Relevant bibliographies by topics / Pansori

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Pansori'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 January 2023

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Journal articles on the topic "Pansori"

1

Mecorio, Francesco, Francesco Santangelo, Sowon Jang, Tae Hee Kweon, and Alfonso Gianluca Gucciardo. "Pansori today: aesthetic demands vs. vocal health." Revista de Investigación e Innovación en Ciencias de la Salud 3, no. 2 (December 18, 2021): 3–23. http://dx.doi.org/10.46634/riics.57.

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Introduction: Pansori is a traditional Korean dramatic art form, which likely appeared in the mid-eighteenth century in the southern region of Korea. In pansori, there is a strong inclination toward preserving tradition, especially in regard to training, which is generally considered particularly demanding in terms of risks to vocal health. Nevertheless —as highlighted by recent studies— some innovations took place in pansori characteristics and performances in the last few decades. Objective: We hypothesize that these innovations have impacted the attitudes of singers and teachers towards pansori training and vocal health issues, and that a new approach to voice training in pansori might be recommended. Method: Starting with recent evolutions of pansori and considering previous studies, we discuss how these changes might produce innovations —or at least a demand for innovation— in pansori’s training. We also try to capture the viewpoint of pansori students and performers, through an anonymous survey. Results: Although further investigation is required, the results suggest that a new approach in teaching pansori is emerging and it is increasingly requested by the trainee performers, despite some criticisms from traditionalists. Conclusion: Unlike previously thought, perhaps a more scientific and health-conscious approach to pansori voice training will be something from which many pansori singers can benefit.
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You, Hwihyun, and Austin Kang. "Thematic Analysis of the Lyrics of Five Extant Pansoris." International journal of Multimedia & Its Applications 14, no. 6 (December 30, 2022): 01–10. http://dx.doi.org/10.5121/ijma.2022.14601.

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This paper aims to examine the themes of five extant pansoris, Korean traditional music. Therefore, this study collected the lyrics of the five works, including Chunhyangga, Simcheongga, Heungboga, Jeokbyeokga, and Sugungga. This study examined the theme of each pansori using thematic analysis of the collected data. According to the results of this study, the themes of the five works could be summarized as love, loyalty, filial piety, moderation, and Confucianism and humor. This study has the significance of deriving a common theme through thematic analysis of the lyrics of five extant pansoris.
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Choi, Hye Jin. "The History of Traditional Pansori and The Prospects for The Development of Performance." Liberal Arts Innovation Center 9 (November 30, 2022): 225–48. http://dx.doi.org/10.54698/kl.2022.10.225.

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In modern pansori, various experiments are being made on the existing traditional pansori, and many new creations of pansori are being made. However, traditional pansori also has historically undergone continuous changes and experiments. In this regard, this study was intended to suggest the point where the traditional pansori has changed and the tasks to be positively improved by the pansori of our time. First, the performance aspects of traditional pansori were analyzed in a visual dimension. This study examines how pansori performances have changed from the mid-19th century to modern pansori. In the 19th century, in the yard, a singer performed wearing a hat on an applicator, and held a white or red fan. The drummer used a relatively large drum, and the tip of the drumstick was round. At the end of the 19th century, in Kim Jun-geun's paintings, it can be seen that the performance space for pansori has changed into a room or an indoor space. The singer performed with the master, but did not organize a separate space, and the drum and drummer of the master was changed to a shape similar to that of modern times. In the early 20th century, the stage of pansori during the Japanese colonial period was transformed into a theater. The traditional attire of the singer and the master was sometimes simplified with a bob and a duruma. In particular, female singers changed from wearing a white hanbok with their indigo hair to gradually wearing a splendid hanbok. As the intangible cultural heritage system began after the 20th century, pansori centered on human cultural assets was mainly performed on stage under the technical influence of microphones and lighting. It can be said that the musicality of pansori has gradually become highly sophisticated amid these changes in performance space and media. While traditional pansori could be changed over time without losing its typicality, there were also parts that lost the essence of 'pan'. This is the weakening of storytelling or polarity, and in this regard, the development direction of traditional pansori was suggested in three areas. First of all, I heard that aniri(아니리) and wit should be strengthened to restore the storytelling of pansori. Next, it was argued that the spirit of the times should be contained through the creation and reconstruction of a new lyric(더늠). Finally, it was suggested that the dramatic aspect of pansori should be established through the expansion of neoreumsae(너름새) and reinforcement of acting.
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Kim, Hyunju, and Wolfgang Mastnak. "Creative Pansori." Musik-, Tanz- und Kunsttherapie 26, no. 4 (October 2015): 192–97. http://dx.doi.org/10.1026/0933-6885/a000219.

