Relevant bibliographies by topics / Pantheism in literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Pantheism in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Pantheism in literature"

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Sumati Bharti. "Pantheism and William Wordsworth." Knowledgeable Research: A Multidisciplinary Journal 2, no. 04 (2023): 39–43. http://dx.doi.org/10.57067/kr.v2i1.191.

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A religious theory that may be utilized to construct an Islamic criticism of English literature according to Islamic principles is Wordsworth’s pantheism. Pantheism may encourage academics whose ultimate objective is to understand God via the study of natural objects of the universe found in English literature, despite the fact that it is fundamentally antithetical to God’s oneness. We were therefore enthralled by Wordsworth’s interpretation and comprehension of nature. However, we tried to reconstruct the idea from an Islamic perspective utilizing Quranic text after learning that his idea of
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Cervo, Nathan A. "Tennyson's the Higher Pantheism." Explicator 63, no. 2 (2005): 76–78. http://dx.doi.org/10.1080/00144940509596897.

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Murray, Chris. "Coleridge’s Daoism? Joseph Needham, Dominican Sinology, and Romantic Pantheism." Wordsworth Circle 51, no. 2 (2020): 205–20. http://dx.doi.org/10.1086/709152.

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Georgieva, Tsvetana. "Pan in the Bulgarian literature of Fin de siècle." Bulgarski Ezik i Literatura-Bulgarian Language and Literature 64, no. 1 (2022): 17–28. http://dx.doi.org/10.53656/bel2022-2-tg.

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In the age of the Fin de siècle, the mythological Pan was the subject of numerous interpretations in painting, literature, and the performing arts. The article examines for the first time how the image of Pan fits into the modern Bulgarian literature of the early 20th century - in the works of Emanuil Popdimitrov, Trifon Kunev, Hristo Yassenov and Lyudmil Stoyanov. As an expression of the ideas of the epoch (in the Jugendstil and Secession currents), both in Europe and in Bulgaria, Pan and pantheism apologize for nature, the vegetative principle, youth and childhood, love fire, music and intox
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Atlas, Dustin Noah. "What God Does Not Possess: Moses Mendelssohn’s Philosophy of Imperfection." Journal of Jewish Thought and Philosophy 27, no. 1 (2019): 26–59. http://dx.doi.org/10.1163/1477285x-12341237a.

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Abstract This paper proposes that Moses Mendelssohn’s Morning Hours be viewed as the final chapter in a philosophy of imperfection that Mendelssohn had been developing over the course of his life. It is further argued that this philosophy of imperfection is still of philosophical interest. After demonstrating that the concept of imperfection animates Mendelssohn’s early work, this paper turns towards the specific arguments about imperfection Mendelssohn made in the midst of the pantheism controversy—in particular, the claim that human imperfection attests to an independent existence. Simply pu
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Wenwen, Xiao, and Gu Yunfei. "The Interactive Relationship between Guo Moruo’s Poetry Translation and Creation from the Perspective of Intertextuality." English Literature and Language Review, no. 103 (May 18, 2024): 27–33. http://dx.doi.org/10.32861/ellr.103.27.33.

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As an important writer in the history of modern Chinese literature, Guo Moruo has many works in both poetry translation and poetry creation. The poems written and translated by Guo within the period of his Goddess (from 1919 to August 1921) are selected to analyze the interaction between his poetry translation and creation from the perspective of intertextuality. There is intertextuality in literary thought: pantheism, spirit of the times, romanticism; intertextuality in themes and images; intertextuality in poetic form: use of foreign words, quotations from foreign poetry and attempts at mode
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Hardack, Richard. "Abstracts: ALA 2010-San Francisco: “Perpetual telegraphic communication”: Melville's Critique of Emersonian Pantheism." Leviathan 12, no. 3 (2010): 134–35. http://dx.doi.org/10.1111/j.1750-1849.2010.01447_4.x.

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Hicks, David, and P. J. Zoetmulder. "Pantheism and Monism in Javanese Suluk Literature: Islamic and Indian Mysticism in an Indonesian Setting." Pacific Affairs 69, no. 4 (1996): 600. http://dx.doi.org/10.2307/2761214.

