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1

Haynes, Christine. "The Battle of the Mountains." Historical Reflections/Réflexions Historiques 44, no. 3 (2018): 50–70. http://dx.doi.org/10.3167/hrrh.2018.440304.

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At the beginning of the Second Restoration, Paris was swept by a mania for roller coasters, which were dubbed montagnes russes after a Russian tradition of sledding on ice hills. Situating this phenomenon in the context of the military occupation of France following the defeat of Napoleon, this article analyzes one of the many plays featuring these “mountains,” Le Combat des montagnes (“The Battle of the Mountains”), and especially two of its main characters, La Folie (Folly) and Calicot (Calico Salesman). The “battle” over the roller coasters, it argues, was really a contest over how to redef
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2

Bann, Stephen. "Two Kinds of Historicism: Resurrection and Restoration in French Historical Painting." Journal of the Philosophy of History 4, no. 2 (2010): 154–71. http://dx.doi.org/10.1163/187226310x509501.

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AbstractThe historicist approach is rarely challenged by art historians, who draw a clear distinction between art history and the present-centred pursuit of art criticism. The notion of the ‘period eye’ offers a relevant methodology. Bearing this in mind, I examine the nineteenth-century phase in the development of history painting, when artists started to take trouble over the accuracy of historical detail, instead of repeating conventions for portraying classical and biblical subjects. This created an unprecedented situation at the Paris Salon, where such representations of history could be
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3

Vasak, Anouchka. "Théâtre et thérapie de la maladie mentale (France, 1790–1815)." Romanica Wratislaviensia 67 (July 23, 2020): 213–25. http://dx.doi.org/10.19195/0557-2665.67.16.

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The theatrical experience conducted by the Marquis de Sade (1803–1814) with the lunatics of the Charenton asylum is a known fact. This practice, which was considered scandalous though it attracted the “Tout-Paris”, was supposedly part of the so-called “moral treatment” initiated by the alienist-physician Philippe Pinel, founder of modern psychiatry in France. The transition period from the French Revolution to the Empire and the Restoration was, indeed, a time of many transformations in the treatment of mental illness. In its relation to mental illness, theatre may serve as a yardstick for mea
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Zon, Bennett. "Plainchant in nineteenth-century England: a review of some major publications of the period." Plainsong and Medieval Music 6, no. 1 (1997): 53–74. http://dx.doi.org/10.1017/s096113710000125x.

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The history of plainchant in the nineteenth century is dominated by the various attempts at scholarly restoration both in Britain and abroad. Up to the middle part of the century these efforts were concentrated in France, although demands for revival were being voiced in Italy by Pietro Alfieri, and in Germany by Franz Xaver Witt, amongst others. The first scholarly attempt at the restoration of plainchant was made in 1846 as a result of Jean-Louis-Félix Danjou's discovery of the eleventh-century tonary of St Bénigne de Dijon. Like the Rosetta stone, it enabled scholars to decipher the meaning
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Laurent, Dominique. "Supporting and Enhancing Research on Cultural Heritage in France: the PATRIMA Project." Digital Presentation and Preservation of Cultural and Scientific Heritage 4 (September 30, 2014): 41–48. http://dx.doi.org/10.55630/dipp.2014.4.5.

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In this paper, we first overview the French project on heritage called PATRIMA, launched in 2011 as one of the Projets d'investissement pour l'avenir , a French funding program meant to last for the next ten years. The overall purpose of the PATRIMA project is to promote and fund research on various aspects of heritage presentation and preservation. Such research being interdisciplinary, research groups in history, physics, chemistry, biology and computer science are involved in this project. The PATRIMA consortium involves research groups from universities and from the main museums or cultura
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6

Hallman, Diana R. "Napoleonic Commemoration on the Operatic Stage." French Historical Studies 45, no. 2 (2022): 287–317. http://dx.doi.org/10.1215/00161071-9531996.

