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Journal articles on the topic 'Pansori'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 January 2023

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1

Mecorio, Francesco, Francesco Santangelo, Sowon Jang, Tae Hee Kweon, and Alfonso Gianluca Gucciardo. "Pansori today: aesthetic demands vs. vocal health." Revista de Investigación e Innovación en Ciencias de la Salud 3, no. 2 (December 18, 2021): 3–23. http://dx.doi.org/10.46634/riics.57.

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Introduction: Pansori is a traditional Korean dramatic art form, which likely appeared in the mid-eighteenth century in the southern region of Korea. In pansori, there is a strong inclination toward preserving tradition, especially in regard to training, which is generally considered particularly demanding in terms of risks to vocal health. Nevertheless —as highlighted by recent studies— some innovations took place in pansori characteristics and performances in the last few decades. Objective: We hypothesize that these innovations have impacted the attitudes of singers and teachers towards pansori training and vocal health issues, and that a new approach to voice training in pansori might be recommended. Method: Starting with recent evolutions of pansori and considering previous studies, we discuss how these changes might produce innovations —or at least a demand for innovation— in pansori’s training. We also try to capture the viewpoint of pansori students and performers, through an anonymous survey. Results: Although further investigation is required, the results suggest that a new approach in teaching pansori is emerging and it is increasingly requested by the trainee performers, despite some criticisms from traditionalists. Conclusion: Unlike previously thought, perhaps a more scientific and health-conscious approach to pansori voice training will be something from which many pansori singers can benefit.

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2

You, Hwihyun, and Austin Kang. "Thematic Analysis of the Lyrics of Five Extant Pansoris." International journal of Multimedia & Its Applications 14, no. 6 (December 30, 2022): 01–10. http://dx.doi.org/10.5121/ijma.2022.14601.

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This paper aims to examine the themes of five extant pansoris, Korean traditional music. Therefore, this study collected the lyrics of the five works, including Chunhyangga, Simcheongga, Heungboga, Jeokbyeokga, and Sugungga. This study examined the theme of each pansori using thematic analysis of the collected data. According to the results of this study, the themes of the five works could be summarized as love, loyalty, filial piety, moderation, and Confucianism and humor. This study has the significance of deriving a common theme through thematic analysis of the lyrics of five extant pansoris.

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3

Choi, Hye Jin. "The History of Traditional Pansori and The Prospects for The Development of Performance." Liberal Arts Innovation Center 9 (November 30, 2022): 225–48. http://dx.doi.org/10.54698/kl.2022.10.225.

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In modern pansori, various experiments are being made on the existing traditional pansori, and many new creations of pansori are being made. However, traditional pansori also has historically undergone continuous changes and experiments. In this regard, this study was intended to suggest the point where the traditional pansori has changed and the tasks to be positively improved by the pansori of our time. First, the performance aspects of traditional pansori were analyzed in a visual dimension. This study examines how pansori performances have changed from the mid-19th century to modern pansori. In the 19th century, in the yard, a singer performed wearing a hat on an applicator, and held a white or red fan. The drummer used a relatively large drum, and the tip of the drumstick was round. At the end of the 19th century, in Kim Jun-geun's paintings, it can be seen that the performance space for pansori has changed into a room or an indoor space. The singer performed with the master, but did not organize a separate space, and the drum and drummer of the master was changed to a shape similar to that of modern times. In the early 20th century, the stage of pansori during the Japanese colonial period was transformed into a theater. The traditional attire of the singer and the master was sometimes simplified with a bob and a duruma. In particular, female singers changed from wearing a white hanbok with their indigo hair to gradually wearing a splendid hanbok. As the intangible cultural heritage system began after the 20th century, pansori centered on human cultural assets was mainly performed on stage under the technical influence of microphones and lighting. It can be said that the musicality of pansori has gradually become highly sophisticated amid these changes in performance space and media. While traditional pansori could be changed over time without losing its typicality, there were also parts that lost the essence of 'pan'. This is the weakening of storytelling or polarity, and in this regard, the development direction of traditional pansori was suggested in three areas. First of all, I heard that aniri(아니리) and wit should be strengthened to restore the storytelling of pansori. Next, it was argued that the spirit of the times should be contained through the creation and reconstruction of a new lyric(더늠). Finally, it was suggested that the dramatic aspect of pansori should be established through the expansion of neoreumsae(너름새) and reinforcement of acting.

