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Journal articles on the topic 'Paparazzi'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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1

Sorariba, Nash G. "Paparazzi v British media." Pacific Journalism Review : Te Koakoa 4, no. 1 (November 1, 1997): 121–38. http://dx.doi.org/10.24135/pjr.v4i1.628.

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Inspite of the tragedy of Princess Diana and the public backlash against paparazzi, the British Government has refused to implement recommendations of statutory control in 'privacy'. It must have faith in self-regulation by the media; and it does not believe control is necessary in a democracy.

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2

Harris, Margaret. "Dark-matter ‘paparazzi’ exposed." Physics World 21, no. 10 (October 2008): 9. http://dx.doi.org/10.1088/2058-7058/21/10/13.

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3

Drouin, Antoine, Pascal Brisset, and Yannick Jestin. "REENGINEERING THE PAPARAZZI AUTOPILOT NAVIGATION SYSTEM." IFAC Proceedings Volumes 40, no. 15 (2007): 270–75. http://dx.doi.org/10.3182/20070903-3-fr-2921.00047.

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4

Murray, Ray. "Keeping the Paparazzi an Arm's Length Away." Journal of Popular Culture 46, no. 4 (August 2013): 868–85. http://dx.doi.org/10.1111/jpcu.12050.

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5

Zafar, Mehreen, Saeed Ahmad, and Danyal Raza. "4DMan: Representation of Pakistani Masculinity on Paparazzi Magazine Covers." Global Digital & Print Media Review V, no. I (March 30, 2022): 120–30. http://dx.doi.org/10.31703/gdpmr.2022(v-i).12.

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The present study tried to observe Pakistani masculinity in terms of ‘4Dman’on covers of paparazzi magazines. Galician (2004)highlighted that mostly gendered magazines represent flawless and perfect sort of beauty which is usually missed by normal persons of society. Cashion (2010), under the Bauer Media, mentioned that'4Dman' is a term to represent a confident, physically fit, metro sexual and manly behavior; 4Dman is different from the lad who is a young boy. The content analysis through an inter sectional method of six covers of Pakistani English magazine ‘paparazzi’ revealed that Pakistani men on covers are not sex objects, supportive to the other models, well mannered, well groomed and esteemed, well represented, passionate, young, energetic and intellectual and physically fit. Individuality in male portrayals is more clear rather than to be repressed by others. Pakistani men's dress includes full clothing like qameez shalwar, pants, shirts, sherwani, jackets etc., to affirm Pakistani culture. The pictorial message on all the six covers is to attract and keep the readership, fantasies the imagery and represent the gender in general and particularly Pakistani males as4Dman.

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6

Godzic, Wiesław. "Być celebrytą, być paparazzim. Fellini i jego postaci w "Słodkim życiu"." Załącznik Kulturoznawczy, no. 9 (2022): 323–39. http://dx.doi.org/10.21697/zk.2022.9.17.

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In his essay the author discusses the question of film spectator of the particular movie, namely “La Dolce Vita”, directed by Federico Fellini. Since its premiere in February 1960, the movie has produced a lot of controversies, concerning both the artistic aspects, as well as manners and customs. The author concentrates on the extraordinary position of the spectator inside the film narration. He discusses the question of the intertextual place of the viewer both inside the narration and syuzhet. The viewer in many cases plays a role of authors porte parole. The different roles of protagonists are named: fallen aristocrats, petit bourgeois, artists, intellectuals, foreign celebrity. The one of the most important is the role of paparazzi, coined for the first time in the Fellini’s film. It created the aggressive photographer, the “bandit” of the camera. The variety of the roles, with emphasis of the paparazzi, produce the situation, where Fellini brilliantly makes an illusion of fully controlled narration by the spectator. But it is the artistic illusion, nothing more.

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7

Arcieri, Joanna. "Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood." American Journalism 38, no. 3 (July 3, 2021): 364–65. http://dx.doi.org/10.1080/08821127.2021.1949246.

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8

Schwartz, Vanessa R. "Paparazzi: Media practices and celebrity culture by Kim McNamara." Visual Studies 32, no. 3 (April 25, 2017): 293–95. http://dx.doi.org/10.1080/1472586x.2017.1320119.

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9

Aron, Jacob. "Robo-paparazzi learn how to take the perfect photo." New Scientist 211, no. 2819 (July 2011): 21. http://dx.doi.org/10.1016/s0262-4079(11)61562-5.

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10

Murray, Ray. "Stalking the Paparazzi: A View from a Different Angle." Visual Communication Quarterly 18, no. 1 (March 11, 2011): 4–17. http://dx.doi.org/10.1080/15551393.2011.548724.

