Academic literature on the topic 'Paris (France) History Restoration'

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Journal articles on the topic "Paris (France) History Restoration"

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Haynes, Christine. "The Battle of the Mountains." Historical Reflections/Réflexions Historiques 44, no. 3 (2018): 50–70. http://dx.doi.org/10.3167/hrrh.2018.440304.

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At the beginning of the Second Restoration, Paris was swept by a mania for roller coasters, which were dubbed montagnes russes after a Russian tradition of sledding on ice hills. Situating this phenomenon in the context of the military occupation of France following the defeat of Napoleon, this article analyzes one of the many plays featuring these “mountains,” Le Combat des montagnes (“The Battle of the Mountains”), and especially two of its main characters, La Folie (Folly) and Calicot (Calico Salesman). The “battle” over the roller coasters, it argues, was really a contest over how to redef
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Bann, Stephen. "Two Kinds of Historicism: Resurrection and Restoration in French Historical Painting." Journal of the Philosophy of History 4, no. 2 (2010): 154–71. http://dx.doi.org/10.1163/187226310x509501.

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AbstractThe historicist approach is rarely challenged by art historians, who draw a clear distinction between art history and the present-centred pursuit of art criticism. The notion of the ‘period eye’ offers a relevant methodology. Bearing this in mind, I examine the nineteenth-century phase in the development of history painting, when artists started to take trouble over the accuracy of historical detail, instead of repeating conventions for portraying classical and biblical subjects. This created an unprecedented situation at the Paris Salon, where such representations of history could be
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Vasak, Anouchka. "Théâtre et thérapie de la maladie mentale (France, 1790–1815)." Romanica Wratislaviensia 67 (July 23, 2020): 213–25. http://dx.doi.org/10.19195/0557-2665.67.16.

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The theatrical experience conducted by the Marquis de Sade (1803–1814) with the lunatics of the Charenton asylum is a known fact. This practice, which was considered scandalous though it attracted the “Tout-Paris”, was supposedly part of the so-called “moral treatment” initiated by the alienist-physician Philippe Pinel, founder of modern psychiatry in France. The transition period from the French Revolution to the Empire and the Restoration was, indeed, a time of many transformations in the treatment of mental illness. In its relation to mental illness, theatre may serve as a yardstick for mea
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Zon, Bennett. "Plainchant in nineteenth-century England: a review of some major publications of the period." Plainsong and Medieval Music 6, no. 1 (1997): 53–74. http://dx.doi.org/10.1017/s096113710000125x.

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The history of plainchant in the nineteenth century is dominated by the various attempts at scholarly restoration both in Britain and abroad. Up to the middle part of the century these efforts were concentrated in France, although demands for revival were being voiced in Italy by Pietro Alfieri, and in Germany by Franz Xaver Witt, amongst others. The first scholarly attempt at the restoration of plainchant was made in 1846 as a result of Jean-Louis-Félix Danjou's discovery of the eleventh-century tonary of St Bénigne de Dijon. Like the Rosetta stone, it enabled scholars to decipher the meaning
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Laurent, Dominique. "Supporting and Enhancing Research on Cultural Heritage in France: the PATRIMA Project." Digital Presentation and Preservation of Cultural and Scientific Heritage 4 (September 30, 2014): 41–48. http://dx.doi.org/10.55630/dipp.2014.4.5.

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In this paper, we first overview the French project on heritage called PATRIMA, launched in 2011 as one of the Projets d'investissement pour l'avenir , a French funding program meant to last for the next ten years. The overall purpose of the PATRIMA project is to promote and fund research on various aspects of heritage presentation and preservation. Such research being interdisciplinary, research groups in history, physics, chemistry, biology and computer science are involved in this project. The PATRIMA consortium involves research groups from universities and from the main museums or cultura
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Hallman, Diana R. "Napoleonic Commemoration on the Operatic Stage." French Historical Studies 45, no. 2 (2022): 287–317. http://dx.doi.org/10.1215/00161071-9531996.

