Relevant bibliographies by topics / Parisian owners

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Parisian owners'

Author: Grafiati
Published: 23 September 2022
Last updated: 31 July 2025

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Journal articles on the topic "Parisian owners"

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Lisitsyna, Alina V. "Former Owners of Manuscripts from the Günzburg Family Collection: Identification Attempt." Bibliotekovedenie [Russian Journal of Library Science] 69, no. 4 (2020): 375–86. http://dx.doi.org/10.25281/0869-608x-2020-69-4-375-386.

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This article is devoted to the analysis of owners’ stamps and inscriptions on manuscripts from the Günzburg family collection stored in the Russian State Library (RSL). The author did not set out to provide exhaustive information about the previous owners, part of whom still remains unidentified. The purpose of the article is to highlight the blocks of manuscripts that were previously part of other private libraries and later were acquired by the Günzburgs, as well as to focus on the most famous former owners of books. Information about them can be discovered in the owner’s inscriptions or, le
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Haine, W. Scott. "The Priest of the Proletarians: Parisian Café Owners and the Working Class, 1820–1914." International Labor and Working-Class History 45 (1994): 16–28. http://dx.doi.org/10.1017/s0147547900012436.

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Lipovsky, Caroline, and Wei Wang (王玮). "Wenzhou Restaurants in Paris’s Chinatowns." Journal of Chinese Overseas 15, no. 2 (2019): 202–33. http://dx.doi.org/10.1163/17932548-12341402.

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Abstract In light of the large number of Chinese immigrants in Paris originally from the Wenzhou region in China’s Zhejiang Province, this research focuses on two case studies of Wenzhou restaurants situated in different Paris Chinatowns. It seeks to identify the ways in which the Wenzhou owners mark their presence in the Parisian linguistic landscape through the signage of their shopfronts and premises. By infusing existing multimodal analysis with ethnographic linguistic landscape analysis (ELLA), this study examines the ways in which two Wenzhou restaurateurs display their specific cultural
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Kornilieva, Liliia. "The Signifying Role of the Dress in the Novel “In Search of Lost Time” (A La Recherche Du Temps Perdu) by Marcel Proust." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 54, no. 1 (2022): 181–91. http://dx.doi.org/10.36770/bp.674.

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Marcel Proust knew how to write fashion. A fashionable dress makes a fashionable woman, and vice versa; a gorgeous, elegant woman makes her dress fashionable. The outfits of the best-dressed women in Parisian society are at one with their beautiful owners. As a result, the description of fine clothing in Marcel Proust’s novel “In Search of Lost Time” (A La Recherche Du Temps Perdu) is much more than just the accurate recreation of various dress codes and popular fashions of the time. The aim of the article is to explore how a costume “performs” in a work of literature. We assume that the attir
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Apenko, Olga. "Where does the Kyivan Rubens come from The Khanenko’s modello provenance as work in progress." Text and Image: Essential Problems in Art History, no. 2 (2024): 109–36. https://doi.org/10.17721/2519-4801.2024.2.08.

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Purpose. This study is aimed to verify the conflicting versions of the Peter Paul Rubens modello «God of Scheldt, Cybele and the Goddess of Antwerp» (ca. 1615) provenance, and to compile the most complete documentary dossier for this artwork. Methods. During the research, we followed the provenance list published by Niels Buttner in 2018 step by step, and were looking to broaden and complete it. To do so, we analysed primary sources, namely annotated copies of auction catalogues and minutes of Parisian auctioneers from the late nineteenth century. In addition, to recreate the broader context o
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Weintraub, J. "The Restaurants of Paris." Gastronomica 14, no. 1 (2014): 33–43. http://dx.doi.org/10.1525/gfc.2014.14.1.33.