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11

Williams, Darren M. "The Planet Paparazzi: Earth through the Lens of Interplanetary Spacecraft." Astrobiology 11, no. 5 (June 2011): 391–92. http://dx.doi.org/10.1089/ast.2011.5290.

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12

Zagron Engelhard, Bernardo. "Alegoría de un polisistema en la obra Paparazzi, de Matei Visniec." Quaderns de Filologia - Estudis Literaris 25 (December 17, 2020): 157. http://dx.doi.org/10.7203/qdfed.25.19000.

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Este artículo analizará la manera en que Matei Visniec, a través de su obra de teatroPaparazzi, da a ver la estructura silogística de su obra, así como la del polisistema de deformacionesque nos rodea y asedia. Trataremos de describir los mecanismos mediante los cuales elautor rumano apunta a la necesidad del sabotaje. En efecto, a través de una puesta en abismodel proceso de creación de contenidos de los medios de comunicación de masas, Paparazzipone en evidencia en forma de alegoría teatral aquello mismo a lo que alude Asensi, esto es, elhecho de que los discursos que modelizan nuestra percepción del mundo son una representaciónalterada de la realidad que necesita ser saboteada.

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13

Santana, M. C., and F. Fedler. "Paparazzi and picture chasers share similar philosophies and reputations, not tactics." Ecquid Novi: African Journalism Studies 27, no. 1 (January 1, 2006): 29–48. http://dx.doi.org/10.3368/ajs.27.1.29.

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14

Gutterman, Roy S. "Book Review: Paparazzi: Media Practices and Celebrity Culture by Kim McNamara." Journalism & Mass Communication Quarterly 95, no. 2 (March 23, 2018): 551–52. http://dx.doi.org/10.1177/1077699018759095.

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15

Santana, Maria C., and Fred Fedler. "Paparazzi and picture chasers share similar philosophies and reputations, not tactics." Ecquid Novi: African Journalism Studies 27, no. 1 (January 2006): 29–48. http://dx.doi.org/10.1080/02560054.2006.9653341.

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16

El Khachab, Chihab. "Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood by Vanessa Díaz." Anthropological Quarterly 96, no. 1 (January 2023): 197–200. http://dx.doi.org/10.1353/anq.2023.0006.

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17

Zhao, Dong Liang, and Amir M. Anvar. "Modelling and Simulation of Maritime UAV-VTOL Robot Flight Control." Applied Mechanics and Materials 152-154 (January 2012): 1149–54. http://dx.doi.org/10.4028/www.scientific.net/amm.152-154.1149.

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The Vertical Take-off and Landing (VTOL) Maritime Unmanned Aerial Vehicle (MUAV) has a number of applications including surveillance, search & rescue and real-time communications within a maritime environment. The objectives of this work is to study, research, design and develop, up to implantation, methodologies to apply efficient Command, Control, Navigation and Avionics Scenarios for VTOL-UAV robot operations within maritime air environments. The purpose of this paper is to introduce the overall control system of a five-rotor MUAV and the theoretical analysis of the control system. The controller is derived from the Paparazzi system, which is an open source community hardware and software package for all forms of Unmanned Aerial Vehicles (UAVs).

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18

Joubert, Flora. "« L’insaisissable » : archéologie de la photographie de paparazzi dans le magazine Cinémonde (1928-1940)." Histoire de l'art 70, no. 1 (2012): 93–102. http://dx.doi.org/10.3406/hista.2012.3402.

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19

Cirucci, Angela M. "First person paparazzi: Why social media should be studied more like video games." Telematics and Informatics 30, no. 1 (February 2013): 47–59. http://dx.doi.org/10.1016/j.tele.2012.03.006.

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20

Struthers, Alison. "‘They Did Not Ask For This Life’." International Journal of Children’s Rights 32, no. 1 (March 6, 2024): 198–218. http://dx.doi.org/10.1163/15718182-32010005.

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Abstract For years, there have been relentless pleas by celebrities for their children to be left alone by persistent and frightening paparazzi. Despite two seminal cases heard in UK courts in 2008 and 2014 concerning, respectively, the privacy rights of the children of J.K. Rowling and Paul Weller, a glance at the online pages of UK news outlets reveals that unpixellated photographs of celebrity children remain commonplace. This article will argue that not enough is being done to protect the children of celebrities from press intrusion, and that a child rights-based approach, couched in the best interests of the child, should be adopted, to better regulate the behaviour of the media when it comes to the taking and publishing of photographs of children, even if pixelated in the final publication.