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Zusammenfassung. Pansori ist eine traditionelle Form koreanischen epischen Gesangs, durch den verschiedenste Emotionen, Lebenserfahrungen und kulturelle Identitäten mit Korea zum Ausdruck gebracht werden. Auf der Basis dieses UNESCO Kulturerbes entwickelte die junge koreanische Musiktherapeutin Hyunju Kim eine Methode biografischer Rezitation für den Einsatz in psychiatrischer Musiktherapie. Anhand der Kasuistik einer Depressionspatientin werden typische Pansori-Merkmale interaktiven Trommelns und Rezitierens deutlich und führen zur Analyse therapeutischer Mechanismen. Zudem werden mittels komparatistischer Überlegungen Möglichkeiten kulturübergreifender klinischer Anwendungen diskutiert.
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Kim, Jin Soo. "Traditions of Korean Folk Performances in the Contemporary Monodrama." Observatory of Culture, no. 4 (October 28, 2015): 46–51. http://dx.doi.org/10.25281/2072-3156-2015-0-4-46-51.

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He increasing interest to the one-actor theatre in Korea is caused by the existence of the pansori, a ballade performed by narrator to the accompaniment of a drum, in the Korean folk tradition. Nowadays, the Korean folk performance tradition is widely used by directors in contemporary monodramas. The article analyzes two performances: “The Byeoksok Fairy” (director - Sohn Jin chaek, actress - Kim Sung nuy) by Bae Sam Sik, a well-known Korean dramatist, which uses the traditions of the Korean folk performance madan nori; and the “Mother Courage and Her Children” (director - Nam In woo, actress - Yi Ja ram) by Bertolt Brecht, staged in the pansory style.
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Kim, Sug bae. "Junggoje Pansori and Master Park Dong jin’s Pansori." Journal of Pansori 49 (April 30, 2020): 47–80. http://dx.doi.org/10.18102/jp.2020.04.49.47.

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Lee, Hae-jin. "Management Strategies of Tragic Situations in Pansori Literature." Research of the Korean Classic 57 (May 31, 2022): 369–95. http://dx.doi.org/10.20516/classic.2022.57.369.

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Pansori literature depicts various tragic situations encountered by an ordinary protagonist and their emotional reactions to it, strongly evoking empathy from ordinary people who read it. This study examines the characteristics of tragic situations in Pansori literature and discusses several discourse strategies used to manage them. The tragic situation in Pansori literature always frustrates the ordinary protagonist, and has irrational and contradictory characteristics. Furthermore, their immense emotional reaction to it intensifies the tragedy. However, Pansori literature does not leave such an emotional state unattended and includes internal discourse strategies to manage it, which is deeply related to the emotional management method of the readers. The “humorous relaxation strategy,” “moral comfort strategy,” and “precognitive alternative strategy” discussed in this paper all correspond to a kind of internal defense strategy that makes the situation less sad and painful by turning one’s eyes elsewhere in tragic situations. However, this is differentiated from simply avoiding the problem. When a good individual cannot change their life immediately on their own, it allows them to imagine an optimistic future instead of being overwhelmed by negative emotions. Management strategies of tragic situations in Pansori literature are thus significant as comfort and encouragement strategies for people and for providing ideas for the ways we live and create stories today.
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Huang, Zhengfeng. "Expering Pansori Application Scheme in Chinese Korean Language Curriculum: Take the ｢Jeok Byuk Ga｣." Korean Journal of Teacher Education 38, no. 6 (November 30, 2022): 157–73. http://dx.doi.org/10.14333/kjte.2022.38.6.08.

