Relevant bibliographies by topics / Paradiset / Journal articles
To see the other types of publications on this topic, follow the link: Paradiset.

Journal articles on the topic 'Paradiset'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Paradiset.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Mattsson, Margareta, and Theodor Kallifatides. "De sju timmarna i paradiset." World Literature Today 72, no. 2 (1998): 398. http://dx.doi.org/10.2307/40153886.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Infante, Sergio. "Algunos aspectos de la narrativa hispanoamericana (II)." Moderna Språk 87, no. 2 (November 22, 1993): 197–203. http://dx.doi.org/10.58221/mosp.v87i2.10153.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Hultsberg, Peter. "”Drömde den drömmen om Paradiset” - Flyttfågelmotivet i Nina Södergrens poesi." HumaNetten, no. 24 (November 27, 2015): 13–17. http://dx.doi.org/10.15626/hn.20092402.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Eidenskog, Maria, and Wiktoria Glad. "Felleshus and Paradiset in Vallastaden – care for social sustainability in a new neighbourhood." IOP Conference Series: Earth and Environmental Science 588 (November 21, 2020): 022018. http://dx.doi.org/10.1088/1755-1315/588/2/022018.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Meincke, Inga. "Schiffbruch & Erlösung. Ein Schattenriß." Grundtvig-Studier 47, no. 1 (January 1, 1996): 190–206. http://dx.doi.org/10.7146/grs.v47i1.16234.

Full text
Abstract:
Skibbrud & frelse. Et skyggeridsAf Inga MeinckeI N. F. S. Grundtvigs frelseshistoriske tænkning står »Bame-Paradiset «, symboliseret af Udby og Sjælland, b.de ved hans (tanke)verdens begyndelse og slutning; som mytologisk-psykologisk billede motiverer den såvel længslen tilbage som anelsen om, hvorledes fremtiden - og vejen dertil - skal komme til at tage sig ud.Men (tanke)paradiset trues af den gennemgående kulturkrise, som Grundtvigs samtid i hans øjne er ramt af. Skylden herfor tilkommer den Store Franske Revolution som repræsentant for oplysningstidens kritiske filosofiske tænkning, som drog »det oplyste Europas øie fra Himlen til Jorden, for at skue en ny Himmel på Jorden« (US 1:177). Revolutionen fremtræder hos nnGrundtvig i dobbel skikkelse: positiv som del af hans verdenstolkning, negativ som trussel af netop denne tolkning.Revolutionens positive integration fremgår af dens stærkt ironiserende fremstilling i Mands Minde. Læserens øjne skal åbnes for, at den franske revolution i og for sig savner al betydning og at »fomuftsdyrkelsen« samt dens lykkeløfte kun er latterlig. Betydning får den alene gennem den fremragende stilling, Grundtvig tildeler den i sin verdenstolkning, hvor revolutionen – som forstandstidens afslutning - fungerer som overgang til »en haabefuld, herlig opblomstrende Fremtid«.Alligevel er dette forsøg på at indflette revolutionen i et grundtvigsk fortolkningmønster ikke uproblematisk, fordi den filosofiske kritik fra sin side betragter Grundtvigs historie- og menneskesyn udefra. Grundtvig m. gerne påst. sin verdenstolknings absolutte status som skuet/hørt/erfaret sandhed og dermed som absolut immanens, men kritikken sætter den på plads som et tolkningsforsøg blandt andre. Dermed bliver kritikken dens åndelige modpart, som forbitret m. bekæmpes.Kampen tager skikkelse af en omvendelsesproces. Forfatteren selv havde engang været fristet af oplysningsprogrammet, men gyste tilbage for det åndelige alternativ, dette bød ham: meningsløshed og d.d. Oplysningens afkald på hinsidige forklaringsmønstre vil og kan han ikke acceptere, og s. vender han bevidst ryggen til »Oplysningsbenradet« og ’gennemskuer’ dets sande v.sen som d.dbringende komediespil. Denne ’indsigt’ fungerer som en baglæns motivering af det på forhånd trufne valg. For at (læse)verdenen kan efterligne forfatterpersonlighedens beslutnings/gennemskuelsesproces, understreger han samtidens katastrofekarakter og fremhæver oplysningens forfærdelige virkninger såvel som nødvendigheden af at træffe et eksistentielt valg. Hans samtidige kommer så til at ’vælge’ mellem lys og mærke, liv og død, den franske revolution/oplysningen og Grundtvigs verdensanskuelse.Modsat det kritiske program skal Grundtvigs læsning af »Tilværelsens Gaade« v.re præget af entydighed, vished og universalitet; det skal v.re en sand »Klippe-0 i Fortolkningshavet«. For at forsvare denne status mod kritikken, m. Grundtvig udvikle forskellige strategier, som går såvel teksten som dens ophavsmand uangribelig. PÅ denne m.de skal bameparadisets oprindelige vished på højere niveau genoprettes.
APA, Harvard, Vancouver, ISO, and other styles
6

Pietrobon, Ester. "I paradisi di Pier Damiani." Deutsches Dante-Jahrbuch 97, no. 1 (October 24, 2022): 121–34. http://dx.doi.org/10.1515/dante-2022-0012.

Full text
Abstract:
Zusammenfassung Der Essay vergleicht die poetische Darstellung von Pier Damiani im XXI. Gesang von Dantes Paradiso mit der paradiesischen Vision, die Pier Damiani im Rhytmus de gaudio paradisi skizziert. In der Commedia spielt die Seele des Heiligen eine entscheidende Rolle bei der Bekehrung von Dante-personaggio. Sie teilt mit ihm die Liebe und die Freude an der Betrachtung Gottes, ohne ihm das Geheimnis der Prädestination erklären zu können. Pier Damiani ist auch ein Beispiel für die Demut, eine wesentliche Tugend, die Dante erlernen muss, um seinen Aufstieg zum Empyreum zu vollenden. In Damianis Rhytmus hingegen ist die Vision des Paradieses mit der Ausübung der Kontemplation durch die Mönche von Fonte Avellana verbunden und zeichnet sich durch eine leuchtende, aber sehr statische Darstellung der Glückseligkeit der Heiligen aus, die keine direkte Beteiligung des Ichs am himmlischen Geschehen impliziert.
APA, Harvard, Vancouver, ISO, and other styles
7

Datta, Ann. "The courtship dance of a lesser bird of paradise figured in J. E. Gray's Illustrations of Indian zoology (1830–1835)." Archives of Natural History 48, no. 1 (April 2021): 89–93. http://dx.doi.org/10.3366/anh.2021.0689.