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21

Smolla, Rodney A. "From paparazzi to hidden cameras: The aggressive side of a free and responsible press." Communication Law and Policy 3, no. 2 (March 1998): 315–29. http://dx.doi.org/10.1080/10811689809368652.

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22

Mortensen, Mette, and Anne Jerslev. "Taking the extra out of the extraordinary: Paparazzi photography as an online celebrity news genre." International Journal of Cultural Studies 17, no. 6 (September 30, 2013): 619–36. http://dx.doi.org/10.1177/1367877913503425.

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23

Báez, Jillian. "Review: Manufacturing Celebrity: Latino Paparazzi and Women Reporters in Hollywood, by Vanessa Díaz." Aztlán: A Journal of Chicano Studies 47, no. 1 (2022): 295–98. http://dx.doi.org/10.1525/azt.2022.47.1.295.

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24

Hindman, Elizabeth Blanks. "The Princess and the Paparazzi: Blame, Responsibility, and the Media's Role in the Death of Diana." Journalism & Mass Communication Quarterly 80, no. 3 (September 2003): 666–88. http://dx.doi.org/10.1177/107769900308000311.

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This case study examines mainstream newspaper editorials' discussion of the role, responsibility, and ethics of the media in the death of the Princess of Wales. Using attribution theory, it concludes that the newspapers dealt with criticism of the media in the case in several ways. First, they distanced themselves from the photographers who chased her car before it crashed; second, they blamed those outside the media, including Diana herself; and third, they acknowledged some responsibility.

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25

Fossard De Almeida, Aurore. "Shooting ‘sublime blondes in tight dresses’: the paparazzi in fiction film and television fromLa dolce vitatoDirt." Celebrity Studies 7, no. 1 (November 12, 2015): 34–44. http://dx.doi.org/10.1080/19392397.2016.1104891.

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26

Farlik, Jan, Miroslav Kratky, Josef Casar, and Vadim Stary. "Multispectral Detection of Commercial Unmanned Aerial Vehicles." Sensors 19, no. 7 (March 28, 2019): 1517. http://dx.doi.org/10.3390/s19071517.

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The fight against unmanned vehicles is nothing new; however, especially with the arrival of new technologies that are easily accessible for the wider population, new problems are arising. The deployment of small unmanned aerial vehicles (UAVs) by paramilitary organizations during conflicts around the world has become a reality, non-lethal “paparazzi” actions have become a common practice, and it is only a matter of time until the population faces lethal attacks. The basic prerequisite for direct defense against attacking UAVs is their detection. The authors of this paper analysed the possibility of detecting flying aircraft in several different electro-magnetic spectrum bands. Firstly, methods based on calculations and simulations were chosen, and experiments in laboratories and measurements of the exterior were subsequently performed. As a result, values of the radar cross section (RCS), the noise level, the surface temperature, and optical as well as acoustic traces of tested devices were quantified. The outputs obtained from calculated, simulated, and experimentally detected values were found via UAV detection distances using specific sensors working in corresponding parts of the frequency spectrum.

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27

Kim, Jungwon. "“Home” and “Homma” in K-Pop Fandom : From Fan Sites and Paparazzi to Black Market and Cultural Producers." Journal of Korea Culture Industry 18, no. 3 (September 30, 2018): 1–10. http://dx.doi.org/10.35174/jkci.2018.09.18.3.1.

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28

Burstiner, Marcy. "Book Review: The First Amendment Bubble: How Privacy and Paparazzi Threaten a Free Press, by Amy Gajda." Journalism & Mass Communication Quarterly 92, no. 4 (November 25, 2015): 998–1000. http://dx.doi.org/10.1177/1077699015610327d.

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29

McNamara, Kim. "The paparazzi industry and new media: The evolving production and consumption of celebrity news and gossip websites." International Journal of Cultural Studies 14, no. 5 (April 8, 2011): 515–30. http://dx.doi.org/10.1177/1367877910394567.

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30

Morton, Andrew D. "Much Ado about Newsgathering: Personal Privacy, Law Enforcement, and the Law of Unintended Consequences for Anti-Paparazzi Legislation." University of Pennsylvania Law Review 147, no. 6 (June 1999): 1435. http://dx.doi.org/10.2307/3312728.

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31

Mendelson, Andrew L. "On the function of the United States paparazzi: mosquito swarm or watchdogs of celebrity image control and power." Visual Studies 22, no. 2 (September 2007): 169–83. http://dx.doi.org/10.1080/14725860701507230.

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32

marchesini, manuela. "the montesi scandal: the death of wilma montesi and the birth of the paparazzi in fellini's rome (review)." South Central Review 24, no. 2 (2007): 109–12. http://dx.doi.org/10.1353/scr.2007.0033.