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Purpose: Considering that there is no content on pansori in the textbook of Korean, this study examined the method of teaching the pansori Jeok Byuk Ga in the Korean language subject in China. Methods: After clarifying the scope of ｢Jeok Byuk Ga｣ that was suitable for education, and the learning that was appropriate according to the contents, such as ‘learning about contents’ by introducing classes, ‘learning about genres’ for acquiring genre knowledge, and ‘in-depth learning’ for thinking more deeply an activity was designed. Results: In ‘learning about content’, the research revealed that teachers can proceed through an entertainment activity called ‘playing with love’, and learning about a genre can be taught by comparing it with the genre of novels that students have already learned. In the ‘deep learning’ stage, activities can be conducted on diverse topics, such as thoughts on transformation, and a comparison of novels and pansori for learning ｢Jeok Byuk Ga｣. Conclusion: When teaching pansori students can learn more than ｢Jeok Byuk Ga｣in the Korean language course, as there are many other learning activities besides those noted in this research. However, since ｢Jeok Byuk Ga｣is an important work noting the change of pansori, it is possible to have an opportunity to discuss the common ways of enjoying literature such as genre change, and learning ｢Jeok Byuk Ga｣is would be to learners.
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Pandeya, Yagya Raj, Bhuwan Bhattarai, and Joonwhoan Lee. "Tracking the Rhythm: Pansori Rhythm Segmentation and Classification Methods and Datasets." Applied Sciences 12, no. 19 (September 23, 2022): 9571. http://dx.doi.org/10.3390/app12199571.

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This paper presents two methods to understand the rhythmic patterns of the voice in Korean traditional music called Pansori. We used semantic segmentation and classification-based structural analysis methods to segment the seven rhythmic categories of Pansori. We propose two datasets; one is for rhythm classification and one is for segmentation. Two classification and two segmentation neural networks are trained and tested in an end-to-end manner. The standard HR network and DeepLabV3+ network are used for rhythm segmentation. A modified HR network and a novel GlocalMuseNet are used for the classification of music rhythm. The GlocalMuseNet outperforms the HR network for Pansori rhythm classification. A novel segmentation model (a modified HR network) is proposed for Pansori rhythm segmentation. The results show that the DeepLabV3+ network is superior to the HR network. The classifier networks are used for time-varying rhythm classification that behaves as the segmentation using overlapping window frames in a spectral representation of audio. Semantic segmentation using the DeepLabV3+ and the HR network shows better results than the classification-based structural analysis methods used in this work; however, the annotation process is relatively time-consuming and costly.
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Choi, Seokhun. "Pansori Hamlet Project: Taroo's New Pansori Shakespeare for the Local Audience." Asian Theatre Journal 36, no. 2 (2019): 349–69. http://dx.doi.org/10.1353/atj.2019.0025.

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Dissertations / Theses on the topic "Pansori"

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Kim-Hong, Kyong-soon. "Étude historique et musicologique du pansori." Paris 4, 1987. http://www.theses.fr/1987PA040441.

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Nos recherches portent sur le pansori et plus précisément sur un genre musical populaire, qui a un statut assez particulier dans l'histoire de la musique coréenne. C'est une forme d'art vocal qui raconte une longue histoire dramatique. Le pansori comme genre musical a surgi au XVIIIème siècle, l'époque où la Corée traditionnelle commença à être troublée par les invasions étrangères. Le pansori représente la volonté tenace du peuple coréen de sauvegarder son identité en dépit des puissances étrangères et des dominations de la classe gouvernante. Nos premiers chapitres sont consacrés aux diverses influences que le pansori a subies entant que musique et histoire. Il ressort de notre analyse que le pansori constitue une synthèse assez grandiose des divers genres musicaux, lesquels étaient pratiques d'ordinaire par les diverses couches sociales du peuple coréen à cette époque. Sur le plan purement musical, la musique du pansori s'est constituée à partir de systèmes structurels solides et très élaborés. Cette constatation va à l'encontre des analyses de la plupart des musicologues coréen, les derniers en effet, ont situé la musique du pansori dans un cadre par trop catégorique et limité. En revanche, des intuitions solides et des recherches systématiques conduites par Constantin Brailoiu, Jacques Chailly, et Tran van Khe ont fourni pour nous, la source de constantes suggestions. Notre étude s'articule sur la musique du pansori en trois volets, des modes mélodiques, des formules rythmiques et de la voix. Une analyse synthétique qui a fait suite dénombre les caractéristiques de la musique du pansori
Our thesis aims at questioning the validity of a number of the presently established models concerning the traditional Korean popular music, namely, "pansori". In fact, "pansori" constitutes a creative synthetic art composed of different genres of the traditional Korean music known in Korea of the 18th century. The first part of our thesis has to do with the appraisal of the respective role of the different branches of the traditional Korean cultural heritage so as to determine and situate the place of "pansori" within the proper context of the Korean history itself. The critical reexamination which we have undertaken allowed us finally to discover lots of anomalies and even errors in the theoretical frameworks supposed to explain the phenomena of the pansori. As such discrepancies seemed to us to be symptomatic of the approach based on the misplaced conceptualization, we felt it necessary to review those discoveries of ours and integrate them in the entirely new paradigms, and this, to open new perspectives in the ethnomusicological studies with regard to "pansori"
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Lee, Wha-Byong. "Studien zur Pansori-Musik in Korea /." Frankfurt am Main ; Bern ; Paris : P. Lang, 1991. http://catalogue.bnf.fr/ark:/12148/cb36650696s.