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Abstract The retour des cendres, the commemorative return of Napoleon's remains in 1840, represented an important gesture of Napoleonic restoration in the July Monarchy, along with the creation of monuments, paintings, histories, plays, and encomiums to the defeated emperor. The monarchy's commemoration expanded to the stage of the Paris Opéra in 1841 with the appearance of La reine de Chypre, the five-act grand opera by Fromental Halévy and Henri de Saint-Georges, which reverberated with sonic, visual, literary, and political allusions to the Napoleonic legend and overt references to the cere
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7

POPKIN, JEREMY D. "BACK FROM THE GRAVE: MARC FUMAROLI'S CHATEAUBRIAND." Modern Intellectual History 2, no. 3 (2005): 419–31. http://dx.doi.org/10.1017/s1479244305000557.

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Marc Fumaroli, Chateaubriand: Poésie et terreur (Paris: Fallois, 2003)Has the time come to revive François-René de Chateaubriand (1768–1848), author of Atala and René, the novels that defined romanticism in France and, above all, of the immense Mémoires d'outre-tombe (“Memoirs from beyond the grave”), perhaps the most ambitious of all French autobiographical projects? What does an eighteenth-century provincial nobleman's son, author of fanciful tales of encounters with North American “noble savages,” apologist for medieval Christianity, and unsuccessful proponent of a Bourbon restoration after
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8

Nikolaev, D. D. "France and the French in “Okayannye dni” by I. A. Bunin." Studies in Theory of Literary Plot and Narratology 15, no. 1 (2020): 207–22. http://dx.doi.org/10.25205/2410-7883-2020-1-207-222.

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One of the main motives in “Odessa” part of I. A. Bunin’s “Okayannye dni” is connected with France. For the first time “Okayannye dni” was published in 1925 on the pages of Paris émigré newspaper “Vozrozhdenie”, and Bunin's text was addressed not only to Russian, but also to foreign audience, primarily French. The editorial circumstances of the first publication should be taken into account when explaining the significance of the “French” motives, but journalistic logic of 1925 follows the specific circumstances of life in Odessa and related author’s experience of 1919. “The French” appear in
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9

Ainian, Alexander Mazarakis. "Archaic Sanctuaries of the Cyclades: Research of the Last Decade." Archaeological Reports 59 (January 2013): 96–102. http://dx.doi.org/10.1017/s0570608413000124.

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In recent years much progress has been made in the study of the sanctuaries of the Cyclades, both in the field, with new excavations, as well as in restoration projects, and also towards their publication.A research project entitled Sanctuaries and Cults in the Cyclades was approved as part of a research grant attached to the Chaire Internationale Blaise Pascal for 2012/2013 awarded to me by the French state and the Regional Council of Ile-de-France. The project started in October 2012, in collaboration with the University of Paris 1 (Franis Prost) and the École pratique des hautes études (Fra
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Stănescu, Mihai. "From Daguerreotype to Autochrome: An Incursion in European, Colonial and Romanian Pharmaceutical and Medical Photography." Studia Universitatis Babeș-Bolyai Historia 66, no. 1 (2022): 159–70. http://dx.doi.org/10.24193/subbhist.2021.1.08.

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"Pharmacists have the ability to be chemists and that is the reason they possess the knowledge to make photographs. For that purpose, especially in the 19th century, some pharmacists were photographers, so the two professions are related to a certain extent. The daguerreotype was an invention that was brought to the attention of the public in the summer of 1839 in Paris by Louis Daguerre. Although it was a French invention, it enjoyed a huge success in the United States, and for that purpose the most numerous daguerreotypes derive from the American continent. Some daguerreotypes from the pharm
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Kessener, Paul M. "The Aqueducts of Lugdunum." Water 16, no. 15 (2024): 2117. http://dx.doi.org/10.3390/w16152117.

