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Journal articles on the topic 'Paris (France) – Intellectual life – 19th century'

Author: Grafiati

Published: 10 March 2023

Last updated: 31 July 2025

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1

Teive, Hélio, Matheus Gomes Ferreira, Carlos Henrique Ferreira Camargo, Renato Puppi Munhoz, and Olivier Walusinski. "The Duels of Pierre Marie and Jules Dejerine." European Neurology 83, no. 3 (2020): 345–50. http://dx.doi.org/10.1159/000507991.

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In no country has the duel prevailed to such a great extent as in France where the matter of dueling and affairs of honor were of frequent occurrence until the 20th century. The term duel has since been established for any contest between 2 persons or parties, be they sporting, intellectual, political, or in other matters. Despite their worldwide recognition and great scientific production, Pierre Marie and Jules Dejerine became rivals at the end of the 19th century. While Marie defended Charcot’s neurological school at Salpêtrière Hospital, Dejerine had his own neurology school to contend. Th

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Barria-Asenjo, Nicol A. "Alain Badiou a Life and a System of Thought:." Aitías, Revista de Estudios Filosóficos del Centro de Estudios Humanísticos de la UANL 3, no. 5 (2023): 119–38. http://dx.doi.org/10.29105/aitas3.5-56.

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"L'histoire des idees", has a nominal existence in the period of the Enlightenment, that is to say, it has its origins in the 19th century in France. From the moment of its appearance and establishment as an independent field, it maintained a close and complementary relationship with philosophy. At present, the History of Ideas is a field in dialogue with History, Historiography, Philosophy and even Psychoanalysis. It is necessary to return to the French intellectual terrain, to the living history and intellectual production of our time in order to analyze the contribution that French philosop

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3

Brennan, Thomas. "Taverns in the Public Sphere in 18th-Century Paris." Contemporary Drug Problems 32, no. 1 (2005): 29–43. http://dx.doi.org/10.1177/009145090503200104.

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The 18th-century Parisian tavern was public space that lay beyond the private spheres of home, family, or corporate identity. Taverns, like markets or roads, were without inherent order, so they required the ordering of public authority. For much of the old regime, taverns illustrate the public sphere in its subjection to public control. A second public sphere, found in the coffeehouses of Britain and the cafés of France, was a place of intellectual and social exchange that gradually challenged the royal monopoly on public issues. Yet taverns demonstrated the evolution of a third public sphere

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4

Loeser, Martin. "Zur Rezeption der Oratorien Haydns in Paris zwischen 1800 und 1850: Institutionelle und ästhetische aspekte." Studia Musicologica 51, no. 1-2 (2010): 201–13. http://dx.doi.org/10.1556/smus.51.2010.1-2.14.

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In German speaking countries Haydn’s oratorios, and particularly TheCreation , have played an important role in the repertoire of choral societies and music festivals since the 1810s. However, in France, and also in Paris — “the capital of the 19th century” —, Haydn’s oratorios were performed only on rare occasions, and then they were given mostly in parts. The reasons for these circumstances can be seen in the institutional and esthetical context of the Parisian concert life. With respect to professional concert societies, like the Société des Concerts du Conservatoire , rigid obstacles were

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5

Hurol, Yonca, and Ashraf M. Salama. "Editorial: Urban Transformations in Rapidly Growing Contexts." Open House International 44, no. 4 (2019): 4. http://dx.doi.org/10.1108/ohi-04-2019-b0001.

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Cities have always been sources of inspiration for poetry. However, the modern western cities, which are the origins of secularity, have inspired poets in different ways. Charles Baudelaire captured the poetic dimensions of modernity in Paris in the 19th century. He wrote about the night life of Paris which became possible after street lighting. He wrote about corruption. Baudelaire also wrote about the changing character of commercial places in cities and tried to grasp the feelings of people as a ‘flaneur': an individual stroller at city streets. The philosopher Walter Benjamin got inspired

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Hillman, Jordan. "Steinlen, the Police, and the (In)Justice System in Fin-de-Siècle France." Visual Arts Research 48, no. 1 (2022): 83–101. http://dx.doi.org/10.5406/21518009.48.1.08.

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Abstract In writing about the police force in late 19th-century France, the anarchist Jean Grave decried that it was in fact necessary, if only to uphold the decisions of the unjust magistracy and to protect the interests of the bourgeoisie. This essay explores his claim through the graphic work of the Franco-Swiss artist Théophile-Alexandre Steinlen, a member of Grave's intellectual circle. Steinlen collaborated with radical leftist performers, authors, and publishers, including Grave, to produce a wealth of images that reveal his keen sensitivity to the social and political inequities of his

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Laurent, Thierry. "Prosper Mérimée et la Pologne." Cahiers ERTA, no. 24 (2020): 89–102. http://dx.doi.org/10.4467/23538953ce.20.019.13221.

