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Relevant bibliographies by topics / Paris (France) – Palais de Chaillot / Journal articles

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Journal articles on the topic 'Paris (France) – Palais de Chaillot'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Weintraub, J. "The Paris Night: A Flâneur in Post-Revolutionary Paris." French History 35, no. 2 (2021): 266–86. http://dx.doi.org/10.1093/fh/crab004.

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Abstract This annotated English translation of an article written by Eugène Briffault one year after the 1830 July Revolution presents a unique testimony of a city in a state of post-revolutionary transition. Drawn with the pen of a realist novelist and observed with the eye of a practised reporter, ‘The Paris Night’ takes the reader on a journey through the streets of a city seemingly under martial law, from the haunts of journalists, into the vice-dens of the Palais-Royal, past the hectic activity of Les Halles and into streets still bearing the scars of the recent Revolution. Along with the

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2

Ciggaar, Krijnie. "Bohemond VI and the Enigmatic Inscription from Tripoli." Chronos 22 (April 7, 2019): 69–83. http://dx.doi.org/10.31377/chr.v22i0.449.

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The inscription in Old French on a marble plaque from Tripoli of which Bohemond VI was the commissioner, remains enigmatic until the present day. The damaged state of the inscription, especially where the date of the text is given and the use of the term 'communauté de Tripoli', are the main obstacles for a definite interpretation of this inscription. The marble slab, discovered in 1928 in Tripoli, in or near the port, is now in the National Museum of Beirut. A mould of the inscription arrived in Paris as a gift from the National Museum in Beirut in 1936 and is part of the collection of the Ci

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3

Erlande-Brandenburg, Alain. "Le palais des rois de France à Paris par Philippe le Bel." Comptes-rendus des séances de l année - Académie des inscriptions et belles-lettres 151, no. 1 (2007): 183–94. http://dx.doi.org/10.3406/crai.2007.92182.

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4

Williford, Christa. "A Computer Reconstruction of Richelieu's Palais Cardinal Theatre, 1641." Theatre Research International 25, no. 3 (2000): 233–47. http://dx.doi.org/10.1017/s0307883300019696.

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A small, anonymous grisaille(Figure 1)from the collection of the Musée des Arts Décoratifs in Paris is among the more familiar images of seventeenth-century French theatre history. It depicts Cardinal Richelieu, Louis XIII, and other members of the royal family at the theatre. The setting for the scene is the Grande Salle of Richelieu's Parisian home, the Palais Cardinal. Designed by the palace architect Jacques Lemercier and completed in 1641, this theatre was among the first purpose-built proscenium theatres in France. In the 1660s it became the site of the public performances of Molière's m

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5

Kselman, Thomas. "Funeral Conflicts in Nineteenth-Century France." Comparative Studies in Society and History 30, no. 2 (1988): 312–32. http://dx.doi.org/10.1017/s0010417500015218.

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The French celebration of the centenary of Victor Hugo's death in 1985 included new editions of his works, biographies, an exhibit at the Grand Palais in Paris, all that you would expect in honor of his life and art. But Hugo's death and funeral also drew the attention of some scholars, and forgood reason. Beginning on 18 May 1885, when what proved to be his final illness was announced, the newspapers were filled with reports and rumors about Hugo's condition. Following his death on 22 May journalists concentrated on what has been called the funeral of the century. Two million peoplecame to se

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6

Sanchez, Clément, and Jean-Pierre Vairon. "Back to France to Celebrate the Century-Old IUPAC: The 47th IUPAC World Chemistry Congress & 50th General Assembly." Chemistry International 41, no. 2 (2019): 2–3. http://dx.doi.org/10.1515/ci-2019-0201.

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Abstract On behalf of the French Academy of Sciences and of its National Committee for Chemistry, the French National Adhering Organization to IUPAC, gathering the main academic and research institutions, learned societies, and industrial organizations relevant to Chemistry, we are very pleased and honoured to invite you to participate and contribute to the IUPAC 47th World Chemistry Congress to be held at the Palais des Congrès, Paris, France, 7-12 July 2019.

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7

Selita, Mirela. "The Right To Appeal For The Social Insurance As A Human And Constitutional Right." SEEU Review 11, no. 1 (2015): 131–38. http://dx.doi.org/10.1515/seeur-2015-0016.