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Abstract The retour des cendres, the commemorative return of Napoleon's remains in 1840, represented an important gesture of Napoleonic restoration in the July Monarchy, along with the creation of monuments, paintings, histories, plays, and encomiums to the defeated emperor. The monarchy's commemoration expanded to the stage of the Paris Opéra in 1841 with the appearance of La reine de Chypre, the five-act grand opera by Fromental Halévy and Henri de Saint-Georges, which reverberated with sonic, visual, literary, and political allusions to the Napoleonic legend and overt references to the cere
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POPKIN, JEREMY D. "BACK FROM THE GRAVE: MARC FUMAROLI'S CHATEAUBRIAND." Modern Intellectual History 2, no. 3 (2005): 419–31. http://dx.doi.org/10.1017/s1479244305000557.

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Marc Fumaroli, Chateaubriand: Poésie et terreur (Paris: Fallois, 2003)Has the time come to revive François-René de Chateaubriand (1768–1848), author of Atala and René, the novels that defined romanticism in France and, above all, of the immense Mémoires d'outre-tombe (“Memoirs from beyond the grave”), perhaps the most ambitious of all French autobiographical projects? What does an eighteenth-century provincial nobleman's son, author of fanciful tales of encounters with North American “noble savages,” apologist for medieval Christianity, and unsuccessful proponent of a Bourbon restoration after
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Nikolaev, D. D. "France and the French in “Okayannye dni” by I. A. Bunin." Studies in Theory of Literary Plot and Narratology 15, no. 1 (2020): 207–22. http://dx.doi.org/10.25205/2410-7883-2020-1-207-222.

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One of the main motives in “Odessa” part of I. A. Bunin’s “Okayannye dni” is connected with France. For the first time “Okayannye dni” was published in 1925 on the pages of Paris émigré newspaper “Vozrozhdenie”, and Bunin's text was addressed not only to Russian, but also to foreign audience, primarily French. The editorial circumstances of the first publication should be taken into account when explaining the significance of the “French” motives, but journalistic logic of 1925 follows the specific circumstances of life in Odessa and related author’s experience of 1919. “The French” appear in
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Ainian, Alexander Mazarakis. "Archaic Sanctuaries of the Cyclades: Research of the Last Decade." Archaeological Reports 59 (January 2013): 96–102. http://dx.doi.org/10.1017/s0570608413000124.

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In recent years much progress has been made in the study of the sanctuaries of the Cyclades, both in the field, with new excavations, as well as in restoration projects, and also towards their publication.A research project entitled Sanctuaries and Cults in the Cyclades was approved as part of a research grant attached to the Chaire Internationale Blaise Pascal for 2012/2013 awarded to me by the French state and the Regional Council of Ile-de-France. The project started in October 2012, in collaboration with the University of Paris 1 (Franis Prost) and the École pratique des hautes études (Fra
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Stănescu, Mihai. "From Daguerreotype to Autochrome: An Incursion in European, Colonial and Romanian Pharmaceutical and Medical Photography." Studia Universitatis Babeș-Bolyai Historia 66, no. 1 (2022): 159–70. http://dx.doi.org/10.24193/subbhist.2021.1.08.

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"Pharmacists have the ability to be chemists and that is the reason they possess the knowledge to make photographs. For that purpose, especially in the 19th century, some pharmacists were photographers, so the two professions are related to a certain extent. The daguerreotype was an invention that was brought to the attention of the public in the summer of 1839 in Paris by Louis Daguerre. Although it was a French invention, it enjoyed a huge success in the United States, and for that purpose the most numerous daguerreotypes derive from the American continent. Some daguerreotypes from the pharm
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Dissertations / Theses on the topic "Paris (France) History Restoration"

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Harkett, Daniel. "Exhibition culture in Restoration Paris." View online version; access limited to Brown University users, 2005. http://catalog.hathitrust.org/api/volumes/oclc/73488260.html.

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Thesis (Ph.D.)--Brown University, 2005.<br>Vita. Thesis advisor: Kermit S. Champa. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 271-289).
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Porter, Abigail M. "Wetlands in the Urban Landscape: The Process of Wetlands Restoration in Baltimore, Maryland and Paris, France." Ohio University / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1058301973.

