Relevant bibliographies by topics / Paraguayan Arts

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Paraguayan Arts'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Paraguayan Arts"

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Parrado, Emilio A., and Marcela Cerrutti. "Labor Migration between Developing Countries: The Case of Paraguay and Argentina." International Migration Review 37, no. 1 (2003): 101–32. http://dx.doi.org/10.1111/j.1747-7379.2003.tb00131.x.

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Despite the historical and numerical importance of international migration between Paraguay and Argentina, the socioeconomic forces affecting the dynamics of the flow remain largely unexplored. This article contributes to the understanding of migration movements between the Latin American countries by analyzing patterns of labor migration from two Paraguayan communities to Argentina. The analysis separates the process of migration into four segments representing different migration decisions that Paraguayan men face throughout their life course: first trip, first return, recurrent trips, and d
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Escobar, Ticio. "The Clearing." Film Quarterly 70, no. 4 (2017): 65–66. http://dx.doi.org/10.1525/fq.2017.70.4.65.

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This article is the translation of an important critical review of Paz Encina's first feature film, Paraguayan Hammock (2006), by noted critic Ticio Escobar, originally published in Spanish as “El Claro,” in the book La cámara sin ley: Hamaca Paraguaya y la refundación globalizada del cine guaraní, edited by Alejo Magariños (Servilibro: Asunción, 2016), 19–24.
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Brizuela, Natalia. "A Sense of Place: Paz Encina's Radical Poetics." Film Quarterly 70, no. 4 (2017): 49–64. http://dx.doi.org/10.1525/fq.2017.70.4.49.

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Paz Encina became a public figure in Paraguay after her first film, Hamaca Paraguaya (Paraguayan Hammock, 2006), won major awards and put Paraguayan cinema back on the international map for the first time in decades. In 2012, she was invited to “do something” visual with the Archivos del Terror (Archives of Terror) to mark the twentieth anniversary of the discovery of the heinous archives. Encina is not the only artist to make use of the Archives of Terror. Argentine Carlos Trilnick's Proyecto Archivos del Terror: Apuntes sobre el Plan Cóndor (Archives of Terror Project: Notes on the Condor Pl
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Churukian, Araxie P. "The Juan Silvano Godoi Collection at the University of California, Riverside." Latin American Research Review 27, no. 1 (1992): 121–24. http://dx.doi.org/10.1017/s0023879100016630.

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For scholars writing a history of a “developing” country, access to pertinent unpublished personal and official sources is so limited that some prominent historical figures are inadequately represented. Juan Silvano Godoi of Paraguay is no exception. Because of the inaccessibility of primary sources, publications on Paraguayan history have devoted little coverage to this major figure. To help fill this gap, the Special Collections Department of the University Library at the University of California, Riverside, has compiled an annotated list of Godoi's personal collection. The Godoi collection
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Abente, Diego. "Foreign Capital, Economic Elites and the State in Paraguay during the Liberal Republic (1870–1936)." Journal of Latin American Studies 21, no. 1-2 (1989): 61–88. http://dx.doi.org/10.1017/s0022216x00014425.

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The Paraguayan liberal republic, spanning from the end of the War of the Triple Alliance until the end of the Chaco War, is one of the most under-researched and probably one of the most undervalued periods of Paraguayan history and has only recently elicited some scholarly interest.1 During this period capital accumulation developed exclusively in the private domain, economic policies were informed by laissez–faire doctrines, and the political arena embodied, if mostly theoretically, the liberal principles of public contestation and elite competition. Those basic and distinctive traits, and in
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Whigham, Thomas L., and Barbara Potthast. "The Paraguayan Rosetta Stone: New Insights into the Demographics of the Paraguayan War, 1864–1870." Latin American Research Review 34, no. 1 (1999): 174–86. http://dx.doi.org/10.1017/s0023879100024341.

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AbstractThe demographics of the Paraguayan War (1864–1870) have long fascinated historicans and sociologists. If the oft-repeated tales of a 70 percent loss of life in Paraguay are accurate, then this war represents a singular case in modern history, one full of implications for students of militarism, gender, and culture. This study analyzes a newly discovered census from 1870 and reworks earlier censal materials. The authors conclude that the old stories of a steep loss of population during the war are basically correct.
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Abente, Diego. "The War of the Triple Alliance: Three Explanatory Models." Latin American Research Review 22, no. 2 (1987): 47–69. http://dx.doi.org/10.1017/s0023879100022044.

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The Paraguayan War, or War of the Triple Alliance, fought by Paraguay against Brazil, Argentina, and Uruguay (1864–1870), remains unique in the Latin American context in several respects. Dire in its duration and human toll, the war's underlying conflict was not directly related to specific boundary disagreements. Unlike other Latin American conflicts, the War of the Triple Alliance has stirred a passionate controversy involving heavy ideological connotations, with some analysts viewing it as a struggle between civilization (the Alliance) and barbarism (Paraguay) and others depicting it as a c
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KARAM, JOHN TOFIK. "On the Trail and Trial of a Palestinian Diaspora: Mapping South America in the Arab–Israeli Conflict, 1967–1972." Journal of Latin American Studies 45, no. 4 (2013): 751–77. http://dx.doi.org/10.1017/s0022216x13001156.

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AbstractCentred around a May 1970 shooting at the Israeli embassy in Asunción, this article traces a chain of actions and reactions that began with Israel's victory in the Six-Day War in June 1967 and ended after the June 1972 verdict of a Paraguayan court regarding two Palestinians. Situated among Israeli officials, Palestinian refugees and Syrian-Lebanese elites, authoritarian Paraguay was not only encompassed by but also accommodated the post-1967 Arab–Israeli conflict, revealing the connection between the ‘areas’ of South America and the Middle East through ideas about relocating Palestini
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Reber, Vera Blinn. "Comment On “The Paraguayan Rosetta Stone”." Latin American Research Review 37, no. 3 (2002): 129–36. http://dx.doi.org/10.1017/s0023879100024493.

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Pastore, Mario. "Trade Contraction and Economic Decline: The Paraguayan Economy under Francia, 1810–1840." Journal of Latin American Studies 26, no. 3 (1994): 539–95. http://dx.doi.org/10.1017/s0022216x0000852x.

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I argue here that economic activity fell considerably in the first three decades of Paraguay's early national period, below levels it had attained in the late colonial period and would attain again only after the mid-nineteenth century. I attribute this economic depression primarily to regional political fragmentation and the institutional regression it triggered. In the 1810s, the United Provinces of the River Plate sought to keep the former Viceroyalty of the River Plate under a single federal government, but failed to prevent Paraguay's early secession. Their subsequent trade blockades and
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Dissertations / Theses on the topic "Paraguayan Arts"

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Sahlin, Jakob, and Johanna Grönlund. "Har de Idol i Paraguay?" Thesis, Malmö högskola, Lärarutbildningen (LUT), 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-27880.

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Syftet med detta examensarbete var att undersöka en grupp pedagogers förhållningssätt tilloch värdering av en undervisning med populärkulturella inslag. Vi ville ta reda på om och isådana fall hur sådana inslag berikar undervisningen. För att söka svar på detta lät vigenomföra en studie där vi skickade ut enkäter och höll intervjuer med ett antalyrkesverksamma pedagoger. Resultatet av vår undersökning visade på en avvikelse mellanpedagogernas hållning till och praktiska utövning av undervisning med populärkulturellaförtecken. Undersökningen åskådliggjorde också lyckade exempel på hur populärku
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Tristoni, Rejane Hauch Pinto. "Identidades de Imigrantes Brasileiros e de Paraguaios em uma Cidade Paraguaia." Universidade Estadual do Oeste do Parana, 2016. http://tede.unioeste.br:8080/tede/handle/tede/2455.

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Made available in DSpace on 2017-07-10T18:56:06Z (GMT). No. of bitstreams: 1 Rejane _ristoni.pdf: 2926347 bytes, checksum: ce13077a9bf5552222bdc677499cc039 (MD5) Previous issue date: 2016-09-16<br>Esta pesquisa tem como objetivo averiguar como são construídas e/ou negociadas, nas práticas discursivas, as identidades de seus participantes, bem como entender quais representações são construídas sobre a diversidade linguística no contexto de uma Cidade Paraguaia. Para alcançar o objetivo proposto, foram elaboradas e respondidas as seguintes perguntas: a) Como paraguaios e imigrantes brasileiros
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Souza, Sabryna Lana de. "Wilson Bueno e a poética do portunhol em Mar Paraguayo: añaretã, añaretãmeguá." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/300.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2015-12-17T16:50:07Z No. of bitstreams: 1 sabrynalanadesouza.pdf: 806789 bytes, checksum: d12c687d9ea882ba0ef4adc067053401 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2015-12-17T18:03:53Z (GMT) No. of bitstreams: 1 sabrynalanadesouza.pdf: 806789 bytes, checksum: d12c687d9ea882ba0ef4adc067053401 (MD5)<br>Made available in DSpace on 2015-12-17T18:03:53Z (GMT). No. of bitstreams: 1 sabrynalanadesouza.pdf: 806789 bytes, checksum: d12c687d9ea882ba0ef4adc067053401 (MD5) Previous issue date:
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Dias, de Oliveira Lizéte. "Les réductions Guarani de la Province jésuite du Paraguay : étude historique et sémiotique." Paris 1, 1997. http://www.theses.fr/1997PA010661.

