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Books on the topic 'Paragon Press'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Consult the top 21 books for your research on the topic 'Paragon Press.'

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1

The American journalist: Paradox of the press. Washington, D.C: Library of Congress, 1990.

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2

Iranian media: The paradox modernity. New York: Routledge, 2009.

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3

Wilson, Clint C. Black journalists in paradox: Historical perspectives and currentdilemmas. New York: Greenwood, 1991.

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4

Black journalists in paradox: Historical perspectives and current dilemmas. New York: Greenwood, 1991.

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5

Booth-Clibborn, Charles, Etienne Lullin, and Florian Simm. Contemporary Art in Print: The Publications of Charles Booth-Clibborn and His Imprint the Paragon Press 2001-2006. Booth-Clibborn, 2007.

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6

Charles, Booth-Clibborn, Lullin Etienne, and Simm Florian-Oliver, eds. Contemporary art in print: The publications of Charles Booth-Clibborn and his imprint the Paragon Press 2001-2006. London: Paragon Press, 2006.

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7

Charles, Booth-Clibborn, Elliott Patrick, and Lewison Jeremy, eds. Contemporary art in print: The publications of Charles Booth-Clibborn and his imprint the Paragon Press 1995-2000. London: Booth-Clibborn Editions, 2001.

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8

Booth-Clibborn, Charles, Etienne Lullin, and Florian Simm. Contemporary Art in Print: The Publications of Charles Booth-Clibborn and His Imprint, The Paragon Press 2001-2006. Booth-Clibborn Editions, 2007.

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9

Patrick, Elliott, Booth-Clibborn Charles, Scottish National Gallery of Modern Art., and Yale Center for British Art., eds. Contemporary British art in print: The publications of Charles Booth-Clibborn and his imprint, the Paragon Press, 1986-95. Edinburgh: Scottish National Gallery of Modern Art ; [London], 1995.

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10

Paradox 5.0 for Windows Handbook (Borland Press). Random House Information Group, 1994.

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11

Oviedo, Ollie O. The Emerging Cyberculture: Literacy, Paradigm & Paradox (Hampton Press Communication Series). Hampton Pr, 2000.

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12

Horne, Gerald. The rise and fall of the Associated Negro Press: Claude Barnett's Pan-African news and the Jim Crow paradox. 2017.

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13

Smith, Christen A. The Paradox of Black Citizenship. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039935.003.0005.

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This chapter discusses the politics of citizenship, blackness, and exclusion in Bahia, taking up the question of Afro-nationalism. It argues that black people confront visible and invisible human walls in their everyday attempts to access resources and dignity in the city, and these walls are often subtle, elusive, and guileful. The police and other residents tasked with maintaining security act as a border patrol that delineates the boundaries of the moral racial social order. Spatial practices of race performatively and theatrically press the black body to the margins of national belonging. Through these embodied practices, the state produces national frontiers of belonging along the cartographic lines of a racial hierarchy. The maintenance of racial democracy as a national ideology depends on the diffuse, mundane repetitions of violence in states, cities, and neighborhoods as well as the more spectacular moments of state terror that we associate with police violence.

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14

Oviedo, Ollie O. The Emerging Cyberculture: Literacy, Paradigm, and Paradox (Hampton Press Communication Series). Hampton Pr, 2000.

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15

Paradox for Windows Programmers Guide: Objectpal by Example (Borland Press Series). Random House Electronic Pub, 1995.

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16

Khiabany, Gholam. Iranian Media: The Paradox of Modernity. Taylor & Francis Group, 2013.

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17

Free speech and unfree news: The paradox of press freedom in America. Harvard University Press, 2016.

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18

Preston, Claire. Word and Image in the English Renaissance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199935338.013.74.

