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1

Paoli, Pasquale. La constitution de Pascal Paoli, 1755: Texte intégral. Ajaccio: La Marge, 1996.

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2

Pallenti, Francis. Pascal Paoli, ou, La leçon d'un "citoyen du ciel". Ajaccio: Les Editions Albiana, 2004.

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3

Frances, Vivian, ed. Pascal Paoli en Angleterre: Trente-trois années d'exil et d'engagement. Ajaccio: Éditions Alain Piazzola, 2014.

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4

Le spectre de la mémoire de Pascal Paoli: Territoire, patrimoine et culture en Corse. Paris: Harmattan, 2011.

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5

Foundation, Voltaire, ed. Pascal Paoli et l'image de la Corse au dix-huitième siècle: Le témoignage des voyageurs britanniques. Oxford: Voltaire Foundation at the Taylor Institution, 1988.

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6

T, Boulton James, and McLoughlin T. O, eds. An account of Corsica, the journal of a tour to that island; and memoirs of Pascal Paoli. New York: Oxford University Press, 2005.

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7

Lorusso, Giacomo. Il ministero pasquale di Paolo in 2Cor 1-7: Le implicazioni del soffrire e gioire per il Vangelo. Roma: Vivere in, 2001.

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8

Celant, Germano. The knot arte povera: Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Mario Merz, Marisa Merz, Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, and Gilberto Zorio. [Torino]: U. Allemandi, 1985.

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9

Histoire de Pascal Paoli. Nabu Press, 2010.

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10

Graziani, Antoine-Marie. Pascal Paoli : Père de la patrie corse. Tallandier, 2002.

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11

Journal of a Tour to Corsica: And Memoirs of Pascal Paoli. University of Cambridge ESOL Examinations, 2015.

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12

Pascal Paoli a Maria Cosway: Lettres Et Documents, 1782-1803 (Svec,). Voltaire Foundation, 2003.

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13

The Journal of a Tour to Corsica and Memoirs of Pascal Paoli. Turtle Point Press, 2002.

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14

Boswell, James. Account of Corsica: The Journal of a Tour to That Island; and Memoirs of Pascal Paoli. by James Boswell, Esq; Illustrated with a New and Accurate Map of Corsica. HardPress, 2020.

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15

McGlazer, Ramsey. Old Schools. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823286591.001.0001.

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This book marks out a modernist counter-tradition. The book proceeds from an anachronism common to Italian- and English-language literature and cinema: a fascination with outmoded, paradigmatically pre-modern educational forms that persists long after they are displaced in modernizing, reform-minded pedagogical theories. Old Schools shows that these old-school teaching techniques organize key works by Walter Pater, Giovanni Pascoli, James Joyce, Pier Paolo Pasolini, and Glauber Rocha. All of these figures oppose ideologies of progress by returning to and creatively reimagining the Latin class long since left behind by progressive educators. Across the political spectrum, advocates of progressive education, from Jean-Jacques Rousseau to John Dewey and Giovanni Gentile, had targeted Latin in particular. The dead language—taught through time-tested techniques including memorization, recitation, copying out, and other forms of repetition and recall—needed to be updated or eliminated, reformers argued, so that students could breathe free and become modern, achieving a break with convention and constraint. By contrast, the works that Old Schools considers valorize instruction’s outmoded techniques, even at their most cumbersome and conventional. Like the Latin class to which they return, these works produce constraints that feel limiting but that, by virtue of that very limitation, invite valuable resistance. As they turn grammar drills into verse and repetitious lectures into voiceovers, they find unlikely resources for creativity and critique in the very practices that progressive reformers sought to clear away.
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16

Janssen, André, and Hans Schulte-Nölke, eds. Researches in European Private Law and Beyond. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783845298467.

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Am 6. Oktober 2018 feierte Reiner Schulze seinen 70. Geburtstag. Mit seiner Erfahrung und seinem Wissen spielte er in den letzten Jahren eine einzigartige Rolle bei der Gestaltung des Europäischen Privatrechts. Einzigartig waren nicht nur die zahlreichen Arbeiten, die er schrieb, sondern auch die große Zahl an persönlichen Beziehungen, die er zu Kollegen auf der ganzen Welt pflegte. Es ist fast kein Tag vergangen, an dem er nicht den Austausch mit diesen gesucht hat, entweder jenseits der deutschen Grenzen oder bei ihm in Münster. Diese Begegnungen resultierten meist in einer oder mehreren der zahlreichen gemeinsamen Veröffentlichungen, die Reiner Schulze mit seiner Energie und seinem Enthusiasmus für seine Forschung inspirierte. Anlässlich seines Geburtstages versammelten sich viele seiner Freunde und Wegbegleiter im Osnabrücker Schloss, um ein besonderes Fest zu feiern, das das Europäische Privatrecht von verschiedenen, aber immer persönlichen Perspektiven beleuchtete. Die Beiträge formten ein breites und komplexes Panorama des Zustandes und der Perspektiven des Europäischen Privatrechts und darüber hinaus. Mit Beiträgen von Salvatore Patti, Matthias Lehmann, Edoardo Ferrante, Dirk Staudenmayer, Geraint Howells, Francesco Paolo Patti, Stefano Delle Monache, Esther Arroyo Amayuelas, Pietro Sirena, Jürgen Basedow, Barbara Pasa, Larry A. DiMatteo, Ulrich Magnus, H.L.E. Verhagen, Gerard-René de Groot, David de Groot, André Janssen, Corjo Jansen, Rafaël Jafferali, Manuel Angel Bermejo Castrillo, Cristina Amato und Elise Poillot
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17

Germano, Celant, P. S. 1, Mole Antonelliana (Turin), and Palacio de Velázquez (Madrid, Spain), eds. The Knot: Arte Povera at P.S.1 : Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Mario Merz,Giulio Paolini, Pino Pascali, Giuseppe Penone, Michelangelo Pistoletto, and Gilberto Zorio. New York: P.S.1, The Institute of Art and Urban Resources, 1985.

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