Relevant bibliographies by topics / Panther woman

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Panther woman'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Panther woman"

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Antwanisha Alameen-Shavers. "The Woman Question: Gender Dynamics within the Black Panther Party." Spectrum: A Journal on Black Men 5, no. 1 (2016): 33. http://dx.doi.org/10.2979/spectrum.5.1.03.

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Elliott, Zetta. "I Am Not Beyoncé: Tackling the Issue of Race Representation Head On." Children and Libraries 15, no. 2 (2017): 26. http://dx.doi.org/10.5860/cal.15n2.26.

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On my last night of a six-day sojourn in the Twin Cities, I gave a reading at The Loft Literary Center and shared this statement made by a young Black woman, Ysa, whom I had met at Juxtaposition Arts earlier in the day.Ysa and two of her fellow artist-apprentices shared with me the creative process behind the impressive mural they recently painted on their block. My morning presentation at the arts center was sponsored by Umbra Search, a free digital platform that provided research assistance when the young women needed to study graphics from the Black Panther Party’s newspapers. The mural features a mother and child in the traditional sacred pose, but the child in this scene is female and these haloed figures have brown skin and Afros. Beams of light radiate outward, made up of hundreds of small black-and-white photographs of Black women who have made a contribution to the community as well as those who have lost a loved one to violence.
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García-Manso, Angélica. "La modificación del relato legendario en La mujer pantera, de Jacques Tourneur (1942)." Revista de Humanidades, no. 39 (May 29, 2020): 121. http://dx.doi.org/10.5944/rdh.39.2020.22862.

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Resumen: El estudio analiza el relato y las fuentes textuales de La mujer pantera (Cat People, 1942), clásica película dirigida por Jacques Tourneur, y se hace a partir de la idea de transformación de una leyenda. Esbozada originariamente por Val Lewton en 1930, se trata de una leyenda que concede una importancia fundamental al tema de la metamorfosis, como si de un relato mitológico grecolatino se tratara: así, en la conversión de una mujer en pantera ante el contacto carnal masculino se funden una supuesta maldición medieval de raíces eslavas con la reacción furibunda de deidades clásicas al ser descubiertas en su desnudez. El análisis de la variación de un relato legendario en otro diferente posee una palpable utilidad didáctica a la hora de comprender el surgimiento de nuevas narraciones, máxime cuando su soporte es el arte cinematográfico.Abstract: This study analyzes the story and textual sources of Cat People (1942), classic film directed by Jacques Tourneur, from the idea of transformation of a legend. This legend was originally outlined by Val Lewton in 1930, and it gives fundamental importance to the theme of metamorphosis, as it was a Greco-Roman mythological tale: thus, the conversion of a woman in a panther with the male sexual contact fuses a supposed Slavic medieval curse with the furious reaction of classical deities when they were discovered in their nakedness. The analysis of the variation of a legendary story into a different one has a palpable teaching utility in order to understand the emergence of new tales, especially when their support is cinema.
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Williams. ""Don't no woman have to do nothing she don't want to do": Gender, Activism, and the Illinois Black Panther Party." Black Women, Gender + Families 6, no. 2 (2012): 29. http://dx.doi.org/10.5406/blacwomegendfami.6.2.0029.

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Macchione, Vincenzo Elio Junior, and Davide Mastroianni. "La proibizione dei bacchanalia tra la Magna Grecia e l'Etruria." Acta Antiqua Academiae Scientiarum Hungaricae 58, no. 1-4 (2018): 641–56. http://dx.doi.org/10.1556/068.2018.58.1-4.36.

