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1

Rothnie, Warwick A. Parallel imports. London: Sweet & Maxwell, 1993.

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2

Horner, Simon. Parallel imports. London: Collins Professional Books, 1987.

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3

Grossman, Gene M. Parallel imports and price controls. Cambridge, Mass: National Bureau of Economic Research, 2006.

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4

(Sweden), Konkurrensverket. Parallel imports--effects of the Silhouette ruling. Stockholm: Swedish Competition Authority, 1999.

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5

Ganslandt, Mattias. Parallel imports of pharmaceutical products in the European Union. Washington, D.C: World Bank, Development Research Group, Trade, 2001.

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6

Maskus, Keith E. Vertical price control and parallel imports: Theory and evidence. Washington, DC: World Bank, Development Research Group, Trade, 2000.

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7

Hays, Thomas. Parallel importation under European Union law. London: Sweet & Maxwell, 2004.

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8

Poget, Cédric Julien. Parallel imports of pharmaceuticals: Evidence from Scandinavia and policy proposals for Switzerland. Basel: Birkhäuser, 2008.

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9

Allison, Annette. The impact of parallel imports on marketing strategy with reference to commerce within the European Union. London: LCP, 1999.

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10

Tritton, Guy. Parallel imports in the European Community: Should a parallel importer be allowed to change the trade mark on an imported product where the trade mark owner uses different marks for member states in relation to the marketing of the product? [London]: Intellectual Property Institute, 1997.

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11

Taylan, Esin Çamlıbel. Marka hakkının kullanımıyla paralel ithalatın önlenmesi. Ankara: Seçkin, 2001.

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12

Skoko, Hazbo. Theory of parallel import and its protection. Beograd: Andrejević Endowment, 2005.

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13

Christopher, Heath, and Max-Planck-Institut für Geistiges Eigentum, Wettbewerbs- und Steuerrecht., eds. Parallel imports in Asia. The Hague: Kluwer Law International, 2004.

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14

Poget, C. Dric Julien. Parallel Imports of Pharmaceuticals. Springer, 2008.

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15

Parallel Imports of Pharmaceuticals. Basel: Birkhäuser Basel, 2008. http://dx.doi.org/10.1007/978-3-7643-8589-7.

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16

Rubin, Gadi. Parallel importation. 1996.

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17

Chen, Yongmin, and Keith E. Maskus. Vertical Price Control and Parallel Imports: Theory and Evidence. The World Bank, 1999. http://dx.doi.org/10.1596/1813-9450-2461.

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18

Maskus, Keith E., and Mattias Ganslandt. Parallel Imports of Pharmaceutical Products in the European Union. The World Bank, 1999. http://dx.doi.org/10.1596/1813-9450-2630.

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19

Parallel Importation Under European Union Law. Sweet & Maxwell, 2003.

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20

Müller-Langer, Frank. Creating R&D Incentives for Medicines for Neglected Diseases: An Economic Analysis of Parallel Imports, Patents, and Alternative Mechanisms to ... Research. Gabler Verlag, 2009.

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21

Heath, Christopher. Parallel Imports in Asia (Max Planck Series on Asian Intellectual Property Law, 9) (Max Planck Series on Asian Intellectual Property Law, 9). Kluwer Law International, 2003.

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22

Roy, Santanu, and Kamal Saggi. Equilibrium Parallel Import Policies and International Market Structure. The World Bank, 2011. http://dx.doi.org/10.1596/1813-9450-5802.

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23

Hozumi, Tamotsu. Heiko yunyu no horitsuron: Chosakubutsu o megutte = Legal aspects of parallel import issues for copyrighted goods. Tokyo Nunoi Shuppan, 1997.

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24

Milbank, Alison. Hideous Progeny. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824466.003.0007.

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Chapter 6 centres on discussions of Dante and Mary Shelley. Brought up as Godwin’s daughter in the tradition of rational dissent, Mary Shelley has recourse to Dante’s Commedia to think theologically. She uses it allusively in Frankenstein to import a perspective of divine judgement on her scientist through dramatic irony and parallels with Dante’s Ulysses. Dante’s Gothic aesthetics of the damned as grotesque signs makes sense of Frankenstein’s failure to acknowledge his Creature, or admit any relation between them, thus making the Creature his monstrous double. In Mathilda and Valperga, by contrast, heroines compared to Dante’s female guides interrogate political tyranny and offer a more positive feminine mode of mediation between earthly and heavenly realms. Dante informs also Shelley’s conception of the prophetic authority of her role as author, where the grotesque allows a mode of human creativity which avoids claiming godlike powers, and allows a model of empowerment paradoxically enabled through an acceptance of creaturehood.
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