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Macdonald, Simon James Stuart. "British communities in late eighteenth-century Paris." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609294.

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Xiu, Huajing. "Shanghai - Paris : Chinese painters in France and China, 1919-1937." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365677.

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Archer, Janice Marie. "Working women in thirteenth-century Paris." Diss., The University of Arizona, 1995. http://hdl.handle.net/10150/187182.

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This thesis examines the role of women in the Parisian economy in the late thirteenth century. The Livre des metiers of Etienne Boileau offers normative provisions regarding societal structures that permitted but restricted the participation of women, while the tax rolls commonly known as the roles de la taille de Philippe le Bel furnish numbers which show their actual participation. While these sources are well known, they have not heretofore been rigorously examined. Conclusions about women based on them have been amorphous. Married women are nearly invisible in these records, but unmarried
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John, Philip Owen. "Publishing in Paris, 1570-1590 : a bibliometric analysis." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1971.

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This thesis is an examination of the printing industry in Paris between 1570 and 1590. These years represent a relatively under-researched period in the history of Parisian print. This period is of importance because of an event in 1572 – the St Bartholomew’s Day Massacre, and an event in 1588 – the Day of the Barricades and the subsequent exit from Paris of Henry III. This thesis concerns itself with the two years prior to 1572 and two years after 1588 in order to provide context, but the two supporting frames of this investigation are those important events. This thesis attempts to assess wh
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Munier, Véronique. "Représentation discursive de l'enthousiasme : Révolutions de Paris." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26746.

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The patriots depend on the uprising of the people and on popular enthusiasm in general, both for the physical and for the ideological support to achieve the revolution. In order to ensure the progress of the revolution, they will strive to control and direct popular agitation through written discourse. Revolutions de Paris, one of the most popular newspapers of the French Revolution, offers a good example of that: events are interpreted through narratives that distinguish 'good' popular uprisings from 'bad' ones, thus outlining a plan for the contribution of popular enthusiasm to the revolutio
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Maire, Claude. "Commerce et marché du fer à Paris d'environ 1740 à environ 1815." Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74009.

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Halloran, Brian Michael. "The Scots College Paris, 1653-1792." Thesis, University of St Andrews, 1996. http://hdl.handle.net/10023/13645.

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The aim of this dissertation is to present a composite picture and evaluation of the Scots College Paris from the establishment of a Prefecture Apostolic in Scotland in 1653, until the eclipse of the college in 1792. In order to show the Mission needs that a Scottish college would have to meet, this study began with a preliminary survey of aspects of Catholicism from the creation of the Jesuit mission in 1584 until the appointment of a secular Prefect in 1653, followed by an exposition of what little is known about the first foundation of the College (1325-1603) and the first fifty years of th
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Wemp, Brian A. (Brian Alan). "The Paris Commune and the French right : the reaction of the bourgeoisie." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23857.

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The historiographic struggle over the representation of the Paris Commune, as begun by the daily press in 1871 and continued in the works of many subsequent scholars, is in fact part of a larger ideological battle. This thesis argues that in order to understand the significance of the Commune, it is necessary to return to contemporary writings. It studies the bourgeois reaction to the Paris Commune using as source material diaries, correspondence and monographs of upper class observers of the Commune. Through these writings, the Commune is seen as a socialist threat to bourgeois stability, and
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Books on the topic "Paris (France) History Restoration"

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McWilliam, Neil. A bibliography of salon criticism in Paris from the Ancien Régime to the Restoration, 1699-1827. Edited by Schuster Vera, Wrigley Richard, and Meker Pascale. Cambridge University Press, 1991.

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Johnson, Susan. Péché d'orgueil. Editions J'ai lu, 2006.

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Dardennes, Christian. Dessins de chantier: La restauration du Petit Palais. Paris musées, 2005.

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author, Chadoin Olivier, Weiner Cyrille 1976 illustrator, Le Corbusier 1887-1965, and Jeanneret Pierre 1896-1967, eds. La cité de refuge: Le Corbusier et Pierre Jeanneret : l'usine à guérir. Éditions du Patrimoine, Centre des monuments nationaux, 2016.