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Summary In the Greek world, the celebrations of Dionysus were different: the Rural Dionysia and the City Dionysia, the Lenee, the Antestèrie, the Oscofòrie, the Ascalia and the Bacchanalia. During the Bacchanalia, women ran, danced and screamed in the woods, and fell prey to Dionysian inebriation. In 186 BC, the Roman Senate issued a decree that limited the cult of Bacchus Dionysus in Rome and in Italy, because of sexual abuses (see Livy, Ab Urbe condita 39. 8 – 39. 18). The diffusion of Bacchanalia was a risk for people and for the dignitas of Rome. In 1640 in Tiriolo, Calabria, during the excavation for the foundations of the so-called Palazzo Cicala, a bronze inscription and fragments of columns were found; the inscription had the original text of Senatus Consultum de Bacchanalibus with which, in 186 BC, the Roman Senate forbade the Bacchanalia. In Latium, during the excavation of the so-called Domus delle Pitture in Bolsena, directed by the École Française de Rome, between 1964 and 1982, a fragment of a throne's base and a cherub's leg were found in a layer of ashes in an underground room. Another 150 pieces of the throne, including ribbons and fragments of a panther head, were recovered in a specific spot of the room. Fragments, carefully restored and reassembled, compose an object called Trono delle Pantere of Bolsena, datable between the end of the 3rd century BC and the early years of the 2nd century BC. The left and rear sides are better preserved. The first represents a panther sitting on a throne with a cherub on his knees while it grabs at the ears of beast; the rear side represents a pattern with wings blocked by ribbons. The front side is completely destroyed. The throne has different sets of problems on its religious meaning and its decoration, where the Dionysiac theme is clear. The panther, the cherubs and the ribbons recall the Dionysus sphere, during which he was hidden inside a cave. Indeed, the underground room of Bolsena was appropriated to Bacchanalia. This paper intends to link Tiriolo and Bolsena, through the specific cases of two cities; in the first we have a proof of the enforcement of the law in 186 BC, and in the second we have an evidence of its application, with the destruction of a throne and of a Bacchic shrine.
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Lo Castro, Jenna M. "Free Women, Free Men, Camille Paglia (2017)." Explorations in Media Ecology 19, no. 2 (2020): 234–36. http://dx.doi.org/10.1386/eme_00041_5.

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Young, Benjamin R. "Imagining Revolutionary Feminism: Communist Asia and the Women of the Black Panther Party." Souls 21, no. 1 (2019): 1–17. http://dx.doi.org/10.1080/10999949.2019.1647126.

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Mills, Hazel. "‘Recasting the pantheon'? Women and the French revolution." Renaissance and Modern Studies 33, no. 1 (1989): 89–105. http://dx.doi.org/10.1080/14735788909366532.

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Skubach, O. A. "Not Female Arctic: The Plot of the Polar Heroine in Soviet Culture of the 1920–1930s." Critique and Semiotics 38, no. 1 (2020): 338–50. http://dx.doi.org/10.25205/2307-1737-2020-1-338-350.

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The new concept of heroism, created in the Soviet world in the 1930s, relied heavily on Arctic theme. The plots that make up the domestic Arctic epos are well known. There isn’t full-fledged narrative about the polar heroine among them, although a request for its appearance was formed at a certain period in Soviet culture, and even attempts to create it were made. This lacuna deserves to attract the research interest. The Arctic discourse of the 1920–1930s. largely anticipated the space theme of the 1960s; the absence in the pantheon of the Soviet conquerors of the Arctic “polar Tereshkova” has a certain meaning. In fact, European women in the Soviet Arctic appeared from the beginning of the 1920s. As a rule, these were wives who supported their husbands- explorers and remained in their shadow. In the literature canonizing polar heroes these women are not often mentioned, and their rare stories are noticeably tailored to the plot of the wives of the Decembrists. Nina Demme, “the world’s first woman – polar explorer”, as Soviet media called her, tried to create a completely different story about herself. Demme sought not only to compete with men on an equal footing in the Arctic world, but also to prove her own – female – superiority. However, the legend did not work out. The article discusses the attempt to canonize the woman – polar explorer and the reasons for its failure.
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Matikas, Alexios, Sara Margolin, Mats Hellstrom, et al. "Long-term safety and survival outcomes from the Scandinavian Breast Group 2004–1 (SBG 2004-1) randomized trial of tailored dose adjuvant chemotherapy for early breast cancer." Journal of Clinical Oncology 35, no. 15_suppl (2017): e12036-e12036. http://dx.doi.org/10.1200/jco.2017.35.15_suppl.e12036.

