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Books on the topic 'Parole en archipel'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

Char, René. La parole en archipel. Gallimard, 1986.

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2

Char, René. La parole en archipel. Gallimard, 1986.

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3

1907-, Char Rene, ed. Les Matinaux: Suivi de La parole en archipel. Gallimard, 1987.

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4

Paroles rencontres: Ouvrir les archives "Henri Meschonnic". L'Atelier du grand tétras, 2013.

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5

Francesca, Topputi, and Conservatorio di musica "Nino Rota" di Monopoli, eds. Musica e parole: L'archivio di Orazio Fiume (1908-1976). Florestano, 2012.

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6

Parole e immagini dal manicomio: Studi e materiali dalle cartelle cliniche tra Otto e Novecento. B. Mondadori, 2011.

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7

Pugh, Barbara Smith. Clarence W. Love Undertaking Parlor obituaries, 1905-1915. Phelps County Genealogical Society, 1989.

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8

Brunetta, Manuela. Archivio Parise: Le carte di una vita : catalogo filologico-archivistico dei materiali documentari conservati presso il Centro di cultura Goffredo Parise di Ponte di Piave. Canova, 1998.

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9

Char, Rene. La\Parole en Archipel. French & European Pubns, 1986.

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10

La parole ressuscitée : Dans les archives littéraires du KGB. Robert Laffont, 1993.

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11

Chentalinsky-V. La parole ressuscitee : Dans les archives litteraires du kgb. Hachette Littérature, 1994.

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12

McHugh, Dominic. The Big Parade. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197554739.001.0001.

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Meredith Willson is best remembered as the composer, lyricist, and book writer of The Music Man, one of Broadway and Hollywood’s most enduring works. But it was just one of his four stage musicals and just a small part of his career as a whole. This book uses newly available archival sources from New York, Indiana, and Wisconsin to reassess Willson’s contribution to the musical theater canon, including in-depth analysis of The Unsinkable Molly Brown, Here’s Love, and 1491, in addition to completely new information about the genesis of The Music Man.

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13

Praz, Anne-Françoise, Lorraine Odier, Thomas Huonker, Laura Schneider, and Marco Nardone. «... je vous fais une lettre». Retrouver dans les archives la parole et le vécu des personnes internées / Die Stimme der internierten Personen in den Archiven. Chronos Verlag, 2019. http://dx.doi.org/10.33057/chronos.1514.

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14

Menzer, Paul. Archives and Anecdotes. Edited by James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.25.

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‘Archives and Anecdotes’ pursues a historical syntax that can parse both words, since the two have traditionally been understood to exercise independently if not to outright antagonize one another. This chapter argues, however, that theatre anecdotes have at least as much to say about performance as they do about theatre history and myths; therefore it moves away from an assessment of the role anecdotes play in traditional historiography and towards an exploration of how they function in performance studies. Working through several examples, ‘Archives and Anecdotes’ ultimately argues that thea

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15

Carlson Hasler, Laura. Archival Historiography in Jewish Antiquity. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190918729.001.0001.

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If history is narrative, then Ezra-Nehemiah is only partly history. Well over half of Ezra-Nehemiah is not a narrative but rather a patchwork of cited texts that are frequently intervening in the story. The capacity of citations in Ezra-Nehemiah to offend the historiographical, aesthetic, and theological sensibilities of scholars invites the question of what citation accomplishes in this context. This book labels the citation style in Ezra-Nehemiah as “archival historiography.” It argues that the act of citation in Ezra-Nehemiah forms an alternative site of archiving and this hybrid literary f

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16

Boutin, Aimée. Sonic Classifications in Haussmann’s Paris. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039218.003.0004.

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This chapter investigates repeated attempts to control street noise in order to cleanse Paris of its antiquated soundscapes, which social policy makers associated with mendicancy, vagrancy, sedition, and economic parasitism. Conversely, amateur historians, preservationists, bibliophiles, collectors, and musicologists were enthralled by what Victor Fournel called the “plaintive cry of Old Paris,” which stood for the resistance to modernity. In their nostalgic writings, these members of the elite circulated shared cultural memories of street cries that erased peddlers' associations with sedition

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17

Gopinath, Sumanth, and Pwyll ap Siôn, eds. Rethinking Reich. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190605285.001.0001.

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Although the composer Steve Reich (b. 1936) has been described as “the most original musical thinker of our time,” who has received innumerable accolades in a career spanning more than fifty years, his music remains nevertheless underresearched. However, during the past ten years, renewed interest has been shown in the music of this seminal figure, partly generated through the acquisition of the Steve Reich Collection at the Paul Sacher Stiftung in Basel, Switzerland. Rethinking Reich is the first edited volume on a musical figure considered by many to be America’s greatest living composer. Wi

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18

Butler, Lynn Edwards. Bach’s Report on Johann Scheibe’s Organ for St. Paul’s Church, Leipzig. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040191.003.0001.

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This chapter revisits Johann Sebastian Bach’s 1717 report on Johann Scheibe’s organ for St. Paul’s Church at the University of Leipzig. On December 16, 1717, Bach examined the organ “partly newly built and partly renovated” by Scheibe for St. Paul’s Church. Bach’s report, written the following day, is deemed successful by contemporary sources. Scheibe himself said the organ was “found [to be] free of even the smallest major defect,” to which the University agreed. However, Gottfried Silbermann’s early twentieth-century biographer Ernst Flade claimed that Scheibe’s organ was a mediocre instrume

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19

St. Clair, Robert. (Conclusion) Other Bodies. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198826583.003.0006.

