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Journal articles on the topic 'Parish Church of the Blessed Virgin Mary'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Płotkowiak, Maciej. "Concept And Its Implementation During The Reconstruction Of The Church Of Blessed Virgin Mary In Chojna." Civil And Environmental Engineering Reports 19, no. 4 (2015): 87–98. http://dx.doi.org/10.1515/ceer-2015-0055.

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Abstract St. Mary's parish church in Chojna was erected at the turn of XIV and XVc. in a shape of three aisles, hall church without transept, completed from the west with a single tower and from the east with polygonal presbytery with an ambulatory attached. The convergence of characteristic structural and decorative features with employed ones in medieval churches being attributed to Hinrich Brunsberg's fabric resulted in such a way, that also authorship of St. Mary in Chojna was assigned to this legendary architect and master builder of late Middle Ages period. The church was destroyed by fi

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Lichota, Piotr. "The Blessed Virgin Mary, Mother of the Church Parish in Warnice in the Years 1977–2018." Colloquia Theologica Ottoniana 1 (2019): 115–41. http://dx.doi.org/10.18276/cto.2019.1-07.

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Miletić, Drago, and Marina Valjato Fabris. "Reconstruction of the Templar Phase of the Parish Church of the Assumption of the Blessed Virgin Mary in Gora." Portal 5 (2014): 49–70. http://dx.doi.org/10.17018/portal.2014.4.

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Škarić, Ksenija, and Vanesa Gjini. "Nove spoznaje o korskim sjedalima u crkvi Uznesenja Blažene Djevice Marije u Rabu." Ars Adriatica 9 (February 28, 2020): 45–60. http://dx.doi.org/10.15291/ars.2923.

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Research on the late Gothic choir stalls in the parish church of Rab, formerly the Cathedral of the Assumption of the Blessed Virgin Mary, conducted by the Croatian Conservation Institute in 2018, indicates a gradual construction of the benches, which took place in several stages and was completed by 1445. In addition to the stylistic and technical similarities between the choir stalls in Zadar and Rab, both of which have been attributed to the woodcarving workshop of Matteo Moronzon, significant differences in the concept of polychromy have been observed. Since their completion, the choir sta

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Dudkiewicz, Margot. "Application of PiCUS® Sonic Tomograph 3 in studies on the cultural heritage of the Lublin region – restoration of the Eastern Orthodox church of the Dormition of the Blessed Virgin Mary in Uhrusk." Annals of Warsaw University of Life Sciences - SGGW - Horticulture and Landscape Architecture, no. 40 (January 15, 2020): 3–14. http://dx.doi.org/10.22630/ahla.2019.40.1.

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Uhrusk is a small town located in eastern Poland, in the Lublin region, along the border river, the Bug. The temple is situated on the outskirts of the village, on a low hill, where there was a castle founded by Prince Daniel Halicki in the Middle Ages. The Orthodox church existed here before 1220, and for the first decades of its functioning it had the status of a council. Today, the existing church building was erected in 1849 as a Greek Catholic temple founded by the owner of local estate, Laura Kirsztejnowa. In 1915, the church was abandoned when the Orthodox residents of Uhrusk became ref

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Motušić, Eugen. "Porušena crkva Rođenja Blažene Djevice Marije u Silbi." Ars Adriatica, no. 4 (January 1, 2014): 347. http://dx.doi.org/10.15291/ars.508.

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It is known that the Church of the Nativity of the Blessed Virgin Mary at Silba was demolished in 1828 so as to provide the necessary building material for the completion of the new parish church which inherited the dedication from the old one. As we learn from the archival records, the demolition was authorized by the Archbishop of Zadar Josip Nowak who stipulated that the Franciscan Church of Our Lady of Carmel would function as the local parish church while the new one was being built. All that remains from the old church today is the bell tower which continued to be used by the new parish

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Dzik, Janina. "The Reception of the Engravings of Gottfried Bernhard Göz’s Marian Series in the Monumental Painting of the Lviv Circle in the 18th Century." Roczniki Humanistyczne 67, no. 4 SELECTED PAPERS IN ENGLISH (2019): 7–32. http://dx.doi.org/10.18290/rh.2019.68.4-1en.