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Prosper Mérimée and Poland Prosper Mérimée (1803‐1870), writer and scholar, member of the French Academy, has often evoked in his correspondence, his fictional accounts and his historical studies, the political and cultural past of Poland as well as its conflicting relations with Russia during the 19th century. Unlike many of his romantic contemporaries, he was rather insensitive to the plight of the Poles and made no effort to understand them better. His fear of revolutionary convulsions, his anti‐Catholic prejudices, his too superficial knowledge of local realities and his growing love for R

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Laurent, Thierry. "Prosper Mérimée et la Pologne." Cahiers ERTA, no. 24 (2020): 89–102. http://dx.doi.org/10.4467/23538953ce.20.019.13221.

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Prosper Mérimée and Poland Prosper Mérimée (1803‐1870), writer and scholar, member of the French Academy, has often evoked in his correspondence, his fictional accounts and his historical studies, the political and cultural past of Poland as well as its conflicting relations with Russia during the 19th century. Unlike many of his romantic contemporaries, he was rather insensitive to the plight of the Poles and made no effort to understand them better. His fear of revolutionary convulsions, his anti‐Catholic prejudices, his too superficial knowledge of local realities and his growing love for R

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9

Ueno, Hiroki. "Adam Smith between the Scottish and French Enlightenments." Dialogue and Universalism 32, no. 1 (2022): 127–46. http://dx.doi.org/10.5840/du20223218.

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This paper discusses Adam Smith’s intellectual relationship with the French Enlightenment, with a particular focus on his view of French culture as conveyed in The Theory of Moral Sentiments (1759). Compared to England at that time, eighteenth-century Scotland is considered as having a closer affiliation with France in terms of their intellectual and cultural life during what has been dubbed the Enlightenment. While David Hume was representative of the affinity between the French and Scottish literati, Smith also held an enduring interest in the French philosophy, literature, and other aspects

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Ortiz, Roberto José. "Aristocratic Rebellion: Ruben Darío and the Creation of Artistic Freedom in the World-System." Journal of World-Systems Research 21, no. 2 (2015): 339–61. http://dx.doi.org/10.5195/jwsr.2015.6.

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The late 19th struggle for artistic freedom in the capitalist world-system put the artist in a contradictory position. This contradiction is particularly relevant for writers of the periphery. Freedom or autonomy to pursue purely intellectual projects required a certain aristocratic defense of the value of art. At the same time, however, artists and intellectuals did confront structural subordination: they belonged, as Pierre Bourdieu explained, to the dominated fractions of the dominant class, subordinated both to the state and the bourgeoisie. The life of Nicaraguan Ruben Darío (1867–1916),

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Kumar, Nishant, Reetu Gour, and Navneet Sharma. "Intellectual Property Rights and Economical Development: A Brief Overview." Journal of Scientific Research and Reports 30, no. 5 (2024): 145–62. http://dx.doi.org/10.9734/jsrr/2024/v30i51930.

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A "strong" IPRs regime, in the sense of providing robust protection of private intellectual property rights, was not a necessary prerequisite for their economic growth, according to the historical experiences of the now-developed nations while they were growing themselves, which we reviewed. Most of them did not provide PIPRs with any real protection until quite late in their development related to life science and especially biotechnology. Even the most developed nations, like the UK and the US, didn't create robust PIPRs regimes until the middle of the 19th century (with the exception of cop

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Timofeev, Dmitry V. "THE CONCEPT OF “REPUBLIC” IN PUBLIC SPACE OF THE RUSSIAN EMPIRE OF THE FIRST QUARTER OF THE 19TH CENTURY." Ural Historical Journal 76, no. 3 (2022): 93–102. http://dx.doi.org/10.30759/1728-9718-2022-3(76)-93-102.

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On the basis of the comparative and contextual analysis of publications in the Russian periodicals of the first quarter of the 19th century the article reconstructs the methods of argumentation used in the course of public discussion of ideals and practice of republicanism. Theoretical approaches of the modern history of concepts are used as methodological tools to reveal the ideas of contemporaries about the essence of the republic, the reasons for its emergence and decline, the nature of the relationship between citizens and the state. The intellectual context of Russia’s republican discours

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Fouache, Eric. "Exploring the impact of Cvijic’s geomorphology research: A legacy in France and the Balkans." Journal of the Geographical Institute Jovan Cvijic, SASA 74, no. 3 (2024): 417–25. https://doi.org/10.2298/ijgi2403417f.