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Hakima, Fatemeh, Naser Moheseni Nia, Mohammad Shafi Saffari, and Syed Esmail Ghafelehbashi. "From the Mystical Unity to the Pantheism (Oneness of Existence)." Journal of Politics and Law 9, no. 2 (2016): 64. http://dx.doi.org/10.5539/jpl.v9n2p64.

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<p>In the gnostic literature of Iran and in the Islamic Gnosis, gnosis has been interpreted as an effort to save the individual by accessing to the real unity. <br />The unity, mystical journey (conduct) and the relation of God with creature are considered as three main axes under the theme of unity or the gnostic unity until before the pantheistic gnosis of Ibn Arabi, the concept's explanation and the definition of unity in terminological and lexical terms, expression of unity concept in the non-Islamic gnosis, explanation of unity concept in the Iranian-Islamic gnosis until the p
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Finley, J. S. ""Not Altogether Human": Pantheism and the Dark Nature of the American Renaissance." Interdisciplinary Studies in Literature and Environment 20, no. 2 (2013): 432–34. http://dx.doi.org/10.1093/isle/ist041.

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Dissertations / Theses on the topic "Pantheism in literature"

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Bal, Reyyan. "The Relationship Between The Individual And Nature In Samuel Taylor Coleridge&#039." Master's thesis, METU, 2004. http://etd.lib.metu.edu.tr/upload/12605486/index.pdf.

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This thesis analyses the individual-nature relationship in Samuel Taylor Coleridge&#039<br>s poems. It begins with an overview of Coleridge&#039<br>s inconsistent views on the subject, as reflected in his prose writings, and explains the personal reasons behind such inconsistencies. The thesis then asserts that despite the inconsonant views expressed in his prose writings, Coleridge&#039<br>s poems display a consistent view of the individual-nature relationship. According to this view, the relationship is constituted of three consecutive stages. In the first stage the individual passively perc
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Books on the topic "Pantheism in literature"

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Swaminathan, S. R. Vedanta and Shelley. University of Salzburg, 1997.

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Somervill, Barbara A. Florida panthers. Cherry Lake Pub., 2009.

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Joura, Brian. Carolina Panthers. ABDO Pub. Co., 2011.

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Caper, William. Florida Panthers. Bearport Publishing Company, Inc., 2007.

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Italia, Bob. The Carolina Panthers. Abdo & Daughters, 1996.

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Frisch, Nate. The story of the Carolina Panthers. Creative Education, 2013.

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Fowler, Allan. Really big cats. Children's Press, 1998.

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Rosebrough, Amy. Water panthers, bears, and thunderbirds: Exploring Wisconsin's effigy mounds. Wisconsin Historical Society Press, 2003.

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9

Flether, Marty. The Florida panther: Help save this endangered species! MyReportLinks.com Books, 2006.

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W, Douden Ann, Opsahl Gail Kohler, and Denver Museum of Natural History, eds. Mountain lion: Puma, panther, painter, cougar. Roberts Rinehart, 1991.

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Book chapters on the topic "Pantheism in literature"

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Styler, Rebecca. "Charlotte Perkins Gilman and ‘maternal pantheism'." In The Maternal Image of God in Victorian Literature. Routledge, 2023. http://dx.doi.org/10.4324/9781003035121-6.

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Hetherington, Naomi, Naomi Hetherington, and Clare Stainthorp. "F. H. J., Spiritual Pantheism." In Nineteenth-Century Religion, Literature and Society. Routledge, 2020. http://dx.doi.org/10.4324/9781351272124-57.

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Bannon, Brad. "Pantheism and the “Gigantic Volition”." In Jonathan Edwards, Samuel Taylor Coleridge, and the Supernatural Will in American Literature. Routledge, 2018. http://dx.doi.org/10.4324/9781315572598-5.

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Hunnekuhl, Philipp. "Kant, Aesthetic Autonomy, and Literary Ethics." In Henry Crabb Robinson. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621785.003.0004.