Full text
Abstract:
Thomas Hardwicke's acquisition of drawings of the lesser bird of paradise ( Paradisaea minor) and the subsequent publication of his painting of the male bird performing its elaborate courtship ritual in J. E. Gray's Illustrations of Indian zoology are described.
APA, Harvard, Vancouver, ISO, and other styles
8

Ayanna, Amiri. "Hamburger, Jeffrey F., Schlotheuber, Eva, Marti, Susan, and Fassler, Margot Elsbeth, Liturgical Life and Latin Learning at Paradies bei Soest, 1300–1425: Inscription and Illumination in the Choir Books of a North German Dominican Convent. Münster: Aschendorff Verlag, 2016. Two volumes, 1441 pp., extensive, full-color illustrations in both." Mediaevistik 31, no. 1 (January 1, 2018): 467–68. http://dx.doi.org/10.3726/med012018_467.

Full text
Abstract:
The volumes under review present the rich rewards of interdisciplinary collaboration. The team of authors focuses on a particular location, the northern German Dominican cloister of Paradies bei Soest in Westphalia, literally “Paradise,” and digs deeply into the house’s practices, devotional innovations, texts, artworks, and curation of institutional identity.
APA, Harvard, Vancouver, ISO, and other styles
9

Beno, Matias, and Henderite L. Ohee. "Pengetahuan Konservasi Tradisional Burung Endemik pada Masyarakat Kampung Soaib di Distrik Kemtuk, Kabupaten Jayapura." JURNAL BIOLOGI PAPUA 1, no. 1 (October 20, 2018): 15–19. http://dx.doi.org/10.31957/jbp.567.

Full text
Abstract:
This study was to investigate the endemic birds, local knowledge and the conservation efforts on the bird species. The study was conducted in the period from February 2007 to May 2008. Methods used including observation, interviews, documentation, description and literature review. The results showed that there were 11 spesies of endemic birds occured in Soaib village: Cassowary (Casuarius unappendiculatus), Yellow-crested Cockatoo (Cacatua galerita), two species of Megapodes; (Aypepodius arfakianus) and (Megapodius freycinet), Papuan Hornbill (Rhyticeros plicatus), Victoria Crowned-pigeon (Goura victoria), Palm Cockatoo (Prombosciger atterimus), Parrot (Psittrichas fulgidus), Papuan crow (Cracticus cassicus) Bird of Paradise (Paradiseae sp). Local people determined the forest in three different types; primary forest, buffer zone between primary and secondary forest and secondary forest. Primary forest was being the habitat for 11 endemic birds. These birds were hunted by local people for meat consumption and cultural purposes excepted the Papuan hornbill (Rhyticeros plicatus) and Papuan crow (Cracticus cassicus). Bird of Paradise (Paradiseae sp), and yellow-crested Cockatoo (Cacatua galerita) were captured to be sold in the market. This was happened because of lack information and education about the role of the birds in forest ecosystem. Key words: Traditional conservation, endemic birds, Soaib village, Jayapura
APA, Harvard, Vancouver, ISO, and other styles
10

Cita, Ken Dara, Jarwadi Budi Hernowo, and Burhanuddin Masy'ud. "Determinant Factors of Successful Ex Situ Conservation of Lesser Bird of Paradise [Paradisaea minor Shaw, 1809]." Buletin Plasma Nutfah 25, no. 1 (February 25, 2019): 13. http://dx.doi.org/10.21082/blpn.v25n1.2019.p13-24.

Full text
Abstract:
<p>Recently, the population of the lesser bird of paradise (Paradisaea minor Shaw, 1809) has been decreasing due to illegal hunting, illegal trading, and habitat destruction. Meanwhile, ex situ conservation efforts of this bird are lacked and very low in the success of breeding. The aims of this research were to identify and analyze the component that determines the successful ex situ conservation of the lesser bird of paradise. The study was conducted from March until May 2016 in the TMII Bird Park, Mega Bird and Orchid Farm (MBOF), Ragunan Zoo, Bandung Zoo, and Al Wabra Wildlife Preservation (AWWP) in Qatar. Data<br />included an internal and external biological aspect of species, captive breeding technique, and social aspect, and were analyzed by Principle Component Analysis (PCA). The statistical analysis resulted that there were five determinant factors of successful ex situ conservation of lesser bird of paradise which the first determinant factors were maturity, diet, and ability of animal keeper.</p>
APA, Harvard, Vancouver, ISO, and other styles
11

Northern, Jerry L. "Letter to the Editor." Pediatrics 94, no. 6 (December 1, 1994): 955. http://dx.doi.org/10.1542/peds.94.6.955.

Full text
Abstract:
In their recent commentary Bess and Paradise1 impugn the recommendations of the National Institutes of Health (NIH) Consensus Development Conference on Early Identification of Hearing Impairment in Infants and Young Children (March 1-3, 1993) for universal infant hearing screening. Bess and Paradise challenge the validity and predictive value of the recommended two-sequence screening procedure, evoked otoacoustic emissions (EOAE), and auditory brainstem response (ABR). Although they confirm that EOAE and ABR testing is highly sensitive, they contend that the specificity and positive predictive value of these procedures are problematic.
APA, Harvard, Vancouver, ISO, and other styles
12

Sullivan, Ceri. "‘Two paradises ’Twere in one / To Live in paradise alone’." Notes and Queries 66, no. 1 (January 23, 2019): 77. http://dx.doi.org/10.1093/notesj/gjy215.

Full text
APA, Harvard, Vancouver, ISO, and other styles
13

Glimp, D. "Paradisal Arithmetic: Paradise Lost and the Genesis of Populations." Modern Language Quarterly 60, no. 1 (January 1, 1999): 1–31. http://dx.doi.org/10.1215/00267929-60-1-1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
14

Kaiser, Hinrich, Johnny Lim, Heike Worth, and Mark O’Shea. "Tangled skeins: a first report of non-captive mating behavior in the Southeast Asian Paradise Flying Snake (Reptilia: Squamata: Colubridae: Chrysopelea paradisi)." Journal of Threatened Taxa 8, no. 2 (February 26, 2016): 8488. http://dx.doi.org/10.11609/jott.2440.8.2.8488-8494.

Full text
Abstract:
<p>We describe the courtship behavior of the Paradise Flying Snake, <em>Chrysopelea paradisi</em>, from a series of images taken near Sandakan, eastern Sabah, Borneo, Malaysia. During the episode observed, four males moved together with a female in various states of entanglement, traveling at ground level and into a series of bushes. The observations took place over the course of a 30-min period until the snakes were lost to view. Our report is the first direct observation of mating behavior in <em>C. paradisi</em> in the wild and provides another rare glimpse of the multi-male courtship in Southeast Asian colubrids.</p><div> </div>
APA, Harvard, Vancouver, ISO, and other styles
15

Agar, James N. "Self-mourning in Paradise: Writing (about) AIDS through Death-bed Delirium." Paragraph 30, no. 1 (March 2007): 67–84. http://dx.doi.org/10.3366/prg.2007.0009.