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The Polish version of the article was published in Roczniki Humanistyczne vol. 63, issue 4 (2015). The graphic series dedicated to the Mother of God, defined as Sub tuum praesidium confugimus, by Gottfried Bernhard Göz (1708–1774) was an inspiration for the monumental painting of the Rococo period in Poland in the times of the Saxon kings. The series of engravings with a devotional character made with the stipple engraving technique presents 12 signed Marian scenes: the Immaculate Conception of the Blessed Virgin Mary, Mary’s Birth, the Presentation of Mary, Mary and Joseph’s Matrimony,

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Krstulović, Nevena. "Glavni oltar Uznesenja Marijina iz župne crkve Uznesenja Blažene Djevice u Vrbniku: valorizacija primjene Poly(2-etil-2-oksazolina) kao zamjene za tutkalo." Portal 6 (December 21, 2015): 221–32. http://dx.doi.org/10.17018/portal.2015.15.

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Borodenko, Olena. "Metric books as a source in the study of the marriage of the second half of the XVIII – the first half of the XIX century: possible research risks." Universum Historiae et Archeologiae 2, no. 2 (2020): 185. http://dx.doi.org/10.15421/26190213.

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The aim. The author studies metric books as church sources of the second half of the 18th ‒ the first half of the 19th century, which were compiled by representatives of the parish clergy and therefore some certain errors and inaccuracies are presented. Research methods. Data sources determined the range of general scientific and special-historical methods used in the research, first of all they are deconstruction, historical and comparative, critical methods, etс. Scientific novelty based on the analysis of the directive and administrative, statutory, accounting and statistical documents, and

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Woźniak, Robert J. "Stanisław Ludwik Piech, Parafia na świętojakubowym szlaku. Dzieje parafii Najświętszej Maryi Panny Matki Kościoła i św. Jakuba Apostoła w Brzesku 1385-2010 [Parish on the St. James' Way: The History of the Parish of Blessed Virgin Mary, Mother of the Church and St. James the Apostle in Brzesko 1385-2010], Brzesko 2012." Roczniki Teologiczne 64, no. 4 English Online Version (2017): 174–75. http://dx.doi.org/10.18290/rt.2017.64.4-11en.

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11

Arlow, Ruth, and Will Adam. "Re Church of the Blessed Virgin Mary, Hambleton." Ecclesiastical Law Journal 11, no. 3 (2009): 359. http://dx.doi.org/10.1017/s0956618x09990160.

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Španjol-Pandelo, Barbara. "Prilog poznavanju djelovanja Mateja Andrijina Moronzona*." Ars Adriatica, no. 6 (January 1, 2016): 103. http://dx.doi.org/10.15291/ars.179.

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Matteo Moronzon, a member of the Venetian family of woodcarvers, was mentioned for the first time in 1407 according to the present known archival documents. Probably after being trained in his father's workshop in Venice, he moved to Zadar with his family – his wife Francisca and sons Pietro and Francesco. In 1418 he undertook the commission of furnishing carved choir stalls for the cathedral of St. Anastasia in Zadar. Various archival documents testify that Matteo lived and worked in Zadar for many years. Therefore it can be assumed that he probably founded his own workshop in Zadar where his

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Kabatha, Zachary Ndegwa. "The Blessed Virgin Mary As Our Mother. The Lucan Marian Perspective." Studia Theologica Varsaviensia 57, no. 1 (2019): 73–89. http://dx.doi.org/10.21697/stv.2019.57.1.04.

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The person of the Blessed Virgin Mary among Christians has been throughout Christian tradition a source of inspiration as far as the Christian faith is concerned. Many papal Encyclicals, Apostolic exhortations, conciliar and post conciliar documents have all made reference to our blessed mother due to her close proximity to her son our Lord Jesus Christ. She is thus not a foreigner to the people of faith. The modern man today looks forward for a person who is both faithful and trustworthy to accompany him or her in the earthly life and offer an assurance of everlasting joy. Examining the role

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Kochaniewicz, Bogusław. "Początki kultu maryjnego na ziemiach polskich." Poznańskie Studia Teologiczne, no. 33 (December 11, 2019): 7–22. http://dx.doi.org/10.14746/pst.2018.33.01.