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4

Kim, Hyunju, and Wolfgang Mastnak. "Creative Pansori." Musik-, Tanz- und Kunsttherapie 26, no. 4 (October 2015): 192–97. http://dx.doi.org/10.1026/0933-6885/a000219.

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Zusammenfassung. Pansori ist eine traditionelle Form koreanischen epischen Gesangs, durch den verschiedenste Emotionen, Lebenserfahrungen und kulturelle Identitäten mit Korea zum Ausdruck gebracht werden. Auf der Basis dieses UNESCO Kulturerbes entwickelte die junge koreanische Musiktherapeutin Hyunju Kim eine Methode biografischer Rezitation für den Einsatz in psychiatrischer Musiktherapie. Anhand der Kasuistik einer Depressionspatientin werden typische Pansori-Merkmale interaktiven Trommelns und Rezitierens deutlich und führen zur Analyse therapeutischer Mechanismen. Zudem werden mittels komparatistischer Überlegungen Möglichkeiten kulturübergreifender klinischer Anwendungen diskutiert.

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5

Kim, Jin Soo. "Traditions of Korean Folk Performances in the Contemporary Monodrama." Observatory of Culture, no. 4 (October 28, 2015): 46–51. http://dx.doi.org/10.25281/2072-3156-2015-0-4-46-51.

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He increasing interest to the one-actor theatre in Korea is caused by the existence of the pansori, a ballade performed by narrator to the accompaniment of a drum, in the Korean folk tradition. Nowadays, the Korean folk performance tradition is widely used by directors in contemporary monodramas. The article analyzes two performances: “The Byeoksok Fairy” (director - Sohn Jin chaek, actress - Kim Sung nuy) by Bae Sam Sik, a well-known Korean dramatist, which uses the traditions of the Korean folk performance madan nori; and the “Mother Courage and Her Children” (director - Nam In woo, actress - Yi Ja ram) by Bertolt Brecht, staged in the pansory style.

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6

Kim, Sug bae. "Junggoje Pansori and Master Park Dong jin’s Pansori." Journal of Pansori 49 (April 30, 2020): 47–80. http://dx.doi.org/10.18102/jp.2020.04.49.47.

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7

Lee, Hae-jin. "Management Strategies of Tragic Situations in Pansori Literature." Research of the Korean Classic 57 (May 31, 2022): 369–95. http://dx.doi.org/10.20516/classic.2022.57.369.

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Pansori literature depicts various tragic situations encountered by an ordinary protagonist and their emotional reactions to it, strongly evoking empathy from ordinary people who read it. This study examines the characteristics of tragic situations in Pansori literature and discusses several discourse strategies used to manage them. The tragic situation in Pansori literature always frustrates the ordinary protagonist, and has irrational and contradictory characteristics. Furthermore, their immense emotional reaction to it intensifies the tragedy. However, Pansori literature does not leave such an emotional state unattended and includes internal discourse strategies to manage it, which is deeply related to the emotional management method of the readers. The “humorous relaxation strategy,” “moral comfort strategy,” and “precognitive alternative strategy” discussed in this paper all correspond to a kind of internal defense strategy that makes the situation less sad and painful by turning one’s eyes elsewhere in tragic situations. However, this is differentiated from simply avoiding the problem. When a good individual cannot change their life immediately on their own, it allows them to imagine an optimistic future instead of being overwhelmed by negative emotions. Management strategies of tragic situations in Pansori literature are thus significant as comfort and encouragement strategies for people and for providing ideas for the ways we live and create stories today.

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8

Huang, Zhengfeng. "Expering Pansori Application Scheme in Chinese Korean Language Curriculum: Take the ｢Jeok Byuk Ga｣." Korean Journal of Teacher Education 38, no. 6 (November 30, 2022): 157–73. http://dx.doi.org/10.14333/kjte.2022.38.6.08.