Full text
Abstract:
This article discusses the representation of AIDS in Guibert's posthumously published novel Le Paradis (Paradise). The novel is situated in relation to Guibert's better known previous AIDS writings. The article proposes that Guibert's AIDS works fall in to three related categories: writings about other peoples' AIDS; autobiographical writings about AIDS, and, in the third, terminal stage in which Le Paradis fits, writing (about) AIDS. As such the article suggests that Le Paradis manages to reflect and communicate some of the trauma of living with AIDS by specifically trying not to write about it. The article raises issues related to constructions of sexualized and AIDS identities in fiction, and presents the novel as a form which represents a loss of self. The novel, it is argued, becomes a self-mourning for a healthy past which is memorialized in a fictional present, itself always-already haunted by the nostalgia for a lost future.
APA, Harvard, Vancouver, ISO, and other styles
16

Noelle, Louise, and Horacio Torrent. "Searching Paradise." Modern Houses, no. 64 (2021): 4–9. http://dx.doi.org/10.52200/64.a.rizi1jex.

Full text
Abstract:
According to Alvar Aalto, raising the quality of life did not lie in technical and economic capabilities but in the creative work of architects, whose “houses are built where people can lead happy lives,” and only reachable “by concentrating on human happiness.” This search for paradise, magnificently expressed by the Finnish architect, has guided countless projects in modern architecture. The house, the place of home, the world and container of the everyday individual and family life has been the privileged set of this implicit exploration, where many paradises can be recognised. It is about achieving adequate protection and getting a space where satisfaction becomes a daily joy for those who live in it: happiness as an attainable goal.
APA, Harvard, Vancouver, ISO, and other styles
17

Gaber, Tammy. "Jannat." American Journal of Islam and Society 31, no. 2 (April 1, 2014): 128–32. http://dx.doi.org/10.35632/ajis.v31i2.1047.

Full text
Abstract:
This rare publication on Islamic art and architecture revolves around a clearconceptual idea. A plethora of broad and specific survey texts continue to bepublished; however, very seldom does a thematic book come along with a thoroughlook at one idea. The collection is composed of an introduction, a port-128 The American Journal of Islamic Social Sciences 31:2folio, and ten essays. As with many compilations, the essays are not all of thesame caliber and there are some structural issues. And yet the whole is a refreshinglook at the theme of jannat (paradise) in Islamic art and architecturein the Indian subcontinent. Not only are several historical eras encompassed,but the important connection to contemporary artistic expressions is also made.Mumtaz Currim’s introduction succinctly discusses the themes covered.His excellent summary of the philosophical and cosmological concepts of paradisein relation to the garden is followed by a clear account of the chaharbagh (quad-partite garden) and the Mughal legacy of gardens as microcosmsof paradise. The relationship of water to both gardens and paradise are reflectedupon with respect to engineering and the expressions in textile art. Thesection concludes with a look at paradise in literary works and popular art.The portfolio includes beautiful reproductions of two very differentgroups of calligraphic art. The first collection is from the twelfth- to sixteenthcenturymanuscript Qur’ans in Hyderabad’s Salar Jung Museum. The selectedverses refer to paradise, such as those found in the chapters of al-Fātiḥah (TheOpening), al-Raḥmān (The Merciful), and al-Wāqi‘ah (The Event). The manuscripts’calligraphy, as well as their geometric and arabesque elaborations,are vividly reproduced in the color images. The second collection consists ofcontemporary artworks by Salwa Rasool, who uses canvas, vellum, leather,and other materials to focus on the Names of Allah and Sūrat al-Fātiḥah’s,chapter and religious phrases. With very little accompanying text, aside fromthe notation of details, the reader is introduced to the concept of paradisethrough the sheer beauty of the Qur’an’s textual descriptions and the word’sevocative role. The juxtaposition of historical and contemporary works revealsthe continuity of the concepts in Islamic cultures ...
APA, Harvard, Vancouver, ISO, and other styles
18

Derouiche, Maroua. "L’écriture de l’Italie chez Dominique Fernandez : sacralisation d’un espace profane." Studia Universitatis Babeș-Bolyai Philologia 66, no. 1 (March 30, 2021): 97–108. http://dx.doi.org/10.24193/subbphilo.2021.1.08.

Full text
Abstract:
"Italy in the Writings of Dominique Fernandez: The Sacralization of a Profane Space. For Dominique Fernandez, writing about Italy is associated with a quest for original androgyny. The Italian space supports a return to a primitive existence. Synonymous with freedom and sexual undifferentiation, it allows us to find prelapsarian paradise, where the boundaries between the sexes did not exist. Mircea Eliade’s works follow the same logic. Indeed, the author studies the nostalgia for the origins which incites man to discover the mythical primordial era sanctified by the gods. Hence, this article blends the historical-religious endeavor with the literary approach which, though unable to go back in time, keeps repeating it indefinitely, thanks to the demiurgic power of the writer. Keywords: Italy, sacred space, secular space, lost paradises, writing "
APA, Harvard, Vancouver, ISO, and other styles
19

Rastin Toroghi, Amir, Seyyed Mortaza Hosseini Shahrudi, and Shima Pooyanejad. "Do We Go Back to Where We Came From? Mullā Ṣadrā's Philosophical Exegesis on the Paradise of Adam and the Promised Paradise of the Afterlife." Journal of Qur'anic Studies 23, no. 3 (October 2021): 103–32. http://dx.doi.org/10.3366/jqs.2021.0480.

Full text
Abstract:
The cosmological location and identity of the Paradise in which Adam and Eve dwelled and from which, we are told in Q. 7:22 and 24, they were sent down to earth after giving in to Satan’s temptation and approaching the forbidden tree, has long been a controversial issue among exegetes and theologians. Ṣadr al-Dīn Muḥammad b. Ibrāhīm b. Yaḥyā Qawāmī Shīrāzī Mullā Ṣadrā (d. 1050/1640), a flag-bearer for the philosophical and mystical exegesis of the Qur’an, is one of those who has engaged with this question. The subject is important because it is closely connected with several important anthropological Qur’anic topics: the philosophy of the creation of humankind and their earthly abode; the states of human existence before earthly life on this world, and in the descending journey to it; as well as the connections between these states and those following death and in the ascending journey. An analysis of Ṣadrā’s approach to the issue of Adam’s Paradise has implications for both our appreciation of his philosophical understanding of the Qur’an and his methodology, as well as a clearer understanding of his contribution to Islamic philosophical thought. Mullā Ṣadrā took the view that the location of one Paradise on the descending arc of the circle of being, and a second on the ascending arc of this circle, indicate the stages of human existence before and after this world. He believed that these two Paradises suggest the same reality, though from two different aspects; the first shows the inward and indistinct aspect of the human soul while the second represents its outward and distinct side.
APA, Harvard, Vancouver, ISO, and other styles
20

Payne, Robert B., and Michael D. Sorenson. "Behavioral and Genetic Identification of a Hybrid Vidua: Maternal Origin and Mate Choice in a Brood-Parasitic Finch." Auk 121, no. 1 (January 1, 2004): 156–61. http://dx.doi.org/10.1093/auk/121.1.156.