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This article is an attempt to reconstruct the devotion to the Blessed Virgin Mary at the beginning of the Polish state. Based on the liturgical books and the calendars from the 9th–11th centuries preserved in Polish archives, the form of the Marian devotion in the Poznań diocese was sought. Despite the lack of preserved monuments representing the oldest Polish diocese, it was established that the service to the Blessed Virgin Mary had a liturgical character. The four main feasts in hon- or of the Mother of God, celebrated in the Western Church, were celebrated in Poznań, too. An analysis of th

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Landecka, Halina. "Saint Virgin Mary Parish Church in Kraśnik – new research results after I phase of studies 2008-2009." Budownictwo i Architektura 7, no. 2 (2010): 053–66. http://dx.doi.org/10.35784/bud-arch.2269.

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The town of Kraśnik is one of the oldest of its kind in the Lublin region – archaeological researches confirmed that that in the XIII century in the same place existed a settlement with castle and a church. Municipal rights were granted to Krasnik in 1377, when town was ruled by Gorajski family. A brick church was founded by Teczynski family around 1448. Today this is reflected by the chancel build around the altar from Gothic bricks, to which in the next phases vestry and treasury has been constructed. In 1461 a n Canons Regular of the Lateran Order has been brought to Krasnik from Cracow. Th

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SYGULSKA, Anna, Tomasz CZERNIAK, and Adrian CZARNY-KROPIWNICKI. "EXPERIMENTAL INVESTIGATIONS AND COMPUTER SIMULATIONS TO SOLVE ACOUSTIC PROBLEMS IN THE MODERN CHURCH." Engineering Structures and Technologies 10, no. 1 (2018): 34–45. http://dx.doi.org/10.3846/2029882x.2018.1445037.

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Architectural acoustics of contemporary sacred buildings is still an under-appreciated issue. Many contemporary churches are not functional enough due to acoustic defects which occur there. The study discusses issues of the modern Catholic church, where acoustic problems surface as high reverberant noise levels. The building under investigation, i.e. the Church of the Visitation of the Blessed Virgin Mary, is the biggest contemporary church in Poznań, Poland, as its internal volume amounts to 16,800 m³. On the basis of in situ investigations, a computer model of the church was built and a seri

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URSU, Natalia, and Ivan HUTSUL. "ANNUNCIATION OF THE BLESSED VIRGIN MARY CHURCH IN VINNYTSIA: questions of history, existence and artistic heritage." Ethnology Notebooks 157, no. 1 (2021): 163–69. http://dx.doi.org/10.15407/nz2021.01.163.

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Sygulska, Anna. "CONTEMPORARY TWO-STOREY CHURCHES – ACOUSTIC INVESTIGATIONS." Journal of Architecture and Urbanism 39, no. 2 (2015): 140–48. http://dx.doi.org/10.3846/20297955.2015.1056444.

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The paper discusses the idea of two-storey churches, with insight into socio-political conditions which influenced their construction. The analysis of the issue was carried out on the basis of investigations in five two-storey churches in Poznań. The churches under investigation were: Visitation of Blessed Virgin Mary Church, Christ the King Church, Our Lady of Częstochowa Church, St. Lawrence Church, and Christ the Redeemer Church. In total, ten interiors were examined. The churches were erected in the late 70s and early 80s of the 20th century. The acoustic conditions were analyzed in terms

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Chernov, Anatolii, Dariusz Dziubacki, Martina Cogoni, and Alexandru Bạ̌descu. "First conclusions about results of GPR investigations in the Church of the Assumption of the Blessed Virgin Mary in Kłodzko, Poland." Geoscientific Instrumentation, Methods and Data Systems 7, no. 1 (2018): 123–28. http://dx.doi.org/10.5194/gi-7-123-2018.

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Abstract. The article presents results of a ground penetrating radar (GPR) investigation carried out in the Church of the Assumption of the Blessed Virgin Mary in Kłodzko, Poland, dating from the 14th to 16th centuries. Due to the 20th century wars, the current state of knowledge about the history of the church is still poor. Under the floor of the Catholic temple, unknown structures might exist. To verify the presence of underground structures such as crypts and tombs, a GPR survey was carried out in chapels and aisles with 500 and 800 MHz GPR shielded antennas. Numerous anomalies were detect

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20

Kirkus, M. Geoffrey. "‘Yes, My Lord’: Some Eighteenth and Nineteenth Century Bishops and the Institute of the Blessed Virgin Mary." Recusant History 24, no. 2 (1998): 171–92. http://dx.doi.org/10.1017/s0034193200002466.