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Purpose: Considering that there is no content on pansori in the textbook of Korean, this study examined the method of teaching the pansori Jeok Byuk Ga in the Korean language subject in China. Methods: After clarifying the scope of ｢Jeok Byuk Ga｣ that was suitable for education, and the learning that was appropriate according to the contents, such as ‘learning about contents’ by introducing classes, ‘learning about genres’ for acquiring genre knowledge, and ‘in-depth learning’ for thinking more deeply an activity was designed. Results: In ‘learning about content’, the research revealed that teachers can proceed through an entertainment activity called ‘playing with love’, and learning about a genre can be taught by comparing it with the genre of novels that students have already learned. In the ‘deep learning’ stage, activities can be conducted on diverse topics, such as thoughts on transformation, and a comparison of novels and pansori for learning ｢Jeok Byuk Ga｣. Conclusion: When teaching pansori students can learn more than ｢Jeok Byuk Ga｣in the Korean language course, as there are many other learning activities besides those noted in this research. However, since ｢Jeok Byuk Ga｣is an important work noting the change of pansori, it is possible to have an opportunity to discuss the common ways of enjoying literature such as genre change, and learning ｢Jeok Byuk Ga｣is would be to learners.

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9

Pandeya, Yagya Raj, Bhuwan Bhattarai, and Joonwhoan Lee. "Tracking the Rhythm: Pansori Rhythm Segmentation and Classification Methods and Datasets." Applied Sciences 12, no. 19 (September 23, 2022): 9571. http://dx.doi.org/10.3390/app12199571.

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This paper presents two methods to understand the rhythmic patterns of the voice in Korean traditional music called Pansori. We used semantic segmentation and classification-based structural analysis methods to segment the seven rhythmic categories of Pansori. We propose two datasets; one is for rhythm classification and one is for segmentation. Two classification and two segmentation neural networks are trained and tested in an end-to-end manner. The standard HR network and DeepLabV3+ network are used for rhythm segmentation. A modified HR network and a novel GlocalMuseNet are used for the classification of music rhythm. The GlocalMuseNet outperforms the HR network for Pansori rhythm classification. A novel segmentation model (a modified HR network) is proposed for Pansori rhythm segmentation. The results show that the DeepLabV3+ network is superior to the HR network. The classifier networks are used for time-varying rhythm classification that behaves as the segmentation using overlapping window frames in a spectral representation of audio. Semantic segmentation using the DeepLabV3+ and the HR network shows better results than the classification-based structural analysis methods used in this work; however, the annotation process is relatively time-consuming and costly.

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10

Choi, Seokhun. "Pansori Hamlet Project: Taroo's New Pansori Shakespeare for the Local Audience." Asian Theatre Journal 36, no. 2 (2019): 349–69. http://dx.doi.org/10.1353/atj.2019.0025.

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11

SEO, CHONG-MUN. "Pansori and Jeong Byeonguk." Journal of Pansori 54 (October 31, 2022): 279–88. http://dx.doi.org/10.18102/jp.2022.10.54.279.

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12

Choe, Tonghyon. "Jeonjudaesaseupnori National Pansori Competition and the Structure of Economic Ecosystem of Pansori." Journal of Namdo folklore 39 (December 31, 2019): 287–317. http://dx.doi.org/10.46247/nf.39.11.

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13

Hyejin Choi. "Master singer Kim, So-Hee's Aesthetics of pansori and Pansori-historic Meaning." Korean Classical Woman Literature Studies, no. 14 (June 2007): 519–47. http://dx.doi.org/10.17090/kcwls.2007.0.14.519.

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14

Dong-il, Cho. "La nature générale du pansori." Po&sie 139-140, no. 1 (2012): 293. http://dx.doi.org/10.3917/poesi.139.0293.

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15

Renouard, Jean-Philippe. "Chunhyang, puk puk et pansori." Vacarme 13, no. 3 (2000): 52. http://dx.doi.org/10.3917/vaca.013.0052.

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16

Choe, Ochin. "‘Unexpected Endings’ in Pansori Literature." Society Of Korean Literature 42 (November 30, 2020): 181–211. http://dx.doi.org/10.52723/jkl.42.181.

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17

Bae, Yeon Hyung. "A Study on Pansori Taryeong." Journal of Pansori 41 (April 30, 2016): 61. http://dx.doi.org/10.18102/jp.2016.04.41.61.