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Jovan Cvijic (1865-1927) played a major role in the development of geomorphology at national and international levels. His personal qualities were crucial to this recognition, but the intellectual background of the second half of the 19th century and the transnational context of the Austro-Hungarian Empire facilitated this threefold development. In Vienna, in contact with his professors, starting with Albrecht Penck, he fully embraced a modern geography based on field observations as opposed to a cabinet geography, a geography that needed to be illustrated by drawing or photography. His physic

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Sosiashvili, Giorgi. "THE UKNOWN EPISODES OF THE LIFE OF GIORGI JURULI MINISTER OF FINANCE, TRADE AND INDUSTRY OF THE DEMOCRATIC REPUBLIC OF GEORGIA (1918–1921)." Pro Georgia, no. 32/2022 (January 1, 2022): 163–83. http://dx.doi.org/10.32690/1230-1604/pg32/g.sosiashvili.

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In the current work, based on the document and narrative sources, we have researched a prominent village, distinguished with its antiquities, located in Patara Liakhvi Gorge – Arbo’s past, its location, ethnic appearance and political history, material culture sites and its ecclesiastic sanctities. The adventure of the family in the mentioned village, that of the member of the government of the First Democratic Republic of Georgia – Giorgi Juruli. A separate place is designated to the life and activities of the family of Ilia Makarashvili – a son-in-law of Juruli family, who also resided in Ar

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Werdiger, Ori. "Migration, Exile, and Vocation in the Metropol: The Figure of Joseph in the Early Writings of Léon Askenazi." Religions 15, no. 6 (2024): 673. http://dx.doi.org/10.3390/rel15060673.

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This paper considers the relationship between exile and migration as reflected in a case study of biblical exegesis in modern Jewish thought. I consider the place of the biblical figure of Joseph in an early text by Léon Askenazi (also known as Manitou), a North African kabbalist and French intellectual, and a key spiritual leader of Francophone Jewry in the second half of the twentieth century. The paper begins by locating Askenazi within the mass migration, or “repatriation”, of the Algerian Jewish community to metropolitan France. I then examine and analyze the reinterpretation of Joseph in

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Hatina, Meir. "WHERE EAST MEETS WEST: SUFISM, CULTURAL RAPPROCHEMENT, AND POLITICS." International Journal of Middle East Studies 39, no. 3 (2007): 409a. http://dx.doi.org/10.1017/s0020743807070936.

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This paper traces the significant role of Sufism in promoting Muslim—Christian dialogue at a time of growing friction and colonial encroachment. The widening gap in power and wealth between the Western and Muslim world from the 19th century onward heightened cultural animosity between the two but also evoked ecumenical efforts to diffuse this contention. One such effort was Islamic modernism, which promoted a liberal interpretation of scripture and advocated the establishment of an inclusive polity that would encompass women and religious minorities. Islamic modernism gained considerable atten

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Kravets, Yarema. "Mykhailo Hrushevsky and His Francophonic «Anthologie de la littérature ukrainienne» (1921) in Belgian and French Publications of the 20th and 21stcenturies (in Ukrainian) 7-15." Sultanivski Chytannia, no. 12 (June 1, 2023): 7–15. http://dx.doi.org/10.15330/sch.2023.12.7-15.

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Mykhailo Hrushevsky’s presence in French culture dates back to the beginning of the 20th century (a course of lectures in Paris, a review of É. Verhaeren’s drama, a 1912 Paris edition, etc.). Scholar’s most outstanding work in the context of Ukrainian-Francophone literary relations is his «Anthologie de la literature ukrainienne» (1921), which helped Francophone researchers learn about the literary heritage of Ukraine from ancient times to the 19th century. The main thesis of the article is the importance of this anthology in further acquaintance of the French speaking world with Ukrainian lit

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ISMITA, SINGH. "impact of architecture movement on architecture education." IJSER Volume 8, Issue 4 (2017): 365–41. https://doi.org/10.5281/zenodo.5418522.

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Academia did San Luca later served model for the Académie royale de peinture et de sculpture founded in France in 1648, and which later became the Académie des beaux-arts brought  revolutionary development of the European architecture which lead  to the development of philosophical schools over the world. The Industrial Revolution was a one of the pivoting points in human history and cultural. Idea of a professional architect with formal training and academic qualifications is a product of the 19th century, when architectural courses were instituted for the first time a

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Agratina, Elena E. "The School of Selected Students in the System of French Academic Art Education of the 18th Century." Observatory of Culture 19, no. 1 (2022): 66–76. http://dx.doi.org/10.25281/2072-3156-2022-19-1-66-76.