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33

Linkof, Ryan. "“The Photographic Attack on His Royal Highness”: The Prince of Wales, Wallis Simpson and the Prehistory of the Paparazzi." Photography and Culture 4, no. 3 (November 2011): 277–91. http://dx.doi.org/10.2752/175145211x13068409556682.

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34

Akel, William. "Privacy and the global media in the information age." Pacific Journalism Review : Te Koakoa 13, no. 1 (April 1, 2007): 40–57. http://dx.doi.org/10.24135/pjr.v13i1.883.

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The protection of privacy is being increasingly recognised worldwide by the courts, and media regulators, as a result of what is seen as a more powerful and intrusive media, and the effect of the internet. A right to privacy may even apply in a public place. This article examines the impact this has on the media in the information age? New Zealand now has a tort of interference with privacy. The criminal courts are also considering privacy values in issues ranging from suppression orders to release of court information to the public. The Broadcasting Standards Authority has revised its privacy principles. Codes of conduct with regard to the print media also acknowledge privacy. But the protection of privacy has its genesis in the 1890s and not in the digital age. A seminal article by Warren and Brandeis, ‘The Right to Privacy’ (1890), was a reaction to what was at that time seen as an over-powerful media. United States jurisprudence evolved to the Prosser and Keeton formulation in the 1960s. New Zealand jurisprudence has relied on this formulation to advance privacy rights. The English courts have taken a similar approach in the much publicised Douglas v Hello! and Naomi Campbell cases. The European courts, as a reaction to an overactive paparazzi, have pushed the bounds of privacy in the Peck and Princess Caroline cases. The High Court of Australia considered privacy in Lenah Game Meats Pty Ltd. Finally, the International Covenants and protection of privacy.

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35

Casson, Rebecca. "Gas, grass or ass, no one rides for free: the mohawk mayor." Persona Studies 2, no. 2 (December 7, 2016): 42–56. http://dx.doi.org/10.21153/ps2016vol2no2art600.

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In November 2013 Darryn Lyons, a former celebrity photographer well-known for his colourful antics, was directly elected as mayor of Geelong, the second largest city in the State of Victoria, Australia. Also known as “Mr Paparazzi” and “The Mohawk Mayor”, Lyons’s leadership lasted just 30 months before the Victorian State Government sacked him and dissolved the entire Geelong Council, revealing a pre-existing culture of bullying that appeared to be compounded by Lyons’s celebrity persona. How did Lyons’s persona affect Geelong’s newly established procedures for a directly elected mayor? Drawing on one particularly controversial incident, and using data collected from Lyons’s autobiography, together with media articles, official documents and social media, this article discusses how - as a celebrity politician - Lyons appeared to be unable to effectively separate his celebrity persona from his public persona. This seemed to drown out Geelong’s important issues, and undermined the legitimacy of local government. The current literature on directly elected mayors does not include consideration of how electing a celebrity as mayor complicates the problems of legitimacy in local government, and there is a paucity of literature on directly elected celebrity mayors in Australia. An emerging literature on directly elected mayors primarily addresses problems with legitimacy in contemporary politics, while the literature on celebrity politics changing legitimacy has been well established. Using the Lyons case, this article examines both literatures and contributes to the national and international debate on directly elected celebrity mayors.

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36

Willman, Kate. "Unidentified narrative objects: Approaching instant history through experiments with literary journalism in Beppe Sebaste’s H. P. Lady Diana’s Last Driver and Frédéric Beigbeder’s Windows on the World." Journalism 21, no. 7 (August 19, 2017): 1007–22. http://dx.doi.org/10.1177/1464884917722722.

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The subjects of the two texts analysed in this article are two highly significant recent historical events: the death of Lady Diana in a car crash after being chased by paparazzi on 31 August 1997 and the attacks on the World Trade Center in New York City on 11 September 2001, which are addressed by the Italian writer Beppe Sebaste and the French writer Frédéric Beigbeder, respectively. An analysis of each text shows that they not only examine the events in question through reportage, but they are also strongly personal and subjective. Both texts also put forward literary writers to help ‘read’ extensively mediated events, provoking reflection on how news travels and is mediated in increasingly immediate ways in today’s world, while also harking back to New Journalism. They could be called ‘unidentified narrative objects’, a label I borrow from the Italian writer Roberto Bui, alias Wu Ming 1, who has applied it to a corpus of recent Italian texts (including that of Sebaste), that combine modes of writing – such as journalism, history, detective fiction and life-writing – often blurring the boundaries between fiction and nonfiction, in order to more effectively draw their readers’ attention to the national and global issues they address. Here, I extend the term unidentified narrative objects beyond Italy’s borders to the work of Beigbeder and others, suggesting that such hybridity is connected to how we process the world around us today and a new iteration of literary journalism.