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That we may freely and consistently persevere in our intention … we will that … all and each of ours shall make a vow never to seek directly or indirectly nor to allow others to seek … that except the Chief Pontiff to whom alone we humbly beg to be subject, any religious order whatsoever or any person whomsoever or any bishop or any one else appointed by the Pope to visit us, should have us so committed to his charge as to exercise over us authority, power, or jurisdiction.(Memorial of Mary Ward, translated from the Latin original, Archivum Romanum Societatis Jesu, Anglia 31, 11, pp. 675-685).

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Stefański, Krzysztof. "Prace Konstantego Wojciechowskiego przy katedrze we Włocławku a koncepcja „stylu wiślano‑bałtyckiego”." Porta Aurea, no. 19 (December 22, 2020): 294–310. http://dx.doi.org/10.26881/porta.2020.19.15.

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The Włocławek Cathedral dedicated to the Assumption of the Blessed Virgin Mary is one of the most important Gothic churches in the lowlands of northern Poland. However, overshadowed by the Cathedrals in Poznań and Gniezno, it is considered a building that is more modest in scale and less artistically valuable. An important issue related to the history of the church is its restoration that was carried out in the last two decades o the 19th century, initially according to the plans of Tadeusz Stryjeński from Cracow and then led by the Warsaw architect Konstanty Wojciechowski (1841–1910). Wojciec

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Sargent, Michael G. "Nicholas Love as an Ecclesiastical Reformer." Church History and Religious Culture 96, no. 1-2 (2016): 40–64. http://dx.doi.org/10.1163/18712428-09601003.

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Nicholas Love was the prior of the Carthusian house of the Assumption of the Blessed Virgin Mary at Mount Grace from its incorporation into the Order at the General Chapter of 1410 until shortly before his death, which occurred between 15 March and 28 July, 1423. He is most commonly known to present-day scholarship as the author of The Mirror of the Blessed Life of Jesus Christ and because of the licensing of the Mirror by Archbishop Thomas Arundel in accordance with the stipulations of the Lambeth Constitutions of 1409, as an agent in the archbishop's campaign against the followers of John Wy

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Rolska, Irena. "Fundacje sakralne wojewody wołyńskiego Seweryna Józefa Rzewuskiego (po 1694–1755)." Artifex Novus, no. 3 (October 1, 2019): 76–95. http://dx.doi.org/10.21697/an.7064.

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 SUMMARY Seweryn Józef Rzewuski was the son of Stanisław Mateusz Rzewuski (1662–1728), grand crown hetman and Belz voivode, and Ludwika Eleonora Kunicka (coat of arms: Bończa; d. 1749). He was the older brother of Wacław Piotr Rzewuski (1706–1779), grand crown hetman and castellan of Cracow. The main house of Seweryn Józef and Antonia from the Potocki Rzewuski was the castle in Olesko. Before 1745 the voivode carried out renovation works at the castle, decorating it with stuccos and sculptures. The main building Rzewuski founded was the church and Capuchin monastery located below t

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Greatrex, Joan. "Marian Studies and Devotion in the Benedictine Cathedral Priories in Later Medieval England." Studies in Church History 39 (2004): 157–67. http://dx.doi.org/10.1017/s0424208400015060.

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On 15 November 1407, in the monastic infirmary of Christ Church, Canterbury, Thomas Wykyng breathed his last with a prayer for the intercession of the Virgin Mary on his lips. The brethren in attendance, so the memoir continues, were convinced that at the moment of his departure the Blessed Virgin summoned him to herself (‘ad se evocavit’) because next to his trust in God he had always placed supreme confidence in her. He was remembered as a model monk who had served his turn in many offices including those of cellarer, sacrist, novice master, and warden of Canterbury College, Oxford. To the m

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Damjanović, Dragan. "Polychrome Roof Tiles and National Style in Nineteenth-century Croatia." Journal of the Society of Architectural Historians 70, no. 4 (2011): 466–91. http://dx.doi.org/10.1525/jsah.2011.70.4.466.