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For the first time in Russian historiography, the article reconstructs the history of the School of Selected Students, established in 1747 as an additional link of academic art education. The article uses cultural-historical and socio-psychological approaches. The author refers to the numerous sources of the 18th—19th centuries stored in the National Library of France (Paris): treatises devoted to upbringing and art education in France in the 18th century, protocols of the Royal Academy of Painting and Sculpture, correspondence of the directors of the French Academy in Rome with the directors

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Wojda, Jacek. "Duchowieństwo polskie i rok 1905 w świetle raportu konsula francuskiego d'Anglade'a." Teologiczne Studia Siedleckie XI (2014) 11, no. 2014 (2021): 183–98. https://doi.org/10.5281/zenodo.5566298.

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<strong>Polish clergy and year 1905 in the light of a report of French consul d’Anglade</strong> Among documents which were sent by General Consulate of France in Warsaw to Ministry of Foreign Affairs in Paris, on the turn of the 19th century, we can find report about priesthood.  It  bears a date 15 December 1905 y. and his author is Consul General, Georges Bosseront d’Anglade, and addressee, minister of Foreign Affairs in France, Maurice Rouvier. We can find the way of understanding events which have place in NearVistula Country by French diplomatic service, to lay emph

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Teslya, Andrey. "Written Conversations: N.A. Berdyaev’s Epistolary Archive." Otechestvennaya Filosofiya 2, no. 2 (2024): 120–25. http://dx.doi.org/10.21146/2949-3102-2024-2-2-120-125.

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The essay examines the book published in 2023 “Nikolai Berdyaev: An Epistolary Conversation. Archival Materials”, containing bilateral correspondence between N.A. Berdyaev and S.L. Frank, as well as letters to Berdyaev from N.O. Lossky and Yu.M. Panebrattsev. This book covers the chronological period from 1922 to 1948, during which Berdyaev was living in exile. The main focus of the book is the correspondence between Berdyaev and Frank, which covers a wide range of topics, including the fate of Russian philosophical research abroad, educational and publishing institutions in Germany and France

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Le Baillif, Anne-Marie. "Paris, « un lieu centre de tous les centres ». Est-ce toujours d’actualité ?" Interlitteraria 25, no. 2 (2020): 435–42. http://dx.doi.org/10.12697/il.2020.25.2.14.

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Paris, “The Centre of All Centres”. Is It Still the Case? In La République Mondiale des Lettres published in 1999 and 2008, Ms. Casanova wrote: “Paris is the Greenwich meridian for literature” for the 19th and 20th centuries. Writers and artists have come to the city in the past because it was extremely attractive for creative and economic reasons. But at the beginning of the 21st century, with the rise of the New Media for writing, publishing and diffusing, is it correct to say that Paris is still supreme? Is location more important than the time devoted to writing and reading? The clai

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Le Baillif, Anne-Marie. "Paris, « un lieu centre de tous les centres ». Est-ce toujours d’actualité ?" Interlitteraria 25, no. 2 (2020): 435–42. http://dx.doi.org/10.12697/il.2020.25.2.14.

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Paris, “The Centre of All Centres”. Is It Still the Case? In La République Mondiale des Lettres published in 1999 and 2008, Ms. Casanova wrote: “Paris is the Greenwich meridian for literature” for the 19th and 20th centuries. Writers and artists have come to the city in the past because it was extremely attractive for creative and economic reasons. But at the beginning of the 21st century, with the rise of the New Media for writing, publishing and diffusing, is it correct to say that Paris is still supreme? Is location more important than the time devoted to writing and reading? The clai

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Huk, Zoriana. "MARIE BASHKIRTSEFF AND BOJIDAR KARAGEORGEVITCH: THE UNIQUENESS OF A CREATIVE DIALOGUE BETWEEN UNIVERSALIST ARTISTS." Inozenma Philologia, no. 135 (December 15, 2022): 135–45. http://dx.doi.org/10.30970/fpl.2022.135.3813.

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In her article, the author intends to embrace the phenomenon of Marie Bashkirtseff , whose literary legacy perfectly refl ects the epoch at the turn of the centuries. To achieve this goal, the author uses such methods as comparative, receptive and interpretive ones as well as cross reading. A special focus is on the Diary by Bashkirtseff which helps understand her creative personality, psychological priorities and artistic mission. The author studies her Ukrainian identity, estheticism, artistic behavior, feminism and disagreement with a traditional status of the woman that was so typical for

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Andreeva, Galina N. "Russian Princes M. S. and S. M. M. Vorontsov and the archival copy of the copy of the U.S. Declaration of Independence of 1776." Herald of an archivist, no. 4 (2024): 1019–36. https://doi.org/10.28995/2073-0101-2024-4-1019-1036.