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L'objet de ce travail a été l'étude de la resymbolisation menée par les jésuites sur les populations Guarani. Pour cela nous avons utilisé différents types de sources que nous avons classé selon les principes énoncés par Charles Peirce dans la "théorie générale des signes": icone, indices et symboles. Nous avons organisé les données crées par ces diverses types de sources dans un système information spatial. Dans ce système, chaque couverture thématique forme une unité. En les reliant, il est possible d'obtenir des informations tant diachroniques que synchroniques<br>The object of this work ha
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Silva, Cristhiano Kolinski da. "O "Grupo Tradicional Kamba Cuá" no movimento afroparaguaio : artes performáticas, política identitária e territorialidade." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/76230.

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Esta etnografia foi realizada junto ao Grupo Tradicional Kamba Cuá da comunidade afroparaguaia Kamba Kuá da cidade de Fernando de la Mora, região metropolitana de Assunção, Paraguai. A pesquisa possui como intuito entender como os afroparaguaios estão instrumentalizando seu patrimônio sonoro-performático para, sob o signo da etnicidade “afro”, moverem-se e conquistarem posições de poder reivindicatório em um campo político-identitário - o qual é uma múltipla e complexa teia de articulações entre atores locais, regionais, nacionais e transnacionais ou globais. O eixo teórico que guiou as reflex
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Nogueira, Julia C. "Film and Video Festivals in South America:A Contemporary Analysis of Flourishing Cultural Phenomena." Ohio University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1230612139.

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Quintana, Francisco Alcidez Candia. "Um estudo sobre o pronome Vos na fala de professores universitários paraguaios em situação de sala de aula." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/13877.

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Made available in DSpace on 2016-04-28T18:23:28Z (GMT). No. of bitstreams: 1 Francisco A C Quintana.pdf: 2124100 bytes, checksum: f85404911510c4798824cb1b1fc1c80b (MD5) Previous issue date: 2007-05-04<br>This investigation is a study of the personal pronouns TÚ, VOS y USTED in Paraguayan Spanish and aims to verify the reach of the VOS pronoun, a variant of the second person of the singular used in Paraguayan Spanish, instead of TÚ, an informal personal pronoun, and USTED, a formal personal pronoun, both registered in Spanish normative grammar. The work is based in the speech of nine Paraguay
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Books on the topic "Paraguayan Arts"

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A, Atlas Representaciones S. Autores y artistas paraguayos. Atlas Representaciones, 2010.

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Plá, Josefina. Arte actual en el Paraguay, 1900-1995: Antecedentes y desarrollo del proceso en las artes plásticas. 2nd ed. Ediciones IDAP, 1997.

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Torres, Vicky. Ars Longa. Arandurã Editorial, 2004.

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Almada, Adriana. Colección privada: Escritos sobre artes visuales (en Paraguay). Fondec, 2005.

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Galería "Las Margaritas" (Areguá, Paraguay) and Fundación de la Candelaria (Areguá, Paraguay), eds. El Paisaje paraguayo en la pintura: Enero de 1986, Galería "Las Margaritas," Fundación de la Candelaria (Areguá). La Galería, 1986.

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Sánchez, Margarita. El cruce: Cuestiones sobre arte contemporaneo del Paraguay. Programa "Identidades en Tránsito", 2002.

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Sánchez, Margarita. El Cruce: Cuestiones sobre arte contemporaneo del Paraguay. Centro de Artes Visuales/Museo del Barro, 2002.

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Escobar, Ticio. Los argomentos: Exposición de artes visibles. Edited by Centro Cultural de España "Juan de Salazar." Centro Cultural de España "Juan de Salazar", 2002.

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Jiménez, Edith. Edith Jiménez: Retrospectiva, obra gráfica : Galería Livio Abramo, Centro Cultural Embajada de Brasil, Asunción, Paraguay, julio-agosto, 2001. Edited by Zuccolillo Gabriela, Spatuzza Carlo, and Rodríguez Alcalá Javier. Centro Cultural de la Embajada de Brasil, 2001.