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Not long after the Colonia Copia Felix Munatia Lugdunum, in present day Lyon, France, was founded in 43 BCE by Lucius Munantius Plancus on the 300 m high Fourvière hill overlooking the Saone and Rhône rivers and the plains to the north and east, it became the capital of the Gallia provinces, growing to be with some 50,000 inhabitants the largest town in Gaul. In the early days, the colonia on the west valleys surrounded Fourvière hill and depended on local springs, wells, and rain cisterns for its water provision, which soon became insufficient for the growing city. A first aqueduct was constr
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ALEXANDER, R. S. "FIVE RECENT WORKS ON FRENCH POLITICAL HISTORY FROM 1789 TO 1851 Radicals: politics and republicanism in the French Revolution. By Leigh Whaley. Phoenix Mill: Sutton, 2000. Pp. x+212. ISBN 0-7509-2238-9. £20.00. Massacre at the Champ de Mars: popular dissent and political culture in the French Revolution. By David Andress. Woodbridge: Boydell & Brewer Ltd, 2000. Pp. x+239. ISBN 0-86193-247-1. £35.00. Napoleon and Europe. Edited by Philip G. Dwyer. London: Longman, 2001. Pp. xxi+328. ISBN 0-582-31837-8. £14.99. Politics and theater: the crisis of legitimacy in Restoration France, 1815–1830. By Sheryl Kroen. Berkeley: University of California Press, 2000. Pp. xiv+394. ISBN 0-520-22214-8. £35.00. Paris between empires, 1814–1852. By Philip Mansel. London: John Murray, 2001. Pp. xi+559. ISBN 0-7195-5627-9. £25.00." Historical Journal 46, no. 3 (2003): 765–73. http://dx.doi.org/10.1017/s0018246x0300325x.

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Study of French political history for the period of 1789 to 1851 is exceedingly complex. Not only must one possess knowledge of a succession of regimes (with their varying constitutions, institutions, laws, and conventions), one must also grasp the essentials of political traditions such as royalism, republicanism, and liberalism, all of which altered over time, and familiarize oneself with a plethora of groups or sub groups, such as Montagnards and Girondins, authoritarian and Revolutionary Bonapartists, moderate and ultra royalists, that often adjusted their beliefs and positions according t
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13

Ewals, Leo. "Ary Scheffer, een Nederlandse Fransman." Oud Holland - Quarterly for Dutch Art History 99, no. 4 (1985): 271–90. http://dx.doi.org/10.1163/187501785x00134.

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AbstractAry Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that he was born and partly trained in the Netherlands is often overlooked. Yet throughout his life he kept in touch with Dutch colleagues and drew part of his inspiration from Dutch traditions. These Dutch aspects are the subject of this article. The Amsterdam City Academy, 1806-9 Ary Scheffer was enrolled at the Amsterdam Academy on 25 October 1806, his parents falsifying his date of birth in order to get him admitted
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14

Клименко, Ю. Г. "THE ROLE OF A FLAT "ITALIAN" ROOF IN THE ARCHITECTURE OF FRENCH CLASSICISM." ВОПРОСЫ ВСЕОБЩЕЙ ИСТОРИИ АРХИТЕКТУРЫ, no. 1(12) (February 17, 2020): 204–35. http://dx.doi.org/10.25995/niitiag.2019.12.1.010.

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Статья посвящена изучению эволюции кровельного искусства в архитектуре Франции XVII - начала XIX в. При всеобщем интересе к истории возникновения и расцвета французского классицизма, оказавшего существенное влияние на культуру всех стран, вопрос о роли новой формы кровли, причинах ее появления обычно остается за границами внимания исследователей. Переход от мансарды к плоской кровле, которую французские мастера называли «итальянской», сопровождался значительными конструктивными и инженерными новшествами. С целью их изучения в статье особое внимание было уделено анализу архитектурных увражей, м
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15

Lenhard, Philipp. "Zwischen Berlin und Paris." Zeitschrift für Religions- und Geistesgeschichte 73, no. 1 (2021): 1–20. http://dx.doi.org/10.1163/15700739-07301003.

