Relevant bibliographies by topics / Pantomime

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Pantomime'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 July 2025

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Journal articles on the topic "Pantomime"

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Russon, Anne, and Kristin Andrews. "Orangutan pantomime: elaborating the message." Biology Letters 7, no. 4 (2010): 627–30. http://dx.doi.org/10.1098/rsbl.2010.0564.

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We present an exploratory study of forest-living orangutan pantomiming, i.e. gesturing in which they act out their meaning, focusing on its occurrence, communicative functions, and complexities. Studies show that captive great apes may elaborate messages if communication fails, and isolated reports suggest that great apes occasionally pantomime. We predicted forest-living orangutans would pantomime spontaneously to communicate, especially to elaborate after communication failures. Mining existing databases on free-ranging rehabilitant orangutans' behaviour identified 18 salient pantomimes. The
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Koenig, Amy A. "The Pantomimic Voice." Greek and Roman Musical Studies 9, no. 2 (2021): 320–40. http://dx.doi.org/10.1163/22129758-bja10027.

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Abstract Ovid’s Metamorphoses, as scholars have demonstrated, can be read in dialogue with Roman pantomime dance, and the tale of Echo and Narcissus is one of its most ‘pantomimic’ episodes. While others have focused on the figure of Narcissus in this vein, I turn instead to Echo, whose vocal mimicry can be seen as a mirror of the pantomime’s art, and whose juxtaposition with Narcissus seems emblematic of the body-voice relationship in pantomime. Echo’s desire for Narcissus engages with an existing lyric tradition of depicting the relationship between singing voice and dancing body in erotic t
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Suryandoko, Welly, Mustaji, Bachtiar S. Bachri, and Indar Sabri. "“Ku Pantomime Wellmime” Digital Mobile Learning for Cultural Arts Subjects." International Journal of Interactive Mobile Technologies (iJIM) 16, no. 16 (2022): 226–42. http://dx.doi.org/10.3991/ijim.v16i16.34237.

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This article shows the Effectiveness of Digital Teaching Materials for Theater Arts Subjects for Junior High School in the form of the Wellmime Technique-Based "Ku Pantomim" Android Application. These research instruments are interview guidelines, questionnaires, and observation sheets. The data is analyzed using the mixed method. The results and conclusions of this study show the effectiveness of development products by 79% with cryptic "interested" and practical, including: 1) andriod application usage book "Ku Pantomim with syntax contained in learning design,; 2) Adroid application "Ku Pan
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LAW, HEDY. "‘Tout, dans ses charmes, est dangereux’: music, gesture and the dangers of French pantomime, 1748–1775." Cambridge Opera Journal 20, no. 3 (2008): 241–68. http://dx.doi.org/10.1017/s0954586709990073.

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AbstractIn 1779 Chabanon noted the potential danger inherent in gesture because it might produce instantaneous and harmful effects. This article examines how Rameau, Rousseau and Grétry incorporated putatively dangerous gestures into the pantomimes they wrote for their operas, and explains why these pantomimes matter at all. In Rameau's Pygmalion (1748), Rousseau's Le Devin du village (1752–3) and Grétry's Céphale et Procris (1773, 1775), pantomime was presented as a type of dance opposite to the conventional social dance. But the significance of this binary opposition changed drastically arou
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GÄRdenfors, Peter. "Pantomime Als Grundlage Für Ritual Und Sprache." Studia Liturgica 48, no. 1-2 (2018): 23–40. http://dx.doi.org/10.1177/00393207180481-203.

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Dieser Beitrag versucht die evolutionären Ursprünge von Ritualen nachzuvollziehen. Meine These ist dabei, dass Rituale als Konventionalisierungen von Pantomimen entstanden sind. Die ursprüngliche Funktion von Pantomime ist die Lehre. In dieser Funktion bezieht sich Pantomime auf Demonstration. Mein Schwerpunkt in diesem Beitrag liegt auf Ritualen, die eine Identifikation als Gruppe erzeugen. Wie die Pantomime bezeichnen Rituale eine Bedeutung, die über die eigentliche Aktion hinausgeht. Wie Pantomime und Demonstration ist auch das Rituale ein Instrument für das Lernen. Gelernt werden Glaubenss
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GÜRdenfors, Peter. "Pantomime as a Foundation for Ritual and Language." Studia Liturgica 48, no. 1-2 (2018): 41–55. http://dx.doi.org/10.1177/00393207180481-204.

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This article aims at tracing the evolutionary roots of rituals. My main thesis is that rituals have emerged as conventionalizations of pantomimes. The original function of pantomime is for teaching. In that function, pantomime derives from demonstration. My focus in this article is on rituals that produce group identification. Like pantomime, rituals signify meaning beyond the actual actions. Like demonstration and pantomime, ritual is a tool for learning. What is learnt is system of beliefs that become shared within a society. Such shared beliefs strengthen the cohesion within a society. Alth
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King, Sally. "Identifying the socio-economics of pantomime through Cinderella’s footwear in 2017–18 adaptations of the tale." Studies in Costume & Performance 4, no. 1 (2019): 43–64. http://dx.doi.org/10.1386/scp.4.1.43_1.

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Footwear plays a significant role in the fairy tale Cinderella and in different versions of the tale the eponymous character’s slipper has taken many different forms. Meanwhile, pantomime producers have for centuries been turning to the Cinderella tale for their stage adaptations, during which time the pantomimic slipper has regularly been described as a glass slipper, drawing on Charles Perrault’s 1697 French version of the tale. The glass slipper has also become the most popular form in literature, film and other media, particularly under the influence of Disney. This said, the description d
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Svarnyk, Bohdan. ""Pantomimic Culture" and Interdisciplinary Aspects of Its Theoretical Understanding." Culture and Arts in the Modern World, no. 20 (May 30, 2019): 258–66. https://doi.org/10.31866/2410-1915.20.2019.172467.

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The aim of the article is to identify the essence of the concept of “pantomimic culture” based on the analysis of the concepts of “culture” and “pantomime”. Research methods. The main methodological principles of the research are scientific objectivity and systematic approaches in the use of complementary methods: theoretical (analysis of cultural, art history and historical literature), empirical and analytical (theoretical and art historical analysis of the phenomenon of “pantomime”). General culturological research methods, historical and anal
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Sabri, Indar, Muhammad Jazuli, Totok Sumaryanto, and Autar Abdillah. "JEMEK SUPARDI, MIME ARTIST INDONESIA (A Study of Life History)." Humanus 18, no. 1 (2019): 40. http://dx.doi.org/10.24036/humanus.v18i1.103977.

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This study aims to examine the biography of pantomime figures named Jemek Supardi, who is known as the maestro of Indonesian pantomime, which includes: life history, way of thinking and his roles in developing pantomime in Indonesia. This study uses biographical theory, by telling the life of a character. This study also uses some supporting theories: life history theory, creativity theory, and role theory. This research is a qualitative research with a biographical study approach to describe the history of one's life (life history). Data collection techniques are carried out by observation, i
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Sibierska, Marta, Monika Boruta-Żywiczyńska, Przemysław Żywiczyński, and Sławomir Wacewicz. "What’s in a mime?" Interaction Studies 23, no. 2 (2022): 289–321. http://dx.doi.org/10.1075/is.22002.sib.

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Abstract Several lines of research within developmental psychology, experimental semiotics and language origins studies have recently converged in their interest in pantomime as a system of bodily communication distinct from both language (spoken or signed) and nonlinguistic gesticulation. These approaches underscore the effectiveness of pantomime, which despite lack of semiotic conventions is capable of communicating complex meanings. However, very little research is available on the structural underpinnings of this effectiveness, that is, the specific properties of pantomime that determine i
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Dissertations / Theses on the topic "Pantomime"

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LANGHANS, JOSEPH JOHN III. "PANTOMIME RECOGNITION AND PANTOMIME EXPRESSION IN PERSONS WITH ALZHEIMER'S DISEASE." Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188005.

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There are few, yet contradictory, reports in the literature regarding whether persons with Alzheimer's disease demonstrate a disturbance of nonverbal communication or pantomime. While some researchers ascribe all disturbances of gestural behavior to apraxic phenomena, others have viewed a disturbance of pantomime as the consequence of language disorder or general intellectual deterioration. This investigation was conducted (1) to determine whether persons with Alzheimer's disease demonstrate a disturbance of pantomime recognition, pantomime expression, or both, compared to healthy, aged contro
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Zanobi, Alessandra. "Seneca's tragedies and the aesthetics of pantomime." Thesis, Durham University, 2008. http://etheses.dur.ac.uk/2158/.