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18

Bae, Yeon-hyung. "Jeong Byeonguk's Pansori Recording Tapes." Journal of Pansori 54 (October 31, 2022): 289–313. http://dx.doi.org/10.18102/jp.2022.10.54.289.

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19

강성률. "A study on 'Pansori trilogy' directed by Im Kwon-Taek - Focusing on filming Pansori." Review of Korean Cultural Studies ll, no. 32 (February 2010): 101–26. http://dx.doi.org/10.17329/kcbook.2010..32.004.

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20

Seo, You seok. "Pansori's Media Response Pattern and the Future of Pansori in the New Media Era." Journal of Pansori 54 (October 31, 2022): 67–101. http://dx.doi.org/10.18102/jp.2022.10.54.67.

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21

Park, Hee-soon. "A Study on Gagokseongujo of Pansori." STUDIES IN KOREAN MUSIC 41 (June 30, 2007): 103–24. http://dx.doi.org/10.35983/sikm.2007.41.103.

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22

Hyejin Choi. "Formation, enjoyment of Pansori and regionality." EOMUNYEONGU 89, no. ll (September 2016): 217–40. http://dx.doi.org/10.17297/rsll.2016.89..008.

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23

Jeong, Choong-Kwon. "The Community Appearing in Pansori Works." Journal of Korean Oral Literature 60 (March 31, 2021): 21–43. http://dx.doi.org/10.22274/koralit.2021.60.002.

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24

Choongkwon Jeong. "Rages and Sorrows in Pansori Literature." Classical Literature and Education ll, no. 23 (February 2012): 37–69. http://dx.doi.org/10.17319/cle.2012..23.37.

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25

Ju, Young-Ho, Joon-Cheol Kim, Kyoung-Suk Seo, and Joon-Whoan Lee. "Structural Analysis Algorithm for Automatic Transcription 'Pansori'." Journal of the Korea Contents Association 14, no. 2 (February 28, 2014): 28–38. http://dx.doi.org/10.5392/jkca.2014.14.02.028.

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26

Jong-Cheol Kim. "Pansori and the Birth of 'Meot'(멋)." Korean Language and Literature ll, no. 147 (December 2007): 319–54. http://dx.doi.org/10.17291/kolali.2007..147.013.

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27

Seo, You Seok. "A Stundy on Masculinities in Silchang Pansori." Journal of Korean Oral Literature 53 (June 30, 2019): 95–128. http://dx.doi.org/10.22274/koralit.2019.53.003.

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28

Choi, Hye-jin. "Joonggoje-Pansori and Famous Masters of Hongseong." East Asian Ancient Studies 57 (March 31, 2020): 137–73. http://dx.doi.org/10.17070/aeaas.2020.3.57.137.

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29

Sug-Bae Kim. "Art Activities of Pansori Master Park Dongjin." Korean Journal of Folk Studies ll, no. 43 (December 2018): 219–54. http://dx.doi.org/10.35638/kjfs..43.201812.008.

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30

Kim, Jeong Tae. "The Effect of Recordings on Learning Pansori." Journal of Pansori 42 (October 31, 2016): 121. http://dx.doi.org/10.18102/jp.2016.10.42.121.

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31

Kim, Kee Hyung. "Aesthetics of Imyeon in Pansori Drumming Methods." Journal of Pansori 42 (October 31, 2016): 5. http://dx.doi.org/10.18102/jp.2016.10.42.5.

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32

Kim, Sug bae. "A Study on Pansori Culture in Daegu." Journal of Pansori 43 (April 30, 2017): 5–41. http://dx.doi.org/10.18102/jp.2017.04.43.5.

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33

Lee, Tae Hwa. "The Present Situation of Pansori Education System in University and the Actual Condition of Students Majoring in Pansori." Journal of Korean Oral Literature 59 (December 31, 2020): 163–92. http://dx.doi.org/10.22274/koralit.2020.59.006.

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34

Shin, Enu Joo. "A Study on Pansori PyungtaryungㆍJoongmoriㆍJoongJoongmori Rhythm - Focused on Lee Yongwoo's transcribed version [Chunhyangga] and Shim Jeongsoon's Pansori version -." STUDIES IN KOREAN MUSIC 40 (December 30, 2006): 133–64. http://dx.doi.org/10.35983/sikm.2006.40.133.

