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1

Public relations in global cultural contexts: Multi-paradigmatic perspectives. New York: Routledge, 2011.

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2

Hoen, Herman Willem, 1960- author, ed. Dovetailing economics and political science: A paradigmatic introduction to international political economy. Assen, The Netherlands: Van Gorcum, 2010.

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3

Mistrorigo, Alessandro. Phonodia. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-236-9.

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This essay focuses on the ‘voice’ as it sounds in a specific type of recordings. This recordings always reproduce a poet performing a poem of his/her by reading it aloud. Nowadays this kind of recordings are quite common on Internet, while before the ’90 digital turn it was possible to find them only in specific collection of poetry books that came with a music cassette or a CD. These cultural objects, as other and more ancient analogic sources, were quite expensive to produce and acquire. However, all of them contain this same type of recoding which share the same characteristic: the author’s voice reading aloud a poem of his/her. By bearing in mind this specific cultural objet and its characteristics, this study aims to analyse the «intermedial relation» that occur between a poetic text and its recorded version with the author’s voice. This «intermedial relation» occurs especially when these two elements (text and voice) are juxtaposed and experienced simultaneously. In fact, some online archives dedicated to this type of recording present this configuration forcing the user to receive both text and voice in the same space and at the same time This specific configuration not just activates the intermedial relation, but also hybridises the status of both the reader, who become a «reader-listener», and the author, who become a «author-reader». By using an interdisciplinary approach that combines philosophy, psychology, anthropology, linguistics and cognitive sciences, the essay propose a method to «critically listening» some Spanish poets’ way of vocalising their poems. In addition, the book present Phonodia web archive built at the Ca’ Foscari University of Venice as a paradigmatic answer to editorial problems related to online multimedia archives dedicated to these specific recordings. An extent part of the book is dedicated to the twenty-eight interviews made to the Spanish contemporary poets who became part of Phonodia and agreed in discussing about their personal relation to ‘voice’ and how this element works in their creative practice.
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4

Bicoastal China: A Dialectical, Paradigmatic Analysis. Nova Science Publishers, 1998.

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5

Course, Magnus. Che. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036477.003.0002.

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This chapter discusses the concept of che, a concept roughly translatable as “true person.” The mode of sociality in which the attribution of che emerges most clearly is the sociality of exchange, of which the paradigmatic form is the relation between friends. This mode of sociality differs in a fundamental way from the relations each person has inherited from his or her mother and father. This is because whereas these initial relations with parents are necessarily prior to the person, relations with friends must be created through each person's own volition. All humans are born to two parents, but only those who go beyond these initial relations to forge their own relations can truly be considered che.
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6

Course, Magnus. Küpal. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036477.003.0003.

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This chapter examines the aspect of the person referred to as küpal, a term Mapuche people translate as “descent.” As well as being the vehicle for the transmission of certain physical and behavioral characteristics, it is the sharing of descent that is the basis for relations between patri-relatives. It is these relations of patrilineality between those who share descent that are paradigmatic of what can be called “sociality of descent.” Such a mode of sociality is characterized by obligatory mutual assistance, shared identity, and the potential for inequality. The chapter then suggests that a full understanding of the importance of descent helps in reconsidering the complex and flexible nature of Mapuche social aggregates—a long-standing problem in the relevant ethnographic literature.
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7

Bird, Alexander. Manifesting Time and Space: Background-Free Physical Theories. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198796572.003.0009.

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Temporal and spatial relations are often regarded as paradigmatic categorical properties that pro-vide a counterexamples to the claim that all fundamental natural properties powers (potencies)—properties that are dispositional in nature/essence. In this chapter, I consider the consequences for this debate of thinking that a good physical theory should be background-independent. I propose that the conception of time and space not as a background but as an active component of the physical universe help show that temporal and spatial properties and relations need not be considered as necessarily categorical.
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8

Marinova, Nadejda K. The Iraqi National Congress’s Promotion of the 2003 War. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190623418.003.0008.