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e12036 Background: Although adjuvant polychemotherapy (ACT) improves outcomes for early breast cancer (BC), the significant interpatient variability in pharmacokinetics result in differences in efficacy and both short and long term toxicities. Dose tailored ACT has been shown to improve outcomes, while tailored and dose dense therapy improved 5-year event free survival in the phase 3 PANTHER trial. Methods: The SBG 2004-1 trial was a randomized feasibility/phase II study which assessed dose tailored epirubicin and cyclophosphamide (EC) followed by docetaxel (T), compared to the same fixed dose schedule and to the TAC regimen (table 1). Women aged 18-65 years old, ECOG PS 0-1 with at least one positive lymph node were randomized 1:1:1. The primary endpoint of the study was the safety and feasibility of the administered treatment. The secondary endpoint of the study was to evaluate the dose-intensity of the treatment. Toxicity was graded according to CTC-AE version 3.0. The design and short-term safety results of the trial have been previously published. Here, we report safety and efficacy data after 10 years follow-up. Results: A total of 124 patients were included and >95% of patients without relapse were followed for 10 years.Five secondary malignancies but no myelodysplastic syndrome / acute myeloid leukemias were reported. Long term disease-free and overall survival results will be presented at the meeting. Conclusions: Long term safety results from this study in combination with efficacy results from the PANTHER trial imply the feasibility of a tailor-based approach for ACT in early BC. [Table: see text]
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Dissertations / Theses on the topic "Panther woman"

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Cunha, Jaqueline dos Santos. "A representação feminina em Mulher Pantera e Mulher Maravilha." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/5890.

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Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2016-08-09T20:56:55Z No. of bitstreams: 2 Dissertação - Jaqueline dos Santos Cunha - 2016.pdf: 8823231 bytes, checksum: c2c066d328b463a4799f3ca0f32ff38c (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-08-10T11:13:02Z (GMT) No. of bitstreams: 2 Dissertação - Jaqueline dos Santos Cunha - 2016.pdf: 8823231 bytes, checksum: c2c066d328b463a4799f3ca0f32ff38c (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Made available in DSpace on 2016-08-10T11:13:02Z (GMT). No. of bitstreams: 2 Dissertação - Jaqueline dos Santos Cunha - 2016.pdf: 8823231 bytes, checksum: c2c066d328b463a4799f3ca0f32ff38c (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2016-04-23<br>Since around 1940s it has been debated about the impact of comic books in society. However, it was from no earlier than the 1970s, with the growing interest of scholars, they have come to be regarded as an artistic expression that can inform, criticize, maintain and/or subvert the norm. In an attempt to contribute to this discussion, this master dissertation investigates in a comparative perspective to what extent the comic books Miss Fury by Tarpé Mills and Wonder Woman by William Moultan Marston, both superheroine debuted in 1941, subvert the representation of the models of femininity in the 1940s. Tarpé Mills (1912-1988), throughout the Miss Fury, outlines an independent character, within the text, and an illustration that is coherent with the style of art that aligns the woman stereotypes of beauty and sensuality widespread at the time; she creates a super heroine and secondary characters marked by ruptures and continuity with the patriarchal discourses. In turn, William Moultan Marston (1893-1947) created within the text, a feminist superhero who would work as a new model of women, but like Miss Fury the illustration of Wonder Woman followed in affinity with the idea of promoting visual pleasure of the female body to the characters and readers, especially heterosexual readers. Thus, specifically, this dissertation analyzes the female representations and the ruptures with patriarchal discourse within the contradictory narratives. In order to accomplish my research goals, I have used the theories used in Women’s Studies (BEAUVOIR, 1949; WOLF, 2002) and in Comics Studies (MCCLOUD, 1995, 2006; WOLK, 2007).<br>Desde a década de 1940 tem se debatido acerca do impacto das histórias em quadrinhos na sociedade. No entanto, foi somente a partir da década de 1970, com o crescente interesse de pesquisadores acadêmicos, que elas passaram a ser analisadas como uma manifestação artística que pode informar, criticar, manter e/ou subverter a norma. Na tentativa de contribuir com essa discussão, esta dissertação investiga numa perspectiva comparada em que medida as produções quadrinísticas Mulher Pantera de Tarpé Mills e Mulher Maravilha de William Moutan Marston, ambas super-heroínas debutadas no ano de 1941, subvertem os modelos de representação da feminilidade na década de 1940. Tarpé Mills (1912-1988), por meio de um texto que delineia o perfil de uma personagem independente e de uma ilustração que coaduna com o estilo de arte que alinha a mulher aos estereótipos de beleza e sensualidade difundidos à época, constrói uma super-heroína e personagens secundárias marcadas pelas ideias de ruptura e continuidade com os discursos patriarcais. Por sua vez, William Moutan Marston (1893-1947) criou, no âmbito do texto, uma super-heroína feminista que serviria como novo modelo as mulheres, mas a exemplo de Mulher Pantera a ilustração seguia em afinidade com a ideia de promoção do prazer visual do corpo feminino para os personagens e para os leitores, especialmente para leitores homens e heterossexuais. Assim, especificamente, o propósito é analisar as representações femininas e perceber as rupturas com o discurso patriarcal no interior das contraditórias narrativas. Para desenvolver a pesquisa a que me propus, lancei mãos dos estudos sobre mulher (BEAUVOIR, 1949; WOLF, 2002) e dos estudos sobre histórias em quadrinhos (MCCLOUD, 1995, 2006; WOLK, 2007).
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Barnett, Katrina. "Nine Lives: A History of Cat Women, Subversive Femininity, and Transgressive Archetypes in Film." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707290/.