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35

Kim, Su-Mi. "A Study on the Creation Trend of the 21st Century’s Pansori: Focusing on Pansori Works of 7 Composers." Tongyang Ŭmak 42 (December 31, 2017): 45–79. http://dx.doi.org/10.33452/amri.2017.42.45.

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36

Jang, Seon Young. "Pansori Othello: Othello with Korean Hyangga, Cheoyong ga." Journal of East-West Comparative Literature 55 (March 31, 2021): 231–60. http://dx.doi.org/10.29324/jewcl.2021.3.55.231.

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37

Lee, Ki-Ho. "Use of Pansori for Developing Actor's Aesthetic Voice." Journal of the Korea Contents Association 9, no. 12 (December 28, 2009): 181–92. http://dx.doi.org/10.5392/jkca.2009.9.12.181.

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38

진은진. "The Reception of Folk-tale in Children's Pansori." Korean Language and Literature ll, no. 149 (September 2008): 445–71. http://dx.doi.org/10.17291/kolali.2008..149.016.

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39

ByungHeon Chung. "Variation and Prospect of Pansori in 20th Century." Korean Language and Literature ll, no. 152 (September 2009): 99–120. http://dx.doi.org/10.17291/kolali.2009..152.004.

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40

Kim, Myung ja. "Hwabyung Treatment through Performing Pansori: A Case Study." Journal of Korean Oral Literature 58 (September 30, 2020): 159–82. http://dx.doi.org/10.22274/koralit.2020.58.005.

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41

Kim, Hey jung. "Pansori Yupa(流派) Research-A Reflective Review." Journal of Pansori 52 (October 31, 2021): 5–38. http://dx.doi.org/10.18102/jp.2021.10.52.5.

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42

Kong, Jeong-bae, Jung-won Lee, and Hyun-wook Shin. "A Research on Transmission of Pansori to Yanbian." East Asian Ancient Studies 37 (March 30, 2015): 147–71. http://dx.doi.org/10.17070/aeaas.2015.03.37.147.

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43

Lee, Jeongwon. "The Artistic Features of Newly Created Pansori 〈Stardaegeon〉." Journal of Pansori 36 (October 31, 2013): 477. http://dx.doi.org/10.18102/jp.2013.10.36.477.

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44

Kim, Hey jung. "Musical orientation of Pansori master singers from Daegu." Journal of Pansori 44 (October 31, 2017): 5–34. http://dx.doi.org/10.18102/jp.2017.10.44.5.

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45

Lee, Jeong won. "The Features of Im Jintaek’s New Pansori “Ddongbada”." Journal of Pansori 44 (October 31, 2017): 65–91. http://dx.doi.org/10.18102/jp.2017.10.44.65.

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46

Kim, Kee hyung. "Behavior Patterns and Status of Female Pansori GoSu." Journal of Pansori 48 (October 31, 2019): 5–37. http://dx.doi.org/10.18102/jp.2019.10.48.5.

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47

MyungKwan Kang. "An appetite and fantasy expressed in Pansori novel." 고전문학연구 ll, no. 32 (December 2007): 307–31. http://dx.doi.org/10.17838/korcla.2007..32.009.

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48

이정원. "The Reception of “Samganghaengsildo(삼강행실도)” in Pansori literature." Korean Classical Woman Literature Studies, no. 14 (June 2007): 415–51. http://dx.doi.org/10.17090/kcwls.2007.0.14.415.

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49

Lee,Yoon-Suk. "Were the Songs Sung by Go SooGwan Pansori?" Yeol-sang Journal of Classical Studies ll, no. 35 (June 2012): 261–92. http://dx.doi.org/10.15859/yscs..35.201206.261.

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50

Nam, Yoonil. "A Case Study on the Development of Pansori Storytelling -Focusing on the Newly Created Pansori Sacheonga and In a Dream-." Journal of Humanities and Social sciences 21 12, no. 2 (April 30, 2021): 2513–26. http://dx.doi.org/10.22143/hss21.12.2.177.

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