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Focusing on Rimbaud’s artistic activity in the Cercle zutique in the autumn of 1871, Chapter 5 proposes that we think of parody as a form of dialogical poetic critique, an artistic practice illustrating, in condensed form, the over-arching argument concerning poetic materiality that is at the heart of the present study. In the Album zutique we find Rimbaud at the center of an ephemeral poetic community that doubles as a sort of archive of the recently repressed Paris Commune, and we find Rimbaud himself gleefully pushing the limits not only of acceptable poetic and social behavior, but of Fren

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20

Hintz, Lisel. National Identities in Turkey. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190655976.003.0003.

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This chapter presents the empirical data collected and analyzed through intertextual analysis to extract competing proposals for Turkish national identity among the country’s population. The analysis includes examination of social and news media sources, interviews, surveys, and archives. The empirical data are also collected from popular culture sources such as novels, television shows, and films to capture vernacular discourse otherwise inaccessible to the researcher. The chapter employs a framework of identity content to parse out the constitutive norms, social purposes, relational meanings

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21

Guiney, Thomas. Getting Out. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198803683.001.0001.

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Getting Out explores the evolution of early release in England and Wales between 1960 and 1995. In the past three decades crime has become a highly contested political issue with implications for the humanity, fairness, and effectiveness of the criminal justice system. This book seeks to turn current crime debate on its head and examine the circumstances in which politicians and policy-makers have found it desirable to reduce the custodial element of a prison sentence and encourage the rehabilitation offenders in the community. Drawing upon a period of detailed archival research this book cons

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22

Harris, Andrea. Making Ballet 3. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199342235.003.0007.

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Making Ballet 3 provides a choreographic analysis of the ballet Western Symphony, produced by the New York City Ballet in 1954 with choreography by George Balanchine, music by Hershy Kay, scenery by John Boyt, and costumes by Karinska. It brings to light the multitude of intertextual allusions that occur throughout the ballet, playfully intermingling references of “America” with an entire lineage of nineteenth-century European classicism. Although Western Symphony has no story line, it crafts a deliberate message: a long, transatlantic genealogy of Western classicism that, in the twentieth cen

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23

Clark, Catherine E. Looking Back, Looking Forward. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190681647.003.0007.

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The Vidéothèque de Paris, a video archive of the city’s past that opened in 1988, provides the opportunity to take stock of over a hundred years of putting pictures of Paris’s past at the heart of municipal policy and prestige. While its futuristic viewing pods, robots, and searchable databases seem to predict the future of the Internet, video-sharing platforms, and digital history, the Vidéothèque also reveals how the production and circulation of images are not just windows onto urban change but part and parcel of that history. Photographs shaped the historical imagination in the twentieth c

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24

Rutherford, Ian. Hittite Texts and Greek Religion. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199593279.001.0001.

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There has been a lot of interest in recent decades in the question of whether ancient Greek religion was influenced by the religions of the Ancient Near East. This book examines the relationship between Greek religion and the religious system of the Hittites, as we know it from cuneiform texts perserved in the Hittite archives. The question seems worth exploring partly because the Hittite texts are such a rich source for religion, documenting religious practices of many cultures Anatolia in the Late Bronze Age (e.g. the Luwians), and partly because the Hittites are known to have been in contac

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25

Salzberg, Ana. Produced by Irving Thalberg. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474451048.001.0001.

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Irving Thalberg was not just a critically important producer during Hollywood’s Golden age, but also an innovative theorist of studio-era filmmaking. Drawing on archival sources, this is the first book to explore Thalberg’s insights into casting, editing, story composition and the importance of the mass audience from a theoretical perspective. The book argues that Thalberg’s views represent a unified conceptual understanding of production – one that is still significant in the modern day. It examines Thalberg’s impact on film-historical turning points, including the transition from silent to s

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26

Clark, Catherine E. Paris and the Cliché of History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190681647.001.0001.

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Focusing on one of photography’s birthplaces, Paris and the Cliché of History tells the story of how photographs came to be imagined and deployed as documents of the past. It uncovers the changing conventions that drove the formation of public photo archives, the inclusion of photos on the pages of illustrated books, their place in historical exhibitions and public festivals, and the organization of amateur photo contests to document Paris. It explores how contemporaries looked at photos, new and old, through the lenses of war, occupation, urban renovation, and other traumas. From this point o

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27

James, Simon. The Roman Military Base at Dura-Europos, Syria. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198743569.001.0001.

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Dura-Europos, a Parthian-ruled Greco-Syrian city, was captured by Rome c.AD165. It then accommodated a Roman garrison until its destruction by Sasanian siege c.AD256. Excavations of the site between the World Wars made sensational discoveries, and with renewed exploration from 1986 to 2011, Dura remains the best-explored city of the Roman East. A critical revelation was a sprawling Roman military base occupying a quarter of the city's interior. This included swathes of civilian housing converted to soldiers' accommodation and several existing sanctuaries, as well as baths, an amphitheatre, hea

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28

Oppitz-Trotman, George. Stages of Loss. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198858805.001.0001.

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Stages of Loss supplies an original and deeply researched account of travel and festivity in early modern Europe, complicating, revising, and sometimes entirely rewriting received accounts of the emergence and development of professional theatre. It offers a history of English actors travelling and performing abroad in early modern Europe, and Germany in particular, during the sixteenth and seventeenth centuries. These players, known as English Comedians, were among the first professional actors to perform in central and northern European courts and cities. The vital contributions made by them

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