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37

Groos, Alexander R., Thalia J. Bertschinger, Céline M. Kummer, Sabrina Erlwein, Lukas Munz, and Andreas Philipp. "The Potential of Low-Cost UAVs and Open-Source Photogrammetry Software for High-Resolution Monitoring of Alpine Glaciers: A Case Study from the Kanderfirn (Swiss Alps)." Geosciences 9, no. 8 (August 12, 2019): 356. http://dx.doi.org/10.3390/geosciences9080356.

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Unmanned Aerial Vehicles (UAV) are a rapidly evolving tool in geosciences and are increasingly deployed for studying the dynamic processes of the earth’s surface. To assess the potential of autonomous low-cost UAVs for the mapping and monitoring of alpine glaciers, we conducted multiple aerial surveys on the Kanderfirn in the Swiss Alps in 2017 and 2018 using open hardware and software of the Paparazzi UAV project. The open-source photogrammetry software OpenDroneMap was tested for the generation of high-resolution orthophotos and digital surface models (DSMs) from aerial imagery and cross-checked with the well-established proprietary software Pix4D. Accurately measured ground control points served for the determination of the geometric accuracy of the orthophotos and DSMs. A horizontal (xy) accuracy of 0.7–1.2 m and a vertical (z) accuracy of 0.7–2.1 m was achieved for OpenDroneMap, compared to a xy-accuracy of 0.3–0.5 m and a z-accuracy of 0.4–0.5 m obtained for Pix4D. Based on the analysis and comparison of different orthophotos and DSMs, surface elevation, roughness and brightness changes from 3 June to 29 September 2018 were quantified. While the brightness of the glacier surface decreased linearly over the ablation season, the surface roughness increased. The mean DSM-based elevation change across the glacier tongue was 8 m, overestimating the measured melting and surface lowering at the installed ablation stakes by about 1.5 m. The presented results highlight that self-built fixed-wing UAVs in tandem with open-source photogrammetry software are an affordable alternative to commercial remote-sensing platforms and proprietary software. The applied low-cost approach also provides great potential for other regions and geoscientific disciplines.

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38

Mintson, Timothy. "Krobo Dipo Dress Fashion Trends and Culture in Contemporary Ghana from 1950 to 2019." Journal of African Art Education 3, no. 1 (June 29, 2023): 81–105. http://dx.doi.org/10.59739/jaae.v3i1.062304.

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The study investigated the major fashion trends that have characterised Dipo rite from 1950 to 2019. The narrative and descriptive research designs, under the qualitative approach, were used to investigate the major Dipo dress fashion trends. The sample for the study comprised of four (4) respondents consisting of two (2) traditional rulers knowledgeable in Dipo traditions and customs and have experienced the Dipo rite for at least two decades; one (1) opinion leader, and one (1) photographer who has been a paparazzi during Dipo rites for more than a decade. Interview and non-participant observation constituted the data collection instruments while thematic and descriptive analysis were the analytical tools used. The suboe (red fabric), Kraala (white fabric), wax print and kente Fabrics are some of such materials that signal the major Krobo Dipo dress fashion trends. The dominant presence of the Euro-Christian and Islamic ideological infiltration and stereotyping of the Dipo rite of passage in Ghana has been unsuccessful in depleting Dipo dress cultural practice. Four major stages of Dipo rites were identified with each displaying an array of Dipo dress fashions in observance of the rite. They are the tying of string (sɔni), cleansing initiation (wearing of red loincloth), victory initiation (wearing of white loincloth), and dress-ups (Newuom and kawɔ). The wearing of variations of red and white loincloth, and dress-ups (Newuom and kawɔ) that characterised the last three stages of Dipo rite, revealed interesting stylistic Dipo fashion trends that serve as Dipo rite, Dipo dress culture, Krobo, fashion trend, cultural sustainability, wax print DOI: https://doi.org/10.59739/jaae.v3i1.062304 82 Journal of African Art Education Volume 3, Issue 1, May 2023 sources of inspiration for fashion designing. These fashion trends are predominately wraparound with accessories to match. Wax print fabrics were dominant fabrics used by initiates during the first dress-up called Newuom while Kente dominated in use for Kawↄ. The flamboyant public display of Dipo contemporary fashion is undoubtedly a unique advertising platform that textile manufacturing companies in Ghana should take advantage of to market their products.

