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Books on the topic 'Paralinguistik'

Author: Grafiati

Published: 11 December 2022

Last updated: 25 January 2023

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1

Universal and language-specific perception of paralinguistic intonational meaning. Utrecht: LOT, 2005.

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2

Schuller, Björn W., and Anton M. Batliner. Computational Paralinguistics. Chichester, UK: John Wiley & Sons Ltd, 2013. http://dx.doi.org/10.1002/9781118706664.

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3

Canepari, Luciano. L' intonazione linguistica e paralinguistica. Napoli: Liguori, 1985.

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4

L' intonazione: Linguistica e paralinguistica. Napoli: Liguori, 1985.

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5

Intʻŏnet tʻongsin ŏnŏ ŭi ihae. Sŏul Tʻŭkpyŏlsi: Wŏrin, 2003.

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6

Poyatos, Fernando. Paralanguage: A linguistic and interdisciplinary approach to interactive speech and sound. Amsterdam: J. Benjamins, 1993.

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7

Delgado, Ramón López-Cózar, and Tetsunori Kobayashi, eds. Proceedings of the Paralinguistic Information and its Integration in Spoken Dialogue Systems Workshop. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4614-1335-6.

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8

Tetsunori, Kobayashi, and SpringerLink (Online service), eds. Proceedings of the Paralinguistic Information and its Integration in Spoken Dialogue Systems Workshop. New York, NY: Springer Science+Business Media, LLC, 2011.

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9

Ardila, J. A. G. Socioprágmatica y retórica interpersonal: La cortesía inglés y castellano. Lewiston, N.Y: E. Mellen Press, 2005.

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10

Potapova, R. K. Konnotativnai͡a︡ paralingvistika. Moskva: "Triada", 1997.

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11

Eftimova, Andreana. Neverbalnata komunikat︠s︡ii︠a︡ v televizii︠a︡ta: Psikholingvistichna i semiotichna perspektiva. Sofii︠a︡: IK "Sema RSh", 2002.

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12

Woźny, Aleksander. Wprowadzenie do semiotyki bohatera powieściowego. Wrocław: Wydawn. Uniwersytetu Wrocławskiego, 1988.

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13

Krieger, Jolanta. Paraverbale Ausdrücke als Gestaltungsmittel der Textsorte Comic am Beispiel der Reihe Asterix. Lublin: Lubelskie Towarzystwo Naukowe, 2003.

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14

Potapov, V. V. (Vsevolod Viktorovich), ed. I︠A︡zyk, rechʹ, lichnostʹ. Moskva: I︠A︡zyki slavi︠a︡nskoĭ kulʹtury, 2006.

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15

The phonology/paraphonology interface and the sounds of German across time. New York: P. Lang, 2008.

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16

Kruglyĭ stol "Aktualʹnye problemy mezhkulʹturnoĭ kommunikat͡sii v sovremennykh uslovii͡akh" (2002 Ivanovo (Ivanovskai͡a oblastʹ, Russia)). Aktualʹnye problemy mezhkulʹturnoĭ kommunikat͡sii v sovremennykh uslovii͡akh: Materialy kruglogo stola Ivanovo, 25 ii͡uni͡a 2002 g. Ivanovo: Izd-vo "Ivanovskiĭ gos. universitet", 2002.

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17

Shvet︠s︡ov, M. N. Kulʹtura kommunikat︠s︡ii︠a︡ korporativnostʹ: Materialy VI mezhdunarodnoĭ nauchno-prakticheskoĭ konferent︠s︡ii prepodavateleĭ i studentov po problemam mezhkulʹturnoĭ kommunikat︠s︡ii : 21 fevrali︠a︡ 2007 goda. Ĭoshkar-Ola: MOSI, 2007.

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18

Shvet︠s︡ov, M. N. Kulʹtura kommunikat︠s︡ii︠a︡ korporativnostʹ: Materialy VI mezhdunarodnoĭ nauchno-prakticheskoĭ konferent︠s︡ii prepodavateleĭ i studentov po problemam mezhkulʹturnoĭ kommunikat︠s︡ii : 21 fevrali︠a︡ 2007 goda. Ĭoshkar-Ola: MOSI, 2007.

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19

Potapov, V. V. (Vsevolod Viktorovich), ed. Kommunikative Sprechtätigkeit: Russland und Deutschland im Vergleich. Köln: Böhlau Verlag, 2011.