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The rich and expanding rhetorical universe of the English Renaissance annexed the expressive possibilities of painting and the plastic arts using a variety of figures and tropes. These—ekphrasis (intense description), blason (anatomizing description), paragone (the contest between the arts), and emblems and imprese (formal verbal-visual symbols)—allowed English writers to press the visual into the service of the verbal, creating powerful rhetorical tools and distinctive literary expression. This article describes the development of these verbal-visual tools from the late medieval period through the early seventeenth century by Italian art theorists and in the exemplary works of Sidney, Spenser, and Shakespeare.

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19

Bermúdez, José Luis. The Bodily Self. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/9780262037501.001.0001.

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How can we be aware of ourselves both as physical objects and as thinking, experiencing subjects? What role does the experience of the body play in generating our sense of self? What is the role of action and agency in the construction of the bodily self? These questions have been a rich subject of interdisciplinary debate among philosophers, neuroscientists, experimental psychologists, and cognitive scientists for several decades. José Luis Bermúdez been a significant contributor to these debates since the 1990’s, when he authored The Paradox of Self-Consciousness (MIT Press, 1998) and co-edited The Body and the Self (MIT Press, 1995) with Anthony Marcel and Naomi Eilan. The Bodily Self is a selection of essays all focused on different aspects of the role of the body in self-consciousness, prefaced by a substantial introduction outlining common themes across the essays. The essays have been published in a wide range of journals and edited volumes. Putting them together brings out a wide-ranging, thematically consistent perspective on a set of topics and problems that remain firmly of interest across the cognitive and behavioral sciences.

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20

Price, David H. In the Beginning Was the Image. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190074401.001.0001.

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This pioneering study focuses on decisive contributions by Albrecht Dürer, Lucas Cranach the Elder, and Hans Holbein the Younger to the popular promotion of the printed Bible and, beyond that, to the evangelical impulses that transformed ecclesiastical art. The Renaissance, always recognized as a time of artistic and theological foment for Christianity, also witnessed a visual re-formation of the Bible. Material culture played its part, since the printing press allowed proliferation of biblical images and texts on a previously unimaginable scale. Contrary to commonly accepted claims that the Reformation resulted in the atrophy of art, artists offered richly visual experiences for the biblical culture of the new Protestant churches. This book also explores the paradox of the Bible’s cultural status. The Bible, authority for Christian culture, shattered the unity of Christianity with its divergent editions and translations. Reformation art required new approaches to accommodate confessional and textual diversity. Rulers, theologians, and artists created new Bibles as foundations for transformative sociopolitical movements. In this richly nuanced study, a new understanding emerges of how Dürer, Cranach, and Holbein invented biblical iconographies as they promoted the relationship of biblicism to faith and political authority.

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21

Evangelista, Stefano. Literary Cosmopolitanism in the English Fin de Siècle. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198864240.001.0001.

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Derived from the ancient Greek for ‘world citizenship’, cosmopolitanism offers a radical alternative to identities and cultural practices built on the idea of the nation: cosmopolitans imagine themselves instead as part of a global community that cuts across national and linguistic boundaries. This book argues that fin-de-siècle writing in English witnessed an extensive and heated debate about cosmopolitanism, which transformed readers’ attitudes towards national identity, foreign literatures, translation, and the idea of world literature. It offers a critical examination of cosmopolitanism as a field of controversy. While some writers and readers embraced the creative, imaginative, emotional, and political potentials of world citizenship, hostile critics denounced it as a politically and morally suspect ideal, and stressed instead the responsibilities of literature towards the nation. In this age of empire and rising nationalism, world citizenship came to enshrine a paradox: it simultaneously connoted positions of privilege and marginality, connectivity and non-belonging. Chapters on Oscar Wilde, Lafcadio Hearn, George Egerton, the periodical press, and artificial languages bring to light a variety of literary responses. The book interrogates cosmopolitanism as a liberal ideology that celebrates human diversity and as a social identity linked to worldliness. It investigates its effect on gender, ethics, and the emotions. It presents English-language literature of the fin de siècle as a dynamic space of exchange and mediation, and argues that our own approach to literary studies should become less national in focus.

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