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Relevant bibliographies by topics / Panteleimon

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Journal articles

Academic literature on the topic 'Panteleimon'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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Journal articles on the topic "Panteleimon"

1

Rybachok, Oksana Aleksandrovna. "August 9 — the day of the Great Martyr Panteleimon, the holy healer." Spravočnik vrača obŝej praktiki (Journal of Family Medicine), no. 9 (July 12, 2021): 78–80. http://dx.doi.org/10.33920/med-10-2109-10.

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On August 9, Orthodox Christian churches celebrate the day of remembrance of one of the most revered saints - the Great Martyr Panteleimon. Panteleimon the healer - under this name we know the saint who provides all kinds of support to doctors and contributes to the recovery of the sick. His veneration in the Russian Orthodox Church dates back to the twelfth century, when Prince Izyaslav placed the image of Panteleimon on his battle helmet. Born into the family of a noble pagan, the young man lost his mother early and was raised by his father, who decided to teach his son the art of healing. H

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2

Зубов, Дмитрий Васильевич, Валерий Иванович Пирогов, and Павел Владимирович Кузенков. "Athonite Acts of the XI-XII Centuries on the History of Russian Monasticism on the Holy Mountain." Метафраст, no. 1(3) (June 15, 2020): 13–59. http://dx.doi.org/10.31802/metafrast.2020.3.1.001.

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В связи с подготовкой Институтом Русского Афона, Московской Духовной Академией и Русским на Святой горе Афон Свято-Пантелеимоновым монастырем пятитомного «Собрания документов Свято-Пантелеимонова монастыря с древнейших времен до 1735 г.» публикуются несколько афонских актов, являющиеся важнейшими источниками по истории русского монашества на Святой Горе: документ 1018 г. с упоминанием игумена монастыря Св. Пантелеимона (Фессалоникийца), опись имущества монастыря Ксилурга 1142 г. и акт 1169 г. об объединении монастырей Ксилурга и Св. Пантелеимона. In connection with the edition of the five-volu

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3

Sit"ko, S. P. "My father - Panteleimon Onufrievich Sit"ko." Фізика живого (Біофізика і далі) 14, no. 2 (2006): 17–24.

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4

ΠΑΥΛΙΚΙΑΝΩΦ, Κύριλλος. "Οι Σλάβοι στην Αθωνική μονή του Αγίου Παντελεήμονος". BYZANTINA SYMMEIKTA 13 (29 вересня 1999): 263. http://dx.doi.org/10.12681/byzsym.870.

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&nbsp; <p>Cyril Pavlikianov</p><p>The Slavs in the Athonite Monastery of Saint Panteleimon</p><p>The article analyzes the prosopographical data concerning the presence of Slavs in the athonite monastery of Saint Panteleimon. The chronological frame of the survey extends from 998 to 1661. During the period 1262-1661 thirty-six monks of Slavic origin are identified. Thirteen of them (39.3%) appear as lingually neutral, three can be described as Russians (9%), seven use Bulgarian vernacular (21%), and seven seem to be Serbs (21%). It is obvious that the Russian-s

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5

Шмігер, Тарас. "Sources of Panteleimon Kulish’s Views on Translation." Слово і Час, no. 9 (September 8, 2019): 3–10. http://dx.doi.org/10.33608/0236-1477.2019.09.3-10.

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Panteleimon Kulish’s views on translation were based on his own experience of translations and shaped under the inﬂ uence of contemporary Ukrainian translation practice and scholarly thought (observations by H. Kvitka-Osnovianenko, P. Hulak-Artemovskyi, Ya. Holovatskyi, and M. Maksymovych; biblical texts in translation of P. Hulak-Artemovskyi, M. Maksymovych, V. Aleksandrov, and P. Morachevskyi), as well as the German translation studies (ideas of J. Herder, W. Humboldt, F.Schleiermacher, and A. Schlegel). The Ukrainian critic’s understanding corresponds to the views of other Slavonic authors:

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6

Ruban, Oleksandr. "PHILOSOPHICAL IDEAS OF PANTELEIMON KULISH IN OUR TIME." Almanac of Ukrainian Studies, no. 25 (2019): 90–95. http://dx.doi.org/10.17721/2520-2626/2019.25.14.

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The article is devoted to the analysis of the creative heritage of Panteleimon Kulish in the context of modern realities. Scientific work of Panteleimon Kulish is extremely wide. It includes the general concept of Ukrainian culture and language, the problems of development of the Ukrainian nation, its mentality and historical mission. The proposed article deals, first of all, with the problem of personal orientation of the author related to the "internal" and "external" in human, in his mind and heart. Panteleimon Kulish was not a single researcher who drew attention to the mental feature of U

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7

Bardzieva-Trajkovska, Donka. "New elements of the painted program in the narthex at Nerezi." Zograf, no. 29 (2002): 35–46. http://dx.doi.org/10.2298/zog0329035b.

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The fresco paintings in the narthex of the St. Panteleimon church in Nerezi are only partly preserved, and by their thematic character, they can be divided into 3 groups: the first group consists of fragments of the Life cycle of St. Panteleimon, the second group consists of remnants of the Deesis composition painted over the entrance to the naos. The third group consists of fragments of the scenes in the first zone on the north end of the east wall, as well as the fragment of the imperial scene, which can be linked with the donor composition which was painted in the second zone on the north e

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8

Moros, Larysa. "Panteleimon Kulish’s Dramaturgy: Historical and Spiritual-Philosophical Features." Слово і Час, no. 10 (October 16, 2019): 44–51. http://dx.doi.org/10.33608/0236-1477.2019.10.44-51.

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The paper explores the ground of the ideas, plots, and schemes of conflicts in ideological dramas by P. Kulish. The two of them are conditionally symbolic while the other three are based on real historical material. The libretto of the musical performance “A Woman from the Farmstead, or Singing Praise to the Bride in front of the Wedding Guests” and multifaceted drama “Herod’s Trouble” show combination of biblical, i. e. international, elements, while the latter also contains traditional folklore features of the Ukrainian Nativity Play. The other group of works makes up the trilogy, although P

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9

Sobol, Valeria. "’Tis Eighty Years Since: Panteleimon Kulish's Gothic Ukraine." Slavic Review 78, no. 2 (2019): 390–409. http://dx.doi.org/10.1017/slr.2019.94.

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This article explores the ideological implications of the Gothic mode in Panteleimon Kulish's first novel Mikhailo Charnyshenko, or Little Russia Eighty Years Ago (1843). I show that the multiple Gothic tropes employed in the novel—from Walter Scottian ruins and towers to exotic demonic villains, uncanny ethnic Others, and supernatural phantoms—produce an intricate play of temporalities, identities, and allegiances that ultimately create a highly ambivalent vision of the Ukrainian heroic past as both an object of Romantic nostalgia and a dark period of chaos overcome by the country's incorpora

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10

Borisova, Tatyana. "Hymnographic Texts Devoted to Saint John the Russian from 19th — Early 20th Centuries and the Evolution of the Saint’s Cult." ISTORIYA 12, no. 5 (103) (2021): 0. http://dx.doi.org/10.18254/s207987840015705-4.

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The present article deals with the evolution of the hymnographic discourse devoted to St. John the Russian in the Greek and Russian traditions, and to the Turkish-language sources of the certain traditions. The research was carried out on the basis of the material of three editions of the Greek Service to St. John the Russian from the middle and the end of 19th century and Russian manuscripts from the archive of the Russian St. Panteleimon Monastery on Mount Athos from the 19th — early 20th centuries. Special consideration was given to the changes in the image of the saint caused by the text t

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