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For Hegel’s German-Jewish disciples, the French Revolution marked the starting point of a history of freedom, which was to include legal and political emancipation. In many cases, however, the experiences of German-Jewish migrants in Paris were disappointing. The philosophical idea of “France” was not to be confused with its political reality. Nevertheless, the image of France served as a critical antithesis to the political situation in Germany throughout the 1820 and 1830s. The article discusses the impact of France on the political concepts of Jewish Hegelians with a focus on the jurist and
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16

Smith, Stephen W. "France in Africa: A New Chapter?" Current History 112, no. 754 (2013): 163–68. http://dx.doi.org/10.1525/curh.2013.112.754.163.

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17

Nyirkos, Tamás. "Conservative orators in Restoration France: Bonald vs. Chateaubriand." European Review of History: Revue européenne d'histoire 29, no. 5 (2022): 763–77. http://dx.doi.org/10.1080/13507486.2022.2086449.

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18

Louzao Villar, Joseba. "La Virgen y lo sagrado. La cultura aparicionista en la Europa contemporánea." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 8 (June 20, 2019): 152. http://dx.doi.org/10.18239/vdh_2019.08.08.

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RESUMENLa historia del cristianismo no se entiende sin el complejo fenómeno mariano. El culto mariano ha afianzado la construcción de identidades colectivas, pero también individuales. La figura de la Virgen María estableció un modelo de conducta desde cada contexto histórico-cultural, remarcando especialmente los ideales de maternidad y virginidad. Dentro del imaginario católico, la Europa contemporánea ha estado marcada por la formación de una cultura aparicionista que se ha generadoa partir de diversas apariciones marianas que han establecido un canon y un marco de interpretación que ha ali
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19

Diaz-Basteris, José, Beatriz Menéndez, Javier Reyes, and Julio C. Sacramento Rivero. "A Selection Method for Restoration Mortars Using Sustainability and Compatibility Criteria." Geosciences 12, no. 10 (2022): 362. http://dx.doi.org/10.3390/geosciences12100362.

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This work proposes sustainability criteria for the selection or design of restoration mortars based on their physical and mechanical properties, durability, price in the French market, and the environmental impact estimated by the global warming potential. A score is assigned to the mortars based on normalized values of their physical and mechanical properties. A total of 24 formulations of restoration mortars were characterized, and their scores were compared. A case study showing the application of the proposed selection method is presented, focused on the restoration of historical monuments
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20

Gouveia, William A. "International history of pharmacy meeting held in Paris, France." American Journal of Health-System Pharmacy 53, no. 6 (1996): 675–77. http://dx.doi.org/10.1093/ajhp/53.6.675.

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21

Cowans, Jon. "Fear and Loathing in Paris." Social Science History 26, no. 1 (2002): 71–104. http://dx.doi.org/10.1017/s0145553200012293.

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In 1978, some 40 years after the practice of opinion polling first arrived in France, the country’s newspapers and magazines informed their readers that 76% of the French approved of Charles de Gaulle’s role in World War II, that 77% did not consider the pope’s moral instructions binding, that 83% never participated in winter sports, and that 36% thought Michel Rocard would be a good finance minister. Anyone who could not remember those findings for long might be forgiven, for they were but drops in an ocean of polling data, a tidal wave of information that swept over France each year. For man
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Pestel, Friedemann. "The Impossible Ancien Régime colonial: Postcolonial Haiti and the Perils of the French Restoration." Journal of Modern European History 15, no. 2 (2017): 261–79. http://dx.doi.org/10.17104/1611-8944-2017-2-261.