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The intention of this thesis is to identify and analyze the cat woman archetype as a contemporary extension of the transgressive witch archetype, which rampantly appears over the course of cinema history, working as a signifier of a patriarchal society's fear of autonomous and subversive women. The character of Catwoman is the ultimate representation for this archetype on grounds of her visibility, longevity, and ability to return again and again. More importantly, Catwoman and her sisterhood of cat women work against male creators as a means of female empowerment through trickery. Within this thesis, key films of varying genres are drawn from throughout cinema history and analyzed in order to demonstrate the intertextual network of characters that make up the cat woman archetype, and the importance of the Catwoman character in her many forms.
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Books on the topic "Panther woman"

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Woman Too Young of Panther Cave. Mill City Press, Inc., 2007.

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Walters, Scott. Woman Too Young of Panther Cave. Mill City Press, Inc., 2007.

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Kirsch, Sarah. The panther woman: Five tales from the cassette recorder. University of Nebraska Press, 1989.

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Pytʹ pantery: Roman. ĖKSMO, 2013.

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The fiery pantheon. Scribner, 1998.

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Evanovich, Stephanie. Big Girl Panties. William Morrow, 2013.

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Nagel, Ivan. Johann Heinrich Dannecker, Ariadne auf dem Panther: Zur Lage der Frau um 1800. Fischer Taschenbuch Verlag, 1993.

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La bella, enigma y pesadilla: Esfinge, medusa, pantera... Tusquets Editores, 1991.

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Bukhari, Safiya. The war before: The true life story of becoming a Black Panther, keeping the faith in prison, and fighting for those left behind. The Feminist Press, 2009.

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Bukhari, Safiya. The war before: The true life story of becoming a Black Panther, keeping the faith in prison & fighting for those left behind. Feminist Press at the City University of New York, 2010.

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Book chapters on the topic "Panther woman"

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Smith-Jones, Siobhan E. "Black Women, Black Panther, and Black Feminist Anticipatory Vigilance." In Feminist Vigilance. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-59793-1_7.

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Farmer, Ashley D. "The Black Revolutionary Woman, 1966–1975." In Remaking Black Power. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469634371.003.0003.

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Chapter 2 turns to the political identity of the “Black Revolutionary Woman,” created by women in the Black Panther Party. The most widely recognized organization of the Black Power movement; the Panthers’ influence was pervasive, and shaped public perceptions of Black Power and empowerment both nationally and internationally. This chapter shows how Panther women used political artwork, speeches, and articles published in The Black Panther newspaper to create an evolving understanding of the female revolutionary and challenge male-centered interpretations of organizational ideology and black liberation. It also documents how Panther women’s intellectual production caused the Party to develop a more inclusive understanding of the black revolutionary activist.
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Farmer, Ashley D. "Introduction." In Remaking Black Power. University of North Carolina Press, 2017. http://dx.doi.org/10.5149/northcarolina/9781469634371.003.0001.