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Henri, Bresler, ed. La tour Lopez: La renaissance d'une belle endormie, 1952-2009. Les Éditions du Mécène, 2010.

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Fonquernie, Bernard. L'hôtel de Beauvais. Artelia éditions, 2019.

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Entretiens du patrimoine (2001 Paris, France). Le regard de l'histoire: L'émergence et l'évolution de la notion de patrimoine au cours du XXe siècle en France : Entretiens du patrimoine, Cirque d'hiver, Paris, 26, 27 et 28 novembre 2001. Fayard, 2003.

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Manas, Arnaud. La chancellerie d'Orléans: Renaissance d'un chef-d'oeuvre : XVIIIe-XXIe siècles. Éditions Faton, 2021.

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Freylin, Vincent. Collège des Bernardins: Pour l'espérance du monde. Collège des Bernardins, 2018.

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Léon, Pressouyre, and Cité de l'architecture et du patrimoine (Paris, France), eds. Le musée des monuments français: Cité de l'architecture et du patrimoine. N. Chaudun ; Cité de l'architecture et du patrimoine, 2007.

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Book chapters on the topic "Paris (France) History Restoration"

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Popkin, Jeremy D. "The Restoration." In A History of Modern France. Routledge, 2020. http://dx.doi.org/10.4324/9781315150727-10.

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Miller, Stuart. "Restoration France 1815–48." In Mastering Modern European History. Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-13789-3_5.

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Miller, Stuart T. "Restoration France 1815–48." In Mastering Modern European History. Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19580-0_5.

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Popkin, Jeremy D. "The Paris Commune and the Origins of the Third Republic." In A History of Modern France. Routledge, 2020. http://dx.doi.org/10.4324/9781315150727-16.

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Ginoux, Jean-Marc. "The First International Conference on Nonlinear Processes: Paris 1933." In History of Nonlinear Oscillations Theory in France (1880-1940). Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55239-2_7.

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Bending, Stephen, and Stephen Bygrave. "Cabinets of Natural History in Switzerland.—Plan of M. Meyer.—State of fine Arts at Paris." In Women's Travel Writings in Revolutionary France, Part I Vol 2. Routledge, 2024. http://dx.doi.org/10.4324/9781003577904-11.

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Fernández-Paradas, Antonio Rafael, and Nuria Rodríguez-Martín. "Gas Lighting for the Crown: An Analysis of the Use of Gas Lighting in the Festivities to Commemorate the Bonaparte and Bourbon Dynasties in Paris (France) and Madrid (Spain)." In Frontiers in Economic History. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-36674-1_5.

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Magrou, Rafaël. "8. Brève de méthodologie : Archéologie théâtrale en Bretagne. Tentative de reconstitution en 3D du « Vieux Théâtre » de Morlaix." In St Andrews Studies in French History and Culture. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0400.08.

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À Morlaix, en Bretagne, un théâtre abandonné a suscité l’intérêt d’un groupe d’étudiants de l’École nationale supérieure d’architecture Paris-Malaquais. Durant une semaine, ils ont visité, étudié, relevé, modélisé et ainsi contribué à rendre compréhensibles ces vestiges du XVIIIe siècle, profondément transformés à la fin du XXe siècle. Invisible depuis la rue, son état de délabrement permet de saisir l’essentiel de la composition de la salle, tandis que la partie scénique a totalement disparu. À partir de documents d’archives, d’une enquête sur place et de relevés de détails, les étudiants ont
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"Challenges for Diadromous Fishes in a Dynamic Global Environment." In Challenges for Diadromous Fishes in a Dynamic Global Environment, edited by Eric Rochard, Patricia Pellegrini, Julie Marchal, et al. American Fisheries Society, 2009. http://dx.doi.org/10.47886/9781934874080.ch44.

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&lt;em&gt;Abstract&lt;/em&gt;.-The Seine River, like other large and developed European river basins, has lost most of its native diadromous fish populations since the Industrial Revolution. A restoration program has been planned to recover water quality and fish biodiversity in the Seine basin. In this prospective study, we used a dual approach (ecological and anthropological) to prioritize the 11 historic diadromous fish species for restoration. Using generalized additive models and geographic information systems, we assessed which species would have the highest probability of recovery and d
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"The Restoration." In A History of Modern France. Routledge, 2016. http://dx.doi.org/10.4324/9781315508214-11.