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Chapter three reveals the paradigm shift in Robinson’s theorization of literature that his ‘conversion’ from the empiricism of Locke, Hume, and Godwin to Kant’s critical philosophy prompted. Yet Kant’s notion of aesthetic autonomy – of art’s detachment from the motives of the mind and the causality governing the laws of nature – occasioned an impasse in Robinson’s conceptualization of literature’s ethical relevance. He resolved this in an ingenious move by skilfully locating in Kant’s critical philosophy, and then developing, an analogy between art and morals: the self-contained structure and
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Peterson, Michael L. "Introduction." In C. S. Lewis and the Christian Worldview. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190201111.003.0001.

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The Introduction establishes the importance of Lewis, particularly the fact that his life journey was driven by the quest for the most adequate philosophical worldview. The criterion of adequacy pertained not only to the intellectual strength but also to the existential liveability of each worldview he considered—from atheistic materialism, through various forms of idealism and pantheism, to theism and ultimately Christian theism. The Introduction prepares the reader to see that Lewis’s perspective involved his own biographical details and intellectual predilections but also that it was a wide
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""The "New Pantheism" in Contemporary Nicaraguan Landscapes and Literature. A Visual and Textual Analysis of Works by Armando Morales, Gioconda Belli and Omar." In XXXVI Coloquio Internacional de Historia del Arte. Los estatutos de la imagen, creación-manifestación-percepción. Instituto de Investigaciones Estéticas, 2014. http://dx.doi.org/10.22201/iie.9786070259722e.2014.cap26.

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Idel, Moshe. "From Platonic to Hasidic Eros Transformations of an Idle Man’s Story." In Self and Self-Transformation in the History of Religions. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195144505.003.0014.

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Abstract The search for a transformation of human nature must surely be one of the main purposes of mystical literature. Though present in religion in general, this search for an other, better, more spiritual, perfect, omniscient, omnipotent, immortal identity motivates those religious paths that may be described as mystical more than any other factor. These transformations presuppose a quandary about the nature of reality. If reality is good, why look for something better? And if the good God created it, why did he not create us perfect from the very beginning? Transformations in fact point t
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Salameh, Franck. "Egypt." In The Other Middle East. Yale University Press, 2018. http://dx.doi.org/10.12987/yale/9780300204445.003.0006.

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This chapter analyzes the work of Ali Salem (1936–2015) and Taha Husayn (1889–1973). Husayn, the doyen of modern Arabic literature, and Salem, a leading Arabic-language playwright, are considered two of the main avatars of Pharaonism; the former dominating the early decades of the twentieth century, the latter commanding influence in the early twenty-first. In The Future of Culture in Egypt (1938), Husayn made the case for an Egyptian Egypt and an Egyptian identity separate and distinct from the worlds of Islam and Arab nationalism. Salem's 2004 satire, The Odd Man and the Sea, presents a spac
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Cheetham, David. "The Creaturely View." In Creation and Religious Pluralism. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198856665.003.0003.

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What is the nature of the creaturely view? This chapter critiques some of the contemporary literature concerning the theology of creation primarily to discern what kind of vehicle it might be for interreligious dialogue. It will give some attention to the different perspectives on creation: the emanationist, pantheist, and feminist views, and so on. However, the chapter settles on a non-contrastive ex nihilo understanding or what has been called ‘the Christian distinction’. This view makes it clear that finite causal world is emphatically not a model for understanding the relationship between
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Freeman, Nicholas. "‘That Untravell’d World’: Symbolist London." In Conceiving the City: London, Literature, and Art 1870–1914. Oxford University PressOxford, 2007. http://dx.doi.org/10.1093/oso/9780199218189.003.0004.

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Abstract In H. G. Wells’s story, ‘The Door in the Wall’ (1906), an ambitious MP, Lionel Wallace, tells his friend Redmond how he is troubled by a recurring vision of a green door in a white wall. As a small child he had opened the door and entered a garden of surpassing loveliness where he played with gentle panthers and met a ‘sombre dark woman, with a grave, pale face and dreamy eyes’ who might have stepped from a Burne-Jones painting. When he returns to ‘a long grey street in West Kensington, in that chill hour of afternoon before the lamps are lit’, he is overpowered by a Wordsworthian sen
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