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The article reveals the dating and analyzes the significance of the copy of the copy of the U.S. Declaration of Independence of 1776, kept in the fund of M. S. and S. M. Vorontsovs of the Russian State Archive of Ancient Acts (RGADA). M. Vorontsovs in the Russian State Archive of Ancient Acts (RGADA). Multiplication of copies of the original act from the moment of its adoption took place many times and often in significant editions. In order to assess the degree of uniqueness of the copy under study, such criteria as the time and place of its creation, prevalence and connection of the copy as

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Przybos, Julia. "Polish Decadence: Leopold Staff's Igrzysko in the European Context." Nordlit 15, no. 2 (2012): 79. http://dx.doi.org/10.7557/13.2045.

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Decadent authors writing about the past share a common artistic practice: revisionist creativity. I argue in my Zoom sur les décadents that this particular type of creativity uses as its main device recombination of legends, myths, and historical events. Historical, cultural or religious figures are reexamined and shown in a new unexpected light. I show in my book how Villiers de Isle-Adam conflates two crucial battles of the Ancient world: Marathon (490 BC) and Thermopiles (480 BC) in ashort story called "Impatience de la foule." The final result of Villiers's telescoping of separate historic

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27

Weis, Monique. "Le mariage protestant au 16e siècle: desacralisation du lien conjugal et nouvelle “sacralisation” de la famille." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 8 (June 20, 2019): 134. http://dx.doi.org/10.18239/vdh_2019.08.07.

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RÉSUMÉLe principal objectif de cet article est d’encourager une approche plus large, supraconfessionnelle, du mariage et de la famille à l’époque moderne. La conjugalité a été “désacralisée” par les réformateurs protestants du 16e siècle. Martin Luther, parmi d’autres, a refusé le statut de sacrement au mariage, tout en valorisant celui-ci comme une arme contre le péché. En réaction, le concile de Trente a réaffirmé avec force que le mariage est bien un des sept sacrements chrétiens. Mais, promouvant la supériorité du célibat, l’Église catholique n’a jamais beaucoup insisté sur les vertus de l

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Ewals, Leo. "Ary Scheffer, een Nederlandse Fransman." Oud Holland - Quarterly for Dutch Art History 99, no. 4 (1985): 271–90. http://dx.doi.org/10.1163/187501785x00134.

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AbstractAry Scheffer (1795-1858) is so generally included in the French School (Note 2)- unsurprisingly, since his career was confined almost entirely to Paris - that the fact that he was born and partly trained in the Netherlands is often overlooked. Yet throughout his life he kept in touch with Dutch colleagues and drew part of his inspiration from Dutch traditions. These Dutch aspects are the subject of this article. The Amsterdam City Academy, 1806-9 Ary Scheffer was enrolled at the Amsterdam Academy on 25 October 1806, his parents falsifying his date of birth in order to get him admitted

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Wright, James R. "Société Mutuelle d'Autopsie, American Anthropometric Society, and the Wilder Brain Collection." Archives of Pathology & Laboratory Medicine, August 19, 2022. http://dx.doi.org/10.5858/arpa.2021-0623-hp.

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Context.— In the late 19th century, mutual autopsy societies formed, first in Paris, France (1876) and later in Philadelphia, Pennsylvania. Members, who were often a who's who of anthropologists, physicians, intellectuals, and highly accomplished citizens, pledged to submit their bodies for autopsies to be performed by living society members so that their brains could be weighed and surface topography studied, with the results to be correlated with the decedents' intelligence and personal strengths during life. Objective.— To explore the short history of these societies, the science they produ

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"Paris and the countryside: modern life in late-19th-century France." Choice Reviews Online 44, no. 07 (2007): 44–3705. http://dx.doi.org/10.5860/choice.44-3705.

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Jeznach, Klaudia. "U stóp kameleona. Oblicza XIX-wiecznego Paryża w epistolografii Elizy z Branickich Krasińskiej." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 24 (December 31, 2024). https://doi.org/10.24917/20811853.24.16.

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This article is an attempt to look at the Parisian correspondence of Eliza Branicka Krasińska, wife of the great poet Zygmunt Krasiński, as a story about the 19th century capital of France. The everyday life, political and social events described in Elżbieta Krasińska's letters show Paris as a city with two faces. Following the aristocrat, we reach the art studios of the most outstanding painters, watch performances in theaters and operas, and also taste the latest French literature. The prose of life is shown against the background of great history and internal changes taking place in France.