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39

Yamashita, T., and P. Hayes. "Reply to Paparazzo." Journal of Electron Spectroscopy and Related Phenomena 154, no. 1-2 (December 2006): 41–42. http://dx.doi.org/10.1016/j.elspec.2006.10.005.

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40

Johnson, William. "Pesos, Paparazzo, Pastry, Painting." Film Quarterly 64, no. 2 (2010): 10–11. http://dx.doi.org/10.1525/fq.2010.64.2.10.

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41

Lippert, Hans-Dieter. "Wenn der Arzt zum Paparazzo wird ..." CME 9, no. 4 (April 2012): 42. http://dx.doi.org/10.1007/s11298-012-1186-1.

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42

Sun, Xiaojun, and Hui Liu. "Response to the Comments by Ernesto Paparazzo." Catalysis Letters 140, no. 3-4 (October 26, 2010): 151–52. http://dx.doi.org/10.1007/s10562-010-0473-2.

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43

M, Agus, Titik H, Oktaviani A. S, and Novika W. "Peningkatan Kualitas dan Kapasitas Produksi Ikan Asap Melalui Sistem Paparasi (Pengasapan Terintegrasi) Di Desa Tambaksari, Kecamatan Rowosari, Kabupaten Kendal, Jawa Tengah." Jurnal Pengabdian Masyarakat MIPA dan Pendidikan MIPA 4, no. 1 (August 25, 2020): 1–5. http://dx.doi.org/10.21831/jpmmp.v4i1.34068.

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AbstrakKecamatan Rowosari memiliki potensi perikanan yang sangat baik karena didukung oleh letaknya yang strategis dan berbatasan langsung dengan Laut Jawa. Produk ikan laut ini dimanfaatkan oleh warga Desa Tambaksari yang diolah menjadi produk ikan asap. Proses pengasapan yang masih sederhana dan belum tersentuh teknologi ini sehingga kapasitas produksi yang sedikit dan kurangnya higienitas pada proses pengasapan. Proses pengasapan ikan yang memerlukan waktu 7 – 8 jam serta hasil ikan asap yang terpapar di rak terbuka membuat produk ikan yang dihasilkan kurang higienis karena lalat dapat hinggap pada ikan tersebut. Untuk itu diperlukan teknologi yang dapat meningkatkan kapasitas dan higienitas produk ikan asap yaitu dengan sistem paparasi. Dengan sistem paparasi proses pengasapan dapat ditekan hingga 3 – 4 jam serta tingkat higienitas yang lebih baik. Kata kunci: Pengasapan Ikan, TerintegrasiImprovement Of Quality And Capacity Of Asap Fish Production Through Paparation System (Integrated Finging) In Tambaksari Village, Rowosari District, Kendal Regency, Central Java AbstractRowosari District has excellent fishery potential because it is supported by its strategic location and directly adjacent to Java Sea. This marine fish product is utilized by Tambaksari villagers who processed into smoked fish products. The fogging process is still simple and untouched by this technology resulting in little production capacity and a lack of hygiene in the curing process. The process of fumigation of fish that takes 7 - 8 hours and the results of smoked fish exposed on the open shelves make fish products produced less hygienic because the flies can land on the fish. For that needed a technology that can increase the capacity and hygiene of smoked fish products with the system of paparasi. With curing process paparasi process can be pressed up to 3 - 4 hours and hygiene level better. Key words: Fish Smoking Kiln, Integration

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Roukis, Thomas S. "Medical paparazzies & patient informed consent for photographs." Foot & Ankle Surgery: Techniques, Reports & Cases 1, no. 3 (2021): 100059. http://dx.doi.org/10.1016/j.fastrc.2021.100059.

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Hyland, Nicola. "Young, Gifted, and Brown: the Liberation of Oceanic Youth in The Beautiful Ones." New Theatre Quarterly 32, no. 4 (October 14, 2016): 333–46. http://dx.doi.org/10.1017/s0266464x16000415.

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Recently a number of young, ultra-talented, Māori and Pacific Island performers have emerged on local stages in Aotearoa (the Māori name for New Zealand) and beyond. Exemplifying this bright, youthful energy is Hone Kouka's multi-media production The Beautiful Ones, a joyful exploration of luminous rangatahi (youth) unleashed in a liminal realm. Adopting the Māori cosmological concept of Te Kore, in this article Nicola Hyland explores the depiction of rangatahi in this performance as transformational: liberated – culturally, sexually, and performatively – from historical tropes of youth and indigeneity. Nicola Hyland is a lecturer in Theatre at Victoria University of Wellington, New Zealand, and has ancestral ties to the Te Ati-Haunui-a-Paparangi and Ngati Hauiti iwi tribes of Aotearoa.