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A brief introduction summarizing the author's professional career and his literary style and procedure precedes this annotated translation of the chapter “The Restaurants of Paris” from Eugène Briffault's 1846 text, Paris à table. Along with an historical discussion and a look back at the glorious days of the Empire's establishments, the chapter examines the specialties, the décor, and the patrons of the grand restaurants of the author's time and before. Looking at the changing restaurant scene since the fall of Napoleon, Briffault criticizes, in particular, the contemporary preference for the
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Yates, Alexia. "Selling Paris: The Real Estate Market and Commercial Culture in the Fin-de-siècle Capital." Enterprise & Society 13, no. 4 (2012): 773–89. http://dx.doi.org/10.1017/s1467222700011460.

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“Selling Paris” explores the cultural, economic, and spatial parameters of private construction in the French capital at the turn of the twentieth century. In contrast to the state-centered accounts that currently characterize our understanding of Paris as a capital of modernity, this project looks to private property owners, real estate brokers, and speculative developers, as well as the moral economy in which their projects took place, in order to understand the elaboration of the built landscape of the modern metropolis. I argue that new classes of market intermediaries—namely estate agents
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Chesney, Marc, Monique Jeanblanc-Picqué, and Marc Yor. "Brownian Excursions and Parisian Barrier Options." Advances in Applied Probability 29, no. 1 (1997): 165–84. http://dx.doi.org/10.2307/1427865.

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In this paper we study a new kind of option, called hereinafter a Parisian barrier option. This option is the following variant of the so-called barrier option: a down-and-out barrier option becomes worthless as soon as a barrier is reached, whereas a down-and-out Parisian barrier option is lost by the owner if the underlying asset reaches a prespecified level and remains constantly below this level for a time interval longer than a fixed number, called the window. Properties of durations of Brownian excursions play an essential role. We also study another kind of option, called here a cumulat
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Chesney, Marc, Monique Jeanblanc-Picqué, and Marc Yor. "Brownian Excursions and Parisian Barrier Options." Advances in Applied Probability 29, no. 01 (1997): 165–84. http://dx.doi.org/10.1017/s000186780002783x.

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In this paper we study a new kind of option, called hereinafter a Parisian barrier option. This option is the following variant of the so-called barrier option: a down-and-out barrier option becomes worthless as soon as a barrier is reached, whereas a down-and-out Parisian barrier option is lost by the owner if the underlying asset reaches a prespecified level and remains constantly below this level for a time interval longer than a fixed number, called the window. Properties of durations of Brownian excursions play an essential role. We also study another kind of option, called here a cumulat
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Vidas, Marina. "Resemblance and Devotion: Image and Text in a Parisian Early Fourteenth–Century Book of Hours Made for a French Noblewoman." Fund og Forskning i Det Kongelige Biblioteks Samlinger 53 (March 2, 2014): 33. http://dx.doi.org/10.7146/fof.v53i0.118820.

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Marina Vidas: Resemblance and Devotion: Image and Text in a Parisian Early Fourteenth-Century Book of Hours (Copenhagen, Royal Library, Ms Thott 534 4º) Made for a French Noblewoman
 The focus of this article is Ms Thott 534 4º, a small Parisian early fourteenth-century illuminated Book of Hours in the collection of the Royal Library, Copenhagen, about which up until now, very little has been published. Firstly, the textual and pictorial contents of the manuscript are listed. Secondly, the specific elements in the book which indicate that it was made for a woman are analysed. The article
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Dissertations / Theses on the topic "Parisian owners"

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Duvette, Charlotte. "Les transformations de Paris étudiées à travers l'évolution de la maison urbaine de 1780 à 1810 : projets, publications et réalité bâtie." Thesis, Paris 1, 2022. http://www.theses.fr/2022PA01H001.

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L’objectif de cette thèse est de repenser la relation entre l’évolution du tissu urbain parisien et une forme d’architecture domestique mal connue : la maison urbaine. Il ne s’agit pas de revenir sur la genèse de cet habitat, mais de questionner sont état à un moment précis : 1780-1810. Cette étude contribue à faire connaître des praticiens oubliés, à faire émerger les pratiques constructives les plus répandues, ou encore à démêler le lien entre l’image des maisons publiées et leur réalité bâtie. Les lotissements engagés à la fin de l’Ancien Régime sont davantage considérés pour leur remplissa
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Books on the topic "Parisian owners"

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Parisi, Bill. The Anatomy of Speed. Human Kinetics, 2022. http://dx.doi.org/10.5040/9781718225671.

