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Relevant bibliographies by topics / Paralelo 32 (Dance company)

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Academic literature on the topic 'Paralelo 32 (Dance company)'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Paralelo 32 (Dance company)"

1

Churpita, Tetiana. "Ballet Master's Works by Mykola Trehubov in the Touring Repertoire of the Lviv Opera and Ballet Theater in 1953." Dance Studies 6, no. 2 (2023): 155–62. https://doi.org/10.31866/2616-7646.6.2.2023.295179.

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<strong>The purpose of the article </strong>is to analyse M. Trehubov’s choreographic work in the context of the Lviv Opera and Ballet Theatre’s tour to Kyiv in 1953. <strong>Research Methodology. </strong>Historical (consideration of events in chronological sequence, taking into account historical and cultural circumstances), historiographical (consideration of the existing base of scientific works on the subject of the article) and analytical (analysis of the source base, events, facts, etc.) approaches are applied. <strong>Scientific novelty. </strong>Th

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2

Kuang, Lanlan. "Staging the Silk Road Journey Abroad: The Case of Dunhuang Performative Arts." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1155.

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The curtain rose. The howling of desert wind filled the performance hall in the Shanghai Grand Theatre. Into the center stage, where a scenic construction of a mountain cliff and a desert landscape was dimly lit, entered the character of the Daoist priest Wang Yuanlu (1849–1931), performed by Chen Yizong. Dressed in a worn and dusty outfit of dark blue cotton, characteristic of Daoist priests, Wang began to sweep the floor. After a few moments, he discovered a hidden chambre sealed inside one of the rock sanctuaries carved into the cliff.Signaled by the quick, crystalline, stirring wave of sou

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3

Subramanian, Shreerekha Pillai. "Malayalee Diaspora in the Age of Satellite Television." M/C Journal 14, no. 2 (2011). http://dx.doi.org/10.5204/mcj.351.

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This article proposes that the growing popularity of reality television in the southernmost state of India, Kerala – disseminated locally and throughout the Indian diaspora – is not the product of an innocuous nostalgia for a fast-disappearing regional identity but rather a spectacular example of an emergent ideology that displaces cultural memory, collective identity, and secular nationalism with new, globalised forms of public sentiment. Further, it is arguable that this g/local media culture also displaces hard-won secular feminist constructions of gender and the contemporary modern “Indian

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Coghlan, Jo, Lisa J. Hackett, and Huw Nolan. "Barbie." M/C Journal 27, no. 3 (2024). http://dx.doi.org/10.5204/mcj.3072.

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The story of Barbie is a tapestry woven with threads of cultural significance, societal shifts, and corporate narratives. It’s a tale that encapsulates the evolution of American post-war capitalism, mirroring the changing tides of social norms, aspirations, and identities. Barbie’s journey from Germany to Los Angeles, along the way becoming a global icon, is a testament to the power of Ruth Handler’s vision and Barbie’s marketing. Barbie embodies and reflects the rise of mass consumption and the early days of television advertising, where one doll could become a household name and shape the dr

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Books on the topic "Paralelo 32 (Dance company)"

1

Canseco, Hidelena Vázquez. De la memoria dancística del desierto: Paralelo 32. Universidad Autónoma de Baja California, 2019.

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