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As readers finished the July 1, 1972, edition of the Black Panther Party’s newspaper, they found a full-length, mixed-media image of a middle-aged black woman on the back page. The woman, dressed in hair rollers, a collared shirt, an apron, and no shoes, stares directly at the viewer, one hand on her hip; the other supports a bag of groceries from the Panthers’ free food program. The woman also prominently displays her button in support of Panther leader Bobby Seale’s mayoral campaign. The caption above contextualizes the woman’s politics and party support: “Yes, I’m against the war in Vietnam, I’m for African Liberation, voter registration and the people’s survival!”...
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"‘STUBBORN BEAST FLESH’: THE PANTHER WOMAN AND ISLAND OF LOST SOULS." In After Dracula The 1930s Horrror Film. I.B.Tauris, 2013. http://dx.doi.org/10.5040/9780755698202.ch-002.

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Osumare, Halifu. "Coming of Age through (Black) Dance in the San Francisco Bay Area." In Dancing in Blackness. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056616.003.0002.

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This chapter tells the author’s beginnings in dance in high school and her developing dance training as an undergraduate at San Francisco State University. She also probes the unique qualities of the SF Bay Area in the latter 60s, specifically as it relates to the Black Arts Movement-West, the hippie counterculture movement, and black militancy leading to the formation of Oakland’s Black Panther Party and the SF State Strike for Ethnic Studies. She shows how she situated dance as her unique revolutionary statement and took this approach when leaving the US for Europe as a young woman.
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Shackleford, Karen E., and Cynthia Vinney. "On Prejudice and Values." In Finding Truth in Fiction. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190643607.003.0008.

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When it comes to race, gender, sexual orientation, and other social categories, current research continues to document a lack of inclusion and a tendency to stereotype in film and television. However, there are also signs for hope. The recent success of films like Wonder Woman, Black Panther, Crazy Rich Asians, and Love, Simon is sending a message to Hollywood that audiences are more than ready for underrepresented categories. For example, Grace and Frankie is a successful show that busts stereotypes about women in their 70s and tells stories about a family that includes an older gay couple, a Black son, a recovered drug addict, and other diverse characters. This chapter examines how stories like this help bring change and reduce prejudice. In addition, it discusses the recent accusations against famous people, including Bill Cosby, and how fans cope when a beloved celebrity falls from grace.
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Malloy, Sean L. "“We’re Relating Right Now to the Third World”." In Out of Oakland. Cornell University Press, 2017. http://dx.doi.org/10.7591/cornell/9781501702396.003.0004.

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This chapter discusses how the Black Panther Party's (BPP) anticolonial vernacular sought to elide the differences between the black condition in the United States and anticolonial struggles in Asia, Africa, and Latin America. Yet questions about how to translate these theoretical links into practical action remained unresolved. Issues of anticolonial violence and gender identity embedded within this anticolonial vernacular also produced lingering tensions within the party. Though women often appeared in Panther iconography of the period, including striking pictures of figures such as Kathleen Cleaver as well as more abstract depictions of women warriors modeled on revolutionary art of the Third World, they generally did so in the context of a heteronormative and patriarchal framework for understanding female agency.
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"Masculine panic and the panthers of the stage." In Women and Victorian Theatre. Cambridge University Press, 1997. http://dx.doi.org/10.1017/cbo9780511582127.003.

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Gorringe, Hugo. "Liberation panthers and pantheresses? Gender and Dalit party politics in South India." In Dalit Women. Routledge India, 2017. http://dx.doi.org/10.4324/9781315206493-5.

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"3. The Classical Nordic Pantheon: Goddesses and Gender." In Old Norse Images of Women. University of Pennsylvania Press, 1996. http://dx.doi.org/10.9783/9781512802818-005.

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