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The chapter presents the case of the Iraqi National Congress (INC), a paradigmatic case of host-state utilization of diasporas. INC, an Iraqi exile organization headed by Ahmad Chalabi, was founded with US assistance in 1992. During the time of the George W. Bush administration, this was the leading diaspora organization to actively support and promote the impending Iraq war to the US public. The INC also supplied defectors that provided fabricated information to US intelligence agencies and prominent media outlets, and it was an intermediary with other Iraqi exile organizations. The chapter includes analysis of the lead-up to the invasion, as well as a June 2003 Council on Foreign Relations interview with Chalabi. His views upheld the neoconservative agenda, helping sustain the impression, eventually proven false, that Iraq possessed WMDs and of the existence of a link between Saddam and Al-Qaeda, both of which provided the rationale for the 2003 war.
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9

Arkadiev, Peter, and Francesco Gardani, eds. The Complexities of Morphology. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198861287.001.0001.

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The volume deals with the multifaceted nature of morphological complexity understood as a composite rather than unitary phenomenon as it shows an amazing degree of crosslinguistic variation. It features an Introduction by the editors that critically discusses some of the foundational assumptions informing contemporary views on morphological complexity, eleven chapters authored by an excellent set of contributors, and a concluding chapter by Östen Dahl that reviews various approaches to morphological complexity addressed in the preceding contributions and focuses on the minimum description length approach. The central eleven chapters approach morphological complexity from different perspectives, including the language-particular, the crosslinguistic, and the acquisitional one, and offer insights into issues such as the quantification of morphological complexity, its syntagmatic vs. paradigmatic aspects, diachronic developments including the emergence and acquisition of complexity, and the relations between morphological complexity and socioecological parameters of language. The empirical evidence includes data from both better-known languages such as Russian, and lesser-known and underdescribed languages from Africa, Australia, and the Americas, as well as experimental data drawn from iterated artificial language learning.
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10

Brulé, David, and Alex Mintz. Foreign Policy Decision Making: Evolution, Models, and Methods. Oxford University Press, 2017. http://dx.doi.org/10.1093/acrefore/9780190846626.013.185.

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Choices made by individuals, small groups, or coalitions representing nation-states result in policies or strategies with international outcomes. Foreign policy decision-making, an approach to international relations, is aimed at studying such decisions. The rational choice model is widely considered to be the paradigmatic approach to the study of international relations and foreign policy. The evolution of the decision-making approach to foreign policy analysis has been punctuated by challenges to rational choice from cognitive psychology and organizational theory. In the late 1950s and early 1960s, scholars began to ponder the deterrence puzzle as they sought to find solutions to the problem of credibility. During this period, cross-disciplinary research on organizational behavior began to specify a model of decision making that contrasted with the rational model. Among these models were the bounded rationality/cybernetic model, organizational politics model, bureaucratic politics model, prospect theory, and poliheuristic theory. Despite these and other advances, the gulf between the rational choice approaches and cognitive psychological approaches appears to have stymied progress in the field of foreign policy decision-making. Scholars working within the cognitivist school should develop theories of decision making that incorporate many of the cognitive conceptual inputs in a logical and coherent framework. They should also pursue a multi-method approach to theory testing using experimental, statistical, and case study methods.
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11

Booij, Geert. The Morphology of Dutch. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198838852.001.0001.

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This book is the first fully-fledged description of the morphological system of Dutch in English. Inflection, derivation, and compounding are each discussed in separate chapters, following a short exposé on the basic assumptions of morphological theory. The interaction of morphology with phonology and syntax is dealt with subsequently. The chapters also provide access to more detailed studies of Dutch that have appeared in the Dutch and international literature. The book shows that the morphology of Dutch poses many interesting descriptive and theoretical issues. It contributes to ongoing discussions on the nature and representation of morphological processes, the role of paradigmatic relations between words, and between words and phrases, and the interaction between morphology, phonology, and syntax. Crucial use is made of the notion ‘construction’, a systematic pairing of form and meaning. The theoretical implication of this analysis of Dutch morphology is that the grammar of natural languages has to be conceived of a multi-dimensional network of abstract morphological and syntactic patterns and their instantiations as individual words and phrases. The book will be of relevance to students of Germanic languages, general linguists, typologists, computational linguists, and psycholinguists.
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12

Cloonan, William. Frères Ennemis. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786941329.001.0001.