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Schrott, A. G., G. S. Frankel, A. J. Davenport, H. S. Isaacs, C. V. Jahnes, and M. A. Russak. "Reply to “comment on ‘Cr LVV Auger emission and photoreduction of hexavalent Cr oxides’ by E. Paparazzo”." Surface Science 273, no. 3 (July 1992): L480—L481. http://dx.doi.org/10.1016/0039-6028(92)90061-a.

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Truffault, Laurianne, Minh-Tri Ta, Thierry Devers, Konstantin Konstantinov, Valérie Harel, Cyriaque Simmonard, Caroline Andreazza, et al. "On the curve-fitting of XPS Ce(3d) spectra of cerium oxides by E. Paparazzo, Materials Research Bulletin 46 (2011) 323–326." Materials Research Bulletin 47, no. 11 (November 2012): 3941–42. http://dx.doi.org/10.1016/j.materresbull.2012.01.021.

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Lad, Robert J., and Victor E. Henrich. "Reply to “comment on ‘structure of α-Fe2O3 single crystal surfaces following Ar+ ion bombardment and annealing in O2’” by E. Paparazzo." Surface Science 200, no. 1 (January 1988): L473—L474. http://dx.doi.org/10.1016/0039-6028(88)90427-x.

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Bennett, Susan. "“Don’t Look Back”: Jackie O in Banff." Canadian Theatre Review 96 (September 1998): 39–43. http://dx.doi.org/10.3138/ctr.96.006.

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Exactly three weeks after I’d seen one of the Canadian premiere performances of Wayne Koestenbaum and Michael Daugherty’s Jackie O at the Eric Harvie Theatre at the Banff Centre for the Arts, I spent a Saturday evening watching CNN with my teenage son as the news of the car crash which killed Princess Diana unfolded in an incredible, shocking and often chaotic dramatic narrative. As one royal observer from the British press commented during those long hours of broadcast, “We have lost perhaps the most important icon of the twentieth century. Marilyn Monroe, Jackie Kennedy, they are the only other contenders; and Jackie, she lived too long.” It was an odd moment in a night of many odd moments, and the reporting in the period immediately following the accident pointed to a remarkable prescience in Jackie O, where a second-act duet for Jackie and Maria Callas becomes a fierce attack on a tap-dancing paparazzo who would aggressively invade the sanctuary of Skorpios in search of an exclusive photograph. Almost balletic in performance style and moving from high opera to film score in its musical range, this scene was one of the most powerful of Nicholas Muni’s direction of Jackie O, one which pointed to the relentless demands of “celebrity” and a necessary, concomitant quest for self-protection. The evidence on CNN that night gave a ghastly truth to the earlier staged performance. And even before August 1997, in an interview coinciding with the Houston Grand Opera premiere of Jackie O (in March of the same year), the opera’s librettist, Wayne Koestenbaum, had said, “Jackie dominated the world’s biggest theatrical proceeding, the media. Her only rivals are Elizabeth Taylor and Princess Diana – and Di’s really just a copy of Jackie” (“A Diva” 10).

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Сингатулин, Рустам Адыгамович. "ТЕХНОЛОГИИ ЗОЛОТОЙ ОРДЫ: КИРПИЧ УКЕКА." Археология Евразийских степей, no. 3 (July 27, 2021): 273–84. http://dx.doi.org/10.24852/2587-6112.2021.3.273.284.