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Abstract Magna Carat is a highly significant document that found the way into the rights and the constitutions. Magna Carat is a symbol of human and constitutional rights. Social insurance is part of the social security and the recognition of social security as a basic human right is enshrined in the Universal Declaration of Human Rights adopted by the United Nations General Assembly on 10 December 1948 at the Palais de Chaillot, Paris and furthermore the European Conventions on Human Rights, specially the article 6. Magna Carat demonstrated the limitations from the arbitrarily. Magna Carat is

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8

Rönnbäck, Fredrik. "Republic of Fakes: Art in the Service of Truth in Postwar France." October, no. 175 (2021): 9–25. http://dx.doi.org/10.1162/octo_a_00414.

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Abstract In 1955, Paris Police Commissioner Guy Isnard curated the exhibition Le Faux dans l'art et dans l'histoire at the Grand Palais in Paris. Featuring a wide variety of forgeries, most notably counterfeit sculptures and paintings, the exhibition was an occasion to showcase the anti-counterfeiting efforts of the National Police. But in the broader context of the politically and economically weakened Fourth Republic, more was at stake. In the immediate postwar period, French society was steeped in uncertainty and a growing fear of inauthenticity, fueled by rumors of currency manipulation by

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9

Barker, Sara. "Translating Tempests and Tremblements: Natural Disasters, News, and the Nation in Early Modern England and France." Renaissance and Reformation 43, no. 2 (2020): 183–212. http://dx.doi.org/10.33137/rr.v43i2.34796.

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Early modern people lived at the mercy of their surroundings. In an uncertain world, floods, storms, fires, and earthquakes could affect all levels of society across Europe. But destruction can also lead to creation. Accounts of such disasters were printed as pamphlets and then translated, suggesting a shared experience of disaster that could cross confessional divides. However, a closer look shows that more complex ideas about nation and experience were a feature of these understudied publications. This article focuses on three cases in particular: the storm and lightning strike of 1561, whic

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10

Hemmings, F. W. J. "Fires and Fire Precautions in the French Theatre." Theatre Research International 16, no. 3 (1991): 237–49. http://dx.doi.org/10.1017/s0307883300015005.

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The ‘notice préliminaire’ to L.-H. Lecomte's unfinished Histoire des théâtres de Paris includes a list of eighteen major fires occurring between 1789 and 1900, each of which resulted in the total destruction of a theatre. The date of each disaster is given, as also the date at which the theatre was rebuilt, either on the same site or in a new location. But beyond these brief particulars, Lecomte gives little information on the circumstances and none at all on the probable causes of each catastrophe and the precautions taken subsequently to avert a recurrence. It is the purpose of this paper to

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11

Delavigne, Anne-Hélène. "Jocelyne Porcher et al., 2014, Livre blanc pour une mort digne des animaux et de la nécessité de renouer les liens avec les bouchers, Paris, France, Les éditions du Palais, 104 p." Revue d’Études en Agriculture et Environnement 96, no. 04 (2015): 763–69. http://dx.doi.org/10.4074/s1966960715004154.

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12

Louzao Villar, Joseba. "La Virgen y lo sagrado. La cultura aparicionista en la Europa contemporánea." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 8 (June 20, 2019): 152. http://dx.doi.org/10.18239/vdh_2019.08.08.

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RESUMENLa historia del cristianismo no se entiende sin el complejo fenómeno mariano. El culto mariano ha afianzado la construcción de identidades colectivas, pero también individuales. La figura de la Virgen María estableció un modelo de conducta desde cada contexto histórico-cultural, remarcando especialmente los ideales de maternidad y virginidad. Dentro del imaginario católico, la Europa contemporánea ha estado marcada por la formación de una cultura aparicionista que se ha generadoa partir de diversas apariciones marianas que han establecido un canon y un marco de interpretación que ha ali

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13

Uhde, Jan. "UPDATE 2000: Good News from Paris." Kinema: A Journal for Film and Audiovisual Media, September 22, 1998. http://dx.doi.org/10.15353/kinema.vi.871.

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Reflecting upon the current situation of world cinema, one can hardly get away from the gloomy news and dark predictions hailing from all directions: decline of national productions and cinema culture in general, Hollywood domination, style homogenisation - in other words, the end of cinema, the Millennium... Occasionally, however, good news comes our way, too. This time from France - where the legendary Cinémathèque, founded in 1936 by Henri Langlois and currently housed in the Palais de Chaillot in Paris, will soon be moving to new premises in the 12th arrondissement (the former American Cen

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14

Marzá Pérez, Fernando. "Arquitectura en 12 rounds: la Cité de l'Architecture et du Patrimoine, Palais Chaillot de Paris." Palimpsesto, no. 01 (March 2011). http://dx.doi.org/10.5821/pl.v0i1.1224.