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Conference papers on the topic "Paris (France) History Restoration"

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Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en Fran
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Silveira, Laura Victória Miranda, Mateus Magalhães Soares da Costa, and João Pedro de Sá Pereira. "History of neurology in Belo Horizonte: a systematic review." In XIV Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2023. http://dx.doi.org/10.5327/1516-3180.141s1.587.

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The modern neurology in Belo Horizonte was inaugurated in the late 1950s, influenced by the Rio de Janeiro´s Medical School and the international scenario. This article aims to analyze the emergence of Neurology in the capital of Minas Gerais and the influences it received. To this end, it was conducted a systematic search in electronic databases, such as Google Scholar and Scielo, using the keywords “History”, “Neurology” and “Minas Gerais”, articulated with boolean descriptors, selecting a total of three articles focused on historical approaches. In this regard, in the XIX century, modern ne
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Costa, Mateus Magalhães Soares da, João Pedro de Sá Pereira, and Laura Victória Miranda Silveira. "History of neurology in São Paulo at the first half of the 20th century: a systematic review." In XIV Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2023. http://dx.doi.org/10.5327/1516-3180.141s1.611.

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Neurology in São Paulo was initiated at the beginning of the XX century, with the creation of the Paulista School of Medicine. This article aims to analyze the emergence of Neurology in the state of São Paulo and the influences it received. To this end, we conducted a systematic search in an electronic database, Scielo. In this context, in the 20th century, neurology studied in São Paulo was greatly influenced by the science practiced in France, since in 1882 the specialty was initiated at the University of Paris. Discussions about the diseases in this area were discussed at the Santa Casa de
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Marinković, Milica. "RAZVITAK FRANCUSKE ADVOKATURE U XIX VEKU." In XVII majsko savetovanje. Pravni fakultet Univerziteta u Kragujevcu, 2021. http://dx.doi.org/10.46793/uvp21.1067m.

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The paper is dedicated to the development of advocacy in France throughout history, and special attention is paid to the struggle of lawyers to repair the damage caused to their position by the Bourgeois Revolution. The goals of the legal struggle were fully achieved in the period of the Third Republic, rightly called the "Republic of Lawyers", when they took over the legislative and executive power. French lawyers, especially in the 19th century, were often real political dissidents. With their work as a politival opposition, they redefined the relationship between the state and society and s
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Ponce Gregorio, Pedro. "La forme du temps à Moscou." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.582.

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Resumen: Sería el 2 de septiembre de 1931, mediante carta privada remitida por un tal B. Breslow en calidad de Representante Comercial de la URSS en Francia, cuando Le Corbusier recibe la invitación a participar en el concurso del que sería para muchos el edificio esencial del país, el Palacio de los Soviets de Moscú. Un edificio que en consecuencia, además de encarnar la voluntad de las masas trabajadoras rusas, debía convertirse de manera análoga, allí donde ya se hallaba construida la catedral de El Salvador, en el monumento artístico-arquitectónico de la todavía maltrecha capital soviética
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Reports on the topic "Paris (France) History Restoration"

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Iakimova, Antonina. LIDIA SHISHMANOVA’S JOURNALISM IN UKRAINIAN AND EMIGRANT PERIODICALS. Ivan Franko National University of Lviv, 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12158.

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The main objective of the study is to analyze the Ukrainian journalistic heritage of Lidia Shishmanova. For the first time, Lidia Shishmanova’s publications in the Ukrainian periodicals «Rada», «Dilo», «Our Past» in 1912-1918 in Ukraine and in the Ukrainian emigrant publications «New Ukraine» and «Trident» in 1922-1935 in the Czech Republic and France are separately studied. The results of the research claim that Lidia Shishmanova’s journalistic creativity was multifaceted. In particular, Lidia Shishmanova an invaluable contribution to the history of Ukrainian journalism with her Ukrainian pub
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