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Статья посвящена исследованиям кирпичного строительного материала из Увекского городища (г. Саратов) по данным полевых и камеральных исследований 1994–2020 гг. Целью исследований являлось дефиниция физико-химических характеристик кирпича из строений Увекского городища для историко-архитектурного, технико-экономического обоснования строительных технологий Золотой Орды, проведения реконструкционных и реставрационных работ, компьютерного моделирования в системах виртуальной и дополненной реальности. В работе приводятся данные по разнообразию форм и размеров кирпича, отпечаткам на его поверхности. Рассматриваются результаты исследований поопределению элементного состава керамического материала методами Оже и вторичной-ионной масс-спектроскопии (ВИМС) с целью идентификации мест добычи сырья. Приводятся данные по: средней плотности кирпича, его группе по теплотехническим характеристикам, коэффициенту излучения, водопоглощению по массе, пределам прочности при сжатии и изгибе, определению марки кирпича в соответствии с регламентируемыми параметрами действующего государственного стандарта. Библиографические ссылки Баллод Ф.В. Приволжские «Помпеи». М.; Пг.: Мосполиграф, 1923. Брагов А.М., Ломунов А.К. Использование метода Кольского для динамических испытаний конструкционных материалов // Прикладные проблемы прочности и пластичности. 1995. № 51. С. 127−137. Браташова С.А. Увешенская станица и Саратау: к вопросу о сохранении урбосистемы Укек – Яйлак // Историко-археологические памятники Золотой Орды на территории Саратовского Поволжья. Укек: прошлое, настоящее, будущее. Мат. межд. нау ч.-практ. конф. / Ред. Аблязов К. А., Кульпин-Губайдуллин Э. С., Рашитов Ф. А. Саратов: Научная кинга, 2016. С. 211−218. Васильев Д.В. О размерах золотоордынских кирпичей (Опыт статистико-метрологического анализа) // Перекрестки истории. Актуальные проблемы исторической науки. Мат. Всеросс. науч. конф. Астрахань : ИД «Астраханский университет», 2004.С. 72–79. ГОСТ 530-2012. Кирпич и камень керамические. Общие технические условия. Взамен ГОСТ 530-2007; Введ. с 2013.07.01. М.: Стандартинформ, 2013. 39 с. Губанов И.А., Крылова И.А., Тихонова В.Л. Дикорастущие полезные растения СССР. М.: Мысль, 1976. 360 с. Дунаева Г.В., Рогозин И.С. Оползни Саратовского Поволжья. М.: АН СССР, 1962. 163 с. Зиливинская Э.Д. Культовая архитектура Золотой Орды: происхождение и традиции // Поволжская археология. 2016. № 2(16). С. 44–67. Ёлшин Д. Д. Новые исследования древнерусской плинфы: итоги и перспективы // Проблеми давньоруської та середньовічної археології / Археологія i давня історія України. Вип. 1. / Отв. ред. Г. Ю. Ивакин. Київ: Інститут археології НАН України, 2010. С. 395–407. Карлосон Т.А. Фотоэлектронная и Оже-спектроскопия. Л.: Машиностроение, 1981. 431 c. Краснопевцев Б.В. Фотограмметрия. М.: УПП "Репрография" МИИГАиК, 2008. 160 c. Кротков А.А. Раскопки на Увеке в 1913 году // ТСУАК. Саратов, 1915. Вып. 32. С. 111−133. Кульпин Э.С. Цивилизационный феномен Золотой Орды // Общественные науки и современность. 2001. № 3. С. 74−88. Отчет Императорской Архивной Комиссии за 1891 г. / Архив ИИМК РАН, 1891. Ф. 1. Д. 30. Сингатулин Р.А. Археологические исследования на Увекском городище в 2004 г. // Археологическое наследие Саратовского края. Вып. 7 / Отв. ред. А.И. Юдин. Саратов, Научная книга, 2006. С. 76−90. Сингатулин Р. А. Охранно-спасательные работы на территории Увекского городища в 2005 г. // Археологическое наследие Саратовского края. Вып. 8 / Отв. ред. А. И. Юдин. Саратов, Научная книга, 2008. С. 139−155. Сингатулин Р. А. История первых фотограмметрических исследований на Увекском городище в 1913 г. // Исторические, философские, политические и юридические науки, культурология и искусствоведение. Вопросы теории и практики. 2014. № 9(47) Ч. 1. С. 149−151. Сингатулин Р.А. Особенности применения стереофотограмметрического мультиспектрального мониторинга в полевых археологических исследованиях // Известия высших учебных заведений. Геодезия и аэрофотосъемка. 2016а. № 2. С. 90−93. Сингатулин Р.А. Идентификация золотоордынской керамики методами Оже и вторичной ионной масс-спектрометрии // Международный научно-исследовательский журнал. 2016б. № 7−1(49). С. 105−107. Сингатулин Р.А. Теплотехнические и прочностные характеристики плинфы с Увекского городища // Современные наукоёмкие технологии. 2017. № 8. С. 65−68. Федоров-Давыдов Г.А. Статистические методы в археологии: Учебное пособие для вузов по спец. «История». М.: Высшая школа, 1987. 216 с. Федоров-Давыдов Г.А. Золотоордынские города Поволжья. М.: Изд-во МГУ, 1994. 232 с. Шульман А.Р., Фридрихов С.А. Вторично-эмиссионные методы исследования твёрдого тела. М.: Наука, 1977. 552 c. Paparazzo, E. Comment on AES and SAM microanalysis of structure ceramics by thinning and coating the backside. Yu and Jin // Surface and Interface Analysis. 2001. №31 (12). P. 1110–1111. DOI:10.1002/sia.1144. Paparazzo, E. Recovering the past from surfaces and interfaces: experimental and cultural issues // Surface and Interface Analysis. 2006. №38. P. 357−363. DOI:10.1002/sia.2142.

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