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Gothic architecture, revived and decorated with motifs borrowed from folk art, provided the foundation for the creation of a Croatian national style in the last quarter of the nineteenth century. Dragan Damjanović explains how the Viennese architect Friedrich Schmidt and his student and collaborator Herman Bollé created the signature architecture of this movement, the brilliantly colored and boldly patterned tile roofs of St. Mark's church (restored 1875–82), Zagreb cathedral (restored 1878–1902), and the church of the Blessed Virgin Mary in Marija Bistrica (restored 1878–85). In Polychrome Ro

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Kirkus, M. Gregory. "‘Wandering Nuns’: The Return of the Institute of the Blessed Virgin Mary to the South of England, 1862–1945." Recusant History 24, no. 3 (1999): 384–96. http://dx.doi.org/10.1017/s0034193200002582.

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‘Woods, M. Joseph died ye 20 April 1822, the last of ye Ladies of ye Establishment’So ends the register of the convent founded in Hammersmith in 1669, and with the death of Sister Joseph the Institute of Mary became extinct in the south of England. But in distant Belfast the story of its revival was already taking shape. On 1st April 1812 a little girl, Mary Petronilla, was born there to a Protestant Doctor Barratt and his wife. We know nothing of her childhood, but it is thought that as a young woman she taught singing in a Loreto convent. About the year 1835 she was received into the Catholi

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Metom, Philipus Benitius. "MENDALAMI GELAR-GELAR SANTA PERAWAN MARIA BUNDA ALLAH DALAM PENGAKUAN DAN AJARAN FRANSISKUS." Lumen Veritatis: Jurnal Filsafat dan Teologi 11, no. 1 (2020): 19–36. http://dx.doi.org/10.30822/lumenveritatis.v11i1.697.

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There is a line of titles of Saint Mary mentioned by Pope Francis in his published encyclicals and apostolic exortations. However, we summarize them into seven new titles, namely, Saint Mary is the daughter of Zion, mother, queen, woman, star, bride, and the spring of happiness for the little people. We consider that the number seven title has opened the minds of the faithful about the joy of believing in the Triune God who saves the world and the significant role of Saint Mary in the success of this exalted work. The recognition of the seven new titles aims to support the understanding of the

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Lux-Sterritt, Laurence. "Mary Ward's English Institute: The Apostolate As Self-Affirmation?" Recusant History 28, no. 2 (2006): 192–208. http://dx.doi.org/10.1017/s0034193200011249.

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Mary Ward (1585–1645) is known as the foundress of the Institute of the Blessed Virgin Mary, an Order of women which continues to educate thousands of girls around the world. During the first decades of the seventeenth century, her foundation was a religious venture which aimed to transform the Catholic mission of recovery into one that catered for women as well as men. It maintained clandestine satellites on English soil and opened colleges on the Continent, in towns such as St Omer (1611), Liège (1616), Cologne and Trier (1620–1), Rome (1622), Naples and Perugia (1623), Munich and Vienna (16

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Taves, Ann. "Context and Meaning: Roman Catholic Devotion to the Blessed Sacrament in Mid-Nineteenth-Century America." Church History 54, no. 4 (1985): 482–95. http://dx.doi.org/10.2307/3166515.

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A French visitor to a nineteenth-century Irish Catholic parish in the United States described the scene as follows: Behold them, when the sanctuary bell announces the moment of consecration; they raise their hands, they extend their arms in the form of a cross, they pray and sigh aloud; at times some leave their pew and prostrate themselves in the aisle, in order to assume a more suppliant and adoring attitude. … If you wait until the end of mass, you will be further edified. You will see them approach as near as possible to the high altar, before which they bow profoundly, making several genu

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Proniewski, Andrzej. "Blessed Virgin Mary, the Mother of God in the mystery of the Church. In the 50th anniversary of the Dogmatic Constitution on the Church “Lumen Gentium”." Studia Koszalińsko-Kołobrzeskie 22 (2015): 131–42. http://dx.doi.org/10.18276/skk.2015.22-09.

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Zinko, Yuriy, Marta Malska, and Taras Hrynchyshyn. "Religious-pilgrim tourism in the west of Ukraine: main centres and shrines." Visnyk of the Lviv University. Series Geography 53 (December 18, 2019): 144–66. http://dx.doi.org/10.30970/vgg.2019.53.10671.