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Skomorovskiy, Grigory. "Review, or reflections on the new economic critique and its horizons." Vilnius University Open Series, November 6, 2024, 236–44. http://dx.doi.org/10.15388/sv-i-ii.2024.21.

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The article is dedicated to reviewing the publication by Polina de Mauny titled Monetary Aspects of the Writer-Publisher Relationship in the Correspondence of Ivan Turgenev and Jules Hetzel (Versus magazine, 2022). De Mauny focused on the economic aspects of the circulation of I. S. Turgenev’s texts in France. Our article provides additional insights into the financial aspects of the literary life in Paris during the second half of the 19th century. These insights are based on analysis of Guy de Maupassant’s correspondence.

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JARRASSE, Bénédicte. "Paris « aux bains de mer » L’invention médiatique d’une mondanité balnéaire dans la revue La Vie parisienne (1863-1885)." Sociopoétiques, no. 5 (November 9, 2020). http://dx.doi.org/10.52497/sociopoetiques.1149.

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Launched in England, the fashion of sea bathing spreads over France in the course of the second half of the 19th century, thanks to the development of seaside resorts as well as of the railway network. Henceforth, sea bathing becomes widely publicized in media culture. La Vie parisienne depicts it as an essential feature of the fanciful worldly life tirelessly promoted by this illustrated magazine founded in 1863 by the French cartoonist Marcelin. And thus, sea bathing gets adorned with a somewhat frivolous – not to say lecherous touch, leaving far away therapeutic concerns the practice origin

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SAIDI, HEDI. "La société tunisienne au XIXème siècle : organisation, pouvoirs et autorité pendant la colonisation française (1880-1883) (Tunisian society in the 19th century: organization, powers and authority during French colonization (1880-1883))." 16/2020 L'EUROPE UNIE /UNITED EUROPE, PARIS, No-16/2020, Print ISSN: 0248-2851, On line ISSN: 2743-4052 Linking ISSN (ISSN-L): 2743-4052, EAN: 99782749700519, DOI: 10.13140/RG.2.2.29873.49761, https://www.ceeol.com/search/journal-detail?id=1955, April 8, 2025. https://doi.org/10.5281/zenodo.15171865.

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16/2020 L'EUROPE UNIE /UNITED EUROPE, PARIS, No-16/2020, Print ISSN: 0248-2851, On line ISSN: 2743-4052 Linking ISSN (ISSN-L): 2743-4052, EAN: 99782749700519, DOI: 10.13140/RG.2.2.29873.49761, https://www.ceeol.com/search/journal-detail?id=1955   La société tunisienne au XIXème siècle : organisation, pouvoirs et autorité pendant la colonisation française (1880-1883)(Tunisian society in the 19th century: organization, powers and authority during French colonization (1880-1883)) <strong>Author(s): </strong>Hedi Saidi <strong>Language: </st

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Rodríguez-Esteban, José Antonio. "Geopolitical perspectives in Spain: from the Iberismo of the 19th century to the Hispanoamericanismo of the 20th." Finisterra 33, no. 65 (2012). http://dx.doi.org/10.18055/finis1736.

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The changes which took place in the balance of power in Europe in the last thirty years of the 19th century, together with the process of colonial expansion and partition, led Spanish geographers to see the need to combine the territorial projects and interests of Spain and Portugal with the aim of defending what remained of their colonial empires, coveted by English-speaking countries. This gave new life to a school of thought known as "Iberismo", which now extended to include France in the formula of a "triple alliance of the South" based on the common interests of Latin countries. The failu

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González Alarcón, Esther. "George Moore: la pasión francesa." ODISEA. Revista de estudios ingleses, no. 12 (March 24, 2017). http://dx.doi.org/10.25115/odisea.v0i12.341.

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Resumen:Nuestro propósito con este trabajo es dar a conocer la obra del autor irlandés George Moore. Hablaremos de la influencia que tuvo Francia, los pintores impresionistas y escritores franceses de finales del siglo XIX y principios del XX en su carrera de escritor. Tomaremos como análisis de estudio su libro de memorias Confessions d´un jeune anglais (1986) ya que dicha autobiografía es un el retrato del espectáculo que se vivía en París durante aquellos años. Sigamos a ese joven por las calles de Montmartre, véamoslo discutir de pintura con Manet y Renoir, oigámosle compartir ideas con Zo

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Provençal, Johanne. "Ghosts in Machines and a Snapshot of Scholarly Journal Publishing in Canada." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.45.