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The Impossible Ancien Régime colonial: Postcolonial Haiti and the Perils of the French Restoration This article discusses the consequences of Napoleon's downfall for the world's first modern post-slavery state, Haiti. It focuses on the interplay between the French colonial office's diplomatic missions that were lobbied by dispossessed planters to recover the lost colony and the Haitian propaganda to guarantee national independence. These relations ultimately contributed to a shift in French colonial politics towards Haiti, from military conquest and re-enslavement to financial indemnification.
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23

White. "Is Paris Burning? Touring America's “Good War” in France." History and Memory 27, no. 2 (2015): 74. http://dx.doi.org/10.2979/histmemo.27.2.74.

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24

Warganegara, Ibramanto, and Dini Asrianti. "Tatalaksana kasus endodontik curved canal dengan pulp stone pada gigi premolar mandibula: laporan kasus." Jurnal Kedokteran Gigi Universitas Padjadjaran 36, no. 4 (2024): 202. http://dx.doi.org/10.24198/jkg.v36i4.49881.

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ABSTRAKPendahuluan: Variasi anatomis bentuk saluran akar yang melengkung atau curved canal merupakan suatu tantangan dalam tatalaksana perawatan endodontik. Faktor yang memperberat lain seperti adanya pulp stone dapat menyebabkan meningkatnya kompleksitas dalam perawatan endodontik serta resiko terjadinya kesalahan iatrogenik pada perawatan endodontik. Laporan kasus ini bertujuan membahas keberhasilan tatalaksana kasus endodontik dengan curved canal dan pulp stone pada gigi premolar mandibular. Laporan Kasus: Seorang pasien perempuan usia 45 tahun dirujuk dengan kasus pulp stone di kamar pulpa
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25

Haines, Barbara. "The Athénée de Paris and the Bourbon Restoration." History and Technology 5, no. 2-4 (1988): 249–71. http://dx.doi.org/10.1080/07341518808581736.

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26

Trump, Dominik. "In margine – Annotationen in der Handschrift Paris, Bibliothèque nationale de France, lat. 4417." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Romanistische Abteilung 136, no. 1 (2019): 364–71. http://dx.doi.org/10.1515/zrgr-2019-0015.

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Abstract In margine – Annotations in codex Paris, Bibliothèque nationale de France, lat. 4417. This paper deals with Paris, Bibliothèque nationale de France, lat. 4417, a 9th century manuscript containing quite a few annotations, especially in the margin. Within the text of the Epitome Aegidii, five nota signs clearly indicate a user's special interests. The annotations will be analysed regarding their functions, and it will be emphasized that the reception of a text can be clearly understood based on the evidence in the manuscript itself.
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27

Lefeuvre, Annaïg. "The Shoah Memorial: A history retraced from the Drancy site." International Review of the Red Cross 101, no. 910 (2019): 295–315. http://dx.doi.org/10.1017/s1816383119000432.

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AbstractBetween the inauguration of the Tomb of the Unknown Jewish Martyr in 1956 in Paris and the opening of the Shoah Memorial in Drancy in 2012, the narration of the Shoah in France has evolved through the use of archives, discussions, commemorations and exhibitions. In the immediate post-war period, a small group of people worked on the construction of a dedicated place to document the genocide of Jews in Europe in order to ensure that the memory of the Shoah would be impregnated into the collective consciousness. This project, which later evolved into the Paris and Drancy Shoah Memorials,
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28

Witman, Richard, and Richard Wittman. "Félix Duban's Didactic Restoration of the Château de Blois: A History of France in Stone." Journal of the Society of Architectural Historians 55, no. 4 (1996): 412–34. http://dx.doi.org/10.2307/991182.

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Félix Duban's restoration of the Château de Blois (1843-1870), one of the most ambitious and celebrated of the nineteenth century in France, has been neglected by historians more concerned with the restoration of medieval monuments and with the activity and influence of Eugène-Emmanuel Viollet-le-Duc. This study interprets some of Duban's archaeologically unjustified alterations to this complex monument in the light of the historicist architectural theory associated with Duban and the other Romantic architects Labrouste, Duc, and Vaudoyer. The château is an accretion of buildings from several
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Caron, Jean-Claude. "Marie-France SARDAIN, Défenses et sièges de Paris, 1814-1914." Revue d'histoire du XIXe siècle, no. 39 (December 10, 2009): 162–63. http://dx.doi.org/10.4000/rh19.3951.