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Frères Ennemis focuses on Franco-American tensions as portrayed in works of literature. An Introduction is followed by nine chapters, each centred on a French or American literary text which shows the evolution/devolution of the relations between the two nations at a particular point in time. While the heart of the analysis consists of close textual readings, social, cultural and political contexts are introduced to provide a better understanding of the historical reality influencing the individual novels, a reality to which these novels are also responding. Chapters One through Five, covering a period from the mid-1870s to the end of the Cold War, discuss significant aspects of the often fraught relationship in part from the theoretical perspective of Roland Barthes’ theory of modern myth, described in his Mythologies. Barthes’ theory helps situate Franco-American tensions in a paradigmatic structure, which remains supple enough to allow for shifts and reversals within the paradigm. Subsequent chapters explore new French attitudes toward the powerful, potentially dominant influence of American culture on French life. In these sections I argue that recent French fiction displays more openness to the American experience than has existed in the past, and contrast this overture to the new with the relatively static, even indifferent attitude of American writers toward French literature.
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13

Barkin, J. Samuel, ed. The Social Construction of State Power. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781529209839.001.0001.

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The relationship between realism and constructivism in international relations theory is a fraught one. The two paradigmatic framings of IR are often understood, and taught, as being in opposition to each other. The relationship is also an important one. Realism and constructivism are two of the central concepts around which the academic discipline is organized and are often presented as incompatible or paradigmatically irreconcilable. A number of scholars have argued, however, that the two are compatible. But these discussions have tended to be at a theoretical rather than applied level; they have opened up spaces for discussions of the relationship between the two understandings, but they have not necessarily given clear guidance to scholars for how to combine realism and constructivism as parts of a specific research design. In part this is because there are a variety of ways in which one could reasonably combine the two. Realist constructivism is in this sense a space for a conversation between the two understandings, rather than a specific combination of them. This volume provides a set of examples of applications of different realist constructivisms and an analysis of where they fit in this conversation, and how they speak to each other. Providing such a set of examples both helps to establish the range of the possible in the conversation between realism and constructivism as a set of research practices rather than deductive claims and provides examples to junior scholars of how to build research programs that combine constructivism and realism.
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14

Coqueiro, Wilma dos Santos. Poéticas do deslocamento: O Bildungsroman de autoria feminina contemporânea. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-338-1.

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The novel as a great socio-literary institution, which projects the ideals of bourgeois class, becomes the maximum expression of modernity from the 18th century on. The genre, characterized by its malleability and ambivalence, reflects an individualistic and innovative orientation. In this sense, the novels of characters originate subtypes, as the Bildungsroman, whose paradigmatic model would be Wilhelm Meister’s Apprenticeship (1795), by the German writer Johann Wolfgang von Goethe. Since the novel is a genre in constant becoming, the concept of Bildungsroman undergoes problematizations and revisions and, today, it is possible to consider a novel of formation which includes ethnic, racial and sexual minorities. Some important steps in male Bildungsroman, such as fulfillment in love from several experiences and the discovery of a professional vocation and a philosophy of life, are still problematic in female novels of formation along the 20th century, due to the small space dedicated to woman in society, making her formative experiences more subjective, and culminating, in most cases, in the failed end of characters who cannot escape the webs of social oppresion. In this book I try to show that there is a process of subjectification of the female characters, in which the formative experiences occur through spatial and identity displacements, characteristic of modern times. Thus in the novels of formation from the 21th century – such as Pérolas Absolutas (2003), by Heloísa Seixas, Algum Lugar (2009), by Paloma Vidal, and Azul-corvo (2010), by Adriana Lisboa, – amid globalization and the dismantling of great utopias and truths, they experience other conflicts and problems resulting from the fluidity of human relations in modern times.
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15

Heins, Laura. Germany’s Great Love vs. the American Fortress: Home Front Melodrama. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037740.003.0005.

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This chapter compares Hollywood and Nazi uses of melodrama during World War II and demonstrates that the American home front film portrayed the war effort as a defense of middle-class domesticity, while the Nazi home front melodrama suggested that war provided a means to intensified erotic experience. Home front melodramas featuring female main protagonists, contemporary settings, and a thematization of the war were produced in Hollywood and in Babelsberg, but the form and extent of this treatment was not identical in the two cinemas. The chapter considers the approaches to cinematic propaganda advocated by the leadership of both sides, by looking at the paradigmatic Hollywood home front films Mrs. Miniver and Since You Went Away (1944) in detail. It then examines Nazi home front melodramas in relation to conventions established by these Hollywood films.
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16

Davies, Damian Walford. Ronald Lockley and the Archipelagic Imagination. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198795155.003.0008.