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The ideas put forth here do not fit perfectly or entirely into the genre and form of what has established itself as the scholarly journal article. What is put forth, instead, is a juxtaposition of lines of thinking about the scholarly and popular in publishing, past, present and future. As such it may indeed be quite appropriate to the occasion and the questions raised in the call for papers for this special issue of M/C Journal. The ideas put forth here are intended as pieces of an ever-changing puzzle of the making public of scholarship, which, I hope, may in some way fit with both the work

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Polanska, Julita. "Женщины на философских конгрессах и съездах (обзор публикаций после конгрессов)". Philosophical polylogue, № 2 (2021). http://dx.doi.org/10.31119/phlog.2021.2.151.

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The article presents an analysis of women’s participation in the world philosophical congresses held between 1900 and 1914: in Paris (1900), Geneva (1905), Heidelberg (1908), and Bologna (1911). The range of problems and contents of the papers delivered by the women at these congresses are reviewed, and their intellectual biographies are briefly described. It is shown that male philosophers were overwhelmingly among the participants in the congresses, while women were a rare exception. Particular attention is given in the article to identifying the reasons for the lack of women’s involvement i

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Kraege, Desmond Bryan. "The School of the New Athens: Boullée, Raphael and Anachronism in the Bibliothèque du Roi." Textes et contextes, no. 17-1 (July 15, 2022). http://dx.doi.org/10.58335/textesetcontextes.3536.

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Étienne-Louis Boullée, describing his project for the Bibliothèque du Roi in Paris, claimed Raphael’s School of Athens as his chief source of inspiration. This statement is confirmed by the architect’s drawing of the suggested gallery, in which groups of ancient figures converse, disposed similarly to the philosophers in the Renaissance fresco. Placing ancient costumes in a modern project may at first appear to constitute a simple anachronism, stemming – in this case – from the direct imitation of a model. This article will however contend that far more complex and significant temporalities ca

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Castro, Jose Esteban, Christelle Pezon, Fernandez Cristian Flores, Melissa Bayer, Francesca Minelli, and Prieto Noelia Rodríguez. "Scrutinizing water politics: lessons from Bolivia, Chile, France, and Spain (in English and Spanish)." January 4, 2021. https://doi.org/10.5281/zenodo.4416071.

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In this issue we feature five articles focused on experiences from Bolivia, Chile, France, and Spain, presenting research results, some originated in doctoral dissertations. Article 1 was authored by Christelle Pezon, from the National Conservatory of Arts and Crafts (CNAM), at the Interdisciplinary Research Centre in Action-oriented Sciences (LIRSA), Paris, France. The paper presents a synthetic historical overview of the changing institutional arrangements for the provision of water and sanitation services in France. The focus is on the expected far-reaching imp

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Mac Con Iomaire, Máirtín. "Coffee Culture in Dublin: A Brief History." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.456.

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IntroductionIn the year 2000, a group of likeminded individuals got together and convened the first annual World Barista Championship in Monte Carlo. With twelve competitors from around the globe, each competitor was judged by seven judges: one head judge who oversaw the process, two technical judges who assessed technical skills, and four sensory judges who evaluated the taste and appearance of the espresso drinks. Competitors had fifteen minutes to serve four espresso coffees, four cappuccino coffees, and four “signature” drinks that they had devised using one shot of espresso and other ingr

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Fordham, Helen. "Curating a Nation’s Past: The Role of the Public Intellectual in Australia’s History Wars." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1007.

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IntroductionThe role, function, and future of the Western public intellectual have been highly contested over the last three decades. The dominant discourse, which predicts the decline of the public intellectual, asserts the institutionalisation of their labour has eroded their authority to speak publicly to power on behalf of others; and that the commodification of intellectual performance has transformed them from sages, philosophers, and men of letters into trivial media entertainers, pundits, and ideologues. Overwhelmingly the crisis debates link the demise of the public intellectual to sh

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Inglis, David. "On Oenological Authenticity: Making Wine Real and Making Real Wine." M/C Journal 18, no. 1 (2015). http://dx.doi.org/10.5204/mcj.948.

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IntroductionIn the wine world, authenticity is not just desired, it is actively required. That demand comes from a complex of producers, distributors and consumers, and other interested parties. Consequently, the authenticity of wine is constantly created, reworked, presented, performed, argued over, contested and appreciated.At one level, such processes have clear economic elements. A wine deemed to be an authentic “expression” of something—the soil and micro-climate in which it was grown, the environment and culture of the region from which it hails, the genius of the wine-maker who nurtured

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Mudie, Ella. "Disaster and Renewal: The Praxis of Shock in the Surrealist City Novel." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.587.