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In this thesis I explore the affinities between Seneca's tragic plays and pantomime, arguably the most popular dramatic genre during the Roman Empire, but relatively neglected by literary critics. The research is thus designed to make not only a significant contribution to our understanding of Seneca's tragic art (especially through the explanation of formal features that depart from the conventions of fifth-century Attic drama and have long puzzled scholars), but also to Imperial performance culture more generally. In particular, I hope to shed light on the interaction between so-called 'high
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Scaggs, Deirdre A. "Deirdre A. Scaggs Pantomime: a personal research." The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1328209049.

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Brincken, Jörg von. "Tours de force : die Ästhetik des Grotesken in der französischen Pantomine des 19. Jahrhunderts /." Tübingen : M. Niemeyer, 2006. http://catalogue.bnf.fr/ark:/12148/cb402084225.

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Martinez, Ariane. "La pantomime, théâtre en mineur : étude des expériences pantomimiques (drames, spectacles, traités) dans le théâtre français, de la fin de siècle à 1945." Paris 3, 2006. http://www.theses.fr/2006PA030140.

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Entre 1880 et 1945, les créateurs de théâtre recourent à la pantomime pour transformer l’écriture dramatique, le jeu d’acteur et la conception du spectacle. Les pièces muettes (écrites par Margueritte, Huysmans et Hennique, Champsaur ou Gourmont) se multiplient à la fin du XIXe siècle. Symptomatiques d’une « crise du drame » (Szondi) et d’une « crise du geste » (Agamben), elles stimulent la mise en scène naissante, notamment au sein du Cercle Funambulesque. Dans le domaine du jeu mimé, deux courants majeurs s’affrontent : d’une part, les mimes logocentristes, qui recherchent une gestuelle codi
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Sullivan, Jill Alexandra. "The business of pantomime : regional productions 1865 to 1892." Thesis, University of Nottingham, 2005. http://eprints.nottingham.ac.uk/11078/.

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Whilst in recent years the study of nineteenth-century popular theatre and culture has expanded into the music hall, fairgrounds and 'minor' theatres, embracing melodrama and spectacle, the Victorian pantomime has attracted little attention. More especially, the widespread and dynamic productions of the English provincial theatres have been largely excluded in discussions that repeatedly focus on the London stage. My thesis is centred on the Theatres Royal of Nottingham and Birmingham, two towns sited in the English Midlands, but with markedly different population sizes, socioeconomic structur
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Fantasia, Josephine Vita. "Entrepreneurs, empires and pantomimes : J. C. Williamson's pantomime productions as a site to review the cultural construction of an Australian theatre industry, 1882 to 1914." Thesis, The University of Sydney, 1996. http://hdl.handle.net/2123/1617.

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'Entrepreneurs, Empires and Pantomimes' examines how Williamson influenced the form and content of one theatrical genre within his theatrical empire between 1882 and 1914. As the frontispiece signals in spectacular fashion, the pantomime was a vitally popular dramatic form. I believe that my findings have serious implcations for the formation of an Australian theatre industry with regard to the 'development'of Australian drama. Ironically, as J.W. Gough points out in 'The Rise of the Entrepreneur' (1969), the word 'entrepreneur' first appeared in the 'Oxford English Dictionary' in 1897 as refe
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Fantasia, Josephine Vita. "Entrepreneurs, empires and pantomimes : J. C. Williamson's pantomime productions as a site to review the cultural construction of an Australian theatre industry, 1882 to 1914." University of Sydney, 1996. http://hdl.handle.net/2123/1617.

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Doctor of Philosophy<br>'Entrepreneurs, Empires and Pantomimes' examines how Williamson influenced the form and content of one theatrical genre within his theatrical empire between 1882 and 1914. As the frontispiece signals in spectacular fashion, the pantomime was a vitally popular dramatic form. I believe that my findings have serious implcations for the formation of an Australian theatre industry with regard to the 'development'of Australian drama. Ironically, as J.W. Gough points out in 'The Rise of the Entrepreneur' (1969), the word 'entrepreneur' first appeared in the 'Oxford English Dic
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Tichy, Susanne. "Et vene la mumaria : Studien zur venezianischen Festkultur der Renaissance /." München : Scaneg, 1997. http://catalogue.bnf.fr/ark:/12148/cb37536413q.