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Ronald Lockley (1903–2000), distinguished naturalist, pioneering conservationist, author in multiple genres, and paradigmatic modern ‘island dweller’, played a crucial role in defining our sense of Welsh and wider archipelagic ‘islandness’. Drawing on ‘nissology’—a dynamic ‘research frontier’ that brings together the arts, sciences, and social sciences to scrutinize not only islands ‘in their own terms’, but also the complex cultural condition of islandness—this chapter offers an analysis of how Welsh island space is mediated through Lockley’s plethora of discourses, from autobiographical narratives of island existence to definitive field studies and scientific papers, to works of popular anthropology, social history, and the novel Seal Woman (1974). It demonstrates how Lockley’s construction of a series of relational Welsh identities is linked to wider British and global archipelagic locations of culture.
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17

Gölz, Olmo, and Cornelia Brink, eds. Gewalt und Heldentum. Ergon – ein Verlag in der Nomos Verlagsgesellschaft, 2020. http://dx.doi.org/10.5771/9783956508189.

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Heroic tales recount violence, which can be defined as a deliberate assault on the body of another against their will. The act of violence is a culmination of courage, determination, contempt for rules and the power to act; violence appears as a paradigmatic test of the individual. Violence forces those involved to position themselves in relation to it – perpetrators as well as victims, participants as well as bystanders, contemporaries as well as descendants. In this volume, three perspectives on the heroization, endurance and avoidance of violence structure different literary, historical, cultural and sociological approaches to identifying the relationship between the heroic and physical violence. An introductory essay identifies theoretical intersections between violence and heroism. With contributions by Ronald G. Asch, Cornelia Brink, Ulrich Bröckling, Olmo Gölz, Joachim Grage, Felix K. Maier, Vera Marstaller, Christoph Mauntel, Sotirios Mouzakis, Friederike Pannewick, Jan Philipp Reemtsma, Sven Reichardt and Cornel Zwierlein.
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18

Stanghellini, Giovanni. Erotomania and idolatrous desire. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780198792062.003.0027.

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This chapter argues that our desire seeks an idolatrous satisfaction. Erotomania is paradigmatic of the importance of the teleology of love in human affairs and its pathogenetic importance. Is our love for an image, a shelter from the suffering generated by the failed encounter with the Other? Or is it the ultimate obstacle that obstructs our leap to the Other? Narcissus and Pygmalion, as well as de Clérambault’s erotomanic patients, are in love with an image. Their desire is directed to an idol fabricated by their mind. This idol impedes their relation to ‘real’ people and brings about a ‘phantasmatic’ satisfaction of their desire. The image of the Other stands between ourselves and the Other. Our focusing on this phantasm, rather than on the flesh-and-blood Other, disregards the Other’s freedom not to correspond to our own desire, and our incapacity to tolerate this.
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Rohman, Carrie. Nude Vibrations: Isadora Duncan’s Creatural Aesthetic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190604400.003.0002.

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This chapter reads Duncan as a paradigmatic test-case for re-seeing the complexities of “naturalness” in the early twentieth century in relation to animality, performance, and an aesthetics that is specifically posthumanist. Rather than a naïve essentialist, Duncan should be viewed as a kind of vitalist who understood art as emerging from the vibrancy of matter itself and the drift or transfer of forces from earth to animal, from animal to human. By examining her animal and cosmic imagery and by discussing questions such as barefootedness and nudity as specific markers of animality in Duncan’s aesthetic, I frame her dance theory as exhibiting a sophisticated posthumanist artistic position. Recognizing these elements of her artistic theories helps us re-evaluate the way Duncan has been viewed because of the natural strains in her work, but also opens new lines of inquiry regarding animality and modern dance.
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20

Brenner, Neil. New Urban Spaces. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190627188.001.0001.

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The urban condition is today being radically transformed. Urban restructuring is accelerating, new urban spaces are being consolidated, and new forms of urbanization are crystallizing. How can these transformations be deciphered? In this book, critical urban theorist Neil Brenner argues that confronting this challenge requires not only intensive research on urban restructuring but new theories of urbanization. To this end, Brenner proposes an approach that breaks with inherited conceptions of the urban as a bounded settlement unit—the city or the metropolis—and explores the multiscalar constitution, political mediation, and ongoing rescaling of the capitalist urban fabric, from the local and the regional to the national and the planetary. New Urban Spaces offers a paradigmatic account of how rescaling processes are transforming inherited formations of urban life, the role of multiscalar state spatial strategies in animating them, and their variegated consequences for emergent patterns and pathways of urbanization. The book also advances an understanding of critical urban theory as radically revisable: key urban concepts, methods, and cartographies must be continually reinvented in relation to the relentlessly mutating worlds of urbanization they aspire to illuminate.
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21

Rex, Ahdar, and Leigh Ian. Religious Freedom in the Liberal State. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199606474.001.0001.