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Aires, Argentina) Centro Cultural Recoleta (Buenos. Arte popular del Paraguay. Centro Cultural Recoleta, 1999.

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Book chapters on the topic "Paraguayan Arts"

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Pinochet Cobos, Carla. "Arte, comunidad y polifonía : acerca de la noción de investigación en arte y antropología." In Arte y antropología: estudios, encuentros y nuevos horizontes. Pontificia Universidad Católica del Perú, 2023. http://dx.doi.org/10.18800/9786123172275.027.

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Una investigadora se interna en un conjunto de localidades latinoamericanas, desde Tierra del Fuego a la Amazonía, en busca del encuentro con los pobladores y la conexión con las costumbres y tradiciones que los distinguen. Un conjunto de relatos orales reconstruye la cruda experiencia de la Guerra del Chaco, entre 1932 y 1935, a través de las voces de los ancianos de diversas etnias paraguayas
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Silva, Meire Oliveira. "Memórias da ditadura paraguaia na obra de Paz Encina." In Protagonismos de mulheres nas artes e na sociedade. Editora Diálogos, 2021. http://dx.doi.org/10.29327/533121.1-13.

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Silva, Meire Oliveira. "Memórias da ditadura paraguaia na obra de Paz Encina." In Protagonismos de mulheres nas artes e na sociedade: da representação à resistência vol. 1. Editora Diálogos, 2021. http://dx.doi.org/10.52788/9786599463945.1-13.

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Lopez Alfredo Alberto, Codevilla Mauro, Hernández Julio, et al. "Obras geot&eacute;cnicas en el Paseo La Galer&iacute;a, Asunci&oacute;n, Paraguay." In From Fundamentals to Applications in Geotechnics. IOS Press, 2015. https://doi.org/10.3233/978-1-61499-603-3-2693.

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El proyecto Paseo La Galer&amp;iacute;a es un mega emprendimiento de oficinas corporativas, retail, gastronom&amp;iacute;a y entretenimiento que constituye actualmente la mayor inversi&amp;oacute;n civil en Asunci&amp;oacute;n, Rep&amp;uacute;blica del Paraguay, con un monto estimado en USD130M. El proyecto se encuentra actualmente en construcci&amp;oacute;n y su finalizaci&amp;oacute;n est&amp;aacute; programada para el pr&amp;oacute;ximo a&amp;ntilde;o. En este art&amp;iacute;culo se describe la campa&amp;ntilde;a de investigaci&amp;oacute;n geot&amp;eacute;cnica in situ y en laboratorio, di
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Klaiber, Jeffrey L. "Misiones exitosas y menos exitosas : los jesuitas en Mainas, Nueva España y Paraguay." In El ocaso del antiguo régimen en los imperios ibéricos. Pontificia Universidad Católica del Perú, 2023. http://dx.doi.org/10.18800/9786123172992.001.

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Los jesuitas fueron considerados precursores de los conceptos de la modernidad y la inculturación. Sin embargo, no todas sus misiones tuvieron el mismo éxito. Por eso, proponemos comparar tres de sus misiones coloniales —Mainas, Nueva España y Paraguay— con el fin de ver en cuál de las tres se realizó mejor el ideal. Sin duda, los jesuitas mismos, en los tres casos, eran «modernos», es decir, hombres dotados de una visión racional de las cosas y con una voluntad para crear modelos de sociedades planificadas con el fin de satisfacer las necesidades básicas de sus miembros de una forma justa. Al
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Bonnin-Arias, Patricia, Gaël Lévéder-Lepottier Bernard, Estela Alarcón Rodríguez, Manuel Garzón Albarrán, and Ana Colomer-Sánchez. "Danza, equidad y sostenibilidad: el docente como eje del cambio en un proyecto de innovación educativa." In Educação, Justiça e Direitos Humanos: Num Mundo Em Transformação. Axioma - Publicações da Faculdade de Filosofia, 2023. http://dx.doi.org/10.17990/axiseries/2023_04_263.

