Relevant bibliographies by topics / Parody, Pastiche / Books
To see the other types of publications on this topic, follow the link: Parody, Pastiche.

Books on the topic 'Parody, Pastiche'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 17 books for your research on the topic 'Parody, Pastiche.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Bouillaguet, Annick. L' écriture imitative: Pastiche, parodie, collage. Paris: Nathan, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Melling, John Kennedy. Murder done to death: Parody and pastiche in detective fiction. Lanham, Md: Scarecrow Press, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Pratiques de la parodie et du pastiche au cinéma. Paris: Harmattan, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Convegno internazionale di letterature comparate (1993 Venice, Italy). Parodia, pastiche, mimetismo: Atti del Convegno internazionale di letterature comparate : Venezia, 13-15 ottobre 1993. Roma: Bulzoni, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Pictorial irony, parody, and pastiche: Comic interpictoriality in the arts of the 19th and 20th centuries. Bielefeld: Aisthesis Verlag, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Murder done to death: Parodyand pastiche in detective fiction. Lanham, Md: Scarecrow Press, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Littératures francophones: Parodies, pastiches, réécritures. Lyon: ENS éditions, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Borello, Rosalma Salina. Parodie, travestimenti, pastiches e altre pratiche di riscrittura: Teorie e percorsi di lettura. Roma: UniversItalia, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Kohn, Robert E. Parody and Pastiche in Bill Kohn's Udaipur Tinsmiths. CreateSpace Independent Publishing Platform, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Parodia, pastiche, mimetismo: Atti del Convegno internazionale di letterature comparate : Venezia, 13-15 ottobre 1993. Bulzoni, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
11

Beard, Henry. Bored of the rings: A parody of J.R.R. Tolkien's The lord of the rings. [New York]: Roc, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
12

Gordon, Robert. Introduction. Edited by Robert Gordon. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195391374.013.0028.

Full text
Abstract:
This book examines how Stephen Sondheim’s work with several collaborators has altered the course of musical theater history in the United States. Consisting of twenty-seven chapters, it considers problematic questions of authorship within the framework of Broadway musical theater, focusing on intertextuality, direct influence, and original innovation. It discusses how Sondheim has integrated his aesthetic ideals and the postmodern sensibility informing his musicals, fromCompanytoRoad Show, with the commercial values of the Broadway musical. It also looks at Oscar Hammerstein II’s formative influence as mentor to the young Sondheim, the reorchestration of Sondheim’s musicals for different (and smaller) groups of musicians, the notion of the musical as a performance event, the politics of Sondheim performance in the United States, Sondheim’s interest in and sensitivity to audiovisual media such as cinema and television, and his subtle and often ironic exploitation of pastiche and parody. Furthermore, the book addresses questions of cultural, political, and personal identity posed by Sondheim’s musicals in the context of contemporary American society.
APA, Harvard, Vancouver, ISO, and other styles
13

Gordon, Robert, ed. The Oxford Handbook of Sondheim Studies. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195391374.001.0001.

Full text
Abstract:
This book examines the scope and ambition of Stephen Sondheim’s musicals by drawing on the perspectives of musicological and dramaturgical scholars, literary and film critics, and musical theater practitioners. Consisting of twenty-seven essays, it analyzes Sondheim’s radical re-invention of the artistic form of the Broadway musical in response to various traditions of artistic innovation and popular entertainment and how his work with several collaborators has radically transformed the history of American musical theatre. It explores problematic questions of authorship peculiar to the cultural milieu of Broadway musical theater by focusing on intertextuality in works ranging from Anthony Shaffer’s Sleuth (1970) to the film Hangover Square (1945) and Johann Sebastian Bach’s St Matthew Passion. It also probes the dramaturgical technique of songs that enable comic performers to act out the logic of character and plot in a meta-theatrical style and discusses the notion of the musical as a performance event, patterns of interpretation in the repeated performance of Sondheim’s musicals in the United Kingdom, the pleasures and challenges of performing these musicals in international opera houses, Sondheim’s work for cinema and television and his “cinematic” approach to musical theater, and his subtle and often ironic exploitation of genre conventions such as pastiche and parody. Finally, the book considers questions of cultural, political, and personal identity raised by Sondheim’s musicals in relation to contemporary American society.
APA, Harvard, Vancouver, ISO, and other styles
14

Jacques, Sabine. The Parody Exception in Copyright Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198806936.001.0001.

Full text
Abstract:
Parodies have been created throughout times and cultures. A glimpse at the judicial latitude generally afforded to parodies, satires, caricatures, and pastiches demonstrates the social and cultural value of this particular form of artistic expression. With the advent of technologies and the evolution of copyright legislation, creative endeavours in the form of parody were rejuvenated but became unlawful. While copyright law grants exclusive rights to right-holders, these rights are not absolute. Legislation includes specific exceptions, which preclude right-holders from exercising their prerogatives in particular cases which foster creativity and cultural diversity within that society. The parody exception pertains to this ultimate objective by permitting users to reproduce copyright-protected materials for the purpose of parody. To understand the meaning and scope of the parody exception, this book examines and compares five jurisdictions which differ in their protection of parodies: France, Australia, Canada, the United States, and the United Kingdom. It is concerned with finding an appropriate balance between the protection awarded to right-holders and the public interest. This is achieved by analysing the parody exception to the economic rights of right-holders, the preservation of moral rights, and the interaction of the parody exception with contract law. As parodies constitute an artistic expression protected under the right to freedom of expression, this book also considers the influence of freedom of expression on the interpretation of this specific copyright exception. Furthermore, this book aims at providing guidance on how to resolve disputes where fundamental rights are in conflict.
APA, Harvard, Vancouver, ISO, and other styles
15

Strugat͡skiĭ, Arkadiĭ Natanovich, and Boris Natanovich Strugat︠s︡kiĭ. Pupils' Time (Miry bratev Strugatskikh). Koch, Neff & Oetinger & Co, 1999.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
16

Andreĭ, Chertkov, ed. Vremi͡a︡ uchenikov. Moskva: AST, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
17

Heinemann, Kieran. Playing the Market. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198864257.001.0001.

Full text
Abstract:
At the dawn of World War I (WWI), the British stock market was the preserve of a wealthy elite, and most people in finance and politics agreed that it should stay this way. By the end of the century, Britain had more individual shareholders than trade union members. This book explores the financial, political, and cultural forces that brought about this dramatic change in British society. By capturing the voices and experiences of everyday investors, this study brings to life the history of Britain’s vibrant stock market culture: from the mass investment in war bonds during WWI, through the expansion of the financial press in the post-war decades, to the ‘popular capitalism’ of Margaret Thatcher’s Conservative Party during the 1980s. Throughout the century, the stock market came to play an ever larger role in people’s lives through pension funds and life insurances. But as financial securities lost their age-old stigma of being either immoral or suitable only for the upper classes, the markets also became a popular pastime for millions of Britons who were seeking higher than average returns and a similar thrill of risk and reward to that of gambling on horses or the football pools. Playing the Market forcefully reminds us that gambling is not—as many financial professionals would have us believe—a parasitical element to the otherwise rational and prudent sphere of modern finance. Instead, it is one of its constituent features and explains why until this day, the stock market is either criticized or celebrated as a casino.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the bibliographies on the topic 'Parody, Pastiche' for other source types:
Journal articles Dissertations / Theses
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography