade Estadual de Campinas, 2009. http://dx.doi.org/10.20396/eha.5.2009.4007.

Full text

Abstract:

Em A perspectiva como forma simbólica (1999), Panofsky estabelece a divisão entre o desenvolvimento da perspectiva no Norte e no Sul, e, enquanto a primeira assenta suas descobertas em bases empíricas, a segunda busca uma fundamentação matemática, que segundo o autor, alcançaria sua primeira forma de registro escrito com o De prospectiva pingendi.

APA, Harvard, Vancouver, ISO, and other styles

6

Ferreira Melo, Rubia, Alessandra Carvalho Van Der Ley Freiras Lins, Maria Eduarda Ramos Alves Soares, and Danielly Amatte Lopes. "DESIGN E COMUNICAÇÃO VISUAL: uma aproximação entre Panofsky e métodos de projeto em design." In AVIA! Semana de Design. Galoa, 2017. http://dx.doi.org/10.17648/avia-2017-80740.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Alessandra, V. D. Ley, Maria Eduarda R. A. Soares, Rúbia Melo, and Danielly A. Lopes. "Design e Comunicação visual: uma aproximação entre Panofsky e métodos de projeto em design." In 8º Congresso Internacional de Design da Informação / 8º Congresso Nacional de Iniciação Científica em design da informação. Editora Blucher, 2018. http://dx.doi.org/10.5151/cidi2017-125.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Santos, Selene Candian dos. "O abade Suger sobre os vitrais de Saint-Denis." In Encontro da História da Arte. Universidade Estadual de Campinas, 2014. http://dx.doi.org/10.20396/eha.10.2014.4190.

Full text

Abstract:

No texto que a literatura costuma denominar De Administratione (ca. 1144-1149), Suger, abade de Saint-Denis (1122-1151), descreve o aumento nas rendas de Saint-Denis, as reformas realizadas na estrutura da igreja abacial e os ornamentos adquiridos e restaurados sob sua administração. Esse texto foi e é de grande interesse para diversos historiadores da arte – como Erwin Panofsky, Peter Kidson, Conrad Rudolph e Jean-Claude Bonne – já que as reformas realizadas e descritas por Suger foram identificadas pela História da Arte, muitos séculos depois, como o início da arquitetura gótica.

APA, Harvard, Vancouver, ISO, and other styles

9

Casimiro, Luís Alberto Esteves dos Santos. "A importância da luz e da cor na análise iconográfica." In Encontro da História da Arte. Universidade Estadual de Campinas, 2015. http://dx.doi.org/10.20396/eha.11.2015.4301.

Full text

Abstract:

O Método Iconográfico proposto por Erwin Panofsky como forma de analisar as obras de arte, de compreender e interpretar o significado mais profundo que cada obra encerra, é um método sobejamente conhecido e com referências abundantes no domínio dos estudos em História da Arte. Trata-se de um processo muito completo no que se refere aos objetivos propostos pois, de fato, a sua aplicação permite uma compreensão aprofundada do significado da obra de arte em si mesma e explicá-la tendo em conta a época, a cultura e a sociedade onde foi criada e o local para onde foi realizada.

APA, Harvard, Vancouver, ISO, and other styles

10

Simões, Thomaz de Almeida. "Warburg em reverso." In Encontro de História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.4092.

Full text

Abstract:

O presente trabalho é um estudo introdutório sobre o historiador da arte Aby Warburg, seu objetivo foi o de contribuir para uma melhor compreensão da importância crescente que os debates sobre a obra e métodos desse historiador vêm assumindo. Nosso interesse por Warburg foi despertado de forma inusitada quando, após conhecermos seu Mnemosyne Atlas, 1 nos vimos diante de uma proposta que intuitivamente julgamos suficientemente ampla e positiva para o trabalho com a imagem. Nesse contexto, de esclarecimento e descoberta, que se desenvolveu o texto que se segue; nascido de um contato direto com t

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!