Full text
Abstract:
Abstract Hybrid male Vidua were observed in the field and recorded to document host song mimicry. The mtDNA of one male was sequenced to identify the maternal parent. The hybrid males mimicked songs of Melba Finch (Pytilia melba), the usual host of Long-tailed Paradise Whydah (V. paradisaea), but the mtDNA matched that of indigobirds (V. chalybeata or another species), which parasitize and mimic other estrildid finches. This combination of song behavior and genetics is consistent with a two-generation history that began with a female indigobird (e.g. V. chalybeata) laying in a Melba Finch nest rather than in a nest of her usual host (e.g. Red-billed Firefinch [Lagonosticta senegala]). Her daughter, genetically an indigobird, imprinted on her Melba Finch foster parents and then mated with a male paradise whydah mimicking Melba Finch song. She also laid eggs in Melba Finch nests. Her son, the male hybrid carrying his grandmother's indigobird mtDNA, learned and later mimicked Melba Finch song. Genetic identification of the maternal species origin of this hybrid supports a model of mate choice based on mimetic song in the Vidua finches.
APA, Harvard, Vancouver, ISO, and other styles
21

PRUETT-JONES, S. G., and M. A. PRUETT-JONES. "A promiscuous mating system in the Blue Bird of Paradise Paradisaea rudolphi." Ibis 130, no. 4 (April 3, 2008): 373–77. http://dx.doi.org/10.1111/j.1474-919x.1988.tb00994.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
22

PRUETT-JONES, S. G., and M. A. PRUETT-JONES. "A promiscuous mating system in the Blue Bird of Paradise Paradisaea rudolphi." Ibis 130, no. 3 (September 6, 2010): 373–77. http://dx.doi.org/10.1111/j.1474-919x.1988.tb08811.x.

Full text
APA, Harvard, Vancouver, ISO, and other styles
23

Bianchi, Luca. "Benedetto Varchi e l'averroismo." RIVISTA DI STORIA DELLA FILOSOFIA, no. 4 (December 2020): 625–51. http://dx.doi.org/10.3280/sf2020-004001.

Full text
Abstract:
Benedetto Varchi and Averroism. The article examines the role played by Averroes and the Averroist tradition in Benedetto Varchi's philosophical works. The first part clarifies why Varchi defines Dante as an "Averroist" and reconstructs his ori-­ ginal reading of the first verse in Paradise (Paradiso). The second part argues that Varchi's plan to vernacularize philosophy, often interpreted as an attempt to "demo-­ cratize" knowledge, should not prevent us from recognizing that he emphasizes the moral and intellectual differences existing among human beings. Though following Aristotle in saying that "all men by nature desire to know", Varchi shows no qualms in acknowledging that most of them cannot fulfil this desire and, referring to Averroes and Galen, claims that because of their complexio most people cannot understand phi-­ losophy.
APA, Harvard, Vancouver, ISO, and other styles
24

Laska, Mark S., Michael Hutchins, Christine Sheppard, George Dale, Joanna Burger, Wendy Worth, and Kurt Hundgen. "Social Interactions and Display Behavior in Captive Lesser Birds of Paradise (Paradisaea minor)." Bird Behavior 10, no. 1 (June 1, 1994): 1–6. http://dx.doi.org/10.3727/015613894791748999.

Full text
APA, Harvard, Vancouver, ISO, and other styles
25

Mathger, L. M. "Rapid colour changes in multilayer reflecting stripes in the paradise whiptail, Pentapodus paradiseus." Journal of Experimental Biology 206, no. 20 (October 15, 2003): 3607–13. http://dx.doi.org/10.1242/jeb.00599.

Full text
APA, Harvard, Vancouver, ISO, and other styles
26

Oakes, Edward J., and Phoebe Barnard. "Fluctuating asymmetry and mate choice in paradise whydahs, Vidua paradisaea: an experimental manipulation." Animal Behaviour 48, no. 4 (October 1994): 937–43. http://dx.doi.org/10.1006/anbe.1994.1319.

Full text
APA, Harvard, Vancouver, ISO, and other styles
27

Chen, Chunxian, Paul Cancalon, Carl Haun, and Fred Gmitter. "Characterization of Furanocoumarin Profile and Inheritance Toward Selection of Low Furanocoumarin Seedless Grapefruit Cultivars." Journal of the American Society for Horticultural Science 136, no. 5 (September 2011): 358–63. http://dx.doi.org/10.21273/jashs.136.5.358.

Full text
Abstract:
Furanocoumarins are organic chemical components in grapefruit (Citrus paradisi) juice that have been shown to induce potentially deleterious drug interactions. In this study we measured seven furanocoumarins (FCs) [bergamottin, 6′,7′-dihydroxybergamottin (6,7-DHB), paradisin C, bergaptol, isoimperatorin, 5′,8′-dimethylallyloxypsoralen (5,8-DMP), and epoxybergamottin (EBM)] in fruit of three grapefruit cultivars [Foster (Fos), Low Acid Foster (LAF), and Hudson (Hud)], one pummelo (C. maxima) cultivar [Hirado Buntan (HBP)], 17 randomly selected hybrids from HBP× Hud, and 31 other triploid hybrids. Bergamotton, 6,7-DHB, and paradisin C were not detected or extremely low in HBP (0.00, 0.11, and 0.00 mg·L−1) and LAF (0.40, 3.83, and 0.00 mg·L−1) compared with Hud (13.03. 9.58, and 6.11 mg·L−1) and Fos (6.48, 14.38, and 6.11 mg·L−1). In these hybrids, 6,7-DHB, bergamottin, and paradisin C obviously cosegregated in an approximate rate of 1:1. The three FCs in eight hybrids were not detected or extremely low, like HBP, the maternal parent; those in the other nine were as high as or higher than Hud, the paternal parent. The same segregation tendency was also observed in these triploid hybrids. Based on all the cultivars and hybrids, strong correlations existed among 6,7-DHB, bergamottin, and paradisin C (coefficient up to 0.909). Such strong correlations may reflect their metabolic links in the bergamottin pathway. The 1:1 cosegregation and strong correlation among the three FCs suggested that the trait of FCs is likely controlled by one single enzymatic or regulatory gene in the pathway. The FC profiles and inheritance may lead to a genomic and breeding solution to the grapefruit FC–drug interaction issue. Selection of FC-low or FC-free seedless grapefruit cultivars is underway.
APA, Harvard, Vancouver, ISO, and other styles
28

Mack, Andrew L. "The Nest, Egg and Incubating Behaviour of a Blue Bird of Paradise Paradisaea rudolphi." Emu - Austral Ornithology 92, no. 4 (December 1992): 244–46. http://dx.doi.org/10.1071/mu9920244.