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This study analyzes the formation factors and major centres and shrines of pilgrimage and religious tourism in the Western region of Ukraine. The article presents structure of the religious space of 8 regions of Western Ukraine in the context of major Christian denominations. According to the latest statistics in the West of Ukraine, among the Christian denominations we can see dominance of believers and communities of the Ukrainian Greek-Catholic Church, the Orthodox Church of Ukraine, the Ukrainian Orthodox Church of the Moscow Patriarchate and the Roman Catholic Church. The main pilgrimage

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Dudkiewicz, Margot. "Application of sound tomography in the revitalization of the area surrounding the nativity of the Blessed Virgin Mary orthodox church in Włodawa." Geomatics, Landmanagement and Landscape 3 (2018): 7–22. http://dx.doi.org/10.15576/gll/2018.3.7.

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DANIELEWSKI, MARCIN. "PHOTOGRAPHS FROM 1887. NEW SOURCES FOR THE STUDY OF THE ARCHITECTURE OF THE ROMANESQUE CHURCH OF THE BLESSED VIRGIN MARY IN INOWROCŁAW." Historia Slavorum Occidentis 9, no. 2 (2015): 1–3. http://dx.doi.org/10.15804/hso150207.

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Jakóbczyk-Gola, Aleksandra. "The Akathist Hymn to the Blessed Virgin Mary and Polish Marian Songs in Context of Performative Practices in Litany Tradition." Roczniki Humanistyczne 67, no. 1 (2019): 145. http://dx.doi.org/10.18290/rh.2019.67.1-10.

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The article analyses Akatyst ku czci Bogurodzicy [Akathist to the Mother of God], which, together with the accompanying icon, was one of the important components of the Marian Orthodox cult, whose influence went beyond the Orthodox Church, affecting among others also Polish lands. The aim of the article is not to develop a monograph on this phenomenon, but, focusing on the recognition of its complex media characteristics, to study various forms of its performance and to pay special attention to the performativity aspect. The purpose of this characterization is to bring out the complex function

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Shashkova, Agneta. "PAINTING TECHNOLOGY OF ICONS “CHRIST ENTHRONED” AND “BLESSED VIRGIN MARY AND BABY JESUS” (POKROVSKY CHURCH IN PRIORKA) PAINTED BY IVAN S. YIZHAKEVYCH. PROBLEM OF AUTHOR AND NON-AUTHOR RENEWALS." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 28 (December 15, 2019): 170–79. http://dx.doi.org/10.33838/naoma.28.2019.170-179.

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This article is dedicated to features of the late period in the icon painting of Ivan S. Yizhakevych which coincides with the religion persecution in the USSR as well as features of the study of icons in functional churches.In this paper we have set out the complex analysis of nomadic icons “Blessed Virgin Mary and Baby Jesus” and “Christ Enthroned” from Pokrovsky church in Priorka in Kyiv. By means of the visual research using the concentrated visible light and macro photography technical, technological and painting features of the icon painting have been specified.Based on the study of the p

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Helytovych, Mariia. "Iconostasis of the Church of the Assumption of the Blessed Virgin Mary in Nakonechne village - the most complete iconostasis ensemble of the XVI century." Bulletin of Lviv National Academy of Arts, no. 39 (2019): 73–88. http://dx.doi.org/10.37131/2524-0943-2019-39-05.

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The article contains an analysis of the iconostasis of the Assumption of Mary Church located in the vil. Nakonechne (Yavoriv district, Lviv region), which represents the most fully preserved iconostasis ensemble of the XVI century. For the first time, its reconstruction was completed taking into account all saved icons. The article deals with stylistic, iconographic and artistic features of this ensemble, as well as its connection with other iconostases of that time. More precisely, the dating of the monument is argued. In the article, the author suggests to consider an ensemble from Nakonechn

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Piekarski, Stanisław. "Zakład zdrojowy diecezji przemyskiej w Brzozowie 1927-1948." Seminare. Poszukiwania naukowe 2021(42), no. 1 (2021): 135–58. http://dx.doi.org/10.21852/sem.2021.1.10.

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The purpose of this article is to present aspects related to building and maintaining health and leisure centre of the Przemyśl Diocese in Brzozów - largely based on voluntary taxation. The Diocese was the most successful in this area of health prevention in the interwar period. Within several months, the faithful of the Church and the clergy of this region - under the aegis of Bishop Anatol Nowak - managed to open in summer 1927 the magnificent spa facility with its own brine and baths accessible for clergy and seminarians. No Polish professional community recorded such success in the interwa

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Bakovych, Olena. "ICONOSTASIS OF CHURCH OF INTRODUCTION TO THE TEMPLE BLESSED VIRGIN MARY OF THE VILLAGE REKSHYN BEREZHANY DISTRICT OF TERNOPIL REGION: ARTISTIC AND COMPOSITIONAL FEATURES." Ethnology Notebooks 141, no. 3 (2018): 651–55. http://dx.doi.org/10.15407/nz2018.03.651.