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Rifkin, Adrian. "Americans gohome–which is more American, Paris‐Texas or Paris‐France?" Contemporary French and Francophone Studies 8, no. 3 (2004): 259–72. http://dx.doi.org/10.1080/1026021042000247072.

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Trukhina, Olga. "THE ODDITY OF THE RUSSIAN TURGENEV LIBRARY (PARIS, FRANCE)." Proceedings of Altai State Academy of Culture and Arts 4 (2020): 77–85. http://dx.doi.org/10.32340/2414-9101-2020-4-77-85.

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The paper briefly describes a history of establishing Russian Public Library in Paris, 1875, by an initiative of Russian politician German Lopatin; now, the Library is considered as the oldest Russian language book collection formed outside Russia. Ivan Turgenev's personal library took as a basis of the memorial document collection that gradually became a center of cultural life for the first wave of Russian revolution emigration to France. The article discloses content of the document collection by type of issues, calls its sources until it was seized by Nazi occupational administration in 19
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CUBITT, GEOFFREY. "THE POLITICAL USES OF SEVENTEENTH-CENTURY ENGLISH HISTORY IN BOURBON RESTORATION FRANCE." Historical Journal 50, no. 1 (2007): 73–95. http://dx.doi.org/10.1017/s0018246x06005929.

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For French political commentators and polemicists of the Bourbon Restoration period (1814–30), England's history of revolution and of royalist restoration between 1640 and 1688 offered striking and suggestive similarities to the trajectory of France's own political experience since 1789. Elaborated not just in the historical writings of men like Villemain, Guizot, and Carrel, but in a host of political speeches and pamphlets and other forms of ephemeral literature, allusions to Stuart and Cromwellian history carried a potent charge in debates and polemics over France's own political prospects.
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Rausch, F. "The impossible gouvernement representatif: constitutional culture in restoration France, 1814-30." French History 27, no. 2 (2013): 223–48. http://dx.doi.org/10.1093/fh/crt004.

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LYONS, M. "FIRES OF EXPIATION: BOOK-BURNINGS AND CATHOLIC MISSIONS IN RESTORATION FRANCE." French History 10, no. 2 (1996): 240–66. http://dx.doi.org/10.1093/fh/10.2.240.

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35

Petler, D. N. "Ireland and France in 1848." Irish Historical Studies 24, no. 96 (1985): 493–505. http://dx.doi.org/10.1017/s0021121400034489.

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It has long been recognised that the French revolution of 1848 had a profound effect on the rest of Europe. The overthrow of the Orleans monarchy and the establishment of the second republic were seen as heralding the dawn of a new age. Established governments, most of which had recognised that the Continent was approaching a period of crisis, anxiously expected the spread of the revolutionary contagion and the outbreak of a major European war, whilst the discontented elements found encouragement and inspiration from the events in Paris. In Great Britain the reaction to the events across the E
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Crozier, Ivan. "Zarathustra in Paris: the Nietzsche Vogue in France, 1891–1918." History Workshop Journal 53, no. 1 (2002): 274–78. http://dx.doi.org/10.1093/hwj/53.1.274.

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Jones, Colin. "FRENCH CROSSINGS: I. TALES OF TWO CITIES." Transactions of the Royal Historical Society 20 (November 5, 2010): 1–26. http://dx.doi.org/10.1017/s0080440110000034.

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ABSTRACTUnder the general title, ‘French Crossings’, the presidential addresses over the next four years will explore intersections and relationships between cultures, periods, disciplines, approaches, historiographies and problems, all within the general field of early modern and modern French history. ‘Tales of Two Cities’ takes as its approach both comparative history andl'histoire croisée. It compares and contrasts the very differing cultural impact on each side of the Channel of one of the most influential British novels about Franco-British political culture, namely, Charles Dickens'sA T
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Serain, Clément. "The Sensitive Perception of Cultural Heritage’s Materiality through Digital Technologies." Studies in Digital Heritage 2, no. 1 (2018): 95–105. http://dx.doi.org/10.14434/sdh.v2i1.24606.

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 This article focuses on the impact of digital technologies in the field of cultural heritage conservation and restoration (i.e., Conservation Science). It arises from thesis research I am currently preparing at Paris 8 University, in France. Having observed a renewal of our relationship to cultural heritage through information and communication technologies, I aim to explain how these technologies affect our sensitive perception and consequently our understanding of the materiality of virtually represented objects. In the double context of the museum institution and the conservation-res
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Morozov, Sergey N. "I. Bunin and K. Simonov: Paris Meetings." Literary Fact, no. 20 (2021): 205–15. http://dx.doi.org/10.22455/2541-8297-2021-20-205-215.

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The article presents a chronicle of personal meetings between I.A. Bunin and K.M. Simonov in Paris in the summer of 1946. K. Simonov was sent by the Soviet government to France in order to influence the decision of some Russian emigrants to return to Russia. The first number in this short list, of course, was I.A. Bunin. The beginning of the return of emigrants was the Decree of the USSR Supreme Council for the restoration of citizenship of the USSR citizens of the former Russian Empire, released in June 1946, Many Russian immigrants want to come back, started to issue a Soviet passport. I.A.
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Gosson, Renée K. "‘Tous ceux sans qui la France ne serait pas la France’: The case for a French national museum of colonial histories." French Cultural Studies 29, no. 2 (2018): 120–37. http://dx.doi.org/10.1177/0957155818755608.

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Although France is known as the country of museums, it has yet to inaugurate a museum of French history. At a time of mounting tensions between an increasingly multiracial and multicultural French population, on the one hand, and an inherently problematic model of French Republican integration on the other, one wonders whose history would be represented. In the wake of one of France’s worst cases of social unrest – the 2005 riots – Paris opened two new national museums (the Musée du Quai Branly and the Cité Nationale de l’Histoire de l’Immigration), which held great promise of leading France t
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Shapiro, Martin. "Judicial Review in France." Tocqueville Review 12 (December 1991): 3–19. http://dx.doi.org/10.3138/ttr.12.3.

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Although the matter I am about to take up might normally be relegated to a footnote, it is so important that I prefer to present it in the text as an introduction. Alec Stone is a Ph.D. candidate at the University of Washington completing a dissertation on the Conseil Constitutionnel. During a year in which I was teaching in Paris we conferred a number of times about the dissertation and, subsequent to the return of both of us to the States, I have become a sort of unofficial dissertation advisor.
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42

Joly, Laurent. "The Parisian Police and the Holocaust: Control, Round-ups, Hunt, 1940–4." Journal of Contemporary History 55, no. 3 (2019): 557–78. http://dx.doi.org/10.1177/0022009419839774.

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Slightly more than half of the 74,150 Jews deported from France between 1942 and 1944 were arrested in Paris and its close suburbs. For the large majority of these 38,500 men, women, and children, their arrest was carried out by ordinary policemen belonging to the Paris Police Prefecture. The objective of this article is to propose a complete and synthetic analysis of the role of this institution and its agents in the Holocaust. In Paris, unlike anywhere else in Europe, the implementation of the ‘final solution’ was entrusted to the traditional administration. These police officers were compet
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43

Jones, Colin. "FRENCH CROSSINGS IV: VAGARIES OF PASSION AND POWER IN ENLIGHTENMENT PARIS." Transactions of the Royal Historical Society 23 (November 19, 2013): 3–35. http://dx.doi.org/10.1017/s0080440113000029.