Full text
APA, Harvard, Vancouver, ISO, and other styles
29

Nahar, Ashfaqun, M. A. B. Siddik, M. A. Alam, and M. R. Chaklader. "Population Genetic Structure of Paradise Threadfin Polynemus paradiseus (Linnaeus, 1758) Revealed by Allozyme Marker." International Journal of Zoological Research 11, no. 2 (February 15, 2015): 48–56. http://dx.doi.org/10.3923/ijzr.2015.48.56.

Full text
APA, Harvard, Vancouver, ISO, and other styles
30

Peleshenko, Olena. "Toward the Image of Agapit Pechersky in Ukrainian Redactions of Walking of Agapios to Paradise in the 16th–17th Centuries." NaUKMA Research Papers. Literary Studies 3 (September 2, 2022): 19–25. http://dx.doi.org/10.18523/2618-0537.2022.3.19-25.

Full text
Abstract:
The article sheds light on the cultural reception of Walking of Agapios to Paradise, an apocryphal Christian apocalypse of early Byzantine origin, in Ukrainian medieval and early modern literature. In the territory of Rus’ the earliest known translation into Old Church Slavonic was found in the Uspensky Codex of the 12th – 13th century with the title “The Narration of Our Father Agapios about whoever takes his cross and follows Christ”. Along with “The Walk of Zosima to Rahman”, and “The Tale of Macarius of Rome”, this text is a part of the apocryphal corpus full of marvels and fantastic elements and dedicated to the theme of extremely difficult and voluntary journeys of mortals to the earthly paradise. This study is an attempt to trace national varieties of Ukrainian adaptations of the legendary plot and compare Greek redactions of the text (focusing on the Athens manuscript), “The Narration of Our Father Agapious...” from the Uspensky Codex with the late versions of “Walking of Agapios to Paradise” in Ukrainian compilations of the 16th and 17th centuries. It is proven that, in contrast to numerous works of translated literature, “paradisal” apocrypha during adaptation to the local culture were not subjected to radical changes, apart from the fact that both in the Uspensky Codex and early modern Ukrainian manuscripts exotic and fantastic elements found in the Greek original text are reduced to a minimum, whereas the symbolic dimension of narration is fundamental. Special attention is paid to translation strategies of scribes of the Uspensky Codex, Belarusian manuscript from the Chudov Monastery (the 16th century), and Stepan Komarevsky’s manuscript (the 17th century). It is hypothesized that transformation of Agapios the Pilgrim into Agapit the Healer in the late Ukrainian compilations, as well as completely rewritten final episodes of the text in Belarusian manuscript from the Chudov Monastery, can be influenced by the original literature of the Kyivan State, namely “Kyiv-Pechersk Patericon” and the local cult of St. Agapit Pechersky.
APA, Harvard, Vancouver, ISO, and other styles
31

De Prada Poole, José Miguel, Roberto Goycolea, Eduardo Navadijos, and María Delgado. "La casa del paraíso." Informes de la Construcción 43, no. 417 (February 28, 1992): 99–107. http://dx.doi.org/10.3989/ic.1992.v43.i417.1349.

Full text
APA, Harvard, Vancouver, ISO, and other styles
32

潘大為, 潘大為. "托尼．莫里森：天堂裡的麻煩." 英語文暨口筆譯學集刊 18, no. 1 (January 2020): 069–80. http://dx.doi.org/10.53106/199891482020011801004.

Full text
Abstract:
<p>托尼．莫里森的《天堂》（1998年）是對非裔美國人歷史的透徹表現，它探討了我將在這部作品的介紹中描述的一些主題。主要是，我將在本文中仔細研究《天堂》中描繪的最重要的主題之一&mdash;&mdash;黑人歷史以及美國文化背景下的政治和社會發展。對於激進分子莫里森來說，改革的禮物同樣重要，我們可以將她對「當前」非裔美國人歷史的看法一直延伸到奴隸制時代，因為正是在這個時代，非裔美國人的現代歷史才真正開始，並且這些人真正以有意義和重要的方式參與到美國的生活和文化中。莫里森已經認識到這種「長期觀點」歷史可以追溯到大約 160 年前的敘述可能性。這一觀點符合莫里森對祖先和祖先、記憶和傳統以及創立文化神話的興趣。在這些框架中，紅寶石的公民和修道院的居民&mdash;&mdash;天堂的兩個不同且經常相互衝突的家庭、社區、政治和哲學參與概念的場所&mdash;&mdash;參與了與非洲長期辯論密切相關的政治文化對話-美國社區。</p> <p>&nbsp;</p><p>Toni Morrison&rsquo;s Paradise (1998) is a penetrating representation of African-American history that examines a number of topics which I will describe in the introduction to this work. Principally, I will in this paper scrutinize one of the most important of the subjects portrayed in Paradise&mdash;black history and political and cultural development within the parameters of American culture. As important as a reformed present is for the activist Morrison, we may extend her view of &ldquo;current&rdquo; African-American history all that way back to the slavery era, for it is in this era that African-American modern history truly begins, and these people actually become involved in American life and culture in significant and important ways. Morrison has recognized the narrative possibilities of this &ldquo;long view&rdquo; of history reaching back some 160 years. This view accords with Morrison&rsquo;s interest in ancestry and the ancestor, memory and ritual, and founding cultural mythologies. In these frameworks the citizens of Ruby and the inhabitants of the Convent&mdash; Paradise&rsquo;s two sites of differing and often conflicting conceptions of social and intellectual engagement&mdash;participate in a politico-cultural dialog that is germane to long-running debates in African-American communities.</p> <p>&nbsp;</p>
APA, Harvard, Vancouver, ISO, and other styles
33

Michael Okpara Elom, Anthony Gideon Uche, Boniface Nwofoke Ukwah, Victor Udoh Usanga, Anthonia Ifeoma Okpara-Elom, Michael Erem Kalu, and Onyekachi Ewa Ibe. "Anti-plasmodial Effect of C. limon and C. paradisi extracts on Plasmodium berghei-infected mice." World Journal of Biology Pharmacy and Health Sciences 8, no. 2 (November 30, 2021): 026–33. http://dx.doi.org/10.30574/wjbphs.2021.8.2.0118.