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Han, You Mee. "Le Pansori, patrimoine coréen sous sa triple dimension littéraire, musicale et scénique : histoire, analyse et perspectives." Paris 7, 2012. http://www.theses.fr/2012PA070090.

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Le pansori est un art scénique populaire ancien où un interprète chante un long texte transmis de manière orale, désormais patrimonialisé (Corée 1964, Unesco 2003). La première partie réfléchit sur la manière dont le pansori est aujourd'hui pensé comme objet culturel, en particulier à travers la-manière dont on réinvente son histoire selon les époques; la seconde partie analyse les trois aspects : littéraires, musicaux, et scéniques, pour montrer comment ils sont liés, et organisés autour de la performance scénique où s'accomplit pleinement le genre; la troisième partie montre comment de nos jours le genre maintient la transmission orale en évitant la folklorisation au profit d'une dualité entre la classîcisation (répertoire fixé) et la modernité (création de nouvelles œuvres), et parvient à élargir son auditoire, en étudiant l'histoire du pansori en France
Pansori is an old traditional performing art in which a performer sings a long orally transmitted text. It bas been recently recognized as Guttural Heritage (Korea 1964, Unesco 2003). The first part is a reflection on hovv pansori is nowadays conceived as a cultural object, especially through the way its history is being reinvented ail along the ages, The second part analyzes the three following literature, music, and performance. It underlines the way they are connected and organized around the stage performance, the full accomplishment of pansori. The third part shows how the genre oral transmission nowadays by avoiding folklorization trend to the benefit of a duality between classicisation (fixed repertory) and modernity (creation of new works), and manages to broaden the audience by studying the history of pansori in France
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Neideck, Jeremy. "The fabric of transcultural collaboration: Interweaving the traditional Korean vocal form of p'ansori and the contemporary Japanese dance form of butoh in a transculturally Australian context." Thesis, Queensland University of Technology, 2016. https://eprints.qut.edu.au/93720/1/Jeremy_Neideck_Thesis.pdf.

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This practice-led research investigated the negotiation processes informing effective models of transcultural collaboration. In a creative project interweaving the image-based physicality of the Japanese dance form of butoh with the traditional Korean vocal style of p'ansori, a series of creative development cycles were undertaken with a team of artists from Australia and Korea, culminating in Deluge, a work of physical theatre. The development of interventions at 'sites of transcultural potential' resulted in improvements to the negotiation of interpersonal relationships and assisted in the emergence of a productive working environment in transculturally collaborative artistic practice.
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Thomaidis, Konstantinos. "The grain of a vocal genre : a comparative approach to the singing pedagogies of EVDC integrative performance practice, Korean PANSORI, and the Polish centre for theatre practices 'Gardzienice'." Thesis, Royal Holloway, University of London, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.591058.