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20

Methoden der digitalen Sprachverarbeitung in der vokalen Kommunikationsforschung: Der Beitrag der Theorie linearer Filter und der Methode der linearen Prädiktion zur Erfassung von Sprechereigenschaften und -zuständen. Frankfurt am Main: P. Lang, 1993.

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21

Sustitutos acústicos del lenguaje verbal: Una visión interdisciplinaria de los signos audibles, parafonías y comportamientos sonoros. Guadalajara, Jalisco: Universidad de Guadalajara, Centro Universitario de Arte, Arquitectura y Diseño, 2010.

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22

J, Mark Arlene, ed. Paraverbal communication with children: Not through words alone. New York: Plenum Press, 1990.

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23

Heimlich, Evelyn Phillips. Paraverbal communication with children. New York: Plenum, 1990.

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24

Quirk, Randolph, and David Crystal. Systems of Prosodic and Paralinguistic Features in English. De Gruyter, Inc., 2021.

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25

Friend, Margaret. From prosodic to paralinguistic function: Implications for affective development. 1994.

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26

Johar, Swati. Emotion, Affect and Personality in Speech: The Bias of Language and Paralanguage. Springer London, Limited, 2015.

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27

Johar, Swati. Emotion, Affect and Personality in Speech: The Bias of Language and Paralanguage. Springer, 2015.

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28

Batliner, Anton, and Bjö Schuller. Computational Paralinguistics: Emotion, Affect and Personality in Speech and Language Processing. Wiley & Sons, Incorporated, John, 2013.

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29

Computational Paralinguistics Emotion Affect And Personality In Speech And Language Processing. John Wiley & Sons Inc, 2013.

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30

Batliner, Anton, and Bjö Schuller. Computational Paralinguistics: Emotion, Affect and Personality in Speech and Language Processing. Wiley & Sons, Incorporated, John, 2013.

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31

Schuller, Bjorn, and Anton Batliner. Computational Paralinguistics: Emotion, Affect and Personality in Speech and Language Processing. Wiley & Sons, Incorporated, John, 2013.

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32

Batliner, Anton, and Bjö Schuller. Computational Paralinguistics: Emotion, Affect and Personality in Speech and Language Processing. Wiley & Sons, Limited, John, 2013.

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33

Batliner, Anton, and Bjö Schuller. Computational Paralinguistics: Emotion, Affect and Personality in Speech and Language Processing. Wiley & Sons, Incorporated, John, 2013.

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34

Kobayashi, Tetsunori, and Ramon Lopez-Cozar Delgado. Proceedings of the Paralinguistic Information and its Integration in Spoken Dialogue Systems Workshop. Springer, 2011.

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35

Delgado, Ramón López-Cózar, and Tetsunori Kobayashi. Proceedings of the Paralinguistic Information and its Integration in Spoken Dialogue Systems Workshop. Springer, 2014.

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36

Roberts, Anita. Communication in the last days or hours of life. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780198736134.003.0030.

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This chapter discusses effective communication in the last days or hours of life. It describes communication including verbal, non-verbal, and paralinguistic elements together with how to structure complex conversations. It recognizes the importance of communication when a person is expected to die within the coming days or hours. Sensitive communication is essential when dealing with uncertainty inherent at this time and strategies are identified to enable clinicians to elicit the needs and concerns of patients and families. The chapter also examines how the priorities for the care of the dying person can be ascertained. Strategies for giving information and discussing care in a sensitive and supportive manner are described, including how to assess informational needs, effective ways to break bad news, and ways of responding to difficult questions. Finally, the importance of having a competent workforce is recognized and some communication skills training opportunities for healthcare staff are discussed.

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37

(Editor), S. La Porta, and D. Shulman (Editor), eds. The Poetics of Grammar and the Metaphysics of Sound and Sign (Jerusalem Studies in Religion and Culture). Brill Academic Publishers, 2007.

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38

Porta, S. La, and David Dean Shulman. Poetics of Grammar and the Metaphysics of Sound and Sign. BRILL, 2007.

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39

The poetics of grammar and the metaphysics of sound and sign. Leiden, NL: Brill, 2004.

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40

Malawey, Victoria. A Blaze of Light in Every Word. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190052201.001.0001.

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A Blaze of Light in Every Word presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners’ perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip-hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multidimensionality of singing voices.

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