Full text
Abstract:
Antiplasmodial effect of Citrus limon and Citrus paradisi extracts on Plasmodium berghei-infected mice was studied. Twenty five albino mice were randomized into five categories of G, L, GL, ACT (positive control) and NC which stand for grape, lemon, grape and lemon combined extracts, artemisinin combined therapy and negative control respectively. The NC group did not receive any intervention. Other treatments were administered orally for 12 days whereas administration of ACT lasted for 3 days. Blood was collected from the tail vein of the mice at a three day interval through venipuncture. Thick blood films were prepared and parasite densities were estimated using standard parasitological techniques. Results were analysed with ANOVA and Duncan multiple range tests. There was no significant difference (p>0.05) between parasite densities of the treatment groups and the negative control at baseline levels. However, as the treatment progressed from day 3 through day 9, there were significant reductions (p<0.05) in parasite densities among treatment groups when compared to the negative control. In this study, extracts of C. limon and C. paradisi in both single and combined strengths have been found to have antiplasmodial properties in mice. ACT possessed the highest antiplasmodial effect while C. limon as a single treatment ranked second in possession of antiplasmodial activity but exhibited increased RBC lysis. In combination, C. limoni and C. paradise extracts showed antiplasmodial activity that is slightly less than that exhibited by the lemon extract alone, but maintained normal RBC morphology whereas C. paradisi extract alone exhibited the lowest level of parasite clearance with atrophied red blood cells. Investigation of the effects of the extracts on liver, kidney and gastrointestinal tissues of mice is recommended before they could be prescribed as antimalaria for other animals and humans.
APA, Harvard, Vancouver, ISO, and other styles
34

Dodds, Lara. "Death and the “Paradice within” in Paradise Lost and Margaret Atwood’s Oryx and Crake." Milton Studies 56, no. 1 (2015): 115–50. http://dx.doi.org/10.1353/mlt.2015.0006.

Full text
APA, Harvard, Vancouver, ISO, and other styles
35

Conybeare, Catherine. "The Creation of Eve." Augustinian Studies 49, no. 2 (2018): 181–98. http://dx.doi.org/10.5840/augstudies201851643.

Full text
Abstract:
Why was Eve created? In De Genesi ad litteram, Augustine notoriously gives the answer that it was only causa pariendi, “for the sake of childbearing.” Other late antique interpreters of Genesis emphasize the purpose of conjugal union and domesticity. But a fuller reading of Augustine’s thoughts on the subject reveals the moment between the creation of Eve and the fall as pregnant with extraordinary possibility. This moment, of indeterminate length—for humans had not yet fallen into time—provides an opportunity for Augustine to unleash his theological imagination. This lecture is about paradise. It eschews the customary focus on Adam’s paradisal desire to think about Eve’s beginning. Augustine uses this beginning to emphasize the importance of sociality, and of marriage as its most perfect realization. He takes the quotidian miracle of childbirth as our closest intimation of God’s act of creation. And he imagines new meanings for the trinity of Villanova’s motto: ueritas, unitas, and caritas.
APA, Harvard, Vancouver, ISO, and other styles
36

Chaklader, Md Reaz, Muhammad Abu Bakar Siddik, and Ashfaqun Nahar. "Taxonomic Diversity of Paradise Threadfin Polynemus paradiseus (Linnaeus, 1758) Inhabiting Southern Coastal Rivers in Bangladesh." Sains Malaysiana 44, no. 9 (September 1, 2015): 1241–48. http://dx.doi.org/10.17576/jsm-2015-4409-04.

Full text
APA, Harvard, Vancouver, ISO, and other styles
37

Löser, Freimut. "Bodleian Library, MS. Laud Misc. 479. The Paradisus anime intelligentis as a Paradise for Editors?" Oxford German Studies 46, no. 2 (April 3, 2017): 221–29. http://dx.doi.org/10.1080/00787191.2017.1325174.

Full text
APA, Harvard, Vancouver, ISO, and other styles
38

VAN DEN BERGH, MICHIEL O. L., KOEN KUSTERS, and A. J. (TON) DIETZ. "Destructive attraction: factors that influence hunting pressure on the Blue Bird-of-paradise Paradisaea rudolphi." Bird Conservation International 23, no. 2 (May 20, 2013): 221–31. http://dx.doi.org/10.1017/s0959270913000233.

Full text
Abstract:
SummaryThe Blue Bird-of-paradise Paradisaea rudolphi (BBOP) is a globally threatened species restricted to the montane rainforest of Papua New Guinea (PNG). Local inhabitants hunt the BBOP for its feathers, which is one of the main reasons for its population decline. The feathers are used for both traditional and commercial purposes. So far virtually nothing is known about which factors enhance or decrease hunting pressure, and how this is influenced by ongoing market integration of local communities. Field research in PNG suggests that the demand for BBOP feathers and, with that, the collection intensity, primarily stem from traditional uses, such as head decoration. Interest in the traditional use of the feathers is particularly high in remote villages, while the value attributed to living birds is higher in less remote villages, suggesting a decrease of BBOP collection intensity with increased market integration. However, increased access to ‘outside influences’ (namely tourism and Christianity) may both decrease as well as increase hunting pressures. Finally, we argue that awareness-raising among local people, government officials and tourists may well be the most sensible conservation measure.
APA, Harvard, Vancouver, ISO, and other styles
39

Mochel-Caballero, Anne-Frédérique. "Heaven in C.S. Lewis's Cosmology." Linguaculture 13, no. 1 (June 30, 2022): 81–93. http://dx.doi.org/10.47743/lincu-2022-1-0233.

Full text
Abstract:
In the last chapter of the last volume of The Chronicles of Narnia, the protagonists arrive in Aslan’s country, Narnia’s equivalent of Heaven, or at least its outskirts. C.S. Lewis’s portrayal of this imaginary world is of course inspired by the Bible, and by previous literary depictions such as Bunyan’s Celestial City in The Pilgrim’s Progress or Dante’s Paradiso in The Divine Comedy, but it also has a unique quality. Although on the surface Lewis sometimes seems to contradict the Biblical hypotext, he never betrays the spirit of Chapters 21-22 of the book of Revelation. Indeed, he achieves the masterstroke of fleshing out this highly symbolic description of the new Jerusalem by presenting his young readers with a vivid and concrete picture, reassuring those of them who might dread being bored in paradise. The way in which he represents Heaven is arguably one of his most successful attempts at overcoming children’s potential misgivings and he accomplishes it by addressing the reader’s imagination through myth.
APA, Harvard, Vancouver, ISO, and other styles
40

Balogáčová, Diana. "Das Motiv der Grenzüberschreitung in Karpatendeutschen Autobiografien." Studia Universitatis Babeș-Bolyai Philologia 66, no. 3 (September 20, 2021): 131–44. http://dx.doi.org/10.24193/subbphilo.2021.3.09.