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This thesis is a cross-cultural examination of the relationship between the trained physiology of the voice and culture. Building on Barthes's notion of the grain of the voice,' I argue that each training system moulds the body in a way that decisively affects aesthetic phonation. Therefore I analyse voice training as a bodily inscription, in its Foucauldian sense, and I focus on the pedagogical ethics crystallised in the 'grain of the genre.' This I define as the collective 'grain' to which pedagogies of codified genres aspire, beyond and apart from the individual singing performer's 'grain' ; in other words, the 'grain of the genre' is the means by which culture is reaffirmed in/through the trainee's voice. The introductory chapter looks at the anatomical and physiological properties of the voice, traces the history of theorisations of the voice in order to situate my project, and explains my methodologies as a practitioner/researcher. Drawing on extended practical fieldwork, each of the subsequent three chapters explores the ' grain' of three pedagogies in the light of my personal training and the historical, musicological and broader cultural research I conducted in relation to each method. The three training approaches are a recent development in the area of bel canto (Integrative Performance Practice by 'Experience Vocal Dance Company,' USA and UK), an Asian traditional genre (Korean pansori), and a training pertaining to the Western avant-garde tradition (Centre for Theatre Practices 'Gardzienice,' Poland). Chapter 2 argues that the transdisciplinary grain of IPP on one hand adheres to a scientific approach to voicing, while attempting to bypass the deadends of the predominant training of the 'natural' voice. Chapter 3 acknowledges the grain of pansori as developed and promoted through the explicit aesthetic agenda of Korean han. Chapter 4 studies the grain of Gardzienice as one of 'laughing openness,' a grain mainly preoccupied with the inter-corporeal and the relational. The final chapter revisits the category of the 'grain of the genre' through my embodied perspective as a cross-cultural researcher. I reexamine the Foucauldian aspects of the 'grain' and its disciplinary character through the lens of the axis docility-resistance. I conclude the thesis with the suggestion of a dynamic relation between culture and vocal practice, the resistant aspects of which are, I argue, foregrounded when voice is addressed and taught as phonic and foreign.
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Ståbi, Kersti. "Att gestalta Vǫluspá ur poetiska Eddan : som folksångare och muntlig berättare." Thesis, Kungl. Musikhögskolan, Institutionen för folkmusik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2502.

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Kersti Ståbi Performing poems from the Poetic Edda I am a folk singer and oral storyteller. In my Masters project I have made a series of concerts performing the poem Vǫluspá from the Poetic Edda in its original Old Norse. Building on the musical elements in the Eddic poems, I’ve been searching the borderlands between speech and singing, using melodic material in the modern Swedish and Norwegian languages. As a method I have imitated singers in different living epic singing traditions from around the world, basing the creative process on mimicry and improvisation. This was a fast route to performances of great diversity: the Manas singer from Kyrgyzstan gradually enters a trancelike state, while Pansori from Korea made me think "unmelodic folk opera" and the Indian Pandvani is all-or-nothing storytelling with music serving as an engine. One specific perspective I have researched is the concept of a ”First Listener” - a representative of the audience on stage that can, but doesn’t necessarily have to, contribute musically. Traditionally the First Listener in Pandvani is very active; singing, shouting and challenging the teller, while the Pansori First Listener is a supporting commenting percussionist. As a storyteller and lead singer I found the presence of a First Listener highly fruitful in the process leading up to the performances. As a stage concept it offers forceful dynamics between the singer, the listeners and the poem. The poems of the Poetic Edda were created and performed in an oral tradition, but survived to modern times only via written text. I regard myself a performer formed in a literate culture but in an oral music tradition. With that in mind I have explored performance of this epic material and its metres. Translation has become a keyword with many facets.
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Ryu, Hanpil. "A Conductor's Guide to Un-Yung La's Choral Music as Reflected in Easter Cantata." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862841/.

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Un-Yung La was one of the first Korean composers of Western style choral music who used Korean folk elements in his composers. According to Un-Yung La's musical theory, which he demonstrated in Easter Cantata. Korean-style melody and rhythm were created based on Korean traditional scales and he also used Western-style harmonization. He attempted a new Korean style of expression through Sikimsae technique in Korean traditional vocal music genres: Pansori and Sijo. The purpose of this paepr is to discuss traditional Korean performance elements related to melody, harmony, and rhythm as employed in La's Easter Cantata. The study will increase the knowledge of western conductors who wish to understand Korean folk music in preparation for performance of choral works such as La's Easter Cantata.
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Johansson, Arvid. "Aktivt Pansar : Att nå verkan med dagens vapensystem i morgondagens pansar." Thesis, Försvarshögskolan, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:fhs:diva-4642.