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Dulibić, Ljerka, and Iva Pasini Tržec. "Austrijski slikar Leopold Kupelwieser i biskup Josip Juraj Strossmayer." Ars Adriatica, no. 6 (January 1, 2016): 209. http://dx.doi.org/10.15291/ars.186.

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All 20th-century chronologies of the collector’s activity of Bishop Josip Juraj Strossmayer (1815-1905) and overviews of the evolution of today’s Strossmayer’s Gallery of Old Masters at the Croatian Academy of Sciences and Arts mention the bishop’s cooperation with the Austrian Nazarene painter Leopold Kupelwieser (1796-1862), father of Paul Kupelwieser, the former owner of the Brijuni islands. This episode from the “prehistory” of Strossmayer’s Gallery has hitherto been known only as a brief notice repeated in almost identical formulations: “In 1857, the bishop sent the first larger group of

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Marynchak, A. V. "Marian Theme in Music: Aspects of History and Genre Stylistics (a Case Study of the Works byKonstanty Antoni Gorski)." Aspects of Historical Musicology 18, no. 18 (2019): 213–29. http://dx.doi.org/10.34064/khnum2-18.12.

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The objectives of the research. The article is devoted to the study of the main parameters of the Marian theme embodiment in the art of music, with highlighting the aspects of history and genre stylistics. It is noted that the choice of the topic is related to the study of the works by the Kharkiv composer of Polish origin Konstanty Antoni Gorski, who worked in Kharkiv for many years (1880–1910) and belongs to the founders of his academic musical culture. The article lays the methodological basis for studying interpretation of the Marian theme in the works by this author, for that the analysis

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Yudin, V. "Architectural and Artistic features and manufacturing wooden iconostasis of the church of the introduction to the temple of the blessed virgin mary, Emanzhelinsk, Chelyabinsk region." IOP Conference Series: Materials Science and Engineering 451 (December 14, 2018): 012129. http://dx.doi.org/10.1088/1742-6596/451/1/012129.

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Yudin, V. "Architectural and Artistic features and manufacturing wooden iconostasis of the church of the introduction to the temple of the blessed virgin mary, Emanzhelinsk, Chelyabinsk region." IOP Conference Series: Materials Science and Engineering 451 (December 14, 2018): 012129. http://dx.doi.org/10.1088/1757-899x/451/1/012129.

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Gawałkiewicz, Rafał, and Mikołaj Skulich. "Surveying monitoring of the Annunciation of the Blessed Virgin Mary Church in Inowroc┼éaw, located in a mining area, applying reflectorless technologies and precise levelling." Geomatics and Environmental Engineering 6, no. 1 (2012): 29. http://dx.doi.org/10.7494/geom.2012.6.1.29.

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Sobota Matejčić, Gordana. "Institute for History of Art, Zagreb." Ars Adriatica, no. 2 (January 1, 2012): 167. http://dx.doi.org/10.15291/ars.447.

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In 2005, during the composing of the Inventory of the Moveable Cultural Heritage of the Church and Monastery of St Francis of Assisi at Krk, three wooden statues were found in the attic. These had once belonged to a lavish Renaissance triptych at the centre of which was a figure of the Virgin (107 x 45 x 27 cm), flanked by the figures of St John the Baptist (c. 105 x 28 x 30 cm), an apostle with a book (c. 93 x 32 x 22 cm), and, in all likelihood, St James the Apostle. A trace of a small left foot in the Virgin’s lap indicates that the original composition was that of the Virgin and Child. It

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Czyż, Anna S. "Program ikonograficzny wystroju wnętrza kościoła pw. Wniebowzięcia Najświętszej Maryi Panny i św. Augustyna w Kraśniku (wiek XVII i XVIII)." Archiwa, Biblioteki i Muzea Kościelne 108 (December 20, 2017): 63–98. http://dx.doi.org/10.31743/abmk.12169.