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15

"European Pancreatic Club, XXVth Meeting Palais des Congres̀, Paris, France." Regulatory Peptides 44, no. 3 (1993): 311. http://dx.doi.org/10.1016/0167-0115(93)90142-u.

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16

"European Pancreatic Club, XXVth Meeting Palais des Congrés, Paris, France." Regulatory Peptides 45, no. 1-2 (1993): 321. http://dx.doi.org/10.1016/0167-0115(93)90231-v.

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17

"European pancreatic club, XXVth meeting Palais des Congrés, Paris, France." Regulatory Peptides 46, no. 3 (1993): 593. http://dx.doi.org/10.1016/0167-0115(93)90263-8.

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18

"European Pancreatic Club, XXVth Meeting Palais des Congrés, Paris, France." Regulatory Peptides 44, no. 2 (1993): 249. http://dx.doi.org/10.1016/0167-0115(93)90250-c.

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19

"European Pancreatic Club, XXVth Meeting Palais des Congrés, Paris, France." Regulatory Peptides 47, no. 1 (1993): 115. http://dx.doi.org/10.1016/0167-0115(93)90326-4.

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20

"European pancreatic club, XXVth meeting Palais des Congrés, Paris, France." Regulatory Peptides 45, no. 3 (1993): 445. http://dx.doi.org/10.1016/0167-0115(93)90372-f.

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21

"European Pancreatic Club, XXVth Meeting Palais des Congrés, Paris, France." Regulatory Peptides 47, no. 2 (1993): 221. http://dx.doi.org/10.1016/0167-0115(93)90429-c.

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22

"The 14th International Thyroid Congress September 11–16, 2010 Palais des Congrès, Paris, France." Endocrinology 150, no. 9 (2009): 4153. http://dx.doi.org/10.1210/endo.150.9.9994.

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23

"1st World Congress of Cellular and Molecular Biology Palais des Congrès, Paris - Versailles, France." Regulatory Peptides 33, no. 3 (1991): 350. http://dx.doi.org/10.1016/0167-0115(91)90240-h.

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24

"World Symposium Cardiomyoplasty and Biomechanical Assist Palais des Congrès de Paris, France May 24–26, 1993." Asian Cardiovascular and Thoracic Annals 1, no. 3 (1993): 19A—21A. http://dx.doi.org/10.1177/021849239300100313.

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25

"IV World Congress of the International Academy of Cosmetic Dermatology (IACD). 3-5 July 2005, Palais des Congres, Paris, France." Contact Dermatitis 50, no. 2 (2004): 109. http://dx.doi.org/10.1111/j.0105-1873.2004.00282.x.

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26

Adorni, Eleonora. "Canons of Animal Aesthetics: a Report on the Exhibition Beauté Animale, Grand Palais, Paris, France, March 21st - July 16th, 2012." Relations, no. 1 (June 2013). http://dx.doi.org/10.7358/rela-2013-001-ador.

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27

Guyot, Blandine. "Les Karaïmes de Crimée : communauté et exil." Slovo The autobiographical..., Windows on Europe (2017). http://dx.doi.org/10.46298/slovo.2017.3244.

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International audience Two tales are being proposed, whose authors, Avraam Kouchoul and Jacques Kefeli, were Crimean Karaims. They had combated in the White Army and emigrated to France in the 20ties, following the events of the Russian revolution. In his tale « Prayer »[Molitva], written in 1930 and published in Russian in France in the review Russkaâ Mysl’ n° 45 (4820), November 26, 2010, Avraam Kouchoul describes the moment of exile in November 1920, his departure from the port of Sebastopol, Crimea and his crossing of the Black Sea on a ship towards Constantinople. In the tale « The Wise H

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28

"Agenda for the 24th General Assembly of the European Association for the Study of Diabetes to be held in Hall GA of the Palais de Congress, Paris, France on Wednesday, 7th September, 1988 at 10.30 am." Diabetologia 31, no. 7 (1988): 461. http://dx.doi.org/10.1007/bf00271598.

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