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Kallemeyn, Rebecca. "ESCAPIST CATHARSIS: REPRESENTATION, OBJECTIFICATION, AND PARODY ON THE PANTOMIME STAGE." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1211920375.

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Books on the topic "Pantomime"

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Feder, Happy Jack. Mime time: 45 complete routines for everyone. 2nd ed. Meriwether Pub., 1992.

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Markova, Elena. Sovremennai͡a︡ zarubezhnai͡a︡ pantomima =: La mime. "Iskusstvo", 1985.

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Davis, Jim, ed. Victorian Pantomime. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230291782.

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Basyūnī, Hibah. Bāntūmāyim: Pantomime. Kiyān Kūrb lil-Nashr wa-al-Tawzīʻ, Dār Laylá, 2012.

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Zwiefka, Hans Jürgen. Pantomime, Ausdruck, Bewegung. Edition Aragon, 1987.

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Cregan, David. Aladdin: A pantomime. S. French, 1993.

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Eigner, Edwin M. The Dickens pantomime. University of California Press, 1989.

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S, Aldridge D., ed. The pantomime witch. MacRae, 1990.

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Allen, Ian. Button moon pantomime. Hippo Books, 1991.

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Szymanowski, Karol. Harnasie: Ballet pantomime. Polskie Nagrania, 1993.

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Book chapters on the topic "Pantomime"

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Brown, Steven. "Chapter 6. The pantomimic origins of the narrative arts." In Perspectives on Pantomime. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/ais.12.06bro.

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The evolutionary study of pantomime provides important insights into the origins of the narrative arts, including visual art, theatre, and narrative forms of dance (e.g., ballet). Drawing, as a motoric activity, shows a strong resemblance to tracing pantomimes. The main difference is that drawing generates an enduring image on a surface, whereas pantomime is “drawing in the air.” The theatrical arts – including dramatic acting, mime acting, and narrative forms of dance – take a more egocentric approach to pantomime than drawing, employing full-body mimicry of the expressive actions of a refere
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Arbib, Michael. "Chapter 1. Pantomime within and beyond the evolution of language." In Perspectives on Pantomime. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/ais.12.01arb.

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The core of the paper is a critique of the role of pantomime in the author’s theory (the Mirror System Hypothesis, MSH, itself evolving) of the biocultural evolution that led to human brains that were “language ready” long before humans developed languages. We argue that the notion of “ad hoc” pantomime posited there should be modified to a notion of “ur-pantomime” in which pantomimes are somewhat ritualized by individual users but not yet conventionalized by the group. We extend this to offer a taxonomy of pantomime, with the above forms distinguished from both pantomime exhibited by apes and
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Nuss, Melynda. "Pantomime." In Distance, Theatre, and the Public Voice, 1750–1850. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137291417_2.

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Newey, Katherine, and Jeffrey Richards. "Pantomime." In John Ruskin and the Victorian Theatre. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230276512_6.

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Shattock, Joanne, Joanne Wilkes, Katherine Newey, and Valerie Sanders. "Pantomime." In Literary and Cultural Criticism from the Nineteenth Century. Routledge, 2021. http://dx.doi.org/10.4324/9781003199878-36.

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Marsden, Robert. "Pantomime." In Routledge Companion to Audiences and the Performing Arts. Routledge, 2022. http://dx.doi.org/10.4324/9781003033226-43.

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Ferretti, Francesco. "Chapter 3. Narrative and pantomime at the origin of language." In Perspectives on Pantomime. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/ais.12.03fer.

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The present chapter proposes a pantomimic account of language origin resting on a persuasive/narrative conception of human communication. Relying on the twofold constraint of the cognitive architectures responsible for the processing of the mental content and of the material resources for expressing that content, I suggest that pantomime represented an ideal means to convey proto-narrative representations in the absence of verbal language. Although representing an early effective form of protolanguage because of its narrative persuasive power, pantomime shows its limits in sustaining a more so
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Ficek, Agnieszka Anna. "Colonial Pantomime." In Women, Collecting, and Cultures Beyond Europe. Routledge, 2022. http://dx.doi.org/10.4324/9781003230809-12.

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Davis, Jim. "Introduction: Victorian Pantomime." In Victorian Pantomime. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230291782_1.

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Sullivan, Jill A. "‘Local and political hits’: Allusion and Collusion in the Local Pantomime." In Victorian Pantomime. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230291782_10.