Full text
Abstract:
"The Motif of Crossing Borders in Carpathian German Autobiographies. Josef Derx's Memories is the autobiography of a Wehrmacht soldier who becomes a banker after the war. Free of mythology and biblical references, but often with humorous-parodic undertones, the narrative focuses on spatial and temporal details of Derx's life story. In the description of everyday life in a prison camp and the escape from it, the transformation of the remembered self into a remembering self can be observed textually and stylistically by means of changes in tempo and rhetorical figures. Elisabeth Metzl's Ein Paradies verloren aber wir leben (A Lost Paradise but We Live) tells the story of a young woman who has to flee from Bratislava to Austria in her “travelling prison” before the war, without knowing that she will leave her homeland behind forever. The search for her lost sons becomes a personal odyssey. Keywords: autobiography, remembered self, remembering self, personal odyssey "
APA, Harvard, Vancouver, ISO, and other styles
41

Chaparro, Hans, David Ricardo Hernández, Diana Mayerly Mateus, and Javier Orlando Orduz Rodriguez. "Performance of Minneola tangelo trees grafted over six rootstocks in Colombia Tropical Lowland (1997-2010)." Acta Agronómica 66, no. 3 (July 1, 2017): 397–402. http://dx.doi.org/10.15446/acag.v66n3.52799.

Full text
Abstract:
‘Cleopatra’ tangerine (Citrus reshni hort. ex Tanaka) is a commonly used rootstock in the piedmont of Meta department, Colombia for establishing of commercial citrus orchards. Have allowed a late production entrance rootstock and produced big plants when grafted with tangelo ‘Minneola’ (C. reticulata Blanco x C. paradise Macf), decreasing the productive efficiency in plants and hard crop practices. The evaluated performance were as follows: tree size, productive efficiency and fruit quality of tangelo ‘Minneola’ grafted in six rootstocks. It found that the cumulated production of 11 years was better with Citrumelo ‘Swingle’ (Citrus paradisi Macf. × Poncirus trifoliata (L.) Raf) with 1388.3 kg tree-1, followed by ‘Cleopatra’ (Citrus reshni hort. ex Tanaka) with 893.2 kg.tree-1, in last place was ‘Carrizo’ (Citrus sinensis Osb. × Poncirustrifoliata (L.) Raf) with 182.9 kg tree-1. The other rootstocks, had a medium production. The greatest height and canopy value, was found with ‘Cleopatra’ without significant differences with Citrumelo ‘Swingle’. In fruit quality no significant differences occurred.
APA, Harvard, Vancouver, ISO, and other styles
42

Goering, Joseph. "The Internal Forum and the Literature of Penance and Confession." Traditio 59 (2004): 175–227. http://dx.doi.org/10.1017/s0362152900002567.

Full text
Abstract:
When Dante ascended to the Sphere of the Sun, he was directed by St. Thomas Aquinas to consider a circle of shining lights. One of the lights, St. Thomas tells him, is Gratian, “who served the one and the other court so well that it gives pleasure in Paradise” (che l'uno e l'altro foro/aiutò sì che piace in paradiso[Paradiso10:104–5]). The allusion to two “courts” (fora) would have puzzled Gratian, but to both Thomas and Dante it would have had a clear reference to the two broad arenas in which the Church's canon law was operative: the external forum of ecclesiastical courts (sometimes known as the “contentious forum”) andthe internal forum of conscience andof penance. This new way of describing the Church's legal competence had been invented in the decades immediately following the publication of Gratian's magisterial textbook (ca. 1140), and it would have important consequences for the history of medieval canon law in the years to come.
APA, Harvard, Vancouver, ISO, and other styles
43

DRIVEN, Lucinda. "Paradise Lost, Paradise Regained." Eastern Christian Art 5 (December 31, 2008): 43–57. http://dx.doi.org/10.2143/eca.5.0.2036218.

Full text
APA, Harvard, Vancouver, ISO, and other styles
44

Trauer, Birgit. "Tourismus im 21. Jahrhundert (tourism in the 21st century): Das gekaufte Paradies (the bought paradise)." Tourism Management 24, no. 6 (December 2003): 720–22. http://dx.doi.org/10.1016/s0261-5177(03)00041-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
45

Keck, Michaela. "Paradise Retold: Revisionist Mythmaking in Margaret Atwood’s MaddAddam Trilogy // El paraíso contado de nuevo: La revisión del mito en la Trilogía MaddAddam de Margaret Atwood." Ecozon@: European Journal of Literature, Culture and Environment 9, no. 2 (October 24, 2018): 23–40. http://dx.doi.org/10.37536/ecozona.2018.9.2.2291.

Full text
Abstract:
This paper focuses on the subversive potential of myths by exploring Margaret Atwood’s feminist revision of creation, more specifically the myth of paradise. According to Adrienne Rich’s definition, the “re-vision” of myths signifies the critical adaptation, appropriation, and invasion of traditional texts. As such, myths have not only legitimized exploitative power relationships, but they have also served as a powerful means to participate in and subvert hegemonic discourses. By drawing on the theories of Aby Warburg, Ernst Cassirer, and Hans Blumenberg, for whom myths constitute cultural-artistic mediations that involve the polarities of affect and intellect, terror and logos, Atwood’s revision of paradise in the MaddAddam trilogy may be approached in itself as – to use a term by Hans Blumenberg – a “work of logos.” I argue that Atwood revises paradise by duplicating the ancient human dreams of paradise into Crake’s techno pagan and Adam One’s eco-millennialist “gardens of delights,” both of which are refracted through evolutionary science and ecology.Characterized by human destructiveness, these posthuman paradises feature multiple Eves alongside the dominant male figures. Among Atwood’s Eves, there is the brazen Oryx as exploited racial “Other” of white society in the pathos formula of the Asian “digital virgin prostitute.” Atwood employs a self-reflexivity regarding myths that is characteristic of postmodern pastiche and thus highlights storytelling as the distinguishing characteristic of humankind, while her use of an evolutionary grotesque aesthetics erodes clear-cut distinctions between humans, animals, and post-humans. The myth of paradise, the trilogy suggests, is also always a myth of extinction. Resumen Este artículo se centra en el potencial subversivo de los mitos al explorar la revisión feminista de la creación de Margaret Atwood, más específicamente, el mito del paraíso. Según la definición de Adrienne Rich, la "re-visión" de los mitos significa la adaptación crítica, la apropiación y la invasión de los textos tradicionales. Como tal, los mitos no solo han legitimado las relaciones con poder de explotación, sino que también han servido como un poderoso medio para participar en los discursos hegemónicos y subvertirlos. Al basarse en las teorías de Aby Warburg, Ernst Cassirer y Hans Blumenberg, para quienes los mitos constituyen mediaciones artístico-culturales que involucran las polaridades del afecto y el intelecto, el terror y el logos, la revisión del paraíso de Atwood en la triología MaddAddam se puede abordar en sí misma como (por usar un término de Hans Blumenberg) una "obra de logos". Argumento que Atwood revisa el paraíso al duplicar los antiguos sueños humanos del paraíso en el tecno pagano de Crake y en los "jardines de las delicias" ecomilenialistas de Adam One, ambos refractados a través de la ciencia y la ecología evolutivas. Caracterizados por la destructividad humana, estos paraísos posthumanos presentan múltiples Evas junto a las figuras masculinas dominantes. Entre las Evas de Atwood está el descarado Oryx como el «Otro» racial explotado de la sociedad blanca en la pathos formula de la asiática «prostituta virgen digital». Atwood realiza una autorreflexión sobre los mitos característicos del pastiche posmoderno y destaca la narración de cuentos como la característica distintiva de la humanidad, mientras que su uso de una estética evolutiva grotesca erosiona distinciones muy claras entre humanos, animales y poshumanos. El mito del paraíso, sugiere la trilogía, es siempre un mito de la extinción.
APA, Harvard, Vancouver, ISO, and other styles
46