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ABSTRACTThis paper examines female libertinism in eighteenth-century France, highlighting the hybrid identity of actress, courtesan and prostitute of female performers at the Paris Opéra. The main focus is on the celebrated singer, Sophie Arnould. She and others like her achieved celebrity by moving seamlessly between these three facets of their identity. Their celebrity also allowed them to circulate within the highest social circles. Feminists of the 1790s such as Olympe de Gouges and Théroigne de Méricourt had pre-Revolutionary careers that were very similar to those of Arnould. It is sugge
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Dupont, Joan. "Searching for Nelly Kaplan." Film Quarterly 71, no. 4 (2018): 22–32. http://dx.doi.org/10.1525/fq.2018.71.4.22.

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Critic Joan Dupont went in search of filmmaker Nelly Kaplan, whom she had met at an awards ceremony in Paris over a decade ago. She was famous for one film, La Fiancée du Pirate (A Very Curious Girl, 1969), which had taken France and the international world of women's film festivals by storm. She had slipped out of sight; nobody seemed to know where she was or why. At the Cinémathèque Française, there was only a kind of embarrassment when her name was mentioned and no plan to show her films. This past year has seen a resurgence of interest in the work of Kaplan, and the restoration and rerelea
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45

Trump, Dominik. "Rezeptionsspuren in der Handschrift Paris, Bibliothèque nationale de France, lat. 4419 (Epitome monachi)." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Romanistische Abteilung 138, no. 1 (2021): 607–15. http://dx.doi.org/10.1515/zrgr-2021-0018.

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Abstract Traces of reception in codex Paris, Bibliothèque nationale de France, lat. 4419 (Epitome monachi). This short article deals with the manuscript Paris lat. 4419, which contains the Epitome monachi and was written at the end of the 9th or at the beginning of the 10th century. Some interesting annotations in the margin show the reception and interaction of users with the text. Selected annotations are discussed and analysed and an appendix with all marginal annotations of the codex is given.
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Martin, Jean-Pierre, and Anita McConnell. "Joining the observatories of Paris and Greenwich." Notes and Records of the Royal Society 62, no. 4 (2008): 355–72. http://dx.doi.org/10.1098/rsnr.2008.0029.

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In the closing years of the eighteenth century, France and Britain enjoyed a period of external peace that their scientific communities put to good use by finding an objective common to the leading academic institutions: the Académie royale des sciences in France, and the Royal Society in England. This was not an entirely new concept; the novelty was that the objective would be brought about by teams from each side working outside their own borders. It was part of both nations' long-running search for a means of establishing longitudes on land and at sea. The specific objective, however, was c
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Park. "Conversion, Renovation, Restoration: The Paris Deaf Institute, 1760–1840." Future Anterior: Journal of Historic Preservation, History, Theory, and Criticism 16, no. 1 (2019): 69. http://dx.doi.org/10.5749/futuante.16.1.0069.

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Pilbeam, Pamela. "The Economic Crisis of 1827–32 and the 1830 Revolution in Provincial France." Historical Journal 32, no. 2 (1989): 319–38. http://dx.doi.org/10.1017/s0018246x00012176.

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A spectre is still haunting historians of nineteenth-century France, the spectre of the bourgeois revolution of 1830, surviving despite the exorcism of revisionists. It is a spector that distorts our image of the liberal opposition to Charles X and of the victors after the July Days. Restoration prefects, moved from department to department with increasing rapidity in Charles X's reign, were content to categorize critics of the Polignac government as bourgeois. In the July Monarchy socialists vilified the elite as an established bourgeoise who robbed the real revolutionaries, the artisans, of
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Taylor, Larissa Juliet, and Moshe Sluhovsky. "Patroness of Paris: Rituals of Devotion in Early Modern France." Sixteenth Century Journal 30, no. 2 (1999): 496. http://dx.doi.org/10.2307/2544723.

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Young, Robert J. ":We'll Always Have Paris: American Tourists in France Since 1930." American Historical Review 110, no. 4 (2005): 1141–42. http://dx.doi.org/10.1086/ahr.110.4.1141.

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