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Conference papers on the topic "Pantomime"

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Sabri, Indar, Muhammad Jazuli, Totok F, and Autar Abdillah. "Teaching system for pantomime artist Jemek Supardi for prospective Pantomime artists in Yogyakarta." In Proceedings of the 5th International Conference on Science, Education and Technology, ISET 2019, 29th June 2019, Semarang, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.29-6-2019.2290417.

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Fagan, Andrew, Alasdair Lambert, and Martin Goodfellow. "Learning Programming Languages by Pantomime." In CEP '25: 9th Conference on Computing Education Practice. ACM, 2025. https://doi.org/10.1145/3702212.3702213.

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Козлова, Наталья Николаевна. "CORRECTION AND SPEECH THERAPY WORK ON THE DEVELOPMENT OF VERBAL VOCABULARY IN PRESCHOOL CHILDREN WITH HEARING DISORDERS THROUGH PANTOMIME." In Поколение будущего: сборник избранных статей Международной студенческой научной конференции (Санкт-Петербург, Ноябрь 2020). Crossref, 2020. http://dx.doi.org/10.37539/pb188.2020.70.45.004.

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В статье рассматривается особенности организации и содержания коррекционно-логопедической работы по развитию глагольного словаря у дошкольников с нарушениями слуха посредством пантомимики. Описываются принципы, условия и этапы коррекционно-логопедической работы. Приводятся примеры пантомимических этюдов, которые могут быть использованы в работе с дошкольниками на разных этапах. The article examines the features of the organization and content of correction and speech therapy work on the development of the verbal vocabulary in preschool children with hearing disorders through pantomime. the pri
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Viyas, T. Vedha, R. Willbert Baskar, N. Simrose Gabriel, and A. Sanjive. "Hand pantomime apperception for robotic arm control." In 2017 International Conference of Electronics, Communication and Aerospace Technology (ICECA). IEEE, 2017. http://dx.doi.org/10.1109/iceca.2017.8212777.

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Pavlov, Vladimir L., and Anton Yatsenko. "Using Pantomime in Teaching OOA&OOD with UML." In Proceedings. 18th Conference on Software Engineering Education & Training. IEEE, 2005. http://dx.doi.org/10.1109/cseet.2005.41.

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Segal, Barbara. "The Contribution of Dance and Pantomime to London’s Musical Culture." In Musik und die Künste in der englischen Frühaufklärung (ca. 1670–1750). Universität Hamburg, Institut für Historische Musikwissenschaft, 2020. http://dx.doi.org/10.25366/2020.121.

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Pavlov, Vladimir L., Nikita Boyko, Alexander Babich, Oleksii Kuchaiev, and Stanislav Busygin. "Applying pantomime and reverse engineering techniques in software engineering education." In 2007 37th annual frontiers in education conference - global engineering: knowledge without borders, opportunities without passports. IEEE, 2007. http://dx.doi.org/10.1109/fie.2007.4418054.

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Cartmill, Erica. "Iconicity and convention in the manual modality: Pantomime in language origins." In The Evolution of Language. Proceedings of the 12th International Conference on the Evolution of Language (Evolang12). Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika, 2018. http://dx.doi.org/10.12775/3991-1.014.

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Tsvetkov, Yuri. "HUGO VON HOFMANNSTHAL ABOUT THE REVIVAL OF ANCIENT PANTOMIME AS A SYNTHETIC ART." In World literature Cultural Codes. Baskir State University, 2021. http://dx.doi.org/10.33184/kkml-2021-11-19.23.

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CARTMILL, ERICA A., and SUSAN GOLDIN-MEADOW. "IS PANTOMIME A LIKELY STAGE IN LANGUAGE EVOLUTION? EVIDENCE FROM HUMAN AND PRIMATE GESTURE." In Proceedings of the 9th International Conference (EVOLANG9). WORLD SCIENTIFIC, 2012. http://dx.doi.org/10.1142/9789814401500_0059.

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Reports on the topic "Pantomime"

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Grotting, Lauryl. Effects of verbal and pantomime stimulus input on the short term sequential recall of aphasic adults. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2263.

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Ramos Arteaga, José Antonio. El carnaval de los señores: máscaras, pantomimas musicales y mojigangas en el archivo Zárate-Cólogan. Edicions de la Universitat de Lleida, 2019. http://dx.doi.org/10.21001/scriptura.2019.26.05.

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