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Examining the law and public policy relating to religious liberty in Western liberal democracies, this book contains a detailed analysis of the history, rationale, scope, and limits of religious freedom from (but not restricted to) an evangelical Christian perspective. Focussing on the United Kingdom, the United States, Canada, New Zealand, Australia, and the European Convention on Human Rights it studies the interaction between law and religion at several different levels, looking at the key debates that have arisen. Divided into three parts, the book begins by contrasting the liberal and Christian rationales for and understandings of religious freedom. It then explores central thematic issues: the types of constitutional frameworks within which any right to religious exercise must operate; the varieties of paradigmatic relationships between organized religion and the state; the meaning of ‘religion’; the limitations upon individual and institutional religious behaviour; and the domestic and international legal mechanisms that have evolved to address religious conduct. The final part explores key subject areas where current religious freedom controversies have arisen: employment, education, parental rights and childrearing, controls on pro-religious and anti-religious expression, medical treatment, and religious group (church) autonomy.
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22

Watson, Nicola J. The Author's Effects. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198847571.001.0001.

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The Author’s Effects: On Writer’s House Museums is the first book to describe how the writer’s house museum came into being as a widespread cultural phenomenon across Britain, Europe, and North America. Exploring the ways that authorship has been mythologized and materialized through the conventions of the writer’s house museum, The Author’s Effects anatomizes the how and why of the emergence, establishment, and endurance of popular notions of authorship in relation to creativity. It traces how and why the writer’s bodily remains, possessions, and spaces came to be treasured in the late eighteenth and nineteenth centuries, as a prelude to the appearance of formal writer’s house museums. It ransacks more than 100 museums and archives to tell the stories of celebrated and paradigmatic relics—Burns’ skull, Keats’ hair, Petrarch’s cat, Poe’s raven, Brontë’s bonnet, Dickinson’s dress, Shakespeare’s chair, Austen’s desk, Woolf’s spectacles, Hawthorne’s window, Freud’s mirror, Johnson’s coffee-pot, and Bulgakov’s stove, amongst many others. It investigates houses within which nineteenth-century writers mythologized themselves and their work—Thoreau’s cabin and Dumas’ tower, Scott’s Abbotsford and Irving’s Sunnyside. And it tracks literary tourists of the past to such long-celebrated literary homes as Petrarch’s Arquà, Rousseau’s Île St Pierre, and Shakespeare’s Stratford to find out what they thought and felt and did there, discovering deep continuities with the redevelopment of Shakespeare’s New Place for 2016
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23

Kumar, C. Raj, ed. The Future of Indian Universities. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199480654.001.0001.

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The Indian higher education system commanded awe and respect in the ancient world. Important seats of learning like Nalanda and Takshashila attracted the best students and academics from across the globe. Unfortunately, over a period of time, our higher education system lost its global competitiveness. This is exemplified by the fact that not many Indian higher education institutions feature in the annual world university rankings like the Times Higher Education World University Rankings or the QS World University Rankings. At the same time, India’s aspirations to establish world-class universities have never been greater. The book is a culmination of a range of ideas and perspectives that will shape India’s aspirations of building world-class universities through comparative and international dimensions. It is a recognition that the future of Indian universities and their ability to seek global excellence will depend on three critical paradigms: first is the need for creating a vision for higher education that will focus on research and knowledge creation, institutional excellence, and global benchmarking as the indicators for standard-setting; second, the need for pursuing substantial reforms relating to policy, regulation, and governance of higher education; and third is the need for investigating a paradigmatic shift for promoting interdisciplinarity in higher education with a stronger and deeper focus on the pedagogy of teaching and learning in different fields of inquiry. Through a series of contributions from noted academics and scholars from India and around the world, this book discusses these three strings of thought, to create higher education opportunities that will enable the future generations of students to pursue world-class education in world-class universities in India.
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