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Då dagens vapensystem blir allt effektivare med högre penetration och större verkan är det inte längre möjligt att endast lägga på mer pansar för att få tillräckligt skydd. Fordonen blir för tunga och rörligheten påverkas negativt i allt för stor grad, därför börjar nu system för aktivt skydd slå sig in på marknaden. Dessa system söker aktivt av fordonets omgivning och skjuter ner inkommande hot såsom raketer och robotar och finns redan implementerade i en rad länder i vårt närområde. Infanteriets huvudbeväpning, som mot bepansrade hot traditionellt sett varit just robotar, raketer och granater, är i många fall verkanslös i mötet med aktivt pansar. Uppsatsen undersöker vilka möjligheter som finns att med den utrustning som dagens svenska försvarsmakt är utrustad med nå verkan i mål som är skyddade av aktivt pansar. De befintliga systemen för aktivt pansar Trophy, Iron Curtain och Arena har valts som exempelsystem. De vapensystem som granskas är STRIX, Rb56, Pskott m/86, Grg m/86 samt fordonsmina 14. En slutsats är att de granskade systemen alla saknar förmåga att skydda fordonet från hot som kommer rakt ovanifrån, detta medför att STRIX är fullt fungerande mot ett fordon skyddat av aktivt pansar.
Since today's weapons systems are becoming more efficient with higher penetration and greater efficacy, it is no longer possible to only put on more armor to get adequate protection. The vehicles become too heavy and mobility is adversely affected to an excessive degree, because of this systems for active protection are now breaking into the market. These systems are actively scanning the vehicle's surroundings and shoot down incoming threats such as rockets and robots and are already implemented in a number of countries in our region. The infantry's main armament against armored units, which traditionally have been just missiles, rockets and grenades are in many cases useless meeting with active protection systems. The paper examines the possibilities of reaching effect in targets equipped with active armor using the equipment available to the Swedish armed forces today. The existing active protection systems Trophy, Iron Curtain and Arena have been chosen as example systems. The weapons systems examined are STRIX , Rb56 , Pskott m/86 , Grg m/86 and Fordonsmina 14. One conclusion is that the audited systems all lack the ability to protect the vehicle from threats that come from directly above; this means that STRIX is fully functional to a vehicle protected by an active protection system.
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Grima, Marie-Annick. ""Re-panser" la vulnérabilité psychique observée chez certains enfants de migrants." Phd thesis, Université de la Réunion, 2006. http://tel.archives-ouvertes.fr/tel-00271288.

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Le travail de recherche présenté prend sens dans le cadre d'une pratique clinique transculturelle. Il s'agit d'interroger à nouveau la question de la vulnérabilité psychique observée chez certains enfants issus de la migration. Ceux rencontrés ici viennent avec leurs familles de l'archipel des Comores. Des travaux antérieurs (Moro & Nathan, 1989 ; Moro, 1994) ont défini cette vulnérabilité en lien avec l'impact de la migration sur le développement psycho-affectif et cognitif. Cet impact est de nature traumatique et amène au clivage des mondes. Ce processus est un facteur essentiel dans la genèse de la vulnérabilité psychique. Mais au regard de notre pratique clinique, nous postulons que cette dernière participe d'une vulnérabilité plus générale et prend sens dans une histoire familiale marquée par des événements traumatiques survenus parfois aux générations précédentes et non encore élaborés. Cette vulnérabilité traduit également un déséquilibre des relations entre les mondes visible et invisible constitutifs de l'univers des enfants et des familles rencontrés. Les symptômes manifestés par les enfants portent en eux la trace de ces différents facteurs de vulnérabilité. Ils ont pour fonction de restaurer la mémoire familiale et le lien au monde d'origine. Cette restauration s'actualise par le rituel.
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Viaud, Baptiste. "Panser les deux mondes : médecines et sports, entre principes hippocratiques et performances." Nantes, 2009. http://www.theses.fr/2009NANT3032.

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Books on the topic "Pansori"

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Lee, Mee-jeong. Le pansori: Un art lyrique coréen. Paris: Centre de recherches sur la Corée, Paris VIII, 2002.

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Studien zur Pansori-Musik in Korea. Frankfurt am Main: P. Lang, 1991.