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Introduction In the wake of the disaster of World War I, the Surrealists formulated a hostile critique of the novel that identified its limitations in expressing the depth of the mind's faculties and the fragmentation of the psyche after catastrophic events. From this position of crisis, the Surrealists undertook a series of experimental innovations in form, structure, and style in an attempt to renew the genre. This article examines how the praxis of shock is deployed in a number of Surrealist city novels as a conduit for revolt against a society that grew increasingly mechanised in the clima

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McGillivray, Glen. "Nature Transformed: English Landscape Gardens and Theatrum Mundi." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1146.

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IntroductionThe European will to modify the natural world emerged through English landscape design during the eighteenth century. Released from the neo-classical aesthetic dichotomy of the beautiful and the ugly, new categories of the picturesque and the sublime gestured towards an affective relationship to nature. Europeans began to see the world as a picture, the elements of which were composed as though part of a theatrical scene. Quite literally, as I shall discuss below, gardens were “composed with ‘pantomimic’ elements – ruins of castles and towers, rough hewn bridges, Chinese pagodas an

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Woldeyes, Yirga Gelaw. "“Holding Living Bodies in Graveyards”: The Violence of Keeping Ethiopian Manuscripts in Western Institutions." M/C Journal 23, no. 2 (2020). http://dx.doi.org/10.5204/mcj.1621.

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IntroductionThere are two types of Africa. The first is a place where people and cultures live. The second is the image of Africa that has been invented through colonial knowledge and power. The colonial image of Africa, as the Other of Europe, a land “enveloped in the dark mantle of night” was supported by western states as it justified their colonial practices (Hegel 91). Any evidence that challenged the myth of the Dark Continent was destroyed, removed or ignored. While the looting of African natural resources has been studied, the looting of African knowledges hasn’t received as much atten

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See, Pamela Mei-Leng. "Branding: A Prosthesis of Identity." M/C Journal 22, no. 5 (2019). http://dx.doi.org/10.5204/mcj.1590.

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This article investigates the prosthesis of identity through the process of branding. It examines cross-cultural manifestations of this phenomena from sixth millennium BCE Syria to twelfth century Japan and Britain. From the Neolithic Era, humanity has sort to extend their identities using pictorial signs that were characteristically simple. Designed to be distinctive and instantly recognisable, the totemic symbols served to signal the origin of the bearer. Subsequently, the development of branding coincided with periods of increased in mobility both in respect to geography and social strata.

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Kuang, Lanlan. "Staging the Silk Road Journey Abroad: The Case of Dunhuang Performative Arts." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1155.

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The curtain rose. The howling of desert wind filled the performance hall in the Shanghai Grand Theatre. Into the center stage, where a scenic construction of a mountain cliff and a desert landscape was dimly lit, entered the character of the Daoist priest Wang Yuanlu (1849–1931), performed by Chen Yizong. Dressed in a worn and dusty outfit of dark blue cotton, characteristic of Daoist priests, Wang began to sweep the floor. After a few moments, he discovered a hidden chambre sealed inside one of the rock sanctuaries carved into the cliff.Signaled by the quick, crystalline, stirring wave of sou

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Tofts, Darren, and Lisa Gye. "Cool Beats and Timely Accents." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.632.

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Ever since I tripped over Tiddles while I was carrying a pile of discs into the studio, I’ve known it was possible to get a laugh out of gramophone records!Max Bygraves In 1978 the music critic Lester Bangs published a typically pugnacious essay with the fighting title, “The Ten Most Ridiculous Albums of the Seventies.” Before deliciously launching into his execution of Uri Geller’s self-titled album or Rick Dees’ The Original Disco Duck, Bangs asserts that because that decade was history’s silliest, it stands to reason “that ridiculous records should become the norm instead of anomalies,” tha

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Bourdaa, Mélanie. "From One Medium to the Next: How Comic Books Create Richer Storylines." M/C Journal 21, no. 1 (2018). http://dx.doi.org/10.5204/mcj.1355.

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Transmedia storytelling, as defined by Henry Jenkins in 2006 in his book Convergence Culture, highlights a production strategy that aims to augment the narration of a cultural work by scattering it across several media platforms—digital or non-digital. The term is certainly quite recent, but the practices are not new and allow us to understand the evolution of the cultural industries and the creation of a new media ecosystem. As Matthew Freeman states, transmedia storytelling always relies on industrial changes, the narration adapting itself to new media synergies and novelties to create engag

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