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“In The Anatomy of Speed, Parisi has integrated science and his coaching skills to create an approach that will work for anyone wanting more speed.” Stuart McGill Professor Emeritus Author of Back Mechanic and Low Back Disorders “The Anatomy of Speed is essential reading for anyone who wants to improve speed, agility, and quickness.” Mike Woicik Six-Time Super Bowl Champion Former Head Strength and Conditioning Coach for the Dallas Cowboys and New England Patriots “Bill Parisi combines his extensive experience with invaluable input from other industry leaders to present the who, what, when, wh
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Book chapters on the topic "Parisian owners"

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Piquart-Vesperini, Magaly. "6. Étudier les wauxhalls parisiens (1766–1798)." In St Andrews Studies in French History and Culture. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0400.06.

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Dans la seconde moitié du XVIIIe siècle, les wauxhalls, salles de bal semi-éphémères, apparaissent à Paris, issus d’un transfert culturel. Ces nouveaux lieux de loisirs sont importés par des artificiers qui tentent d’adapter au goût parisien les pleasure gardens londoniens éponymes. Leur durée d’existence relativement courte, environ une dizaine d’années, laisse au chercheur peu de sources pour les étudier. En fonction de leurs commanditaires, qu’ils soient artificiers-entrepreneurs, hommes de spectacle ou grands du royaume, le traitement de leurs archives est assez inégal. L’étude de ces sour
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Whiting, Steven Moore. "From Caf’Conç;’ to Music-Hall." In Satie the Bohemian. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198164586.003.0004.

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Abstract The Folies-Bergére, founded in May 1869, became the first Parisian music-hall avant la lettre when Leon Sari assumed the directorship in 1872 and began to offer circus attractions and ballets after the model of the Alhambra in London. In 1886 the new owners of the Folies, the Allemand family, inaugurated what would become the distinguishing feature of Parisian music-hall entertainment, the revue a grand spectacle.
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Newark, Cormac. "Ceremony, Celebration, and Spectacle in La Juive." In Reading Critics Reading. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198166979.003.0008.

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Abstract Fromental Hal é vy’s La juive, famously one of the most spectacular and crowd pleasing productions of Parisian grand opéra, was criticized for being more like circus than opéra, dubbed an ‘opéra-Franconi’, after the owners of the Cirque-Olympique. Yet it proved particularly popular with audiences at the Opera, increasingly familiar with, and appreciative of, the delights of suppos edly less high-brow theatres.
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den Tonkelaar, Emilie. "From a Parisian Dining Room to a German Private Museum: Frans Hals in the Collections of Count André Mniszech and Marcus Kappel." In Frans Hals. Amsterdam University Press, 2024. https://doi.org/10.5117/9789048566068_ch12.

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Following the death of Count André Mniszech (1823-1905), a Pole living in Paris who owned seven portraits by Frans Hals, his paintings found their way into private collections, including that of Marcus Kappel (1839-1920) in Berlin. Kappel’s manner of collecting and exhibiting differed considerably from that of his Parisian predecessor. Although he owned another two pieces by Frans Hals, the Portrait of Catharina Brugman was acclaimed as one of the finest paintings in his collection.
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Goehr, Lydia. "Testament and Table." In Red Sea-Red Square-Red Thread. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197572443.003.0005.

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Chapter 5 brings Kierkegaard’s contrast of a joyful and dismal economics of thinking into contact with the writers of the Parisian bohème, and with Murger most of all. The transfiguration of the commonplace is now a constant reckoning with the marketplace. The common sign, often carved with a knife of prejudice, becomes a shared contribution to a philosophical furniture art and to a modern discourse on property as theft, where the deepest theft is of a person’s selfhood. An existential thesis dominates, whereby, through unresolved patterns and paradoxes about artworks and thoughts, artists and
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