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The present work intends to make know and promote a pilot investigation project created in the Rey Juan Carlos University of Madrid by the Teaching Innovation Group AREA INNOVA. We enquire into a window to the culture where equity and sustainability, using an effective access to culture, will be the first objective. The program is designed to provide tools to professors in Paraguay so that the latter obtain an effective access to the dancing cultural heritage. Following the “Sustainable Development Goals” (SDG) promoted by the United Nations, that focus on an inclusive, equitable and quality e
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Conference papers on the topic "Paraguayan Arts"

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Ahlert, Jacqueline. "Usos e sentidos da estatuária nas doutrinas jesuíticas da provincia paracuaria." In Encontro da História da Arte. Universidade Estadual de Campinas, 2013. http://dx.doi.org/10.20396/eha.9.2013.4433.

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As obras escultóricas talhadas por indígenas e padres nas doutrinas jesuíticas da Província Paraguaia inserem-se num processo de longa duração, iniciado nas oficinas, em princípios do século XVII, mantido durante os 159 anos de administração da Companhia de Jesus e, por fim, dilatado e ressignificado durante os séculos XIX e XX, com derivações que chegam à contemporaneidade.
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Cunha, Álvaro Saluan da. "A guerra em imagem e texto: a coleção "Quadros historicos da guerra do Paraguay"." In Encontro de História da Arte. Universidade Estadual de Campinas, 2018. http://dx.doi.org/10.20396/eha.13.2018.4316.

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O historiador José Murilo de Carvalho (2009) há algum tempo chamava atenção para várias de lacunas presentes na história social da guerra da Tríplice Aliança (1864-1870), a qual “quase nada sabemos sobre as consequências da guerra para a cultura cívica do país”. Porém, anteriormente, ainda nos anos 2000, o próprio autor organiza uma série de trabalhos voltados para o século XIX em geral, culminando no livro Nação e cidadania no Império: novos horizontes (2007), que tinha justamente como objetivo promover os estudos do Oitocentos ao buscar outras possibilidades a partir de novas fontes e aborda
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Reports on the topic "Paraguayan Arts"

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Sanjurjo Casciero, Annick. Paraguay and Its Plastic Arts. Inter-American Development Bank, 1994. http://dx.doi.org/10.18235/0007910.

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Other Sensibilities: Recent Developments in the Art of Paraguay. Inter-American Development Bank, 1994. http://dx.doi.org/10.18235/0006424.

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Forty-eight artistic objects from Paraguay, including paintings by Enrique Collar and Sebastián Díaz, ceramics from the village of Tobatí, and wooden sculptures by members of the Guaraní communities of Alto Paraná
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At the Gates of Paradise: Art of the Guaraní of Paraguay. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0008210.

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The exhibit unites a number of artistic expressions of the Guaraní Indians of Paraguay, from the colonial period to the present. Include 65 pieces including statuary, both sacred and secular, photographs, videos, and contemporary art. All of the art works allow for a better understanding of the Guaraní culture that transmits knowledge fundamentally through an oral tradition, but has also come to assimilate a number of influences, modifying them to their own needs. The exhibition was open at the Art Gallery of the Cultural Center of the Inter-American Development Bank on September 2005.
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At the Gates of Paradise: Art of the Guaraní of Paraguay. Inter-American Development Bank, 2006. http://dx.doi.org/10.18235/0006399.

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The Guaraní have an aesthetic view of Earth. For the Guaraní, the Earth is a beautiful body on which trees are like long hair, the skin is sometimes shining, sparkling, and manifestations of soil erosion are diseases. This is within the conception that we call mythic, but for them it is a very real conception.
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First Latin American and Caribbean Video Art Competition and Exhibit. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0005915.

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An exhibition of video art from Latin America and the Caribbean, the first ever presented in Washington, featured 53 videos, under five minutes each, selected by an international jury from among 235 from 21 countries. Two award winners, four honorable mentions, and five People's Choice awards went to artists from Brazil, Colombia, Costa Rica, Mexico, Panama, Paraguay, Peru, and Venezuela. The objectives of the competition were to broaden the discussion of economic and social factors that affect Latin America and the Caribbean through the use of technology-based visual media. The competition an
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IDB Cultural Center 2nd Inter-American Biennial of Video Art. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0005922.

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24 videos from 12 countries were selected from among 160 works submitted from 18 countries. The First and Second Prizes were awarded Ex Aequo (shared). The members of the international jury were Alejandro Negrín, Director of Washington's Cultural Institute of Mexico; and Germán Jaramillo, Colombia movie actor and theater director. The first prize winners are: Emuhno (The Creation of the World ) by Augusto Netto, Flavia Netto, Rafael Kohan, and José Pedersen, Paraguay; and Poporo by Luis Cantillo, Colombia; second prizes to: Estrategia para corromper la sombra (Strategy to Corrupt One's shadow)
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