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Modern furnishings of the church dedicated to the Assumption of the Blessed Virgin Mary and St. Augustine in Kraśnik were created over three hundred years. However, the oldest trace of the decor from the 16th century is scant. In the first half of the 17th century they were exchanged, and it was at the time when the monastery in Kraśnik joined the Cracow Congregation. The 1630s were particularly important in the creation of the new decor of the church as the following things were founded: choir stalls, including collator ones, paintings by Dolabella as well as the high altar and brotherhood’s

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Ivanchenko, Lesya. "FROM THE DUBOVICHI LIFE: REPRESSIONS AGAINST THE CHURCH IN THE 1920-1930'S." Journal of Ukrainian History, no. 40 (2019): 129–35. http://dx.doi.org/10.17721/2522-4611.2019.40.16.

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In the article, the author reveals fragments of the study about repressions of the 1920s and 1930s against the churches, as an institution of society, against the clergy, church services, active parishioners of one of the settlements in Sumy Region(Dubovichi village). Self-identification and peaceful living under the laws of honor in the socialist regime led to the destruction of employed citizens and clergy who lived by vocation and by traditional moral principles. After all, it was they - conscious citizens, intellectuals, who "threaten" the terrorist plot of the Bolshevik authorities on the

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Nocoń, Arkadiusz. "Kobieta w pismach Jana Kasjana." Vox Patrum 66 (December 15, 2016): 155–68. http://dx.doi.org/10.31743/vp.3452.

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John Paul II remarked, in his famous Letter to Women, that the “sons of the Church” also contributed to undermining the dignity of women over the centuries. Can John Cassian be counted amongst them? It was he who spread the doctrine of the Desert Fathers in the West, and some, such as Anatole France, accuse them of entertaining hatred towards women. By analysing the writings of John Cassian, we discover, however, that, besides the many interesting texts of his, uncommon in Christian literature, in which he talks of God as a mother, and alongside the fervent invitation to Christians to honour t

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Machalski, Jędrzej. "Działalność Zgromadzenia Sióstr Służebniczek Najświętszej Maryi Panny Niepokalanie Poczętej jako realizacja misyjnego posłannictwa Kościoła." Annales Missiologici Posnanienses, no. 25 (December 31, 2020): 133–45. http://dx.doi.org/10.14746/amp.2020.25.9.

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Since the apostolic times, the Church has continuously fulfi lled the invitation addressed by Jesus to his disciples: Go ye into all the world, and preach the Gospel to every creature (Mark 16:15). The Second Vatican Council, writing about the missionary nature of the Church, clearly emphasized the importance of the task of bringing the Good News to all people on Earth. This mission includes the activity of the Sisters Servants of the Holy and Immaculate Virgin Mary, a congregation founded by blessed Edmund Bojanowski. Although the congregation was not established with missionary work in mind,

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Afanasyeva, Tatiana I., and Tatiana V. Burilkina. "Vatican Psalter Vat. slav. 8: Paleographic, linguistic, and textual features of the manuscript." Vestnik of Saint Petersburg University. Language and Literature 18, no. 1 (2021): 4–17. http://dx.doi.org/10.21638/spbu09.2021.101.

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The article describes the graphic and orthographic features of the unique Old Russian Psalter stored in the Vatican Apostolic Library (under the code Vat. slav. 8). This codex has practically not attracted the attention of researchers because it was difficult to access. It is now available on the Internet and can be fully studied. The Psalter was written by a highly qualified scribe who developed a special font for his manuscript — a half-letter, built following certain principles as the study showed. The orthography of the manuscript is focused on the ancient Russian norms of the 16th century

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Kulesz, Aleksandra, and Jakub Michalik. "Modern Shoe Buckles from Archaeological Research in Gniew and Piaseczno (Pomerania Province, Poland)." Acta Universitatis Lodziensis. Folia Archaeologica, no. 35 (December 30, 2020): 151–65. http://dx.doi.org/10.18778/0208-6034.35.10.

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During archaeological research carried out from 2009 to 2016 in the Church of St. Nicholas in Gniew, a set of three metal buckles was found. Then, in 2017, excavations were conducted in crypts of the Church of the Nativity of the Blessed Virgin Mary in the village of Piaseczno, in the Gniew District. Two other pairs of buckles were uncovered at this site. All the buckles found differ considerably. Thanks to this, one can get an impression that apart from holding the shoe on the foot, they also served decorative purposes. One can distinguish two main types of buckles: those made of iron and tho

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