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Kim, Chin-yŏng. P'ansori munhwa sajŏn =: Dictionary of pansori culture. Sŏul-si: Pagijŏng, 2007.

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Chʻung-hwan, Chʻa, and Kim Tong-gŏn 1969-, eds. P'ansori munhwa sajŏn =: Dictionary of pansori culture. Sŏul-si: Pagijŏng, 2007.

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Katarimono no hikaku kenkyū: Kankoku no pansori, fuka to Nihon no katarimono. Tōkyō: Kanrin Shobō, 2002.

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Wŏllam Pansegi Pʻyŏnchʻan Wiwŏnhoe (Korea). Wŏllam pansegi. Sŏul: Ibuk 5-to Wiwŏnhoe, 1995.

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Hŏ, Kyŏng-sam. Mogyang kil pansegi. Sŏul: Kʻumnan Chʻulpʻansa, 2000.

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Wiwŏnhoe, Pʻyŏngnam Manghyang Pansegi Pʻyŏnchʻan. Pʻyŏngnam manghyang pansegi. Sŏul Tʻŭkpyŏlsi: Pʻyŏngan-namdo Chungang Tominhoe, 1990.

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9

(Korea), Pukhan Yŏn'gu Hakhoe, ed. Pundan pansegi Pukhan yŏn'gusa. 2nd ed. P'aju-si: Hanul Ak'ademi, 2012.

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Penser, panser l'Afrique. Paris]: Menaibuc, 2013.

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Book chapters on the topic "Pansori"

1

Kim, Dong-Keon, and Woon-Ho Choi. "Traditional Culture Learning System for Korean Folk Literature, Pansori." In Lecture Notes in Electrical Engineering, 509–17. Dordrecht: Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-6996-0_54.

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Kim, Dong-Keon. "Introduction of the Art of Korean Traditional Culture: Multimedia Based Pansori." In Communications in Computer and Information Science, 248–55. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22333-4_32.

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Shin-Dong, Kim. "The Creation of Pansori Cinema: Sopyonje and Chunhyangdyun in Creative Hybridity." In East Asian Cinema and Cultural Heritage, 151–71. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230339507_7.

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Pavis, Patrice. "Is Modernized Pansori Political? On Lee Jaram’s Ukchuk-Ga(Mother Courage and her Children)." In Performing Korea, 153–74. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-44491-2_9.

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Komporaly, Jozefina. "Adaptation at the Crossroads: Cultural Syncretism and Multimodality in Performance (ZU-UK, Pansori Project ZA)." In Radical Revival as Adaptation, 161–96. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-48102-3_6.

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Marschalek, Ilse, Lisa M. Seebacher, Elisabeth Unterfrauner, Katharina Handler, and Margit Hofer. "Social Labs in Public Engagement Processes for RRI." In Putting Responsible Research and Innovation into Practice, 147–69. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14710-4_8.

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Abstract:
AbstractResearch and research programmes have explicitly demanded to seek solutions to today’s societal challenges and have emphasised the importance of addressing societal needs and ethical questions in research and development (e.g. Owen and Pansera 2019). Since new sciences and emerging technologies are mostly embedded in fields of conflicting interests and are of high complexity, there is a need for multi-actor decision processes, including actors of the wider public (e.g. Chilvers and Kearnes 2016).
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Morard, Anne. "L’impossible à « panser »." In Deuil en maternité, 57–69. Érès, 2021. http://dx.doi.org/10.3917/eres.toubi.2016.01.0057.

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Delaye, Richard, and Pascal Lardellier. "Introduction. Panser la confiance�." In La confiance, 21. EMS Editions, 2016. http://dx.doi.org/10.3917/ems.delay.2016.01.0021.

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Collectif d’auteur·trices de l’Afri and Charline Bidelot. "Souveraineté sanitaire en Afrique : l’enjeu des sciences et de l’innovation." In Panser la santé mondiale, 151–72. Éditions Syllepse, 2022. http://dx.doi.org/10.3917/syll.cetri.2022.03.0151.

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Vawda, Yousuf, and Anne-Sophie Bauvir. "Propriété intellectuelle et covid : un défi décolonial pour l’Afrique." In Panser la santé mondiale, 139–49. Éditions Syllepse, 2022. http://dx.doi.org/10.3917/syll.cetri.2022.03.0139.

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