Sedeek, Mohammed S., Farid N. Kirollos, Camilia G. Michel, and Mostafa A. Abdel Kawy. "BOTANICAL AND GENETIC CHARACTERIZATION OF CITRUS MAXIMA (BURM.) MERRILL. F. RUTACEAE." International Journal of Pharmacy and Pharmaceutical Sciences 9, no. 1 (December 31, 2016): 260. http://dx.doi.org/10.22159/ijpps.2017v9i1.11516.

Full text
Abstract:
<p><strong>Objective: </strong>Total investigation of the macro-and micromorphological features of <em>Citrus maxima</em> (Burm.) Merrill. In addition, DNA fingerprinting in this study was to estimate genetic polymorphism and relationships with another citrus viz: <em>Citrus paradise</em><strong> </strong>and <em>Citrus sinensis</em> based on RAPD and ISSR markers.</p><p><strong>Methods: </strong>For the establishment of macro-and micromorphological investigation and genetic estimation, this study presents a total investigation of the macro-and micromorphological features of the roots, stems, leaves, flowers, fruits and seeds of the plants through microscopical investigation of the prepared entire, transverse sections and powdered forms of different organs under study. Furthermore, the DNA of the three plants was extracted from leaf samples and two types of DNA markers RAPD and ISSR were assayed.</p><p><strong>Results: </strong>Macro-and micromorphological features of different organs were investigated. On the other hand Genetic polymorphism and relationships among <em>Citrus maxima</em>, <em>Citrus paradisi</em> and <em>Citrus sinensis</em> was revealed. The highest genetic similarity was between <em>Citrus maxima </em>and <em>Citrus paradisi</em> while the lowest similarity was between <em>Citrus paradisi</em> and <em>Citrus sinensis</em> as revealed by RAPD, ISSR and combined data.</p><p><strong>Conclusion: </strong>For the present study, macro and micro-morphological characters, as well as, DNA fingerprinting can be considered as the identifying parameters for authentication of <em>Citrus maxima</em> (Burm.) Merrill.</p>
APA, Harvard, Vancouver, ISO, and other styles
47

Frith, Clifford B., and Dawn W. Frith. "Description of the unique Parotia lawesii x Paradisaea rudolphi hybrid Bird of Paradise (Aves: Passeriformes: Paradisaeidae)." Records of the Australian Museum 48, no. 2 (September 18, 1996): 111–16. http://dx.doi.org/10.3853/j.0067-1975.48.1996.283.

Full text
APA, Harvard, Vancouver, ISO, and other styles
48

Pavlova, Alla E., and Lyubov A. Ermakova. "FUNCTIONAL ASPECTS OF INTERTEXTEM ‘LOST PARADISE’ IN POETIC DISCOURSE OF THE XX–XXI CENTURY (BASED ON RUSSIAN ROCK POETRY)." Verhnevolzhski Philological Bulletin 23, no. 4 (2020): 74–82. http://dx.doi.org/10.20323/2499-9679-2020-4-23-74-82.

Full text
Abstract:
The article is centered on the study of poetic phraseology in Russian rock poetry exemplified in songs by famous rock musicians such as S. Namin from the rock group «Tsvety», V. Tsoy from the rock group «Kino», Kipelov from the rock group «Aria», V. Butusov from the rock group «Nautilus Pompilius», S. Surganova from the rock group «Surganova and Orkestr» and others. The purpose of this article is to analyze peculiar qualities of reminiscence quote ‘lost paradise’ in the poetic discourse of the XX–XXI century in lyric texts of famous rock bands. The objectives of the study are to examine the features of the phraseological unit ‘lost paradise’ in the individual author’s use in the poetic works in which this phraseological unit receives a clearly-figurative embodiment, as well as to determine the features of verbalization of the concept of happiness through this phraseological unit. The main methods applied in the research are a philological analysis of the text and a structural-semantic method of analyzing language units. The study of the phraseological unit ‘lost paradise’ within the framework of poetic discourse resulted in the conclusion that poetic phrase ‘lost paradise’ is often used in poetic discourses among rock performers of the past and present centuries, verbalizing the concept of happiness in different ways. Phraseologiсal units with a ‘paradise’ component form a phraseological field, which includes such phraseological units as lost paradise, earthly paradise, heavenly paradise, from paradise to paradise, an unknown paradise. These phraseological units come into various systemic connections, i.e. synonymous, antonymic, associative, which allows us to represent the axiological category of happiness in different ways. The axiological connotation of these phraseological units, which arises as a result of revealing the associative-figurative basis of phraseological units, inclusion in the artistic-figurative system, building new contextual connections and relationships, also allows you to understand the author's value guidelines.
APA, Harvard, Vancouver, ISO, and other styles
49

Byrd, Ron D. "Paradise." Antioch Review 57, no. 2 (1999): 202. http://dx.doi.org/10.2307/4613843.

Full text
APA, Harvard, Vancouver, ISO, and other styles
50

Kennedy, John, and Toni Morrison. "Paradise." Antioch Review 58, no. 3 (2000): 377. http://dx.doi.org/10.2307/4614039.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Paradiset' for other source types:
Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography